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The Data Protection Act requires us to manage personal data responsibly and to adhere to a
governing Data Protection Policy (DPP).
Our call sheets contain some personal data, such as mobile phone numbers. With this in
mind and in accordance with the DPP, we ask that you keep your call sheet safe when it's in
your possession and to hand it back or destroy it when you no longer need it.
The inclusion of the limited personal data contained within this call sheet is done so with the
agreement of the individuals concerned.
DATE: FRIDAY 7th
FEBRUARY & SATURDAY 8th
FEBRUARY 2014
SHOOT: CROWTHORNE
THIS CALLSHEET IS PRIVATE AND CONFIDENTIAL – PLEASE KEEP THIS ABOUT
YOUR PERSON
LOCATION TEAM CONTACTS
Producer/ Director Ellie Beazley M: 07584 088914
E: EllieLouiseBeazley@Gmail.com
Director of Photography Vanessa Lorriman M: 07501 834058
E: v.lorriman@Hotmail.co.uk
FILMING SCHEDULE: WEDNESDAY 26th FEBRUARY 2014
WEDNESDAY 26th
FEBRUARY 2014
TIME SCHEDULE
09:00 Pick up the equipment from John Madejski Academy
09:30 Places the equipment in the car and drive to location (10 minutes added in case of traffic)
10:10 Arrive at location
10:30 Making of the fake blood
11:00 Mark out location spots within the forest
12:30 Get props all ready for the filming
13:30 Set the bedroom out ready for shooting
15:00 Meet Actress either at train station or location
15:30 Get Actress ready for bedroom shoot (Make-up/Clothing)
16:30 Film bedroom segment (scene 1 – INT JESSIE BEDROOM)
17:30 Meet Actor on the set
18:00 Set up equipment for the car scenes
18:30 Film car segments (Drug scene – scene 2 INT CHRIS CAR /establishing shots – scene 3-
EXT FOREST|/the breaking down – Scene 4/5)
21:00 (22:00 if needed) Filming is completed for the day
WEDNESDAY 26th
FEBRUARY
TIME SCHEDULE
13:00 Meet back at location of set
13:20 Run through of second half of the script – Marking out locations
16:30 Take a break warm up and have some food
18:00 Set up equipment for forest segment
18:10 Film forest segment up until the opening of the Jack in the box (scene 7)
19:30 Make-up for clown look to be placed on ‘Chris’
20:00 Film forest segment from point we have left of (scene 8 and scene 9)
22:00 (Latest 23:00) Filming wraps up and is completed
IMPORTANT NOTES:
*Camera Kit must never be left out of sight
*Confidentiality/Release forms must be signed by all key contributors and crew
LOCAL A&E & POLICE:
A & E POLICE
Broadmoor Hospital
Crowthorne,
West Berkshire
RG45 7EG
01344 773111 or 999
Upper Broadmoor Road
Crowthorne,
West Berkshire
RG45 7AB
T:999
CAMERA KIT & STOCK
FINANCE & RELEASE FORMS:
RELEASE FORMS:
A release form will be supplied with this document
SAFETY DETAILS:
HEALTH & SAFETY / RISK ASSESSMENT:
A copy of the risk assessment will be supplied with this document
INSURANCE:
John Madejski Academy
Public Liability Insurance
Keith Eldridge
MAPS:
KIT HIRE COMPANY Z1 EQUIPMENT LIST X1 / STOCK
John Madejski Academy Tripod
Should Mount
XF 100 Camera
Fisheye
Simons wood, Crowthorne train station, the house
LOCATIONS
WEDNESDAY 26TH
FEBRUARY
Loc 1
Simons Woods N/a N/a
Loc 2
House in Crowthorne
SHOT LIST
These are the shots that will be used throughout the scenes.
Shot Type Where Why
Pan Bedroom To introduce Jessie as a
character so we are able to see
what she is like
Over the shoulder zoom Bedroom To show that Jessie is getting
ready for a party then focusing
on her getting ready for a party
Establishing shot Outside the house of the car To show that someone is waiting
for Jessie outside her house
Medium close up Inside car To introduce Chris as a
character
Extreme close up/Depth of field Inside car To show a small baggie filled up
with white powder
Medium close up Inside car Chris placing his finger inside
the small bag
Extreme close up Inside car To show Chris rubbing the white
powder onto his gums
Medium close up Inside car To show Chris quickly hiding the
baggie
External medium shot Inside car To show Jessie getting into the
car
POV shot - medium close up Inside car To show Chris looking at Jessie
while she is speaking to him
Close up Inside car To show Chris wiping his mouth
Wide shot Outside car To show the car driving off
Establishing shot/Montage Simons woods To show the car in different ways
driving through the forest
Two shot/close up Inside car To show Jessie and Chris inside
the car
POV – mid close up Inside car To show Chis driving the car
Medium close up Inside car To show Jessie opening a beer
can
POV – Mid close up Inside car To show Jessie consuming
some of the beer
Two shot/medium close up Inside car To show Chris and Jessie
dancing
Extreme close up Inside car To show the speed dial
increasing in speed
POV – medium close up chis
perspective
Inside car To show Chris leaning over and
grabbing himself a beer
POV medium close up Chris
perspective
Inside car To show Jessie moaning at him
for getting a beer while driving
POV – Medium close up from
Jessies perspective
Inside car To show Chris telling Jessie to
calm down
POV – Medium close up from
Chris perspective
Inside car To show Jessie moaning and
wanting to get out the car
POV – Medium close up Jessie
perspective
Inside car To show again Chris telling
Jessie to calm down
POV – Medium close up Chris
perspective
Inside car To show Jessie shouting no
Extreme close up Inside car To show Jessie putting the
handbreak on
POV – Medium close up Jessie
perspective
Inside car To show Chris trying to restart
the car
Mid shot Outside car – next to forest To show both Jessie and Chris
getting out of the car
Slow zoom Outside forest To show Chris going round to
the front of the car
Medium close up – Low angle by
bonnet of car
Outside forest To show Chris messing around
in the bonnet trying to fix the car
Two shot – medium shot Outside forest To show Jessie walking into shot
with Chris
Extreme close up Outside forest To show Jessie has no signal on
her phone
Wide shot Outside forest To show Chris slamming the
bonnet in anger
Medium close up via tracking Outside forest To show Chris getting the GPS
out the car
Extreme close up Outside forest To show the destination is not to
far away
Mid shot Outside forest To show Chris pointing away in
the direction they need to go
Mid close up/Two shot Outside forest To show Chris and Jessie
walking into the forest
Extreme close up Simons woods To show Jessie placing the car
keys into her purse
Wide shot Simons woods To show Chris holding Jessie
around the waist
Extreme close up Simons woods To see the worried expression
on Jessies face
Extreme close up Simons woods To see the calm and relaxed
look on Chris face
Very wide shot Simons woods To show the extent of how large
the forest goes on for
Mid shot Simons woods To show Jessie asking Chris if
they are lost
Mid-close up shot Simons woods To show Chris responding and
acting like he knows where he is
POV – Pan round forest Simons woods To show them investigating
where the noise is coming from
Close up Simons woods To show Jessies frightened look
upon her face due to the noise
Wide shot/two shot Simons woods To show the couple looking
around for the noise and then
Chris pointing in a direction with
the torch
POV pan – From torch Simons woods To show the direction in which
the noise is coming from
Wide shot/two shot/ tilt upwards
from the box
Simons woods To show the couple walking
towards the Jack in the box
Mid shot Simons woods To show Chris bending down
and picking up the Jack in the
box
Extreme close up Simons woods To show the Jack in the box in
more detail
Two shot Simons woods To show the couple examining
the Jack in the box
Extreme close up Simons woods To show the box again in more
detail
Medium close up Simons woods To show Chris being amused by
the box
Mid shot Simons woods To show Jessie moaning at
Chris
Two shot/Mid shot Simons woods To show Jessie try to knock the
box out of Chris hands
Extreme close up Simons woods To show Jessie almost hitting
the box but Chris moving it in
time
Mid shot/Two shot Simons woods To show Chris turning his back
on Jessie so he is able to open
the box
Extreme close up Simons woods To show Chris grabbing than
handle and beginning to turn up
Close up – Depth of field Simons woods To show Chris continuing to
open the box while Jessie it
moaning
Extreme close up Simons woods To show Chris mouth laughing at
what Jessie just said
Two shot/wide shot Simons woods To show Jessie again trying to
get the box out of Chris hands
Close up Simons woods To show the Jack in the box
popping out and spraying blood
Close up – Depth of field Simons woods To show the blood splatters over
Chris face
Extreme close up Simons woods To show blood starting to come
from Chris mouth
Medium close up Simons woods To show Chris change from
himself to the Jack in the box
Depth of field – POV Chris Simons woods To show Jessie running into the
forest (Only Jessie in focus)
POV shot - Jessie Simons woods To show Jessie running through
the forest
Montage of shots Simons woods To show Jessie running through
the forest
Wide shot Simons woods To show Jessie resting on a tree
in an opening in the forest
Extreme close up Simons woods To show Jessie
worries/Confused expression on
her face
Medium shot - pan Simons woods To show Jessie at the tree and
that nothing is around her
Cut away extreme close up–
Chris feet
Simons woods To show Chris is coming
Mid shot Simons woods To show Jessie Frantically
looking around to see where she
can hear the foot steps coming
from
POV - Jessie Simons woods To show from Jessie’s
perspective of her looking
around frantically
Medium close up Simons woods To show Jessie leaning back up
against the tree
POV - Jessie Simons woods To show Jessie peeping around
the tree
Extreme close up Simons woods To show Chris emotionless face
Wide shot Simons woods To show Chris and Jessie
looking at each other then Chris
taking a step forwards
Cut back and forth Simons woods To show the expressions on
Jessies and Chris face
Mid shot Simons woods To show Jessie spinning and
running away
Wide shot Simons woods To show Chris sluggishly
walking towards the direction in
which Jessie just ran
Mid shot Simons woods To show Jessie looking behind
and shouting at Chris
Cut to POV shot of Chris Simons woods To show Chris being
unresponsive
Montage – Fast pace Simons woods To show Jessie again running
through the forest
POV – Jessie Simons woods To show Chris slumping into her
path
POV Chris – Tilt down Simons woods To show Jessie skidding onto
the floor and scrambling to get
back up
POV - Jessie Simons woods Screaming at Chris
Mid shot Simons woods Jessie running through the fores
POV - Jessie Simons woods To showing Jessie seeing the
car in a clearing
Mid shot/Over the shoulder Simons woods To show Jessie running towards
the car whilst grabbing the keys
out her bag
Mid shot Simons woods To show Jessie running into the
car then frantically opening the
door
Extreme close up Simons woods To show Jessie placing keys into
the engine
Close up Simons woods To show the sign of relief on
Jessies face
Close up Simons woods To show Jessies face relaxing
then suddenly Chris face
appearing from the back seats
Extreme close up Simons woods To show the terror on Jessie
face
Screen goes black Simons woods To show Jessie screaming and
then the humming starts
Mid shot Simons woods To show Jessie Frantically
looking around to see where she
can hear the foot steps coming
from
POV - Jessie Simons woods To show from Jessie’s
perspective of her looking
around frantically
Medium close up Simons woods To show Jessie leaning back up
against the tree
POV - Jessie Simons woods To show Jessie peeping around
the tree
Extreme close up Simons woods To show Chris emotionless face
Wide shot Simons woods To show Chris and Jessie
looking at each other then Chris
taking a step forwards
Cut back and forth Simons woods To show the expressions on
Jessies and Chris face
Mid shot Simons woods To show Jessie spinning and
running away
Wide shot Simons woods To show Chris sluggishly
walking towards the direction in
which Jessie just ran
Mid shot Simons woods To show Jessie looking behind
and shouting at Chris
Cut to POV shot of Chris Simons woods To show Chris being
unresponsive
Montage – Fast pace Simons woods To show Jessie again running
through the forest
POV – Jessie Simons woods To show Chris slumping into her
path
POV Chris – Tilt down Simons woods To show Jessie skidding onto
the floor and scrambling to get
back up
POV - Jessie Simons woods Screaming at Chris
Mid shot Simons woods Jessie running through the fores
POV - Jessie Simons woods To showing Jessie seeing the
car in a clearing
Mid shot/Over the shoulder Simons woods To show Jessie running towards
the car whilst grabbing the keys
out her bag
Mid shot Simons woods To show Jessie running into the
car then frantically opening the
door
Extreme close up Simons woods To show Jessie placing keys into
the engine
Close up Simons woods To show the sign of relief on
Jessies face
Close up Simons woods To show Jessies face relaxing
then suddenly Chris face
appearing from the back seats
Extreme close up Simons woods To show the terror on Jessie
face
Screen goes black Simons woods To show Jessie screaming and
then the humming starts

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Call sheet, shooting schedule a2

  • 1. The Data Protection Act requires us to manage personal data responsibly and to adhere to a governing Data Protection Policy (DPP). Our call sheets contain some personal data, such as mobile phone numbers. With this in mind and in accordance with the DPP, we ask that you keep your call sheet safe when it's in your possession and to hand it back or destroy it when you no longer need it. The inclusion of the limited personal data contained within this call sheet is done so with the agreement of the individuals concerned. DATE: FRIDAY 7th FEBRUARY & SATURDAY 8th FEBRUARY 2014 SHOOT: CROWTHORNE THIS CALLSHEET IS PRIVATE AND CONFIDENTIAL – PLEASE KEEP THIS ABOUT YOUR PERSON LOCATION TEAM CONTACTS Producer/ Director Ellie Beazley M: 07584 088914 E: EllieLouiseBeazley@Gmail.com Director of Photography Vanessa Lorriman M: 07501 834058 E: v.lorriman@Hotmail.co.uk FILMING SCHEDULE: WEDNESDAY 26th FEBRUARY 2014 WEDNESDAY 26th FEBRUARY 2014 TIME SCHEDULE 09:00 Pick up the equipment from John Madejski Academy 09:30 Places the equipment in the car and drive to location (10 minutes added in case of traffic) 10:10 Arrive at location 10:30 Making of the fake blood 11:00 Mark out location spots within the forest 12:30 Get props all ready for the filming 13:30 Set the bedroom out ready for shooting 15:00 Meet Actress either at train station or location 15:30 Get Actress ready for bedroom shoot (Make-up/Clothing) 16:30 Film bedroom segment (scene 1 – INT JESSIE BEDROOM) 17:30 Meet Actor on the set 18:00 Set up equipment for the car scenes 18:30 Film car segments (Drug scene – scene 2 INT CHRIS CAR /establishing shots – scene 3- EXT FOREST|/the breaking down – Scene 4/5) 21:00 (22:00 if needed) Filming is completed for the day WEDNESDAY 26th FEBRUARY TIME SCHEDULE 13:00 Meet back at location of set 13:20 Run through of second half of the script – Marking out locations 16:30 Take a break warm up and have some food 18:00 Set up equipment for forest segment 18:10 Film forest segment up until the opening of the Jack in the box (scene 7) 19:30 Make-up for clown look to be placed on ‘Chris’ 20:00 Film forest segment from point we have left of (scene 8 and scene 9) 22:00 (Latest 23:00) Filming wraps up and is completed
  • 2. IMPORTANT NOTES: *Camera Kit must never be left out of sight *Confidentiality/Release forms must be signed by all key contributors and crew LOCAL A&E & POLICE: A & E POLICE Broadmoor Hospital Crowthorne, West Berkshire RG45 7EG 01344 773111 or 999 Upper Broadmoor Road Crowthorne, West Berkshire RG45 7AB T:999 CAMERA KIT & STOCK FINANCE & RELEASE FORMS: RELEASE FORMS: A release form will be supplied with this document SAFETY DETAILS: HEALTH & SAFETY / RISK ASSESSMENT: A copy of the risk assessment will be supplied with this document INSURANCE: John Madejski Academy Public Liability Insurance Keith Eldridge MAPS: KIT HIRE COMPANY Z1 EQUIPMENT LIST X1 / STOCK John Madejski Academy Tripod Should Mount XF 100 Camera Fisheye
  • 3. Simons wood, Crowthorne train station, the house LOCATIONS WEDNESDAY 26TH FEBRUARY Loc 1 Simons Woods N/a N/a Loc 2 House in Crowthorne SHOT LIST These are the shots that will be used throughout the scenes. Shot Type Where Why Pan Bedroom To introduce Jessie as a character so we are able to see what she is like Over the shoulder zoom Bedroom To show that Jessie is getting ready for a party then focusing on her getting ready for a party Establishing shot Outside the house of the car To show that someone is waiting for Jessie outside her house Medium close up Inside car To introduce Chris as a character Extreme close up/Depth of field Inside car To show a small baggie filled up with white powder Medium close up Inside car Chris placing his finger inside the small bag Extreme close up Inside car To show Chris rubbing the white powder onto his gums Medium close up Inside car To show Chris quickly hiding the baggie External medium shot Inside car To show Jessie getting into the car POV shot - medium close up Inside car To show Chris looking at Jessie while she is speaking to him Close up Inside car To show Chris wiping his mouth
  • 4. Wide shot Outside car To show the car driving off Establishing shot/Montage Simons woods To show the car in different ways driving through the forest Two shot/close up Inside car To show Jessie and Chris inside the car POV – mid close up Inside car To show Chis driving the car Medium close up Inside car To show Jessie opening a beer can POV – Mid close up Inside car To show Jessie consuming some of the beer Two shot/medium close up Inside car To show Chris and Jessie dancing Extreme close up Inside car To show the speed dial increasing in speed POV – medium close up chis perspective Inside car To show Chris leaning over and grabbing himself a beer POV medium close up Chris perspective Inside car To show Jessie moaning at him for getting a beer while driving POV – Medium close up from Jessies perspective Inside car To show Chris telling Jessie to calm down POV – Medium close up from Chris perspective Inside car To show Jessie moaning and wanting to get out the car POV – Medium close up Jessie perspective Inside car To show again Chris telling Jessie to calm down POV – Medium close up Chris perspective Inside car To show Jessie shouting no Extreme close up Inside car To show Jessie putting the handbreak on POV – Medium close up Jessie perspective Inside car To show Chris trying to restart the car Mid shot Outside car – next to forest To show both Jessie and Chris getting out of the car Slow zoom Outside forest To show Chris going round to the front of the car Medium close up – Low angle by bonnet of car Outside forest To show Chris messing around in the bonnet trying to fix the car Two shot – medium shot Outside forest To show Jessie walking into shot with Chris Extreme close up Outside forest To show Jessie has no signal on her phone Wide shot Outside forest To show Chris slamming the bonnet in anger Medium close up via tracking Outside forest To show Chris getting the GPS out the car Extreme close up Outside forest To show the destination is not to far away Mid shot Outside forest To show Chris pointing away in the direction they need to go Mid close up/Two shot Outside forest To show Chris and Jessie walking into the forest Extreme close up Simons woods To show Jessie placing the car keys into her purse Wide shot Simons woods To show Chris holding Jessie around the waist Extreme close up Simons woods To see the worried expression on Jessies face Extreme close up Simons woods To see the calm and relaxed look on Chris face Very wide shot Simons woods To show the extent of how large the forest goes on for Mid shot Simons woods To show Jessie asking Chris if they are lost Mid-close up shot Simons woods To show Chris responding and acting like he knows where he is
  • 5. POV – Pan round forest Simons woods To show them investigating where the noise is coming from Close up Simons woods To show Jessies frightened look upon her face due to the noise Wide shot/two shot Simons woods To show the couple looking around for the noise and then Chris pointing in a direction with the torch POV pan – From torch Simons woods To show the direction in which the noise is coming from Wide shot/two shot/ tilt upwards from the box Simons woods To show the couple walking towards the Jack in the box Mid shot Simons woods To show Chris bending down and picking up the Jack in the box Extreme close up Simons woods To show the Jack in the box in more detail Two shot Simons woods To show the couple examining the Jack in the box Extreme close up Simons woods To show the box again in more detail Medium close up Simons woods To show Chris being amused by the box Mid shot Simons woods To show Jessie moaning at Chris Two shot/Mid shot Simons woods To show Jessie try to knock the box out of Chris hands Extreme close up Simons woods To show Jessie almost hitting the box but Chris moving it in time Mid shot/Two shot Simons woods To show Chris turning his back on Jessie so he is able to open the box Extreme close up Simons woods To show Chris grabbing than handle and beginning to turn up Close up – Depth of field Simons woods To show Chris continuing to open the box while Jessie it moaning Extreme close up Simons woods To show Chris mouth laughing at what Jessie just said Two shot/wide shot Simons woods To show Jessie again trying to get the box out of Chris hands Close up Simons woods To show the Jack in the box popping out and spraying blood Close up – Depth of field Simons woods To show the blood splatters over Chris face Extreme close up Simons woods To show blood starting to come from Chris mouth Medium close up Simons woods To show Chris change from himself to the Jack in the box Depth of field – POV Chris Simons woods To show Jessie running into the forest (Only Jessie in focus) POV shot - Jessie Simons woods To show Jessie running through the forest Montage of shots Simons woods To show Jessie running through the forest Wide shot Simons woods To show Jessie resting on a tree in an opening in the forest Extreme close up Simons woods To show Jessie worries/Confused expression on her face Medium shot - pan Simons woods To show Jessie at the tree and that nothing is around her Cut away extreme close up– Chris feet Simons woods To show Chris is coming
  • 6. Mid shot Simons woods To show Jessie Frantically looking around to see where she can hear the foot steps coming from POV - Jessie Simons woods To show from Jessie’s perspective of her looking around frantically Medium close up Simons woods To show Jessie leaning back up against the tree POV - Jessie Simons woods To show Jessie peeping around the tree Extreme close up Simons woods To show Chris emotionless face Wide shot Simons woods To show Chris and Jessie looking at each other then Chris taking a step forwards Cut back and forth Simons woods To show the expressions on Jessies and Chris face Mid shot Simons woods To show Jessie spinning and running away Wide shot Simons woods To show Chris sluggishly walking towards the direction in which Jessie just ran Mid shot Simons woods To show Jessie looking behind and shouting at Chris Cut to POV shot of Chris Simons woods To show Chris being unresponsive Montage – Fast pace Simons woods To show Jessie again running through the forest POV – Jessie Simons woods To show Chris slumping into her path POV Chris – Tilt down Simons woods To show Jessie skidding onto the floor and scrambling to get back up POV - Jessie Simons woods Screaming at Chris Mid shot Simons woods Jessie running through the fores POV - Jessie Simons woods To showing Jessie seeing the car in a clearing Mid shot/Over the shoulder Simons woods To show Jessie running towards the car whilst grabbing the keys out her bag Mid shot Simons woods To show Jessie running into the car then frantically opening the door Extreme close up Simons woods To show Jessie placing keys into the engine Close up Simons woods To show the sign of relief on Jessies face Close up Simons woods To show Jessies face relaxing then suddenly Chris face appearing from the back seats Extreme close up Simons woods To show the terror on Jessie face Screen goes black Simons woods To show Jessie screaming and then the humming starts
  • 7. Mid shot Simons woods To show Jessie Frantically looking around to see where she can hear the foot steps coming from POV - Jessie Simons woods To show from Jessie’s perspective of her looking around frantically Medium close up Simons woods To show Jessie leaning back up against the tree POV - Jessie Simons woods To show Jessie peeping around the tree Extreme close up Simons woods To show Chris emotionless face Wide shot Simons woods To show Chris and Jessie looking at each other then Chris taking a step forwards Cut back and forth Simons woods To show the expressions on Jessies and Chris face Mid shot Simons woods To show Jessie spinning and running away Wide shot Simons woods To show Chris sluggishly walking towards the direction in which Jessie just ran Mid shot Simons woods To show Jessie looking behind and shouting at Chris Cut to POV shot of Chris Simons woods To show Chris being unresponsive Montage – Fast pace Simons woods To show Jessie again running through the forest POV – Jessie Simons woods To show Chris slumping into her path POV Chris – Tilt down Simons woods To show Jessie skidding onto the floor and scrambling to get back up POV - Jessie Simons woods Screaming at Chris Mid shot Simons woods Jessie running through the fores POV - Jessie Simons woods To showing Jessie seeing the car in a clearing Mid shot/Over the shoulder Simons woods To show Jessie running towards the car whilst grabbing the keys out her bag Mid shot Simons woods To show Jessie running into the car then frantically opening the door Extreme close up Simons woods To show Jessie placing keys into the engine Close up Simons woods To show the sign of relief on Jessies face Close up Simons woods To show Jessies face relaxing then suddenly Chris face appearing from the back seats Extreme close up Simons woods To show the terror on Jessie face Screen goes black Simons woods To show Jessie screaming and then the humming starts