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Americasby Peter Winn,[object Object],Topic #1,[object Object],Frida Kahlo,[object Object]
Frida’s Paintings,[object Object]
Frida Kahlo Painted Mexico,[object Object],Green - good warm light,[object Object],Magenta- Aztec. Old TLAPALI blood of prickly pear, the brightest and oldest ,[object Object],Brown - color of mole, leaves becoming earth,[object Object],Yellow - madness, sickness, fear. Part of the sun and of joy,[object Object],Cobalt Blue- electricity and purity love,[object Object],Black - nothing is black - really nothing,[object Object],Leaf Green- leaves, sadness, science, the whole of Germany is this color ,[object Object],Greenish Yellow- more madness and mystery…all the ghosts wear clothes of this color, or at least their underclothes,[object Object],Dark Green- color of bad advertisements and good business,[object Object],Navy Blue- distance….also tenderness can also be this blue ,[object Object],Red - blood?....well, who knows!,[object Object],Without landscapes or cityscapes, Frida painted Mexico. Her colors were Mexico. In her journal, she explained what her colors meant.,[object Object],Her face was Mexico. Her heartbreak was Mexico. Her broken back and barren womb were Mexico.,[object Object]
Frida’s Mexico,[object Object],“…Frida Kahlo remained faithful in her own way to the ideal of mexicanidad. (She) found her inspiration in Mexican popular culture and in popular forms like the devotional retablos painted to thank th Virgin or a saint for a miracle accomplished or a wish granted.” (Winn, 427),[object Object],Moses, or the Nucleus of Creation (1945),[object Object],From the Text:,[object Object]
Self Portrait Between Borderline of Mexico and the United States. (1932),[object Object],Frida’s,[object Object],Politics,[object Object]
Frida, the Socialist,[object Object],Frida was a Socialist – committed to a movement of workers and the poor. She did not show this in her work, except on occasion. ,[object Object],Frida and Stalin, 1954,[object Object],She did, like her husband, have a famous painting with the likeness of Stalin, but hers was not famously torn down by the fat cats of New York industry. ,[object Object]
Frida’s classless reach,[object Object],“Kahlo shared Rivera’s political commitment in her life, but most of her art is as private in its themes and concerns as Rivera’s was public.” (Winn, 426),[object Object],However, she spoke to the Indian, the poor, the worker, the woman – in her self-portraits and in her actions.,[object Object],From the text:,[object Object]
Frida’s Husband,[object Object]
Frida y Diego,[object Object],Fridamade an indelible mark on the art world of Mexico and beyond, and an even more profound mark on the souls of women, with her examinations of what it is to be a woman, simultaneously strong and broken, in love and enraged, beautiful and imperfect, free and hunted. ,[object Object],The Little Deer, 1946,[object Object],She was married to the philandering and brilliant Diego Rivera.  But instead of being lost in Rivera’s formidable shadow…,[object Object]
His Untamed heart,[object Object],“The Frida she knew was a person who longed to possess the elusive Diego Rivera yet knew she never could – except in her paintings. In her masterpiece, Diego on My Mind, Rivera stares out of her forehead as the “third eye” of wisdom.” (Winn, 427),[object Object],Her paintings show us that she loved her husband, but could never keep him for herself.  This painting is entitled: Diego in My Thoughts, or, Diego on My Mind, 1943,[object Object],From the text:,[object Object]
Frida’s Body,[object Object]
Frida’s Pain,[object Object],She spent those years of her life looking at her reflection in a mirror placed above her bed. That mirror, that reflection – of herself – that was her muse. Her pain, her face, her broken body and all the dreams and wants that body housed;  those were her inspirations. ,[object Object],Frida was crippled by a bus accident at 18 years old. She spent most of her life in tortuous pain, without the ability to move from her back.,[object Object],Tree of Hope, Stay Strong (1946),[object Object]
Frida’s Strength,[object Object],“”My painting carries with it the message of pain,” she wrote to a friend in the year she died, but “painting completed my life. I lost three children…Painting substituted for all of this.” Yet despite the intensity of Kahlo’s pain – the pain of artistic creation as well as the pain of her tortured body and psyche – she was a strong and courageous woman who overcame her private agony to put her unique artistic vision on canvas.” (Winn, 427).,[object Object],She wanted, desperately to be a mother. But she could not carry to term. She expressed that pain by giving birth to some of her most poignant and painful pictures.  This painting is entitled: Henry Ford Hospital, (1942).,[object Object],From the text:,[object Object]
Frida’s Legacy (me and my frida tattoo),[object Object]
Frida Kahlo as Inspiration,[object Object],“The Inspiration of Frida Kahlo” By Angelique Moselle Price, (2008),[object Object],“Alice Walker” by Ester Hernandez, October 1995,[object Object]
The Gift of Freedom,[object Object],Frida created an artistic space that allowed the Mexican painter to escape the genre of muralist.  ,[object Object],“The Border” by Judithe Hernandez, (2009).,[object Object],An artist’s liberation ideology:,[object Object]
Mexico’s Frida Kahlo,[object Object],“Frida Kahlo – the unconventional painter and the bisexual,  the celebrant of Mexican popular culture and fearless explorer of her own identity – who has inspired a younger generation of Mexican artists trying to escape the shadow of “the greats” of the mural movement.” (Winn, 428).,[object Object],One of the many Frida gifts and trinkets for sale in the shops and vendors of Mexico.,[object Object],From the Text:,[object Object]

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