5. Bodhidharma Meditating Facing a
Cliff, hangingscroll, ink on
paper, Song dynasty, Cleveland
Museum of Art.
Koreo Nobutada (1565-1614),
Meditating Daruma, ink on paper.
“Quietness and emptiness is enough
to pass through life without error”
6. Kinkakuji (“Golden Pavilion”), Rokuon ji, Kyoto 、 original structure, late
fourteenth century, Muromachi period, rebuilt in the 1950s.
9. Karesansui 枯山水 dry rock garden
Ryōanji temple, Kyoto, c. 1499,
Muromachi period.
10. Sesshū Tōyō, Winter Landscape, c. 1470-80, Muromachi period, one of a pair of
hanging scrolls, ink on paper, 47.8 x 30.2 cm, Tokyo National Museum.
11. Attributed to Sen no Rikyū, Tai-an Tearoom,
Myōki-an temple, Kyoto, c. 1582.
15. Kanō Naizen, Namban (Southern Barbarian) Screens, 1598-1615, late
Momoyama-Edo period, a pair of six-panel folding screen, ink, color and
gold leaf on paper, 154.5 × 363.2 cm each, Kōbe City Art Museum;
detail 1; detail 2.
16. Ogata Kōrin (1658-
1716), Eight-Planked
Bridge, 18th century,
Edo period, a pair of
six-panel folding
screens, color on gilded
paper, 179.1 x 371.5
cm, The Metropolitan
Museum of Art, New
York.
17. Ogata Kōrin (1658-1716),
Eight-Planked Bridge
Writing Box, 18th
century, Edo period,
maki-e lacquerware with
gold and silver inlay,
Tokyo National Museum.
18. Katsushika Hokusai, Great Wave at Kanagawa, from Thirty-Six Views of
Mt. Fuji, c. 1830-1832, Edo period, color woodblock print, 25.4 x 38.1 cm,
the Metropolitan Museum of Art.
19. Hōgai Kanō, Kannon Merciful Mother), 1888, Meiji period, pigments
on silk, 196 x 86.7 cm, Tokyo University of Arts.
20. Seiki Kuroda, Lakeside, 1897, Meiji period, oil on
canvas,68 x 83 cm, National Research Institute for
Cultural Properties, Tokyo.
21. Yorozu Tetsugorō (1985-1927), Nude Beauty, 1912, Taishō period,
oil on canvas, 162 x 97 cm, National Museum of Modern Art, Tokyo.
24. Miyamoto Saburō, The Meeting of Gens.Yamashita andPercival, 1942, Shōwa
period, oil on canvas, 180.7 × 225.5 cm, on permanent loan by the US
government to the National Museum of Modern Art, Tokyo.
25. Miyamoto Saburō, The Meeting of Gens.
Yamashita and Percival, 1942, Shōwa
period, oil on canvas, 180.7 × 225.5 cm,
on permanent loan by the US
government to the National Museum of
Modern Art, Tokyo.
February 15, 1942. Battle of Singapore,
British Surrender, 1942, photograph,
Imperial War Museum, London.
26. Yokoyama Taikan (1868-1958), Japan where the Sun Rises, 1940, Shōwa
period, ink and color on paper, 234.0 x 449.0 cm, Imperial Household
Agency, Tokyo.
27. Katsushika Hokusai, Great Wave at
Kanagawa, from Thirty-Six Views of
Mt. Fuji, c. 1830-1832, Edo period,
color woodblock print.
Yokoyama Taikan,
Japan where the
Sun Rises, 1940,
Shōwa period, ink
and color on
paper, 234.0 x
449.0 cm
28.
29. Katsushika Hokusai, Storm below Mt. Fuji; Fujimigahara in Owari Province, from Thirty-Six
Views of Mt. Fuji, c. 1830-1832, color woodblock print.
Yokoyama Taikan, Shining Japan, 1942, a pair of 8-panel folding screens, 381.8 x
175.8 cm, Kawamura Memorial Museum.
Notes de l'éditeur
The scene of “Yatsuhashi (Eight Bridges)” from the Tales of Ise, a Heian period literary work by an anonymous writer.
No narrative content except the bridges – but even these bridges are
