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2011
ABSA L’ATELIER
CREATIVITY
TAKES
COURAGE
NATIONAL SELECTION PANEL
Vulindlela Nyoni
Co-ordinator of National Selection
Frikkie Eksteen
David Jones
Brett Murray
David Paton
Air ticket to Paris, France, sponsored by Absa
This catalogue has been compiled by Dr Paul Bayliss, Art Curator of Absa
Photography by Richard Hughes
Design and layout by Betelgeuse Advertising
2011 L’Atelier Awards Catalogue
Published by Absa, member of the Barclays Group.
ISBN 978-0-620-50655-7
FOREWORD
ABSA L’ATELIER 2011
Absa is a world-renowned patron of the arts and the proud sponsor of the 26th
Absa L’Atelier art competition. It’s not only the oldest arts award in the Southern
Hemisphere, it is also the richest in Africa. And it remains the most prestigious
award on any South African artist’s CV.
Aimed at nurturing young talent, Absa L’Atelier serves as a platform for young
emerging artists to make their mark in the South African arena and is instrumental
in launching many careers in the visual arts. Not only does Absa create a platform to
showcase their work through this competition, but we have also been increasingly
active in identifying, nurturing, promoting and sponsoring these artists through our
gallery. A number of the finalists have developed into success stories.
We would like to take this opportunity to express our gratitude to our co-sponsors
for their continued support for the Absa L’Atelier and their investment in our young
artists.Without SANAVA, the French Embassy, the French Institute and Alliance
Françiase, this initiative would not be possible.
Further testimony to the success of our competition is the steady rise in the quality of
works entered.This year the standard was exceptionally high and the judges had their
work cut out to select the finalists, the merit award winners and the two top awards.
I would like to congratulate our winners. Make the most of this wonderful opportunity
to further your careers.We will be watching with interest as many of you go on to
become internationally recognised artists.
And to all the other finalists, I hope you will use the valuable experience you have
gained through this process well. Please keep up the good work.
Maria Ramos
Group Chief Executive
1
The Absa L’Atelier art competition
is presented annually by Absa in
conjunction with SANAVA (South African
National Association for the Visual Arts).
It is a competition for young artists in
the age group 21 to 35 years.Works of art
were selected in Bellville, Bloemfontein,
Durban, Johannesburg, East London,
Port Elizabeth, Polokwane, Pretoria
and Thohoyandou by a local panel of
selectors guided by Vulindlela Nyoni
on behalf of the National President
of SANAVA.The selected works of art
were sent to Johannesburg for final
adjudication.
AWARD
ABSA L’ATELIER
2
CONGRATULATIONS
Artists need platforms from which to be heard.The Absa L’Atelier competition and
exhibition provides a national and very prestigious platform and is a highlight in the
South African Arts calendar.This event shows the issues and media that occupy young
artists’s minds, and what they feel is relevant at the moment.This is their dialogue
with society.
As the longest running annual competition and exhibition we have seen the art on
offer become more open, less urban, reflecting human diversity.Young artists today
have a shared history but come from different cultural contexts. Exhibitions such as
these document the evolution of the role of art, artists and the cultural industry in
this country.
Let us hope that we are not only creating expectations. Artists need the means
and infrastructure for artistic expression. May this inspire other corporate and
governmental bodies to support the endeavours of young artists. As a partner
of its affiliated member, the Absa Group and the South African National Association
for the Visual Arts is proud to co-present the Absa L’Atelier competition for the
26th
consecutive year.
Dirkie Offringa
National President
South African National Association for the Visual Arts (SANAVA)
3
Gerard Sekoto (1913 – 1993)
Sekoto was born in Botshabelo near
Middelburg in the former Transvaal on
9 December 1913. His early paintings
depicted scenes from Sophiatown,
District Six and Eastwood near Pretoria.
He left South Africa in 1947 for Europe
and settled in Paris in voluntary exile
where he lived until his death in 1993.
As an African Parisian he always yearned
for his South African roots and identity,
which he depicted with much nostalgia
in many of his works.
In Paris and with the support of the
loving French public, doors eventually
opened for Sekoto to explore his own
creativity.With this award we honour
Gerard Sekoto.The French Embassy,
the French Institute and the Alliance
Française, felt it appropriate to create
such an award to support the most
promising artist with an income of less
than R60 000 per annum.This award
will hopefully open yet another door for
a young South African artist in the city
of love and art, namely Paris.
AWARD
GERARD SEKOTO
4
The selection of artwork for any
competition is by no means an easy feat.
In recent public discourses on the nature
of contemporary South African art and
some contentious issues surrounding
curatorship, the notion of having a finger
on the pulse of what is fresh, innovative
and challenging is as much under scrutiny
as what artists are making at the moment.
For those established artists, participating
in these discourses they can choose to be
seen or not. For those yet to be established
the difficulty is in being afforded the
opportunity to be seen in the first place.
I believe that this is what makes a
competition such as the Absa L’Atelier
significant. Inasmuch as what is
‘happening’ and what is ‘new and fresh’
in the art world, this platform pays a
different service to those who take part
in it. The competition is itself in its 26th
year and therefore has a set history and
perhaps responsibility grounded in the
launching of new artistic talent onto the
landscape of South African aesthetics.
The extensive list of past winners and
participants who have benefitted from
this showcase is testament to this fact.
I wish to make it clear to prospective
participants that this competition should
be seen as possible initiation of a career
in the visual arts, nationally and more
INTRODUCTION
so internationally. It is undeniable that
those who have taken part in the process
by submitting their work for selection
and furthermore those who have been
selected for the final exhibition have
gained in one way or another. To this,
I turn to some of the time-honoured
merits of having your work seen, exposure
and (for some), recognition.
This year is significant in that during the
course of the selection process new and
interesting visions have started to emerge
in the guise of newly realised practitioners
and those who, after some time, have
decidedly matured in their vision although
never having had the opportunity to
be seen as it were. Naturally, the problems
that arise in having a ‘juried’ exhibition
remain, but in among the process of
ensuring the selection of quality work,
ideas arose as to how to make things
better for future Absa L’Ateliers. In
conversation with Paul Bayliss, the new
curator of the Absa Gallery, it was clear
that quality and the growth of quality
in the work of new artists are part of
the main agenda of the Absa L’Atelier.
Mention must be made here of the
sterling work done by the previous curator
Cecile Loedolff in the previous years of
this competition. At the various centres
I visited, the sentiment was echoed by the
other curators and selectors I met. Having
established criteria that were centred on
technical execution, originality of vision
and relevance to contemporary discourses
in art, aided in ensuring that quality work
selected was of quality. For that I thank all
my fellow selectors in each province that
I visited for their time and expertise in
assisting in this endeavour.
Thematically the work on show in the
final exhibition explores a wide range of
subjects, but what is clear is a growing
introspective or subjective response
on the part of the artists to the world
that they live in. Artists are indeed now
able to reflect on their own particular
voices. Matters of absence, home, origin
and individuality are prevalent in the
exhibition but more so the relationship
of the artist’s vision to the communal
expressive space. On the whole I am
honoured and privileged to have been
part of the selection process and to
have seen the development of new
visions put forward by these artists and
wholeheartedly congratulate each and
every participant in the process, and to
those who were selected, well done!
Vulindlela Nyoni
2011 Co-ordinator of National
Selection Panel
5
Colour, separation
Oil on fabriano
13 cm x 64 cm (Triptych)
GROSE, IAN
CAPE TOWN
2011 WINNER
6
Anthropomorphic spaces 3
Mixed media
120 cm x 115 cm x 70 cm
ISABEL MERTZ
PRETORIA
MERIT AWARD
7
iXOXO
Upholstered steel bench and video
GELDENHUYS, AMBER-JADE
JOHANNESBURG
MERIT AWARD
8
In space and time
Lightjet print
46 cm x 59 cm
GAUNTLETT, ALICE
CAPE TOWN
MERIT AWARD
9
The beginning and the end
Digital prints on paper
21 cm x 24 cm
SPRING, SARAH
JOHANNESBURG
MERIT AWARD
10
GERARD SEKOTO WINNER
Anthropomorphic spaces 3
Mixed media
120 cm x 115 cm x 70 cm
MERTZ, ISABEL
PRETORIA
11
1
2
3
TOP 10 FINALISTS
1. GERHARDT COETZEE
2. ALICE GAUNTLETT
3. AMBER JADE GELDENHUYS
4. IAN GROSE
5. JESSE HAMMOND
6. ISABEL MERTZ
7. JACOBUS VAN SCHALKWYK
8. BAMBO SIBIYA
9. SARAH SPRING
10. SOFIA STODEL
3
4
12
6
7
5
8
9 10
6
7
8
9
13
BEZUIDENHOUT, KARIN
PRETORIA
PROFILE:
Bezuidenhout was born in 1979 and
studied BA(FA) at the University
of Pretoria. She also received a
Postgraduate Certificate in Education
from the University of Pretoria. She
has participated in several exhibitions,
including the Absa L’Atelier exhibition
in 2009.
DESCRIPTION
OF ARTWORK:
This work reflects the desperation of
so many hopeful men and women,
especially from places like Soweto, where
this photo was taken, to get a job and
escape the consequences of poverty.
Zuma’s promise
Photography and Photoshop
54 cm x 47 cm
14
PROFILE:
Bhana was born in 1986 and studied
BTech (FA) at the Tshwane University
of Technology, Pretoria. She has
participated in several exhibitions.
DESCRIPTION
OF ARTWORK:
We are meant to move towards
self-discovery and spiritual maturity,
to be ready and able to live a life that
matters to us and those around us.
We need to feel the energy of the
chakras, as the origin of our own power
– as the energy that fuels our biology.
For when our angle of perception
is wrong, our interaction with the
world is wrong, and it is only once
we realise the stuff of which we are
made that we realise that we have no
choice but to live a spiritual life.
Moksh
Mixed media
180 cm x 60 cm
BHANA, POORVI
PRETORIA
15
BIYELA, SIPHESIHLE NDNKANYISO
DURBAN
PROFILE:
Biyela was born in 1986 and studied
BA(FA) at Rhodes University,
Grahamstown. She has participated
in several exhibitions.
DESCRIPTION
OF ARTWORK:
This is the artist’s family portrait.The
artist has worked with the symbolism
of locks inscribed onto or embossed
onto the work.The technical drawings
of the inner workings of the lock have
a dual meaning of both protection
and trapping.Within a family lies
influences, voices of guidance and
wisdom and advice, which are to shape
an individual while in the process
that some influence may hinder the
individual from finding his or her own
true voice.There are also invisible
bonds that keep the family unit intact
– mutual strong voices of influence.
The bonds of the family
Mixed media
182 cm x 122 cm
16
PROFILE:
Blazey was born in 1989 and studied for a
Diploma in Fine Arts at Nelson Mandela
Metropolitan University,
Port Elizabeth.
DESCRIPTION
OF ARTWORK:
The Isle of the Faiakes is a nightmare the
artist had where the number 3 featured
strongly, overpowering the artist.
The Isle of the Faiakes
Oil on canvas
172 cm x 132 cm
BLAZEY, KEEGAN ROSS
PORT ELIZABETH
17
BROPHY, JOHN ROBERT
JOHANNESBURG
PROFILE:
Brophy was born in 1980 and completed
his NSC at the National School of the
Arts. He also obtained a diploma for
3D animation from the Boston Media
House. He participated in the Absa
L’Atelier Exhibition in 2010.
DESCRIPTION
OF ARTWORK:
This four-piece painting – which can be
viewed from any angle – folds into an
8-page book.
Freak goat trophy
Acrylic on Superwood
30 cm x 22 cm
18
PROFILE:
Cachalia was born in 1984 and studied
BA(FA) at the University of Cape Town
and an honours from the University
of the Witwatersrand. She has
participated in several exhibitions.
DESCRIPTION
OF ARTWORK:
This piece is a selection from an
exhibition, which explores the
similarities between fashion and
religion, drawing a comparison
between the fanatical authoritarian
practice of fashion and religion and
the way icons are represented and
relied upon in both these systems.
The artist hopes to show how fashion
can appear harmless and pretty but
is as obsessive and dangerous in its
autocracy as religion can be.
If God was Ana Wintour and Vogue was the Bible
Oil and spray paint on canvas
48 cm x 60 cm
CACHALIA, LUIZA
JOHANNESBURG
19
CAMPBELL, PETER MIKAEL
CAPE TOWN
PROFILE:
Campbell was born in 1982 and studied for
the National Diploma in Fine Arts at the
Nelson Mandela Metropolitan University,
Port Elizabeth.He also has a BTech (FA) degree
specialising in sculpture at the same university.
He has participated in a number of exhibitions,
including the Absa L’Atelier in 2008 and 2009.
He was selected as one of the top ten finalists
in 2009.
DESCRIPTION
OF ARTWORK:
The work explores the realistic application
of Joseph Beuys’theory of Social Sculpture
beyond utopian rhetoric. It can be understood
as a quiet inquiry into the pedagogic and
homeopathic potential of art,particularly
between the artist and the art-making process.
The work can be seen as a journey into the
creative constellations of the self,into the
joy and subtle beauty of secrecy and surprise
and into the enigmatic and nuanced poetry
underpinning phenomena.
Beyond ‘Infiltration homogenous for grand piano’
Mixed media
70 cm x 15 cm x 15 cm
20
PROFILE:
Cochrane was born in 1986 and studied
for a BA(FA) at the University of Pretoria.
He has participated in a number of
exhibitions.
Projection. Repression. Guilt. 2010/11
Light installation
110 cm x 35 cm
COCHRANE, ROZAN
PRETORIA
DESCRIPTION
OF ARTWORK:
This artwork comprises of faces
constructed by light and shadow.
It engages with Carl Gustav Jungs’
concepts of the latter; which he
proposes the shadow to symbolise
subconscious inferiorities.
21
COETZEE, GERHARDT
PORT ELIZABETH
PROFILE:
Coetzee was born in 1983 and studied for a
National Diploma in Photography at the Nelson
Mandela Metropolitan University,Port Elizabeth.
He has participated in a number of exhibitions,
including the Absa L’Atelier Exhibition in 2009
and 2010.
DESCRIPTION
OF ARTWORK:
Structures and symbols of religion are familiar
signs in the South African cityscape. So familiar
that we tend to look past them.The artist places
the image within a landscape to defamiliarise
these signs and allows us to look anew at what
they signal about us as human beings in general.
On one level they speak of the perpetual human
need to insist that there is more, that there is
something beyond the here and now, that there
is a way to transcend our (mortal) nature.The
image communicates this message through
landscape,articulating this profound human
concern in the midst of a silent landscape.
Rainbow chicken
Photographic print on cotton paper
60 cm x 90 cm (Diptych)
22
Untitled (Rhino)
Oil on canvas
99,5 cm x 14o cm
COPPINGER, JENNIFER
EAST LONDON
DESCRIPTION
OF ARTWORK:
Inspired by Ovid’s metamorphosis. The
painting is based on dreamspace, a space
suspended between illusion and reality.
The artist was also inspired by numerous
dreams she experienced with animals.
23
PROFILE:
Crawshay-Hall was born in 1987 and
studied for a BA(FA) at the University of
Pretoria.
DESCRIPTION
OF ARTWORK:
The work is founded on large-scale
bubblewrap portraits.Within the series
of five, the self-portrait represents a
white population and the four other
portraits representing Black, Coloured,
Indian and Asian, which are pictorially
included at the top of each colour
swatch.The artist explores the notion
that part of a subject’s identity tends
to be race and colour. She draws on this
notion and attempts to deconstruct it,
conveying that colour is not what makes
us different and that colour is vastly
similar within various races – through
the use of swatching the colour of each
bubble in a colour swatch.
Colour: [un]wrapped, colour swatches
Digital print on paper
150 cm x 170 cm
CRAWSHAY-HALL, JAYNE KELLY
PRETORIA
24
CRUSE, CANDICE
EAST LONDON
PROFILE:
Cruse was born in 1989 and is currently
studying at Rhodes University,
Grahamstown.
DESCRIPTION
OF ARTWORK:
This work forms part of a larger body of work
entitled‘The Context is in theTitle’.The works
are an exploration of art historical references
from the late 19th and early 20th centuries,
in which women were displayed together
in intimate poses.The artist inserted herself
into the images to embody each character.
Through the drawing process, the artist
became aware that the work emphasised the
space of the absent other. By stripping the
work of all contexts,i.e. time period,clothing,
the background and the interaction with
the missing figures, the drawing becomes
decontextualised.Thus, the body of work
evokes an enhanced sense of loss and balance.
After Gabrielle d’estre et de duchesse D’Villars (Part 1)
Colour chalk pastel on Fabriano
150 cm x 97 cm
25
CRUSE, CANDICE
EAST LONDON
After Gabrielle d’estre et de duchesse D’Villars (Part 2)
Colour chalk pastel on Fabriano
150 cm x 97 cm
26
PROFILE:
Daling was born in 1983 and studied for
a BA(FA) at the University of Pretoria.
DESCRIPTION
OF ARTWORK:
The blue duiker’s head is full of gall,
don’t eat the tripe. Take off the barcode
and screw on the “boord”. Somebody is
going to pound him. Little boys don’t
do it, you hear. Remove your hat, I’m
afraid you might say the wrong thing.
Who is truly like a rhebuck? The buck
leaves its own footprints and sheds its
own tears – he is his own buck. Who
will tell the buck where to go and what
to go? Cut its throat and become a
man or tame it. I might as well just as
well push its head through a plate.
I think my name is bok-bok.
Afval
Mixed media
25 cm x 25 cm x 25 cm
DALING, ROELF JOHANNES
PRETORIA
27
DIKGALE, LEROLE DALSON
POLOKWANE
DESCRIPTION
OF ARTWORK:
Crockery made of terracotta clay and
supported by a steel stand.
Poverty
Mixed media
87 cm x 29 cm x 59 cm
28
PROFILE:
Engelbrecht was born in 1983 and studied for a
BA(FA) at the University of Stellenbosch. She also
has an MA in Visual Art from the same university.
She has participated in a number of exhibitions
and won a number of accolades.
DESCRIPTION
OF ARTWORK:
The work is a contemporary interpretation of
Hieronymus Bosch’s 16th
century painting, the
Garden of Earthly Delights.The central panel
of Bosch’s triptych shows a fantastical world
where sexually liberated naked figures frolic
among bizarre fauna and flora. One of the most
prominent characteristics of post-modern visual
culture is the sheer excessiveness of spectacles.
In today’s Westernised world we are constantly
exposed to images of excess, thereby turning us
all (willingly or not) into voyeurs.Visual culture
today is saturated with images, and by restricting
the collage of pictures from books and magazines,
the artist hopes to facilitate critical reflection of
excess prevalent in contemporary culture.
Saturated spectacle (After Hieronymus Bosch)
Collage
124 cm x 140 cm
ENGELBRECHT, LARITA
CAPE TOWN
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29
ERASMUS, STEPHAN
JOHANNESBURG
PROFILE:
Erasmus was born in 1976. He studied for
the National Diploma in Fine Arts at the
Witwatersrand Technikon, as well as for
the BTech (FA) degree at the Witwatersrand
Technikon. He also completed a Master’s
degree in Fine Arts at the University of
the Witwatersrand. He has participated
in several exhibitions, including the Absa
L’Atelier exhibition in 2000, as well as the
Absa L’Atelier exhibitions in 2004, 2006,
2008 and 2009. He was selected as one of
the top ten finalists in 2008 and a Merit
Award winner in 2009.
DESCRIPTION
OF ARTWORK:
The book contains the full text of TheWaste
Land and Other Poems by T.S. Eliot.The work
explores aspects of‘reading’text/image. The
work was silkscreen printed and bound using
a concertina binding system.
Wasteland
Mixed media
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30
DESCRIPTION
OF ARTWORK:
‘Tou opgooi’is a scroll book that takes a
motto used in raising young Afrikaner
children“Moenie tou opgooi nie maar
baklei tot die bitter einde”(don’t throw
in the towel but fight till the bitter end).
The repeated text is tied to the
cotton thread every 40 cm, rolled into
a scroll and placed in a clamshell box
especially designed for the scroll.
The text was selected because the
source of the text is a book published
in the 1950’s in South Africa, and
puts forward a set of mottos for the
promotion of the Afrikaner culture in
South Africa at the point in the artist’s
history.The book does not however put
forward discrimination of any kind but
rather just the growth and promotion of
an Afrikaner lifestyle, strongly connected
to the religious doctrine of the time.
Tou opgooi
Mixed media
ERASMUS, STEPHAN
JOHANNESBURG
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31
GAUNTLETT, ALICE
CAPE TOWN
PROFILE:
Gauntlett was born in 1988 and has
a BA(FA) from the Michaelis School
of Fine Art, University of Cape Town.
She participated in the 2010 Absa
L’Atelier exhibition.
DESCRIPTION
OF ARTWORK:
This work concerns the increasing sense
of isolation of many people within
our society, whether it be from social,
cultural or political divides.The vehicle of
the domestic environment emphasises,
as it places this emotion in a place where
we are meant to feel connected to our
family and by proxy to the world.
In space and time
Lightjet print
46 cm x 59 cm
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32
PROFILE:
Geldenhuys was born in 1982 and studied for the National
Diploma in Fine Arts at the University of Johannesburg.
She also has a BTech (FA) from the same university and is
currently studying for a Master’s qualification from the
University of the Witwatersrand. She participated in the
Absa L’Atelier exhibition in 2010.
DESCRIPTION
OF ARTWORK:
The artist makes use of a kreepy krauly and the surveillance
camera of a housing unit as symbols of cultural markers of
the South African middle and upper classes. In residential
spaces one will find kreepy kraulys and electric fences
co-existing.This seems an odd combination; one is a
commodity of leisure, associated with fun, and the other
a technology of defence, denoting war and control.Their
juxtaposition sends out mixed messages to inhabitants
because of their significance which contradict one another.
The artist reconfigures the functionality of these objects,
transforming their original purpose, materials, dimensions,
form and meanings, playing on their suggestive
physiological, sociological and cultural associations.
XOXO
Upholstered steel bench and video
GELDENHUYS, AMBER-JADE
JOHANNESBURG
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33
GELDENHUYS, AMBER-JADE
JOHANNESBURG
iXOXO
Upholstered steel bench and video
34
PROFILE:
Gigaba was born in 1984 and has a BA(FA)
from the University of KwaZulu-Natal.
DESCRIPTION
OF ARTWORK:
This work draws an analogy between
the education received from formal
education institutions and the
informal ones. Inspired by folklore,
which tells of a friendship’s betrayal
where the moral of the story is ‘what
goes around comes around’. This image
highlights a scene in the story where a
frog had its leg tied to his dead friend,
the rat, which is captured by the flying
eagle. In the end they are both its prey.
Awu Xoxo Wenzani?
Screenprinting and embossing on paper
64 cm x 78 cm
GIGABA, MUZIWANDILE
DURBAN
35
GROSE, IAN
CAPE TOWN
PROFILE:
Grose was born in 1985 and has a BA(FA)
from the University of Cape Town.
He also has a postgraduate diploma
in FA from the same university.
Colour, separation
Oil on Fabriano
13 cm x 64 cm (Triptych)
36
PROFILE:
Hammond was born in 1988 and
graduated from the Michaelis School of
Fine Art, University of Cape Town.
Tenebrous
Slide projection
HAMMOND, JESSIE
CAPE TOWN
37
HLATSHWAYO, SIMILO W.T
JOHANNESBURG
PROFILE:
Hlatshwayo was born in 1984 and
obtained a Diploma in Visual Arts.
He participated in the Absa L’Atelier
exhibition in 2010.
DESCRIPTION
OF ARTWORK:
The work seeks to visually translate the
“traditional”Zulu name uBhodloza. It
emphasizes the importance of physical
strength within traditional Zulu circles,
as a means of dealing with identity and
masculine issues.
The artist, blessed with a“traditional”
Zulu background, aimed to explore
societal perceptions towards Zulu-
speaking males with traditional
backgrounds, simultaneously
questioning the role physical strength
plays within the black urban society.
Kwelakithi! (Bhodloza)
Mixed media
38
Untitled (Bhodloza)
Mixed media
HLATSHWAYO, SIMILO W.
JOHANNESBURG
39
HUGO, RYAN CHRISTOPHER
PORT ELIZABETH
PROFILE:
Hugo was born in 1988 and graduated
in BA(FA) from the Nelson Mandela
Metropolitan University, Port Elizabeth.
DESCRIPTION
OF ARTWORK:
This work speaks of the current situation
within our nation. Our Government,
a Trojan horse, under the saddle of
the Goliath from abroad, deceives our
Mopane culture and our land of its
delicacy.Through the work the artist
craves for resolve.
Mopane, sieve
Found objects, twine
180 cm x 150 cm x 0,5 cm
40
DESCRIPTION
OF ARTWORK:
The work relates to the corporate world,
animal instincts and the strong and the
weak. The environment compliments
these hybrid creatures, exposing
them as the public is unaware.
Confining these creatures in small
spaces was a different element than
a landscape. People reactions are
evident and appeal to the viewer on a
conceptual level. How they duck and
cower! These animals represent a dark,
cruel and greedy world, exploiting and
outflanking the weak. These animals are
predators in the corporate world.
Corporate mask
Digital image on canvas
85 cm x 120 cm
JABOUR, PATRICK ANTHONY
JOHANNESBURG
41
JANEKE, DANIO
BLOEMFONTEIN
PROFILE:
Janeke was born in 1983 and studied for
a diploma at the Central University of
Technology, Bloemfontein.
DESCRIPTION
OF ARTWORK:
What we as people will do in the dark to
improve our identity to adapt.
Fur / pels
Film
42
PROFILE:
Jansen van Vuuren was born in
1985 and studied for a BA(FA) at the
University of the Witwatersrand. He is
currently studying towards his MA(FA).
Participated in the Absa L’Atelier
exhibition in 2008.
DESCRIPTION
OF ARTWORK:
The artist has portrayed
psychological quiet portraits that
appear to be under some kind of
rupture, shadow or deterioration.
Figures
Oil on canvas
76 cm x 61 cm (Diptych)
JANSEN VAN VUUREN, NATHAN
JOHANNESBURG
43
KAMA, LUNGA
CAPE TOWN
PROFILE:
Kama was born in 1982 and studied for a BA(FA)
at the University of Stellenbosch. He is currently
studying towards his MA in Visual Arts. He has
participated in a number of exhibitions,including
the Absa L’Atelier exhibition in 2008 where he
received a Merit Award.
DESCRIPTION
OF ARTWORK:
The work is based on a series of movements. It
was inspired by the kind of classical imagery of
the male body.The meaning of the word Ze is
“Nude”and the intent of these images in this
series is meant for that purpose.The theme of
the work is sexuality and the black body.The
work traces the roots of representation of the
black body through photography.The pills are
actually anti-depressants and generic medication
used to decorate the body.There are some visual
references to tribal markings often seen in some
of the South African tribes such as the Xhosa.
ZE
Photography
76,3 cm x 114,5 cm
44
PROFILE:
Keevy was born in 1987 and studied for
a National Diploma in Fine Art at the
Nelson Mandela Metropolitan University,
Port Elizabeth.
Flesh
Mixed media
KEEVY, AMY
PORT ELIZABETH
DESCRIPTION
OF ARTWORK:
Six oval frames, each with a middle
section of kilned formed glass.
45
KHUZWAYO, LUCKY MOSA
PRETORIA
PROFILE:
Khuzwayo was born in 1988 and studied
for a National Diploma in Fine Arts at
the Tshwane University of Technology,
Pretoria.
DESCRIPTION
OF ARTWORK:
This artwork symbolises the attitude
of people in everyday life in terms of
behaviour and discipline that we do not
have to save water.The artist has used an
image of a compressor, with seven pipes,
which symbolises seven colours of our
rainbow nation and this emphasises that
it is everyone’s problem, affecting every
human being.The rusty effect symbolises
the decay and dying of originality and
it emphasises the negligence of rural
people by our Government through the
development of infrastructure and other
forms of living the better life.
Compromise (compressor)
Red earthenware
55,4 cm x 67 cm x 49,8 cm
46
PROFILE:
Knoetzee was born in 1983 and is
studying for a BA(FA) at Rhodes
University, Grahamstown.
DESCRIPTION
OF ARTWORK:
Brak is a sculpture of the eternal
underdog, gnawing its own leg off.
It alludes to the relentless pursuit of
‘freedom’, which is inherent in all living
things. It is made primarily out of
bubble gum.
Brak
Mixed media
95 cm x 50 cm x 62 cm
KNOETZEE, FRANCOIS
EAST LONDON
47
KRONJÉ, KRISTINE
CAPE TOWN
PROFILE:
Kronjé was born in 1986 and studied
for a BA(FA) at the University of
Stellenbosch.
DESCRIPTION
OF ARTWORK:
Resembling a modernist aesthetic,
“Nuances of Velocity”explores the
acceleration of progress and technology,
which has become so rapid that it can be
mistaken for a form of changelessness.
The works consist of modular glass units
referencing repetition and efficiency.
Nuances of velocity
Photography
176 cm x 130 cm
48
PROFILE:
Little was born in 1987 and studied for a
Graphic Design Diploma in Information
Technology and 3d animation, as well as a
BA(FA) at the University of the Free State.
DESCRIPTION
OF ARTWORK:
The very saying, You’re so cute I’m going
to eat you right up, sends an uneasiness
down one’s bones.Why is it that all we
want to do is put beauty in our mouths?
I have been bitten, and masticated.
You’re so cute I’m going to eat you right up
Digital print and Photoshop
165 cm x 120 cm
LITTLE, SANDY
BLOEMFONTEIN
49
LOSSGOTT, KAI
CAPE TOWN
PROFILE:
Lossgott was born in Germany in 1980
and studied B(Journ) at Rhodes University,
Grahamstown. He has participated in a
number of exhibitions including the Absa
L’Atelier exhibition in 2007 and 2008.
DESCRIPTION
OF ARTWORK:
In“the aperture of chlorophyll”,a fragment
from a poem is typed on a small plant
leaf,an intricate drawing laser-engraved
on another.Influenced by global evidence
of climate change,we are currently
re-defining our collective and personal
identities.As we begin to realise we are
part of a living system,we ask:what is the
borderline of intelligent life? Plants,for
instance,store and process information
in sophisticated ways,communicating
chemically with their environment.They
are capable of learning,and plan for future
environmental conditions.
The aperture of chlorophyll
Digital video
20 cm x 25 cm
50
PROFILE:
Lubinsky was born in 1988 and is
studying for a BA(FA) at the University of
the Witwatersrand.
DESCRIPTION
OF ARTWORK:
This book explores the ways in which
abstract marks could come to stand for
those things that are unarticulatable.
The graphics and tables display the
awkwardness of attempting to fit
more fluid/ephemeral things into the
structure of languages, also pointing
to the difficulty of describing and
analysing usual images through
linguistic articulation.
Greater than the sum of its parts
Silkscreen and laser printing
54 cm x 47 cm
LUBINSKY, TALYA
JOHANNESBURG
51
MABASO, PHANUEL
POLOKWANE
Xibelani (traditional garment)
Aluminium casting
39 cm x 14 cm x 8 cm
DESCRIPTION
OF ARTWORK:
Xibelani is a well-known traditional
Tsonga garment which is normally worn
at happy traditional events. At these
events the young ladies compete against
each other for best dancing styles.
52
DESCRIPTION
OF ARTWORK:
This lady carries porridge on her head,
which is taken to the bush to serve
to the boys. According to traditional
law, ladies must not be fully dressed
around their breasts.
Xivonele
Aluminium casting
44 cm x 14 cm x 9 cm
MABASO, PHANUEL
POLOKWANE
53
MALATJI, RELEBOGILE AMELIA
PRETORIA
PROFILE:
Malatji was born in 1988 and obtained
a National Diploma in Fine Art from
the Tshwane University of Technology,
Pretoria.
PROFILE:
Long journey
Oil on canvas
35 cm x 25 cm (Triptych)
DESCRIPTION
OF ARTWORK:
The artwork depicts a journey of self
discovery. It is painted in oil on canvas.
The bag is used to show a sense of
travelling, moving forward.
54
PROFILE:
Maqabuka was born in 1982 and studied
for a National Diploma in Fine Art from
the Tshwane University of Technology,
Pretoria. He has participated in a number
of exhibitions, including the Absa
L’Atelier exhibition in 2004.
DESCRIPTION
OF ARTWORK:
The work is inspired by a South African
top cop. A head of state who got busted
for some illegal activities with drug lords
and gangsters.
Head of state
Mixed media
54 cm x 47 cm
MAQABUKA, LUDUMO BANTUBONKE
JOHANNESBURG
55
MASWANGANYI, COLLEN
JOHANNESBURG
PROFILE:
Maswanganyi was born in the village of
Noblehook, Giyani, in 1977. He obtained
the National Diploma in Fine Arts at the
Technikon of the Witwatersrand. His
father, the well-known sculptor Johannes
Maswanganyi, taught him woodcarving.
He has participated in several exhibitions
nationally and internationally. He was
selected as one of the top ten finalists of
the Absa Atelier exhibition in 2001 and
the Absa L’Atelier exhibition in 2010.
DESCRIPTION
OF ARTWORK:
The work is about tax and tithes. Some
Christians feel it is the same and should
be exempted from paying tax. Some
do not see a need to pay tax and tithes
as they see it as money for luxury for
Government officials and pastors.
Tax and tithes
Mixed media
54 cm x 47 cm
56
PROFILE:
Mertz was born in 1987 and studied a
BA(FA) at the University of Pretoria.
DESCRIPTION
OF ARTWORK:
Cities are“the scar tissue of history”
and carry within and on them the
traces of historical ideological and
world changes. Although visually
on the outside cities seem to be
impersonal mounds of concrete, tar and
technology, they are the repositories
of the makings and markings of
human beings and have been created
in the image of humankind – as such
becoming anthropomorphic spaces.
Anthropomorphic Spaces is based on
maps of South Africa; the panels are a
representation of inner cities, while the
surrounding panels become the artist’s
own interpretation of the city.
Anthropomorphic spaces 1
Mixed media
120 cm x 115 cm x 70 cm
MERTZ, ISABEL
PRETORIA
57
MERTZ, ISABEL
PRETORIA
Anthropomorphic spaces 2
Mixed media
120 cm x 115 cm x 70 cm
58
Anthropomorphic spaces 3
Mixed media
120 cm x 115 cm x 70 cm
MERTZ, ISABEL
PRETORIA
Detail of artwork
59
MINKLEY, EMMA SMITH
PORT ELIZABETH
PROFILE:
Minkley was born in 1988 and studied
a BA(FA) at the Nelson Mandela
Metropolitan University, Port Elizabeth.
She is currently studying for a BTech
Degree in FA(Painting) at the same
university.
DESCRIPTION
OF ARTWORK:
A set of four wooden boxes,
rectangularly shaped and with round
holes cut into the front panel of each,
arranged on a base with four white
feet.This set of boxes is accompanied
by another single box of the same
description, but on longer white legs,
resting on a white pillow.
The digestive organs
Mixed media
60
PROFILE:
Mtshiselwa was born in 1985 and
obtained a BTech in Ceramic Design from the
Nelson Mandela Metropolitan University,
Port Elizabeth.
DESCRIPTION
OF ARTWORK:
Hidden Treasurers is an exploration journey in clay
discovery.Through the process the nature of the
clay changed with each new experiment.Through
the process natural additives such as different
seed pods and pine needles were added to the clay,
moulded and then placed into a kiln before the
piece has dried.The organic material burns away in
the firing process and leaves an imprint in the fired
clay.Through this process the natural additives are
given a new life.When they burn away they leave
traces behind that were once occupied in the clay
surface.The viewer is encouraged to engage with
the pieces getting closer to them, touching them
and exploring them
Hidden treasures
Ceramic
MTSHISELWA, BANTU
PORT ELIZABETH
61
NAUDÉ, DANIEL
CAPE TOWN
PROFILE:
Naudé was born in 1984 and studied for a
BA(VA) at the University of Stellenbosch.
He has participated in number of local and
international exhibitions.
DESCRIPTION
OF ARTWORK:
Extended periods spent in rural South Africa
brought the artist closer to understanding
the complex relationship farmers have with
domesticated animals.The artist began to see
common animals like donkeys in a different
way. It is these instances of mutual connection
with animals whose lives are conditioned
and determined by their relationships with
man that fascinates the artist. He portrays his
subjects with a sense of wonder and awe that
allows the viewer to see them afresh. In front
of the photograph, the viewers find themselves
on the same eye level as the subjugated animal,
extending their knowing gaze and reminding
one of man’s uneasy dominion over them.
P
N
BA
H
in
D
O
Ex
b
th
d
co
w
w
a
m
su
a
of
o
ex
o
Donkey. Mlungwana, Eastern Cape, 20 October 2009
Photography
75 cm x 75 cm
62
PROFILE:
Haidee was born in 1977 and studied for
a BA(FA) at the Michaelis School of Fine
Art, University of Cape Town. She has
participated in a number of exhibitions
and received a number of accolades for
her work.
DESCRIPTION
OF ARTWORK:
The girl with a spoon, her dress is made
of segments, like building blocks. She is
standing on a stack of plates. Everything
is very fragile.
Higher
Cement, ceramic
50 cm x 30 cm x 30 cm
NEL, HAIDEE
CAPE TOWN
63
NGAKI, SIYABONGA KHAKA
PORT ELIZABETH
PROFILE:
Ngaki was born in 1989 and obtained
a national diploma in fine art from the
Nelson Mandela Metropolitan University,
Port Elizabeth.
DESCRIPTION
OF ARTWORK:
The artwork depicts a male figure
with the head visible on the chest.
The artwork deals with the issue
of muti-killings, hence the use of a
decomposing body of a man.
What will become of me
Pen and ink on paper
116 cm x 75 cm
64
PROFILE:
Ntuli was born in 1986 and obtained
a national diploma in visual arts from
the University of Johannesburg. He is
currently studying towards a BTech in
visual arts at the same university.
DESCRIPTION
OF ARTWORK:
The work explores the notions of
masculinity, as an overwhelming
burden and as a vulnerable shelter.
This is done by the use of the doily to
subvert masculinity in order to expose
its fragility.
The disposed bodies
Mixed media
Photo’s: 97 cm x 69,5 cm, Figures: Life-size
NTULI, DHUMULANI
JOHANNESBURG
65
PATTENDEN, HEATHER
DURBAN
PROFILE:
Pattenden was born in 1987 and is
currently studying towards an MA(FA)
at the University of KwaZulu-Natal,
Pietermaritzburg.
DESCRIPTION
OF ARTWORK:
This series of works was created
using the age-old tradition of paper
embroidery.The images are a comment
on how modern communication is no
longer a personal exchange between
two people. Communication has broken
down and no longer represents what
it used too. SMSs, e-mails, Skype, Mxit,
Facebook, BBM,Twitter and Google
now represents the‘voice’of the sender.
People have forgotten what it is like to
pick up the telephone and call.
Communication today series (2010)
Silk-screen, thread, stamp
100 cm x 100 cm
66
DESCRIPTION
OF ARTWORK:
This series of works was created using
the technique of paper embroidery.The
stitched images depict scenes of the
mundane chore of washing – typically
seen as the female chore. However,
an older man is conducting this
task within the home.These gender
stereotypes are turned upside down
within these works, which also relates
to the particular medium used – real
men don’t embroider.
Housework series (2010)
Silk-screen, thread
200 cm x 150 cm
PATTENDEN, HEATHER
DURBAN
67
PATTENDEN, MHAIRI KIRSTEN
DURBAN
DESCRIPTION
OF ARTWORK:
The piece centres on the issue of
journeys. The artist introduces an
individually hand sculptured bird
skull, to a found object, a walking
stick. The artist combines the idea of
birds migrating, walking sticks being
synonymous with journeys, and the
element of skulls representing the
end of such a journey. The artist views
himself as a generation of artmakers
who do not have to be entirely original
but rather taking something familiar
(i.e. walking sticks) and putting
it together differently to create
something new.
Walking sticks (2010)
Stoneware and wood
200 cm x 100 cm
68
PROFILE:
Pete was born in 1989 in Polokwane.
He is currently studying towards a
BTech in Fine Arts at the Tshwane
University of Technology, Pretoria.
DESCRIPTION
OF ARTWORK:
The work depicts a nightscene of a
city corner with lights reflecting on
the road and sidewalk.The painting
captures a moment of isolation from
humanity but still bound by its rules
and functioning.
E:
ne.
s a
ne
ia.
N
K:
f a
on
ng
m
es
g.
Please wait …..
Oil on board
38 cm x 28 cm
PETE, MALOSE
PRETORIA
69
PHOOKO, LUCKY FRANS
PRETORIA
A Place called Home
Pencil crayon
86.5 cm x 116 cm
70
PROFILE:
Pienaar was born in 1988 and studied for
a BA(FA) at the University of Pretoria.
DESCRIPTION
OF ARTWORK:
The artist makes use of puzzle pieces
in the creation of her work of art as
a spontaneous action that illustrates
what effects the destruction of
nature have on the earth and the
environment. Mankind is playing a
dangerous game with nature and
is busy reshaping the world, piece
by piece. Mankind’s negligence in
preserving nature and all within the
ecosystem, as well as securing the
future for generations to come are
threatened by man’s own doing.
OFILE:
udied for
Pretoria.
PTION
WORK:
e pieces
of art as
ustrates
ction of
and the
laying a
ture and
ld, piece
gence in
thin the
Playful weapon 20o
02’
Puzzles
100 cm x 150 cm x 45 cm
PIENAAR, KAREN
PRETORIA
Detail of artwork
71
PITSO, THABO
PRETORIA
PROFILE:
Pitso was born in 1982 and obtained
a Fine and Applied Arts diploma from
the Tshwane University of Technology,
Pretoria. He is currently studying towards
a BTech degree in Fine Arts at the same
university.
DESCRIPTION
OF ARTWORK:
The sculpture comments on the heavy
systems of persuasion by governments
and religious institutions to alter, control
and censor the minds of the people.
Portrays the influence of media as a tool
to decide how society should behave.
Radio propaganda
Mixed media
41 cm x 30 cm x 10 cm
72
PROFILE:
Qapa was born in 1976 and studied
BA(FA) at Rhodes University,
Grahamstown. He has participated
in several exhibitions, including the
Absa L’Atelier exhibitions in 2001,
2004 and 2010.
Informal Traders
Oil on board
35 cm x 145 cm
QAPA, DINISILE
EAST LONDON
DESCRIPTION
OF ARTWORK:
This painting portrays a way of life
of many people from townships and
informal settlements around industrial
cities, like East London.These people are
self-motivated and are not prepared to
turn to crime to earn a living. Instead
they collect from dumpsites, recycling
materials like steel, copper wire, tins,
bottles, plastic, etc.They then sell them to
scrapyards, enabling them to feed their
families. Regardless of their situation,
they still hope for a better life one day.
73
RAMADI, THIKHOLI BETHUEL
POLOKWANE
Ancestors passage
Oil on canvas
85 cm x 60 cm
74
PROFILE:
Sampson was born in 1989 and is
currently studying toward a BTech at
the Nelson Mandela Metropolitan
University, Port Elizabeth.
DESCRIPTION
OF ARTWORK:
This is not an explanation, but a
palpitation of words culminating
internal with external forms. Object,
viewer, subject, reader project their
horsepecious danglion into the long
laggard lady to create a story. Fantastic
imagination is necessary to complete
the third leg. If the object is complete,
the viewer is obsolete.
Horsepecious danglion, The long leggard lady
Mixed media
23 cm x 23 cm x 154 cm
SAMPSON, TEGAN JEAN
PORT ELIZABETH
75
SCHOLTZ, JUNNO
PORT ELIZABETH
PROFILE:
Scholtz was born in 1988 and has
obtained a national diploma in Fine Art
from the Nelson Mandela Metropolitan
University, Port Elizabeth.
DESCRIPTION
OF ARTWORK:
A plaster of paris plinth supporting a
door leaning against a wall supported by
an assortment of animal legs.
Verneuk-beentjie
Mixed media
PROF
Scholtz
obtaine
from th
Univers
DESC
OF A
A plaste
door lea
an asso
Detail of artwork
76
DESCRIPTION
OF ARTWORK:
Inside a display unit, a mummified cat
(wearing a brassy polar fleece pet jersey)
rests upon a household chopping board.
The human animal’s relationship with
the non-human animal has always been
one of precarious disparity.Throughout
our own domesticated and settled
existence, and even before
man’s attitude towards beasts
has been one of ironic double-play.
While the vast menagerie of
venerated animals, which include
those domesticated, have been
treated with admiration, wonder
and religious devoutness: on cave
walls, through mythical narratives,
in hieroglyphic short-hand, arcane
allegorical detail and the fairytales that
have warmed our infantile bellies.
Baste
Mixed media
50 cm x 150 cm
SHAW, ALISON JEAN
PORT ELIZABETH
77
SIBIYA, JOSE BAMBO
JOHANNESBURG
PROFILE:
Sibiya was born in 1986. He studied a
three-year course in Printmaking at the
Artist Proof Studio. He participated in the
Absa L’Atelier exhibition in 2010.
DESCRIPTION
OF ARTWORK:
This work was inspired by the quality
time the artist spent with his mother
when she told him stories of his father
when he went to the big city looking for
a job. Cellular phones were not available
or expensive to buy.Thanks to radio
stations with a slot for people to call and
greet their families, tell how much they
love them and even dedicate a song.
Communication was kept alive through
letters.
Nize nisikhonzelephela bandla
Linocut
160 cm x 80 cm
78
PROFILE:
Spring was born in 1986 and studied
a BA(FA) at Rhodes University,
Grahamstown.
DESCRIPTION
OF ARTWORK:
Book bound in maroon leather cover.
The Beginning and The End was the
first and last book to be published by
Parapraxes Books – publishing house of
the late Mark Hipper. It is a story that
starts and finishes without anything
happening in between.
The beginning and the end
Digital prints on paper
21 cm x 24 cm
SPRING, SARAH
JOHANNESBURG
79
STEYN, DANIËL PETRUS DREYER
PRETORIA
PROFILE:
Steyn was born in 1984 and studied
BA(FA) at the University of Pretoria. He
is currently reading for an MA(FA) at the
same university. He has participated in
several exhibitions, including the Absa
L’Atelier exhibition in 2008 and 2010.
DESCRIPTION
OF ARTWORK:
Silent Echo deals with emotions and
inner turmoil. Our emotions are echoes
of ourselves.We struggle with who we
are and who we need to be – in Freudian
terms the clash between the‘Ego’and the
‘Id’.This results in a continuous‘tug of war’
within ourselves, generating frustration
and rage that we can’t acknowledge or
react upon.The awkward implies our
attempts to deal with these emotions
and how we try and force ourselves into
moulds that do not fit.
Silent echo
Video
80
PROFILE:
Stodel was born in 1988 and studied a
BA(FA) at the University of Cape Town.
DESCRIPTION
OF ARTWORK:
The core concern of this video is the
spatial restructuring of the post-
apartheid urban landscape in the
form of forced removals. It makes
reference to a place near Delft
called Blikkiesdorp, as many of its
inhabitants have been evicted from
various places around Cape Town.
The map lines have been created by
removing the pigment from paper
with bleach, suggestive of‘cleansing’
of urban areas during gentrification.
It can also be read more generally as
historical and contemporary forced
removals in Cape Town.
Removed
Stop-frame animation
STODEL, SOFIA MARGUERITA
CAPE TOWN
81
TERBLANCHE, ANNELENE
PORT ELIZABETH
PROFILE:
Terblanche was born in 1984 and obtained a
National Diploma in Fine Art at the Nelson
Mandela Metropolitan University, Port Elizabeth.
She is currently completing a BTech Degree.
DESCRIPTION
OF ARTWORK:
This body of work represents an exploration of
two interdependent aspects, which are essential
to the work: form and content.The materials,
iconography and processes are intended to reflect
the transience of mortality, the cycle of life and
the possibility of rebirth that occurs in time and
through change. Repetition of the combined use of
dung and an appropriated ancient female form in
effect constitute the passage of time represented
as death, decay and rebirth. Documenting the
work in a series of photographic representations
is not so much an act of sentimentality but rather
a representation of the temporary participation
of the artist and as a result an analogy to the
temporality of mortal life.
Fimum femininum
Digital photographic print on archival paper
143 cm x 157 cm (Diptych)
82
Objects from quandary
Wood and steel
72 cm x 123 cm
TORR, NINA CATHARINA LOUISE
PRETORIA
PROFILE:
Torr was born in 1987. She holds a B(FA) from
Parsons the New School for Design, New York.
She has participated in a number of local and
international exhibitions, receiving a number
of accolades.
DESCRIPTION
OF ARTWORK:
The title reflects the combination of three
concepts,namely quarry,foundry and dilemma.
It evokes a place where artefacts are excavated,
a place where objects are made and a
metaphorical place of uncertainty.The objects
at first appear to resemble utilitarian objects,
but upon closer inspection, their various
components signal purely aesthetic functions.
The intention is to trigger enough signals for
the viewer to assemble possibilities for each
object,illustrating the human tendency to
search for and construct meaning in something
which in essence might not have any.
83
TURPIN, MURRAY JAMES
JOHANNESBURG
PROFILE:
Turpin was born in 1982 and studied
for a BA(FA) at the University of the
Witwatersrand. He has participated
in a number of local and international
exhibitions, receiving a number of
accolades.
DESCRIPTION
OF ARTWORK:
“Activated Serigraph”
Performer – Hyena
Location – Circa
Exhibition – Banned
Duration – 12 Hours
Loser – Charity
P
T
f
W
i
e
a
D
O
“
P
L
E
D
L
Glass hyena: circa 2011
Serigraph
82 cm x 110 cm
84
City of bytes
Mixed media
38 cm x 38 cm
VAN DER VYVER, CORNELIA MARIA
PRETORIA
PROFILE:
Van der Vyver was born in 1977 and
is currently studying BA(FA) at Unisa.
She participated in the 2010 Absa
L’Atelier exhibition.
DESCRIPTION
OF ARTWORK:
Society is going through a process of
social transformation, giving way to
networked social structures. Dominated
by a symbolic economy and highly
dependent on telecommunications it is
knowledge that counts most.
85
VAN NIEKERK, ARNOLD
PRETORIA
PROFILE:
Van Niekerk was born in 1983. He studied
for a National Diploma in Fine Art at the
Nelson Mandela Metropolitan University,
Port Elizabeth. He obtained his BTech
Degree from the same university.
DESCRIPTION
OF ARTWORK:
The artwork consists of 588 plaster of
paris cars in a box frame. There was a
time when Modern referred to all things
new and the future was a promised
Utopia. That which was modern once,
has aged and is now outdated – it was
naïve to feel so invincible. Generations
have already passed, striving for the
future ideal, leaving deep-seated
psychological and environmental
burdens. To continue dreaming of a
future utopia is pointless. Preserving
what time we have left has become of
far greater concern.
When the world was young
Plaster of Paris
124 cm x 68 cm
Detail of artwork
86
PROFILE:
Van Schalkwyk was born in 1981 and is
currently studying BA at Unisa. He has
participated in a number of exhibitions,
including the 2010 Absa L’Atelier.
DESCRIPTION
OF ARTWORK:
This multilayered work, in terms of image,
process and content, primarily asks
questions about the issues around the
notion of the sustainability and validity of
traditional painting as a visual language
in contemporary culture.The imagery
deals with the concepts of slaughter
and sacrifice, in other words, death to
maintain life. Should the supposed
death of traditional painting lead to
its extinction? Or will it emerge as a
phoenix from the ashes of contemporary
dismantlement, neglect and distain,
to participate in the discourse and
challenges facing our culture?
Endangered species
Oil on canvas/perspex
128 cm x 128 cm x 18 cm
VAN SCHALKWYK, JACOBUS JOHANNES
JOHANNESBURG
87
WASHKANSKY, DALE
CAPE TOWN
PROFILE:
Washkansky was born in 1980. He holds an MA(FA)
from the Michaelis School of Fine Art,University of
Cape Town. He also holds Diplomas in Photography
and Film and Television Production Techniques,
majoring in Directing from City Varsity,Cape Town.
He has participated in a number of exhibitions and
received a number of accolades.
DESCRIPTION
OF ARTWORK:
It is a photograph taken at Buchenwald concentra-
tion camp in Germany.The artist’s experience of
Buchenwald was that of a landscape of mute-
ness and of untold stories,where history remains
yet to be told.These images relate to the whole
experience of unsettling quietness.The viewer of
these photographs encounters an absence. He sees
that there is no relic left to sustain belief and no
other onto which identity can be projected.There
is no object that can effectively link this site to
its traumatic history.There is acute pathos in the
emotional detachment of these images.
Urns: Buchenwald
Lightjet photographic print
101 cm x 115 cm
88
PROFILE:
Wilmott was born in 1988 and studied a
BA(FA) at Rhodes University, Grahamstown.
She is currently studying for an M(FA)
specialising in printmaking at the same
university.Wilmot has participated in a
number of exhibitions including the 2010
Absa L’Atelier exhibition.
PROFILE:
Errorism
Photographic print
69 cm x 81 cm (Triptych)
WILMOT, CASSANDRA
EAST LONDON
DESCRIPTION OF ARTWORK:
This series forms part of a larger body of work, which was inspired
by objects of ambiguity – objects tentatively poised on a fine line
between being constructive and destructive. In this particular series,
the artist has tried to mimic the aesthetic of the contentious full-
body scans done at airports. In these simulations of these scans, fairy
lights create dark, menacing patches on the body. Although the lights
are harmless, looking at them in the way they are pictured makes
one reconsider our perceptions of what a threat looks like.
89
XUAN, HAIFENG
JOHANNESBURG
PROFILE:
Xuan was born in 1976. He studied at
Nanjing Normal University, Nanjing City,
China, and the China Academy of Fine
Arts, Hangzhou City, China. He has an
Advanced Diploma from the University
of the Witwatersrand and is currently
studying towards an MA in Fine Arts at
the same university.
DESCRIPTION
OF ARTWORK:
The installation work explores the
possibilities and limits of painting in
portrait studies. In the bottles, not only
the faces represented on canvas but also
the painting itself bears the scrutiny of
spectators.
Specimen – Faces from East
Mixed media
90
Self-portrait, as a passenger
Oil on canvas
XUAN, HAIFENG
JOHANNESBURG
DESCRIPTION
OF ARTWORK:
This self-portrait painting represents
the artist’s own shadow reflecting
on the painting of Parrot by Colin
Richards. In this portrait, the artist
investigated a certain dilemma,
which as a Chinese immigrant he
experienced living in South Africa.
91
PREVIOUS ABSA L’ATELIER WINNERS
(Known as Volkskas Bank Atelier Competition up to 1998
and from 1999 to 2001 known as Absa Atelier Competition)
1986
Winner
Penny Siopis
Merit Award Winners
Deborah Bell
Andrew Breebaart
Dennis Purvis
Simon Stone
1987
Winner
Clive van den Berg
Merit Award Winners
Andries Botha
Philippa Hobbs
Tommy Motswai
Karel Nel
1988
Winner
Diane Victor
Merit Award Winners
Kay Cowley
Guy du Toit
Johann Louw
Margaret Vorster
1989
Winner
Hennie Stroebel
Merit Award Winners
Caroline Jones
Walter Oltmann
Giulio Tambellini
Jeremy Wafer
1990
Winner
Barend de Wet
Merit Award Winners
Andrew Breebaart
Jean Bruwer
Guy du Toit
Judy Woodborne
1991
Winner
Virginia MacKenny
Merit Award Winners
Nicole Donald
Ruth Mileham
Johann van der Schijff
Pierre van der Westhuizen
1992
Winner
Paul Edmunds
Merit Award Winners
Wayne Barker
Marc Edwards
Dominic Thorburn
Minette Vári
1993
Winner
Dominic Thorburn
Merit Award Winners
Siemon Allen
Diek Grobler
Adam Letch
Russel Scott
1994
Winner
Jonathan Comerford
Merit Award Winners
Andrew Putter
Kevin Roberts
Henk Serfontein
Alastair Whitton
1995
Winner
Kevin Roberts
Merit Award Winners
Moses Cetywayo
Gordon Froud
Diek Grobler
Peet Pienaar
1996
Winner
Isaac Khanyile
Merit Award Winners
Hanneke Benadé
Wim Botha
Samkelo Bunu
Berco Wilsenach
1997
Winner
Ilse Pahl
Merit Award Winners
Lucas Bambo
Cecile Heystek
Kim Lieberman
Richardt Strydom
92
1998
Winner
Karl Gietl
Merit Award Winners
Wayne Barker
Hanneke Benadé
Jean Brundrit
Peter Rippon
1999
Winner
Ryan Arenson
Merit Award Winners
Brad Hammond
Fritha Langerman
Albert Redelinghuys
Vanessa van Wyk
2000
Winner
Brad Hammond
Merit Award Winners
Joni Brenner
Natasha Christopher
Colbert Mashile
Nigel Mullins
2001
Winner
Stefanus Rademeyer
Merit Award Winners
Marco Cianfanelli
Daniel Hirschmann
Brent Meistre
Merryn Singer
2002
Winner
Marco Cianfanelli
Merit Award Winners
Natasha Christopher
Alastair McLachlan
Benninghoff Puren
James Webb
2003
Winner
Sanell Aggenbach
Merit Award Winners
Retha Bornmann
Natasha Christopher
Patricia Driscoll
Berco Wilsenach
2004
Winner
Conrad Botes
Merit Award Winners
Stephen Hobbs
Pieter Hugo
Lize Muller
Robert Rich
Gerard Sekoto Winner
Belinda Zangewa
2005
Winner
Berco Wilsenach
Merit Award Winners
Katherine Bull
Lawrence Lemaoana
Patrice Mabasa
Mikhael Subotzky
Gerard Sekoto Winner
Lawrence Lemaoana
2006
Winner
Ruth Sacks
Merit Award Winners
Nathani Lüneburg
Riason Naidoo
Anet Norval
James Webb
Gerard Sekoto Winner
Nomusa Makhubu
2007
Winner
Pierre Fouché
Merit Award Winners
Nina Barnett
Wayne Matthews
Lyndi Sales
Jaco Spies
Gerard Sekoto Winner
Nina Barnett
2008
Winner
James Webb
Merit Award Winners
Christiaan Hattingh
Lunga Kama
Alhyrian Laue
Antonia Steyn
Gerard Sekoto Winner
Retha Ferguson
2009
Winner
Stephen Rosin
Merit Award Winners
Frikkie Eksteen
Stephan Erasmus
Hannah-Ada Lotz
Mbhekiseni Shabalala
Gerard Sekoto Winner
Nyaniso Lindi
2010
Winner
Ilka van Schalkwyk
Merit Award Winners
Abri de Swardt
Philiswa Lila
Collen Maswanganyi
Hanje Whitehead
Gerard Sekoto Winner
Bongumenzi Ngobese
v
As an artist,there is no formula for success. One thing is certain though:it will take guts.TheAbsa L’Atelier
art competition rewards brave, young artists with the opportunity to live and learn at the world-renowned
Cité Internationale des Arts in Paris. As a look through the list of past winners will testify, when courage
and this kind of opportunity come together, greatness is sure to follow suit.

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2380 absa 2011 l'atelier catalogue lowres

  • 2. NATIONAL SELECTION PANEL Vulindlela Nyoni Co-ordinator of National Selection Frikkie Eksteen David Jones Brett Murray David Paton Air ticket to Paris, France, sponsored by Absa This catalogue has been compiled by Dr Paul Bayliss, Art Curator of Absa Photography by Richard Hughes Design and layout by Betelgeuse Advertising 2011 L’Atelier Awards Catalogue Published by Absa, member of the Barclays Group. ISBN 978-0-620-50655-7
  • 3. FOREWORD ABSA L’ATELIER 2011 Absa is a world-renowned patron of the arts and the proud sponsor of the 26th Absa L’Atelier art competition. It’s not only the oldest arts award in the Southern Hemisphere, it is also the richest in Africa. And it remains the most prestigious award on any South African artist’s CV. Aimed at nurturing young talent, Absa L’Atelier serves as a platform for young emerging artists to make their mark in the South African arena and is instrumental in launching many careers in the visual arts. Not only does Absa create a platform to showcase their work through this competition, but we have also been increasingly active in identifying, nurturing, promoting and sponsoring these artists through our gallery. A number of the finalists have developed into success stories. We would like to take this opportunity to express our gratitude to our co-sponsors for their continued support for the Absa L’Atelier and their investment in our young artists.Without SANAVA, the French Embassy, the French Institute and Alliance Françiase, this initiative would not be possible. Further testimony to the success of our competition is the steady rise in the quality of works entered.This year the standard was exceptionally high and the judges had their work cut out to select the finalists, the merit award winners and the two top awards. I would like to congratulate our winners. Make the most of this wonderful opportunity to further your careers.We will be watching with interest as many of you go on to become internationally recognised artists. And to all the other finalists, I hope you will use the valuable experience you have gained through this process well. Please keep up the good work. Maria Ramos Group Chief Executive 1
  • 4. The Absa L’Atelier art competition is presented annually by Absa in conjunction with SANAVA (South African National Association for the Visual Arts). It is a competition for young artists in the age group 21 to 35 years.Works of art were selected in Bellville, Bloemfontein, Durban, Johannesburg, East London, Port Elizabeth, Polokwane, Pretoria and Thohoyandou by a local panel of selectors guided by Vulindlela Nyoni on behalf of the National President of SANAVA.The selected works of art were sent to Johannesburg for final adjudication. AWARD ABSA L’ATELIER 2
  • 5. CONGRATULATIONS Artists need platforms from which to be heard.The Absa L’Atelier competition and exhibition provides a national and very prestigious platform and is a highlight in the South African Arts calendar.This event shows the issues and media that occupy young artists’s minds, and what they feel is relevant at the moment.This is their dialogue with society. As the longest running annual competition and exhibition we have seen the art on offer become more open, less urban, reflecting human diversity.Young artists today have a shared history but come from different cultural contexts. Exhibitions such as these document the evolution of the role of art, artists and the cultural industry in this country. Let us hope that we are not only creating expectations. Artists need the means and infrastructure for artistic expression. May this inspire other corporate and governmental bodies to support the endeavours of young artists. As a partner of its affiliated member, the Absa Group and the South African National Association for the Visual Arts is proud to co-present the Absa L’Atelier competition for the 26th consecutive year. Dirkie Offringa National President South African National Association for the Visual Arts (SANAVA) 3
  • 6. Gerard Sekoto (1913 – 1993) Sekoto was born in Botshabelo near Middelburg in the former Transvaal on 9 December 1913. His early paintings depicted scenes from Sophiatown, District Six and Eastwood near Pretoria. He left South Africa in 1947 for Europe and settled in Paris in voluntary exile where he lived until his death in 1993. As an African Parisian he always yearned for his South African roots and identity, which he depicted with much nostalgia in many of his works. In Paris and with the support of the loving French public, doors eventually opened for Sekoto to explore his own creativity.With this award we honour Gerard Sekoto.The French Embassy, the French Institute and the Alliance Française, felt it appropriate to create such an award to support the most promising artist with an income of less than R60 000 per annum.This award will hopefully open yet another door for a young South African artist in the city of love and art, namely Paris. AWARD GERARD SEKOTO 4
  • 7. The selection of artwork for any competition is by no means an easy feat. In recent public discourses on the nature of contemporary South African art and some contentious issues surrounding curatorship, the notion of having a finger on the pulse of what is fresh, innovative and challenging is as much under scrutiny as what artists are making at the moment. For those established artists, participating in these discourses they can choose to be seen or not. For those yet to be established the difficulty is in being afforded the opportunity to be seen in the first place. I believe that this is what makes a competition such as the Absa L’Atelier significant. Inasmuch as what is ‘happening’ and what is ‘new and fresh’ in the art world, this platform pays a different service to those who take part in it. The competition is itself in its 26th year and therefore has a set history and perhaps responsibility grounded in the launching of new artistic talent onto the landscape of South African aesthetics. The extensive list of past winners and participants who have benefitted from this showcase is testament to this fact. I wish to make it clear to prospective participants that this competition should be seen as possible initiation of a career in the visual arts, nationally and more INTRODUCTION so internationally. It is undeniable that those who have taken part in the process by submitting their work for selection and furthermore those who have been selected for the final exhibition have gained in one way or another. To this, I turn to some of the time-honoured merits of having your work seen, exposure and (for some), recognition. This year is significant in that during the course of the selection process new and interesting visions have started to emerge in the guise of newly realised practitioners and those who, after some time, have decidedly matured in their vision although never having had the opportunity to be seen as it were. Naturally, the problems that arise in having a ‘juried’ exhibition remain, but in among the process of ensuring the selection of quality work, ideas arose as to how to make things better for future Absa L’Ateliers. In conversation with Paul Bayliss, the new curator of the Absa Gallery, it was clear that quality and the growth of quality in the work of new artists are part of the main agenda of the Absa L’Atelier. Mention must be made here of the sterling work done by the previous curator Cecile Loedolff in the previous years of this competition. At the various centres I visited, the sentiment was echoed by the other curators and selectors I met. Having established criteria that were centred on technical execution, originality of vision and relevance to contemporary discourses in art, aided in ensuring that quality work selected was of quality. For that I thank all my fellow selectors in each province that I visited for their time and expertise in assisting in this endeavour. Thematically the work on show in the final exhibition explores a wide range of subjects, but what is clear is a growing introspective or subjective response on the part of the artists to the world that they live in. Artists are indeed now able to reflect on their own particular voices. Matters of absence, home, origin and individuality are prevalent in the exhibition but more so the relationship of the artist’s vision to the communal expressive space. On the whole I am honoured and privileged to have been part of the selection process and to have seen the development of new visions put forward by these artists and wholeheartedly congratulate each and every participant in the process, and to those who were selected, well done! Vulindlela Nyoni 2011 Co-ordinator of National Selection Panel 5
  • 8. Colour, separation Oil on fabriano 13 cm x 64 cm (Triptych) GROSE, IAN CAPE TOWN 2011 WINNER 6
  • 9. Anthropomorphic spaces 3 Mixed media 120 cm x 115 cm x 70 cm ISABEL MERTZ PRETORIA MERIT AWARD 7
  • 10. iXOXO Upholstered steel bench and video GELDENHUYS, AMBER-JADE JOHANNESBURG MERIT AWARD 8
  • 11. In space and time Lightjet print 46 cm x 59 cm GAUNTLETT, ALICE CAPE TOWN MERIT AWARD 9
  • 12. The beginning and the end Digital prints on paper 21 cm x 24 cm SPRING, SARAH JOHANNESBURG MERIT AWARD 10
  • 13. GERARD SEKOTO WINNER Anthropomorphic spaces 3 Mixed media 120 cm x 115 cm x 70 cm MERTZ, ISABEL PRETORIA 11
  • 14. 1 2 3 TOP 10 FINALISTS 1. GERHARDT COETZEE 2. ALICE GAUNTLETT 3. AMBER JADE GELDENHUYS 4. IAN GROSE 5. JESSE HAMMOND 6. ISABEL MERTZ 7. JACOBUS VAN SCHALKWYK 8. BAMBO SIBIYA 9. SARAH SPRING 10. SOFIA STODEL 3 4 12
  • 16. BEZUIDENHOUT, KARIN PRETORIA PROFILE: Bezuidenhout was born in 1979 and studied BA(FA) at the University of Pretoria. She also received a Postgraduate Certificate in Education from the University of Pretoria. She has participated in several exhibitions, including the Absa L’Atelier exhibition in 2009. DESCRIPTION OF ARTWORK: This work reflects the desperation of so many hopeful men and women, especially from places like Soweto, where this photo was taken, to get a job and escape the consequences of poverty. Zuma’s promise Photography and Photoshop 54 cm x 47 cm 14
  • 17. PROFILE: Bhana was born in 1986 and studied BTech (FA) at the Tshwane University of Technology, Pretoria. She has participated in several exhibitions. DESCRIPTION OF ARTWORK: We are meant to move towards self-discovery and spiritual maturity, to be ready and able to live a life that matters to us and those around us. We need to feel the energy of the chakras, as the origin of our own power – as the energy that fuels our biology. For when our angle of perception is wrong, our interaction with the world is wrong, and it is only once we realise the stuff of which we are made that we realise that we have no choice but to live a spiritual life. Moksh Mixed media 180 cm x 60 cm BHANA, POORVI PRETORIA 15
  • 18. BIYELA, SIPHESIHLE NDNKANYISO DURBAN PROFILE: Biyela was born in 1986 and studied BA(FA) at Rhodes University, Grahamstown. She has participated in several exhibitions. DESCRIPTION OF ARTWORK: This is the artist’s family portrait.The artist has worked with the symbolism of locks inscribed onto or embossed onto the work.The technical drawings of the inner workings of the lock have a dual meaning of both protection and trapping.Within a family lies influences, voices of guidance and wisdom and advice, which are to shape an individual while in the process that some influence may hinder the individual from finding his or her own true voice.There are also invisible bonds that keep the family unit intact – mutual strong voices of influence. The bonds of the family Mixed media 182 cm x 122 cm 16
  • 19. PROFILE: Blazey was born in 1989 and studied for a Diploma in Fine Arts at Nelson Mandela Metropolitan University, Port Elizabeth. DESCRIPTION OF ARTWORK: The Isle of the Faiakes is a nightmare the artist had where the number 3 featured strongly, overpowering the artist. The Isle of the Faiakes Oil on canvas 172 cm x 132 cm BLAZEY, KEEGAN ROSS PORT ELIZABETH 17
  • 20. BROPHY, JOHN ROBERT JOHANNESBURG PROFILE: Brophy was born in 1980 and completed his NSC at the National School of the Arts. He also obtained a diploma for 3D animation from the Boston Media House. He participated in the Absa L’Atelier Exhibition in 2010. DESCRIPTION OF ARTWORK: This four-piece painting – which can be viewed from any angle – folds into an 8-page book. Freak goat trophy Acrylic on Superwood 30 cm x 22 cm 18
  • 21. PROFILE: Cachalia was born in 1984 and studied BA(FA) at the University of Cape Town and an honours from the University of the Witwatersrand. She has participated in several exhibitions. DESCRIPTION OF ARTWORK: This piece is a selection from an exhibition, which explores the similarities between fashion and religion, drawing a comparison between the fanatical authoritarian practice of fashion and religion and the way icons are represented and relied upon in both these systems. The artist hopes to show how fashion can appear harmless and pretty but is as obsessive and dangerous in its autocracy as religion can be. If God was Ana Wintour and Vogue was the Bible Oil and spray paint on canvas 48 cm x 60 cm CACHALIA, LUIZA JOHANNESBURG 19
  • 22. CAMPBELL, PETER MIKAEL CAPE TOWN PROFILE: Campbell was born in 1982 and studied for the National Diploma in Fine Arts at the Nelson Mandela Metropolitan University, Port Elizabeth.He also has a BTech (FA) degree specialising in sculpture at the same university. He has participated in a number of exhibitions, including the Absa L’Atelier in 2008 and 2009. He was selected as one of the top ten finalists in 2009. DESCRIPTION OF ARTWORK: The work explores the realistic application of Joseph Beuys’theory of Social Sculpture beyond utopian rhetoric. It can be understood as a quiet inquiry into the pedagogic and homeopathic potential of art,particularly between the artist and the art-making process. The work can be seen as a journey into the creative constellations of the self,into the joy and subtle beauty of secrecy and surprise and into the enigmatic and nuanced poetry underpinning phenomena. Beyond ‘Infiltration homogenous for grand piano’ Mixed media 70 cm x 15 cm x 15 cm 20
  • 23. PROFILE: Cochrane was born in 1986 and studied for a BA(FA) at the University of Pretoria. He has participated in a number of exhibitions. Projection. Repression. Guilt. 2010/11 Light installation 110 cm x 35 cm COCHRANE, ROZAN PRETORIA DESCRIPTION OF ARTWORK: This artwork comprises of faces constructed by light and shadow. It engages with Carl Gustav Jungs’ concepts of the latter; which he proposes the shadow to symbolise subconscious inferiorities. 21
  • 24. COETZEE, GERHARDT PORT ELIZABETH PROFILE: Coetzee was born in 1983 and studied for a National Diploma in Photography at the Nelson Mandela Metropolitan University,Port Elizabeth. He has participated in a number of exhibitions, including the Absa L’Atelier Exhibition in 2009 and 2010. DESCRIPTION OF ARTWORK: Structures and symbols of religion are familiar signs in the South African cityscape. So familiar that we tend to look past them.The artist places the image within a landscape to defamiliarise these signs and allows us to look anew at what they signal about us as human beings in general. On one level they speak of the perpetual human need to insist that there is more, that there is something beyond the here and now, that there is a way to transcend our (mortal) nature.The image communicates this message through landscape,articulating this profound human concern in the midst of a silent landscape. Rainbow chicken Photographic print on cotton paper 60 cm x 90 cm (Diptych) 22
  • 25. Untitled (Rhino) Oil on canvas 99,5 cm x 14o cm COPPINGER, JENNIFER EAST LONDON DESCRIPTION OF ARTWORK: Inspired by Ovid’s metamorphosis. The painting is based on dreamspace, a space suspended between illusion and reality. The artist was also inspired by numerous dreams she experienced with animals. 23
  • 26. PROFILE: Crawshay-Hall was born in 1987 and studied for a BA(FA) at the University of Pretoria. DESCRIPTION OF ARTWORK: The work is founded on large-scale bubblewrap portraits.Within the series of five, the self-portrait represents a white population and the four other portraits representing Black, Coloured, Indian and Asian, which are pictorially included at the top of each colour swatch.The artist explores the notion that part of a subject’s identity tends to be race and colour. She draws on this notion and attempts to deconstruct it, conveying that colour is not what makes us different and that colour is vastly similar within various races – through the use of swatching the colour of each bubble in a colour swatch. Colour: [un]wrapped, colour swatches Digital print on paper 150 cm x 170 cm CRAWSHAY-HALL, JAYNE KELLY PRETORIA 24
  • 27. CRUSE, CANDICE EAST LONDON PROFILE: Cruse was born in 1989 and is currently studying at Rhodes University, Grahamstown. DESCRIPTION OF ARTWORK: This work forms part of a larger body of work entitled‘The Context is in theTitle’.The works are an exploration of art historical references from the late 19th and early 20th centuries, in which women were displayed together in intimate poses.The artist inserted herself into the images to embody each character. Through the drawing process, the artist became aware that the work emphasised the space of the absent other. By stripping the work of all contexts,i.e. time period,clothing, the background and the interaction with the missing figures, the drawing becomes decontextualised.Thus, the body of work evokes an enhanced sense of loss and balance. After Gabrielle d’estre et de duchesse D’Villars (Part 1) Colour chalk pastel on Fabriano 150 cm x 97 cm 25
  • 28. CRUSE, CANDICE EAST LONDON After Gabrielle d’estre et de duchesse D’Villars (Part 2) Colour chalk pastel on Fabriano 150 cm x 97 cm 26
  • 29. PROFILE: Daling was born in 1983 and studied for a BA(FA) at the University of Pretoria. DESCRIPTION OF ARTWORK: The blue duiker’s head is full of gall, don’t eat the tripe. Take off the barcode and screw on the “boord”. Somebody is going to pound him. Little boys don’t do it, you hear. Remove your hat, I’m afraid you might say the wrong thing. Who is truly like a rhebuck? The buck leaves its own footprints and sheds its own tears – he is his own buck. Who will tell the buck where to go and what to go? Cut its throat and become a man or tame it. I might as well just as well push its head through a plate. I think my name is bok-bok. Afval Mixed media 25 cm x 25 cm x 25 cm DALING, ROELF JOHANNES PRETORIA 27
  • 30. DIKGALE, LEROLE DALSON POLOKWANE DESCRIPTION OF ARTWORK: Crockery made of terracotta clay and supported by a steel stand. Poverty Mixed media 87 cm x 29 cm x 59 cm 28
  • 31. PROFILE: Engelbrecht was born in 1983 and studied for a BA(FA) at the University of Stellenbosch. She also has an MA in Visual Art from the same university. She has participated in a number of exhibitions and won a number of accolades. DESCRIPTION OF ARTWORK: The work is a contemporary interpretation of Hieronymus Bosch’s 16th century painting, the Garden of Earthly Delights.The central panel of Bosch’s triptych shows a fantastical world where sexually liberated naked figures frolic among bizarre fauna and flora. One of the most prominent characteristics of post-modern visual culture is the sheer excessiveness of spectacles. In today’s Westernised world we are constantly exposed to images of excess, thereby turning us all (willingly or not) into voyeurs.Visual culture today is saturated with images, and by restricting the collage of pictures from books and magazines, the artist hopes to facilitate critical reflection of excess prevalent in contemporary culture. Saturated spectacle (After Hieronymus Bosch) Collage 124 cm x 140 cm ENGELBRECHT, LARITA CAPE TOWN : a o y. s s. N : f e l d c t l s. y s e g s, f e. 29
  • 32. ERASMUS, STEPHAN JOHANNESBURG PROFILE: Erasmus was born in 1976. He studied for the National Diploma in Fine Arts at the Witwatersrand Technikon, as well as for the BTech (FA) degree at the Witwatersrand Technikon. He also completed a Master’s degree in Fine Arts at the University of the Witwatersrand. He has participated in several exhibitions, including the Absa L’Atelier exhibition in 2000, as well as the Absa L’Atelier exhibitions in 2004, 2006, 2008 and 2009. He was selected as one of the top ten finalists in 2008 and a Merit Award winner in 2009. DESCRIPTION OF ARTWORK: The book contains the full text of TheWaste Land and Other Poems by T.S. Eliot.The work explores aspects of‘reading’text/image. The work was silkscreen printed and bound using a concertina binding system. Wasteland Mixed media PR Eras the Wit the Tech deg the in s L’Ate Abs 200 the Awa DE OF The Lan exp 30
  • 33. DESCRIPTION OF ARTWORK: ‘Tou opgooi’is a scroll book that takes a motto used in raising young Afrikaner children“Moenie tou opgooi nie maar baklei tot die bitter einde”(don’t throw in the towel but fight till the bitter end). The repeated text is tied to the cotton thread every 40 cm, rolled into a scroll and placed in a clamshell box especially designed for the scroll. The text was selected because the source of the text is a book published in the 1950’s in South Africa, and puts forward a set of mottos for the promotion of the Afrikaner culture in South Africa at the point in the artist’s history.The book does not however put forward discrimination of any kind but rather just the growth and promotion of an Afrikaner lifestyle, strongly connected to the religious doctrine of the time. Tou opgooi Mixed media ERASMUS, STEPHAN JOHANNESBURG N K: a er ar w ). e o x l. e d d e n ’s ut 31
  • 34. GAUNTLETT, ALICE CAPE TOWN PROFILE: Gauntlett was born in 1988 and has a BA(FA) from the Michaelis School of Fine Art, University of Cape Town. She participated in the 2010 Absa L’Atelier exhibition. DESCRIPTION OF ARTWORK: This work concerns the increasing sense of isolation of many people within our society, whether it be from social, cultural or political divides.The vehicle of the domestic environment emphasises, as it places this emotion in a place where we are meant to feel connected to our family and by proxy to the world. In space and time Lightjet print 46 cm x 59 cm P G a o S L D O T o o c t a w f 32
  • 35. PROFILE: Geldenhuys was born in 1982 and studied for the National Diploma in Fine Arts at the University of Johannesburg. She also has a BTech (FA) from the same university and is currently studying for a Master’s qualification from the University of the Witwatersrand. She participated in the Absa L’Atelier exhibition in 2010. DESCRIPTION OF ARTWORK: The artist makes use of a kreepy krauly and the surveillance camera of a housing unit as symbols of cultural markers of the South African middle and upper classes. In residential spaces one will find kreepy kraulys and electric fences co-existing.This seems an odd combination; one is a commodity of leisure, associated with fun, and the other a technology of defence, denoting war and control.Their juxtaposition sends out mixed messages to inhabitants because of their significance which contradict one another. The artist reconfigures the functionality of these objects, transforming their original purpose, materials, dimensions, form and meanings, playing on their suggestive physiological, sociological and cultural associations. XOXO Upholstered steel bench and video GELDENHUYS, AMBER-JADE JOHANNESBURG E: al g. is he he 0. N K: ce of al es a er eir 33
  • 37. PROFILE: Gigaba was born in 1984 and has a BA(FA) from the University of KwaZulu-Natal. DESCRIPTION OF ARTWORK: This work draws an analogy between the education received from formal education institutions and the informal ones. Inspired by folklore, which tells of a friendship’s betrayal where the moral of the story is ‘what goes around comes around’. This image highlights a scene in the story where a frog had its leg tied to his dead friend, the rat, which is captured by the flying eagle. In the end they are both its prey. Awu Xoxo Wenzani? Screenprinting and embossing on paper 64 cm x 78 cm GIGABA, MUZIWANDILE DURBAN 35
  • 38. GROSE, IAN CAPE TOWN PROFILE: Grose was born in 1985 and has a BA(FA) from the University of Cape Town. He also has a postgraduate diploma in FA from the same university. Colour, separation Oil on Fabriano 13 cm x 64 cm (Triptych) 36
  • 39. PROFILE: Hammond was born in 1988 and graduated from the Michaelis School of Fine Art, University of Cape Town. Tenebrous Slide projection HAMMOND, JESSIE CAPE TOWN 37
  • 40. HLATSHWAYO, SIMILO W.T JOHANNESBURG PROFILE: Hlatshwayo was born in 1984 and obtained a Diploma in Visual Arts. He participated in the Absa L’Atelier exhibition in 2010. DESCRIPTION OF ARTWORK: The work seeks to visually translate the “traditional”Zulu name uBhodloza. It emphasizes the importance of physical strength within traditional Zulu circles, as a means of dealing with identity and masculine issues. The artist, blessed with a“traditional” Zulu background, aimed to explore societal perceptions towards Zulu- speaking males with traditional backgrounds, simultaneously questioning the role physical strength plays within the black urban society. Kwelakithi! (Bhodloza) Mixed media 38
  • 41. Untitled (Bhodloza) Mixed media HLATSHWAYO, SIMILO W. JOHANNESBURG 39
  • 42. HUGO, RYAN CHRISTOPHER PORT ELIZABETH PROFILE: Hugo was born in 1988 and graduated in BA(FA) from the Nelson Mandela Metropolitan University, Port Elizabeth. DESCRIPTION OF ARTWORK: This work speaks of the current situation within our nation. Our Government, a Trojan horse, under the saddle of the Goliath from abroad, deceives our Mopane culture and our land of its delicacy.Through the work the artist craves for resolve. Mopane, sieve Found objects, twine 180 cm x 150 cm x 0,5 cm 40
  • 43. DESCRIPTION OF ARTWORK: The work relates to the corporate world, animal instincts and the strong and the weak. The environment compliments these hybrid creatures, exposing them as the public is unaware. Confining these creatures in small spaces was a different element than a landscape. People reactions are evident and appeal to the viewer on a conceptual level. How they duck and cower! These animals represent a dark, cruel and greedy world, exploiting and outflanking the weak. These animals are predators in the corporate world. Corporate mask Digital image on canvas 85 cm x 120 cm JABOUR, PATRICK ANTHONY JOHANNESBURG 41
  • 44. JANEKE, DANIO BLOEMFONTEIN PROFILE: Janeke was born in 1983 and studied for a diploma at the Central University of Technology, Bloemfontein. DESCRIPTION OF ARTWORK: What we as people will do in the dark to improve our identity to adapt. Fur / pels Film 42
  • 45. PROFILE: Jansen van Vuuren was born in 1985 and studied for a BA(FA) at the University of the Witwatersrand. He is currently studying towards his MA(FA). Participated in the Absa L’Atelier exhibition in 2008. DESCRIPTION OF ARTWORK: The artist has portrayed psychological quiet portraits that appear to be under some kind of rupture, shadow or deterioration. Figures Oil on canvas 76 cm x 61 cm (Diptych) JANSEN VAN VUUREN, NATHAN JOHANNESBURG 43
  • 46. KAMA, LUNGA CAPE TOWN PROFILE: Kama was born in 1982 and studied for a BA(FA) at the University of Stellenbosch. He is currently studying towards his MA in Visual Arts. He has participated in a number of exhibitions,including the Absa L’Atelier exhibition in 2008 where he received a Merit Award. DESCRIPTION OF ARTWORK: The work is based on a series of movements. It was inspired by the kind of classical imagery of the male body.The meaning of the word Ze is “Nude”and the intent of these images in this series is meant for that purpose.The theme of the work is sexuality and the black body.The work traces the roots of representation of the black body through photography.The pills are actually anti-depressants and generic medication used to decorate the body.There are some visual references to tribal markings often seen in some of the South African tribes such as the Xhosa. ZE Photography 76,3 cm x 114,5 cm 44
  • 47. PROFILE: Keevy was born in 1987 and studied for a National Diploma in Fine Art at the Nelson Mandela Metropolitan University, Port Elizabeth. Flesh Mixed media KEEVY, AMY PORT ELIZABETH DESCRIPTION OF ARTWORK: Six oval frames, each with a middle section of kilned formed glass. 45
  • 48. KHUZWAYO, LUCKY MOSA PRETORIA PROFILE: Khuzwayo was born in 1988 and studied for a National Diploma in Fine Arts at the Tshwane University of Technology, Pretoria. DESCRIPTION OF ARTWORK: This artwork symbolises the attitude of people in everyday life in terms of behaviour and discipline that we do not have to save water.The artist has used an image of a compressor, with seven pipes, which symbolises seven colours of our rainbow nation and this emphasises that it is everyone’s problem, affecting every human being.The rusty effect symbolises the decay and dying of originality and it emphasises the negligence of rural people by our Government through the development of infrastructure and other forms of living the better life. Compromise (compressor) Red earthenware 55,4 cm x 67 cm x 49,8 cm 46
  • 49. PROFILE: Knoetzee was born in 1983 and is studying for a BA(FA) at Rhodes University, Grahamstown. DESCRIPTION OF ARTWORK: Brak is a sculpture of the eternal underdog, gnawing its own leg off. It alludes to the relentless pursuit of ‘freedom’, which is inherent in all living things. It is made primarily out of bubble gum. Brak Mixed media 95 cm x 50 cm x 62 cm KNOETZEE, FRANCOIS EAST LONDON 47
  • 50. KRONJÉ, KRISTINE CAPE TOWN PROFILE: Kronjé was born in 1986 and studied for a BA(FA) at the University of Stellenbosch. DESCRIPTION OF ARTWORK: Resembling a modernist aesthetic, “Nuances of Velocity”explores the acceleration of progress and technology, which has become so rapid that it can be mistaken for a form of changelessness. The works consist of modular glass units referencing repetition and efficiency. Nuances of velocity Photography 176 cm x 130 cm 48
  • 51. PROFILE: Little was born in 1987 and studied for a Graphic Design Diploma in Information Technology and 3d animation, as well as a BA(FA) at the University of the Free State. DESCRIPTION OF ARTWORK: The very saying, You’re so cute I’m going to eat you right up, sends an uneasiness down one’s bones.Why is it that all we want to do is put beauty in our mouths? I have been bitten, and masticated. You’re so cute I’m going to eat you right up Digital print and Photoshop 165 cm x 120 cm LITTLE, SANDY BLOEMFONTEIN 49
  • 52. LOSSGOTT, KAI CAPE TOWN PROFILE: Lossgott was born in Germany in 1980 and studied B(Journ) at Rhodes University, Grahamstown. He has participated in a number of exhibitions including the Absa L’Atelier exhibition in 2007 and 2008. DESCRIPTION OF ARTWORK: In“the aperture of chlorophyll”,a fragment from a poem is typed on a small plant leaf,an intricate drawing laser-engraved on another.Influenced by global evidence of climate change,we are currently re-defining our collective and personal identities.As we begin to realise we are part of a living system,we ask:what is the borderline of intelligent life? Plants,for instance,store and process information in sophisticated ways,communicating chemically with their environment.They are capable of learning,and plan for future environmental conditions. The aperture of chlorophyll Digital video 20 cm x 25 cm 50
  • 53. PROFILE: Lubinsky was born in 1988 and is studying for a BA(FA) at the University of the Witwatersrand. DESCRIPTION OF ARTWORK: This book explores the ways in which abstract marks could come to stand for those things that are unarticulatable. The graphics and tables display the awkwardness of attempting to fit more fluid/ephemeral things into the structure of languages, also pointing to the difficulty of describing and analysing usual images through linguistic articulation. Greater than the sum of its parts Silkscreen and laser printing 54 cm x 47 cm LUBINSKY, TALYA JOHANNESBURG 51
  • 54. MABASO, PHANUEL POLOKWANE Xibelani (traditional garment) Aluminium casting 39 cm x 14 cm x 8 cm DESCRIPTION OF ARTWORK: Xibelani is a well-known traditional Tsonga garment which is normally worn at happy traditional events. At these events the young ladies compete against each other for best dancing styles. 52
  • 55. DESCRIPTION OF ARTWORK: This lady carries porridge on her head, which is taken to the bush to serve to the boys. According to traditional law, ladies must not be fully dressed around their breasts. Xivonele Aluminium casting 44 cm x 14 cm x 9 cm MABASO, PHANUEL POLOKWANE 53
  • 56. MALATJI, RELEBOGILE AMELIA PRETORIA PROFILE: Malatji was born in 1988 and obtained a National Diploma in Fine Art from the Tshwane University of Technology, Pretoria. PROFILE: Long journey Oil on canvas 35 cm x 25 cm (Triptych) DESCRIPTION OF ARTWORK: The artwork depicts a journey of self discovery. It is painted in oil on canvas. The bag is used to show a sense of travelling, moving forward. 54
  • 57. PROFILE: Maqabuka was born in 1982 and studied for a National Diploma in Fine Art from the Tshwane University of Technology, Pretoria. He has participated in a number of exhibitions, including the Absa L’Atelier exhibition in 2004. DESCRIPTION OF ARTWORK: The work is inspired by a South African top cop. A head of state who got busted for some illegal activities with drug lords and gangsters. Head of state Mixed media 54 cm x 47 cm MAQABUKA, LUDUMO BANTUBONKE JOHANNESBURG 55
  • 58. MASWANGANYI, COLLEN JOHANNESBURG PROFILE: Maswanganyi was born in the village of Noblehook, Giyani, in 1977. He obtained the National Diploma in Fine Arts at the Technikon of the Witwatersrand. His father, the well-known sculptor Johannes Maswanganyi, taught him woodcarving. He has participated in several exhibitions nationally and internationally. He was selected as one of the top ten finalists of the Absa Atelier exhibition in 2001 and the Absa L’Atelier exhibition in 2010. DESCRIPTION OF ARTWORK: The work is about tax and tithes. Some Christians feel it is the same and should be exempted from paying tax. Some do not see a need to pay tax and tithes as they see it as money for luxury for Government officials and pastors. Tax and tithes Mixed media 54 cm x 47 cm 56
  • 59. PROFILE: Mertz was born in 1987 and studied a BA(FA) at the University of Pretoria. DESCRIPTION OF ARTWORK: Cities are“the scar tissue of history” and carry within and on them the traces of historical ideological and world changes. Although visually on the outside cities seem to be impersonal mounds of concrete, tar and technology, they are the repositories of the makings and markings of human beings and have been created in the image of humankind – as such becoming anthropomorphic spaces. Anthropomorphic Spaces is based on maps of South Africa; the panels are a representation of inner cities, while the surrounding panels become the artist’s own interpretation of the city. Anthropomorphic spaces 1 Mixed media 120 cm x 115 cm x 70 cm MERTZ, ISABEL PRETORIA 57
  • 60. MERTZ, ISABEL PRETORIA Anthropomorphic spaces 2 Mixed media 120 cm x 115 cm x 70 cm 58
  • 61. Anthropomorphic spaces 3 Mixed media 120 cm x 115 cm x 70 cm MERTZ, ISABEL PRETORIA Detail of artwork 59
  • 62. MINKLEY, EMMA SMITH PORT ELIZABETH PROFILE: Minkley was born in 1988 and studied a BA(FA) at the Nelson Mandela Metropolitan University, Port Elizabeth. She is currently studying for a BTech Degree in FA(Painting) at the same university. DESCRIPTION OF ARTWORK: A set of four wooden boxes, rectangularly shaped and with round holes cut into the front panel of each, arranged on a base with four white feet.This set of boxes is accompanied by another single box of the same description, but on longer white legs, resting on a white pillow. The digestive organs Mixed media 60
  • 63. PROFILE: Mtshiselwa was born in 1985 and obtained a BTech in Ceramic Design from the Nelson Mandela Metropolitan University, Port Elizabeth. DESCRIPTION OF ARTWORK: Hidden Treasurers is an exploration journey in clay discovery.Through the process the nature of the clay changed with each new experiment.Through the process natural additives such as different seed pods and pine needles were added to the clay, moulded and then placed into a kiln before the piece has dried.The organic material burns away in the firing process and leaves an imprint in the fired clay.Through this process the natural additives are given a new life.When they burn away they leave traces behind that were once occupied in the clay surface.The viewer is encouraged to engage with the pieces getting closer to them, touching them and exploring them Hidden treasures Ceramic MTSHISELWA, BANTU PORT ELIZABETH 61
  • 64. NAUDÉ, DANIEL CAPE TOWN PROFILE: Naudé was born in 1984 and studied for a BA(VA) at the University of Stellenbosch. He has participated in number of local and international exhibitions. DESCRIPTION OF ARTWORK: Extended periods spent in rural South Africa brought the artist closer to understanding the complex relationship farmers have with domesticated animals.The artist began to see common animals like donkeys in a different way. It is these instances of mutual connection with animals whose lives are conditioned and determined by their relationships with man that fascinates the artist. He portrays his subjects with a sense of wonder and awe that allows the viewer to see them afresh. In front of the photograph, the viewers find themselves on the same eye level as the subjugated animal, extending their knowing gaze and reminding one of man’s uneasy dominion over them. P N BA H in D O Ex b th d co w w a m su a of o ex o Donkey. Mlungwana, Eastern Cape, 20 October 2009 Photography 75 cm x 75 cm 62
  • 65. PROFILE: Haidee was born in 1977 and studied for a BA(FA) at the Michaelis School of Fine Art, University of Cape Town. She has participated in a number of exhibitions and received a number of accolades for her work. DESCRIPTION OF ARTWORK: The girl with a spoon, her dress is made of segments, like building blocks. She is standing on a stack of plates. Everything is very fragile. Higher Cement, ceramic 50 cm x 30 cm x 30 cm NEL, HAIDEE CAPE TOWN 63
  • 66. NGAKI, SIYABONGA KHAKA PORT ELIZABETH PROFILE: Ngaki was born in 1989 and obtained a national diploma in fine art from the Nelson Mandela Metropolitan University, Port Elizabeth. DESCRIPTION OF ARTWORK: The artwork depicts a male figure with the head visible on the chest. The artwork deals with the issue of muti-killings, hence the use of a decomposing body of a man. What will become of me Pen and ink on paper 116 cm x 75 cm 64
  • 67. PROFILE: Ntuli was born in 1986 and obtained a national diploma in visual arts from the University of Johannesburg. He is currently studying towards a BTech in visual arts at the same university. DESCRIPTION OF ARTWORK: The work explores the notions of masculinity, as an overwhelming burden and as a vulnerable shelter. This is done by the use of the doily to subvert masculinity in order to expose its fragility. The disposed bodies Mixed media Photo’s: 97 cm x 69,5 cm, Figures: Life-size NTULI, DHUMULANI JOHANNESBURG 65
  • 68. PATTENDEN, HEATHER DURBAN PROFILE: Pattenden was born in 1987 and is currently studying towards an MA(FA) at the University of KwaZulu-Natal, Pietermaritzburg. DESCRIPTION OF ARTWORK: This series of works was created using the age-old tradition of paper embroidery.The images are a comment on how modern communication is no longer a personal exchange between two people. Communication has broken down and no longer represents what it used too. SMSs, e-mails, Skype, Mxit, Facebook, BBM,Twitter and Google now represents the‘voice’of the sender. People have forgotten what it is like to pick up the telephone and call. Communication today series (2010) Silk-screen, thread, stamp 100 cm x 100 cm 66
  • 69. DESCRIPTION OF ARTWORK: This series of works was created using the technique of paper embroidery.The stitched images depict scenes of the mundane chore of washing – typically seen as the female chore. However, an older man is conducting this task within the home.These gender stereotypes are turned upside down within these works, which also relates to the particular medium used – real men don’t embroider. Housework series (2010) Silk-screen, thread 200 cm x 150 cm PATTENDEN, HEATHER DURBAN 67
  • 70. PATTENDEN, MHAIRI KIRSTEN DURBAN DESCRIPTION OF ARTWORK: The piece centres on the issue of journeys. The artist introduces an individually hand sculptured bird skull, to a found object, a walking stick. The artist combines the idea of birds migrating, walking sticks being synonymous with journeys, and the element of skulls representing the end of such a journey. The artist views himself as a generation of artmakers who do not have to be entirely original but rather taking something familiar (i.e. walking sticks) and putting it together differently to create something new. Walking sticks (2010) Stoneware and wood 200 cm x 100 cm 68
  • 71. PROFILE: Pete was born in 1989 in Polokwane. He is currently studying towards a BTech in Fine Arts at the Tshwane University of Technology, Pretoria. DESCRIPTION OF ARTWORK: The work depicts a nightscene of a city corner with lights reflecting on the road and sidewalk.The painting captures a moment of isolation from humanity but still bound by its rules and functioning. E: ne. s a ne ia. N K: f a on ng m es g. Please wait ….. Oil on board 38 cm x 28 cm PETE, MALOSE PRETORIA 69
  • 72. PHOOKO, LUCKY FRANS PRETORIA A Place called Home Pencil crayon 86.5 cm x 116 cm 70
  • 73. PROFILE: Pienaar was born in 1988 and studied for a BA(FA) at the University of Pretoria. DESCRIPTION OF ARTWORK: The artist makes use of puzzle pieces in the creation of her work of art as a spontaneous action that illustrates what effects the destruction of nature have on the earth and the environment. Mankind is playing a dangerous game with nature and is busy reshaping the world, piece by piece. Mankind’s negligence in preserving nature and all within the ecosystem, as well as securing the future for generations to come are threatened by man’s own doing. OFILE: udied for Pretoria. PTION WORK: e pieces of art as ustrates ction of and the laying a ture and ld, piece gence in thin the Playful weapon 20o 02’ Puzzles 100 cm x 150 cm x 45 cm PIENAAR, KAREN PRETORIA Detail of artwork 71
  • 74. PITSO, THABO PRETORIA PROFILE: Pitso was born in 1982 and obtained a Fine and Applied Arts diploma from the Tshwane University of Technology, Pretoria. He is currently studying towards a BTech degree in Fine Arts at the same university. DESCRIPTION OF ARTWORK: The sculpture comments on the heavy systems of persuasion by governments and religious institutions to alter, control and censor the minds of the people. Portrays the influence of media as a tool to decide how society should behave. Radio propaganda Mixed media 41 cm x 30 cm x 10 cm 72
  • 75. PROFILE: Qapa was born in 1976 and studied BA(FA) at Rhodes University, Grahamstown. He has participated in several exhibitions, including the Absa L’Atelier exhibitions in 2001, 2004 and 2010. Informal Traders Oil on board 35 cm x 145 cm QAPA, DINISILE EAST LONDON DESCRIPTION OF ARTWORK: This painting portrays a way of life of many people from townships and informal settlements around industrial cities, like East London.These people are self-motivated and are not prepared to turn to crime to earn a living. Instead they collect from dumpsites, recycling materials like steel, copper wire, tins, bottles, plastic, etc.They then sell them to scrapyards, enabling them to feed their families. Regardless of their situation, they still hope for a better life one day. 73
  • 76. RAMADI, THIKHOLI BETHUEL POLOKWANE Ancestors passage Oil on canvas 85 cm x 60 cm 74
  • 77. PROFILE: Sampson was born in 1989 and is currently studying toward a BTech at the Nelson Mandela Metropolitan University, Port Elizabeth. DESCRIPTION OF ARTWORK: This is not an explanation, but a palpitation of words culminating internal with external forms. Object, viewer, subject, reader project their horsepecious danglion into the long laggard lady to create a story. Fantastic imagination is necessary to complete the third leg. If the object is complete, the viewer is obsolete. Horsepecious danglion, The long leggard lady Mixed media 23 cm x 23 cm x 154 cm SAMPSON, TEGAN JEAN PORT ELIZABETH 75
  • 78. SCHOLTZ, JUNNO PORT ELIZABETH PROFILE: Scholtz was born in 1988 and has obtained a national diploma in Fine Art from the Nelson Mandela Metropolitan University, Port Elizabeth. DESCRIPTION OF ARTWORK: A plaster of paris plinth supporting a door leaning against a wall supported by an assortment of animal legs. Verneuk-beentjie Mixed media PROF Scholtz obtaine from th Univers DESC OF A A plaste door lea an asso Detail of artwork 76
  • 79. DESCRIPTION OF ARTWORK: Inside a display unit, a mummified cat (wearing a brassy polar fleece pet jersey) rests upon a household chopping board. The human animal’s relationship with the non-human animal has always been one of precarious disparity.Throughout our own domesticated and settled existence, and even before man’s attitude towards beasts has been one of ironic double-play. While the vast menagerie of venerated animals, which include those domesticated, have been treated with admiration, wonder and religious devoutness: on cave walls, through mythical narratives, in hieroglyphic short-hand, arcane allegorical detail and the fairytales that have warmed our infantile bellies. Baste Mixed media 50 cm x 150 cm SHAW, ALISON JEAN PORT ELIZABETH 77
  • 80. SIBIYA, JOSE BAMBO JOHANNESBURG PROFILE: Sibiya was born in 1986. He studied a three-year course in Printmaking at the Artist Proof Studio. He participated in the Absa L’Atelier exhibition in 2010. DESCRIPTION OF ARTWORK: This work was inspired by the quality time the artist spent with his mother when she told him stories of his father when he went to the big city looking for a job. Cellular phones were not available or expensive to buy.Thanks to radio stations with a slot for people to call and greet their families, tell how much they love them and even dedicate a song. Communication was kept alive through letters. Nize nisikhonzelephela bandla Linocut 160 cm x 80 cm 78
  • 81. PROFILE: Spring was born in 1986 and studied a BA(FA) at Rhodes University, Grahamstown. DESCRIPTION OF ARTWORK: Book bound in maroon leather cover. The Beginning and The End was the first and last book to be published by Parapraxes Books – publishing house of the late Mark Hipper. It is a story that starts and finishes without anything happening in between. The beginning and the end Digital prints on paper 21 cm x 24 cm SPRING, SARAH JOHANNESBURG 79
  • 82. STEYN, DANIËL PETRUS DREYER PRETORIA PROFILE: Steyn was born in 1984 and studied BA(FA) at the University of Pretoria. He is currently reading for an MA(FA) at the same university. He has participated in several exhibitions, including the Absa L’Atelier exhibition in 2008 and 2010. DESCRIPTION OF ARTWORK: Silent Echo deals with emotions and inner turmoil. Our emotions are echoes of ourselves.We struggle with who we are and who we need to be – in Freudian terms the clash between the‘Ego’and the ‘Id’.This results in a continuous‘tug of war’ within ourselves, generating frustration and rage that we can’t acknowledge or react upon.The awkward implies our attempts to deal with these emotions and how we try and force ourselves into moulds that do not fit. Silent echo Video 80
  • 83. PROFILE: Stodel was born in 1988 and studied a BA(FA) at the University of Cape Town. DESCRIPTION OF ARTWORK: The core concern of this video is the spatial restructuring of the post- apartheid urban landscape in the form of forced removals. It makes reference to a place near Delft called Blikkiesdorp, as many of its inhabitants have been evicted from various places around Cape Town. The map lines have been created by removing the pigment from paper with bleach, suggestive of‘cleansing’ of urban areas during gentrification. It can also be read more generally as historical and contemporary forced removals in Cape Town. Removed Stop-frame animation STODEL, SOFIA MARGUERITA CAPE TOWN 81
  • 84. TERBLANCHE, ANNELENE PORT ELIZABETH PROFILE: Terblanche was born in 1984 and obtained a National Diploma in Fine Art at the Nelson Mandela Metropolitan University, Port Elizabeth. She is currently completing a BTech Degree. DESCRIPTION OF ARTWORK: This body of work represents an exploration of two interdependent aspects, which are essential to the work: form and content.The materials, iconography and processes are intended to reflect the transience of mortality, the cycle of life and the possibility of rebirth that occurs in time and through change. Repetition of the combined use of dung and an appropriated ancient female form in effect constitute the passage of time represented as death, decay and rebirth. Documenting the work in a series of photographic representations is not so much an act of sentimentality but rather a representation of the temporary participation of the artist and as a result an analogy to the temporality of mortal life. Fimum femininum Digital photographic print on archival paper 143 cm x 157 cm (Diptych) 82
  • 85. Objects from quandary Wood and steel 72 cm x 123 cm TORR, NINA CATHARINA LOUISE PRETORIA PROFILE: Torr was born in 1987. She holds a B(FA) from Parsons the New School for Design, New York. She has participated in a number of local and international exhibitions, receiving a number of accolades. DESCRIPTION OF ARTWORK: The title reflects the combination of three concepts,namely quarry,foundry and dilemma. It evokes a place where artefacts are excavated, a place where objects are made and a metaphorical place of uncertainty.The objects at first appear to resemble utilitarian objects, but upon closer inspection, their various components signal purely aesthetic functions. The intention is to trigger enough signals for the viewer to assemble possibilities for each object,illustrating the human tendency to search for and construct meaning in something which in essence might not have any. 83
  • 86. TURPIN, MURRAY JAMES JOHANNESBURG PROFILE: Turpin was born in 1982 and studied for a BA(FA) at the University of the Witwatersrand. He has participated in a number of local and international exhibitions, receiving a number of accolades. DESCRIPTION OF ARTWORK: “Activated Serigraph” Performer – Hyena Location – Circa Exhibition – Banned Duration – 12 Hours Loser – Charity P T f W i e a D O “ P L E D L Glass hyena: circa 2011 Serigraph 82 cm x 110 cm 84
  • 87. City of bytes Mixed media 38 cm x 38 cm VAN DER VYVER, CORNELIA MARIA PRETORIA PROFILE: Van der Vyver was born in 1977 and is currently studying BA(FA) at Unisa. She participated in the 2010 Absa L’Atelier exhibition. DESCRIPTION OF ARTWORK: Society is going through a process of social transformation, giving way to networked social structures. Dominated by a symbolic economy and highly dependent on telecommunications it is knowledge that counts most. 85
  • 88. VAN NIEKERK, ARNOLD PRETORIA PROFILE: Van Niekerk was born in 1983. He studied for a National Diploma in Fine Art at the Nelson Mandela Metropolitan University, Port Elizabeth. He obtained his BTech Degree from the same university. DESCRIPTION OF ARTWORK: The artwork consists of 588 plaster of paris cars in a box frame. There was a time when Modern referred to all things new and the future was a promised Utopia. That which was modern once, has aged and is now outdated – it was naïve to feel so invincible. Generations have already passed, striving for the future ideal, leaving deep-seated psychological and environmental burdens. To continue dreaming of a future utopia is pointless. Preserving what time we have left has become of far greater concern. When the world was young Plaster of Paris 124 cm x 68 cm Detail of artwork 86
  • 89. PROFILE: Van Schalkwyk was born in 1981 and is currently studying BA at Unisa. He has participated in a number of exhibitions, including the 2010 Absa L’Atelier. DESCRIPTION OF ARTWORK: This multilayered work, in terms of image, process and content, primarily asks questions about the issues around the notion of the sustainability and validity of traditional painting as a visual language in contemporary culture.The imagery deals with the concepts of slaughter and sacrifice, in other words, death to maintain life. Should the supposed death of traditional painting lead to its extinction? Or will it emerge as a phoenix from the ashes of contemporary dismantlement, neglect and distain, to participate in the discourse and challenges facing our culture? Endangered species Oil on canvas/perspex 128 cm x 128 cm x 18 cm VAN SCHALKWYK, JACOBUS JOHANNES JOHANNESBURG 87
  • 90. WASHKANSKY, DALE CAPE TOWN PROFILE: Washkansky was born in 1980. He holds an MA(FA) from the Michaelis School of Fine Art,University of Cape Town. He also holds Diplomas in Photography and Film and Television Production Techniques, majoring in Directing from City Varsity,Cape Town. He has participated in a number of exhibitions and received a number of accolades. DESCRIPTION OF ARTWORK: It is a photograph taken at Buchenwald concentra- tion camp in Germany.The artist’s experience of Buchenwald was that of a landscape of mute- ness and of untold stories,where history remains yet to be told.These images relate to the whole experience of unsettling quietness.The viewer of these photographs encounters an absence. He sees that there is no relic left to sustain belief and no other onto which identity can be projected.There is no object that can effectively link this site to its traumatic history.There is acute pathos in the emotional detachment of these images. Urns: Buchenwald Lightjet photographic print 101 cm x 115 cm 88
  • 91. PROFILE: Wilmott was born in 1988 and studied a BA(FA) at Rhodes University, Grahamstown. She is currently studying for an M(FA) specialising in printmaking at the same university.Wilmot has participated in a number of exhibitions including the 2010 Absa L’Atelier exhibition. PROFILE: Errorism Photographic print 69 cm x 81 cm (Triptych) WILMOT, CASSANDRA EAST LONDON DESCRIPTION OF ARTWORK: This series forms part of a larger body of work, which was inspired by objects of ambiguity – objects tentatively poised on a fine line between being constructive and destructive. In this particular series, the artist has tried to mimic the aesthetic of the contentious full- body scans done at airports. In these simulations of these scans, fairy lights create dark, menacing patches on the body. Although the lights are harmless, looking at them in the way they are pictured makes one reconsider our perceptions of what a threat looks like. 89
  • 92. XUAN, HAIFENG JOHANNESBURG PROFILE: Xuan was born in 1976. He studied at Nanjing Normal University, Nanjing City, China, and the China Academy of Fine Arts, Hangzhou City, China. He has an Advanced Diploma from the University of the Witwatersrand and is currently studying towards an MA in Fine Arts at the same university. DESCRIPTION OF ARTWORK: The installation work explores the possibilities and limits of painting in portrait studies. In the bottles, not only the faces represented on canvas but also the painting itself bears the scrutiny of spectators. Specimen – Faces from East Mixed media 90
  • 93. Self-portrait, as a passenger Oil on canvas XUAN, HAIFENG JOHANNESBURG DESCRIPTION OF ARTWORK: This self-portrait painting represents the artist’s own shadow reflecting on the painting of Parrot by Colin Richards. In this portrait, the artist investigated a certain dilemma, which as a Chinese immigrant he experienced living in South Africa. 91
  • 94. PREVIOUS ABSA L’ATELIER WINNERS (Known as Volkskas Bank Atelier Competition up to 1998 and from 1999 to 2001 known as Absa Atelier Competition) 1986 Winner Penny Siopis Merit Award Winners Deborah Bell Andrew Breebaart Dennis Purvis Simon Stone 1987 Winner Clive van den Berg Merit Award Winners Andries Botha Philippa Hobbs Tommy Motswai Karel Nel 1988 Winner Diane Victor Merit Award Winners Kay Cowley Guy du Toit Johann Louw Margaret Vorster 1989 Winner Hennie Stroebel Merit Award Winners Caroline Jones Walter Oltmann Giulio Tambellini Jeremy Wafer 1990 Winner Barend de Wet Merit Award Winners Andrew Breebaart Jean Bruwer Guy du Toit Judy Woodborne 1991 Winner Virginia MacKenny Merit Award Winners Nicole Donald Ruth Mileham Johann van der Schijff Pierre van der Westhuizen 1992 Winner Paul Edmunds Merit Award Winners Wayne Barker Marc Edwards Dominic Thorburn Minette Vári 1993 Winner Dominic Thorburn Merit Award Winners Siemon Allen Diek Grobler Adam Letch Russel Scott 1994 Winner Jonathan Comerford Merit Award Winners Andrew Putter Kevin Roberts Henk Serfontein Alastair Whitton 1995 Winner Kevin Roberts Merit Award Winners Moses Cetywayo Gordon Froud Diek Grobler Peet Pienaar 1996 Winner Isaac Khanyile Merit Award Winners Hanneke Benadé Wim Botha Samkelo Bunu Berco Wilsenach 1997 Winner Ilse Pahl Merit Award Winners Lucas Bambo Cecile Heystek Kim Lieberman Richardt Strydom 92
  • 95. 1998 Winner Karl Gietl Merit Award Winners Wayne Barker Hanneke Benadé Jean Brundrit Peter Rippon 1999 Winner Ryan Arenson Merit Award Winners Brad Hammond Fritha Langerman Albert Redelinghuys Vanessa van Wyk 2000 Winner Brad Hammond Merit Award Winners Joni Brenner Natasha Christopher Colbert Mashile Nigel Mullins 2001 Winner Stefanus Rademeyer Merit Award Winners Marco Cianfanelli Daniel Hirschmann Brent Meistre Merryn Singer 2002 Winner Marco Cianfanelli Merit Award Winners Natasha Christopher Alastair McLachlan Benninghoff Puren James Webb 2003 Winner Sanell Aggenbach Merit Award Winners Retha Bornmann Natasha Christopher Patricia Driscoll Berco Wilsenach 2004 Winner Conrad Botes Merit Award Winners Stephen Hobbs Pieter Hugo Lize Muller Robert Rich Gerard Sekoto Winner Belinda Zangewa 2005 Winner Berco Wilsenach Merit Award Winners Katherine Bull Lawrence Lemaoana Patrice Mabasa Mikhael Subotzky Gerard Sekoto Winner Lawrence Lemaoana 2006 Winner Ruth Sacks Merit Award Winners Nathani Lüneburg Riason Naidoo Anet Norval James Webb Gerard Sekoto Winner Nomusa Makhubu 2007 Winner Pierre Fouché Merit Award Winners Nina Barnett Wayne Matthews Lyndi Sales Jaco Spies Gerard Sekoto Winner Nina Barnett 2008 Winner James Webb Merit Award Winners Christiaan Hattingh Lunga Kama Alhyrian Laue Antonia Steyn Gerard Sekoto Winner Retha Ferguson 2009 Winner Stephen Rosin Merit Award Winners Frikkie Eksteen Stephan Erasmus Hannah-Ada Lotz Mbhekiseni Shabalala Gerard Sekoto Winner Nyaniso Lindi 2010 Winner Ilka van Schalkwyk Merit Award Winners Abri de Swardt Philiswa Lila Collen Maswanganyi Hanje Whitehead Gerard Sekoto Winner Bongumenzi Ngobese v
  • 96. As an artist,there is no formula for success. One thing is certain though:it will take guts.TheAbsa L’Atelier art competition rewards brave, young artists with the opportunity to live and learn at the world-renowned Cité Internationale des Arts in Paris. As a look through the list of past winners will testify, when courage and this kind of opportunity come together, greatness is sure to follow suit.