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@maxkaiser
Europeana Creative
Why it is relevant for Europeana Cloud and
the two need to work together
Max Kaiser
Head R&D, Austrian National Library
Europeana Cloud Kick-Off Meeting
KB, The Hague
04/05 March 2013
*
www.europeanacreative.eu
@maxkaiser
www.slideshare.net/maxkaiser
@maxkaiser
@maxkaiser
1. creative industries seek to explore innovative
ways to use existing data sources
→ develop exciting ideas, products and services
→ digital industry is a high growth sector
→ enormous potential for the cultural heritage sector
2. digitisation sets the foundation for memory
institutions to engage with creative industries
@maxkaiser
however
@maxkaiser
re-use of cultural heritage resources by
creative industries, organisations and
individuals is impeded by a
number of obstacles
(organisational, technical, legal, cultural, …)
@maxkaiser
our expected impact
“increase substantially the use and re-use of
cultural heritage resources
(and in particular those available through
Europeana) by creative industries, organisations
and individuals and bring out the economic
potential of digitisation actions in Europe through
innovative applications and services”
(Expected impact of Objective 2.1.b)
@maxkaiser
measures → impact
increase the re-use
of cultural heritage
resources by
Creative Industries
provide Open Lab
environments for
experimenting with
cultural content
produce a
Content Re-Use
Framework for
Europeana
deliver technical
infrastructure to
enable creative
re-use
inspire and support
creative industries
to re-use Europe’s
cultural heritage
→
@maxkaiser
key facts
→ Best Practice Network
→ EC call: CIP-ICT-PSP-2012-6
→ activity: CIP6 – theme 2 – digital content, open access
and creativity
→ duration: February 2013 – July 2015 (30 months)
→ 26 partners from 14 member states
→ 8 work packages
→ 835 person months effort (= 28 FTEs / 70 person years)
→ budget: 5.312.500 €
→ 80% Community funding: 4.250.000 €
@maxkaiser
@maxkaiser
consortium / 1
→ Europeana Foundation with access to 2,200+ cultural heritage
institutions
→ creative hubs and associations with access to creative industries,
tourism and educational professionals across Europe
→ European Design Centre BV
→ MFG Medien- und Filmgesellschaft Baden-Württemberg mbH
→ European Creative Business Network
→ Aalto-korkeakoulusäätiö
→ Agence luxembourgeoise d’action culturelle ASBL – ALAC
→ Culture24
→ EUROCLIO – European Association of History Educators
→ EUN Partnership AISBL
@maxkaiser
consortium / 2
→ living labs in four member states
→ YouARhere / i-Marginal
→ Platoniq Sistema Cultural
→ Aalto-korkeakoulusäätiö
→ EUN Partnership AISBL
→ technical and multimedia experts with a strong deployment record
→ National Technical University of Athens
→ Austrian Institute of Technology GmbH
→ Ontotext AD
→ Spild af Tid ApS
→ We Are What We Do Community Interest Company
→ WEBtic
→ Exozet Berlin GmbH
→ YouARhere
→ Semantika
@maxkaiser
consortium / 3
→ business planning specialists
→ European Business and Innovation Centre Network
→ Kennisland
→ content providing cultural heritage institutions and museums
→ Austrian National Library
→ British Library
→ Netherlands Institute of Sound and Vision
→ Museum für Naturkunde
→ National Museum Prague
@maxkaiser
project goal
demonstrate that Europeana can facilitate
the re-use of cultural heritage content
made available by a diverse set of organisations
by realising
eight concrete objectives
@maxkaiser
our
objectives
@maxkaiser
objective 1
establish the Europeana Open Lab Network as a
sustainable environment for experimentation
and stakeholder engagementhttp://d.lib.ncsu.edu/collections/c
atalog/ua023_025-003-bx0005-
004-028
@maxkaiser
why?
→no platform to facilitate & inspire
stakeholders to experiment with re-use of
cultural heritage resources
→access to documentation and sector
knowledge scattered
1
@maxkaiser
how?
→ Open Culture Labs: access to metadata and
cultural content available via Europeana
→ standardised methodology, access to technical
& business services
→ APIs & services for creative industry clients
→ start with 4 existing Living Labs
→ first clients: five pilot applications
1
objective 2
develop the Europeana Content Re-use
Framework to allow content providers to
make their content available
for specified re-use scenarios
http://en.wikipedia.org/wiki/File:G
lenfiddich_Distillery_stills_hall.jpg
@maxkaiser
why?
→current Europeana Licensing Framework
applies only to metadata
→lack of a Licensing Framework for
content prevents re-use at scale
2
@maxkaiser
how?
→ implement Europeana Content Re-use
Framework in coordination with
Europeana Cloud
→ provide a permission management
infrastructure allowing content providers to
communicate conditions for content re-use
scenarios
2
@maxkaiser
objective 3
implement the infrastructure and services
Europeana needs to support creative re-use
of European cultural resources and long-
term business development
http://www.radiomuseum.org/forum/neuberg
er_w_252_roehrenpruefgeraet_frage_zur_erw
eiterung.html
@maxkaiser
why?
→ Europeana supports only search & display
of metadata
→ no access to the content referenced
by metadata
→ without adequate API metering, extended
search and security:
→commercial exploitation cannot occur
→no incentive for heritage organisations to
provide high-quality digital objects for re-use
3
@maxkaiser
how?
→ deploy technical infrastructure and services to
resolve the issues of storage, legal infrastructure
and re-use
→ make available content supplied by project
partners, Europeana & network providers
3
objective 4
create
five pilot applications
in five thematic areas
http://d19sdi931o025v.cl
oudfront.net/cdn_120402
150336/images/detailed/
4/airline-pilot.jpg
@maxkaiser
five thematic areas
→history education
→natural history education
→tourism
→social networks
→design
4
@maxkaiser
why?
→currently no “real-world” applications
to inspire projects based on re-use
of cultural heritage aggregated
by Europeana
→no clear incentive for creative industry to
work with this material
4
@maxkaiser
how?
→ show potential for creative re-use
of cultural content:
→ creative industries: → re-use possibilities
→ memory institutions: → benefits of providing access
→ use methodologies & facilities of Open Lab
→ use technical infrastructure & services provided
→ use content via Content Re-use Framework
→ bring each pilot to production standard
→ serve as reference implementation and showcase
4
objective 5
conduct five open innovation challenges, in
five thematic areas, to identify, incubate and
spin-off five viable projects into the
commercial sector
http://www.kreisgemeinschaft-
wehlau.de/Tapiau%20Alt/105-
0043%20Start%20zum%20100
%20Meter%20Lauf.html
@maxkaiser
why?
→no current opportunity for creative
industries to engage directly with
Europeana stakeholders to propose
new products and services
5
@maxkaiser
how?
→ open innovation challenges in the 5 areas
→ select most viable project in each theme
→ provide business incubation & support package
→ support each spin-off project for 3 months
→ use infrastructure & network of Open Labs
→ use services, APIs & content for experimentation
→ use pilots as reference implementations
5
objective 6
identify business models that allow key
stakeholders within the Europeana
ecosystem to develop their own applications
and services based on the Europeana
Content Re-use Framework
@maxkaiser
why?
→ no clear business models for re-use projects
that demonstrate sustainable relationships
between key customers, channels, resources,
partners and costs
→ wider industry adoption depends on creation of
these models
6
@maxkaiser
how?
→ key stakeholders:
→ cultural heritage institutions & creative industries
→ stakeholders from specific thematic areas
→ related industries
→ initial business models developed in
focused workshops
→ Content Re-use Framework designed to
support these and other business models
6
objective 7
evaluate the results at key points in the
project and measure their success against
the strategic objectiveshttp://en.wikipedia.org/
wiki/File:Explorer_10_in
spection.jpg
@maxkaiser
why?
→integrate learning capacity into the
structure of the engagement
→strong evaluation and feedback loop:
better-tested and more immediately
applicable outcomes
7
@maxkaiser
how?
→evaluate:
→ Europeana Open Labs Network
→ technical infrastructure & services
→ Content Re-use Framework
→ pilots / spin-off projects / business models
→ sustainability plan
→ apply learning to improve each cycle
→ refine processes, products, approaches
7
http://gratuitouslyy
ours.wordpress.com
/tag/fuck-door-to-
door-salesmen/
objective 8
undertake an extensive stakeholder engagement campaign
promoting Europeana’s cultural heritage content to the creative
industries and the merits of creative re-use to cultural institutions
@maxkaiser
why?
→ without effort to engage stakeholders:
→ no significant take-up project outcomes
→ no large-scale re-use of cultural heritage material
→ without credibility by expert industry networks:
→ not possible to entice future actors to engage with
new products or services or to collaborate with
cultural heritage institutions
8
@maxkaiser
how?
→ 2 target stakeholders:
→ creative industries and cultural heritage institutions
→ engagement campaign: greater coverage
→ project partners: extensive networking activities
→ promote services & applications in each
thematic area
→ promote & encourage participation in the
challenges
8
@maxkaiser
the
project
@maxkaiser
Europeana
Creative
& Cloud
@maxkaiser
eCreative & eCloud
→ both CIP Best Practice Networks
→ Same call: CIP-ICT-PSP-2012-6
→ both started on February 1, 2013
→ Europeana Creative: 30 months
→ Europeana Cloud: 36 months
→ 2 partners involved in both projects
→ Europeana Foundation & Kennisland
→ use of same collaboration tools
→ Basecamp, GitHub, etc.
→ important overlaps and dependencies
@maxkaiser
shared challenges
→what are the conditions under which
cultural heritage institutions will make
content available?
→how to expose it to other communities?
→what are the technical, legal, economic
and strategic requirements?
@maxkaiser
common goals
→allow content providers to make content
available for specific re-use scenarios
(opt-in) and define conditions of access
→define requirements & build Europeana
Content Re-use Framework
→implement mechanisms for storage, use
and re-use of content and rich metadata
@maxkaiser
Europeana Foundation
→ Involved in all WPs in both projects
Europeana Creative
→ WP1 Lead: Europeana Open Laboratory
Europeana Cloud
→ Project Coordinator
→ WP2 Lead: Developing the Infrastructure for
eCloud
→ WP5 Lead: Sustaining the Europeana Cloud
@maxkaiser
Kennisland
Europeana Creative
→ WP3 Lead: Business Model Frameworks
Europeana Cloud
→ Key partner in WP5: Sustaining the Europeana
Cloud
WP3
Business
Model
Frameworks
WP2
Infrastructure
for Content
Re-use
WP4
Pilots
WP5
Open
Innovation
WP5
Sustaining the
Europeana
Cloud
WP2
Developing
the
Infrastructure
for eCloud
eCreative eCloud
@maxkaiser
Europeana
Creative:
next steps
@maxkaiser
Europeana Creative WP3 -
Business Model Frameworks
next steps relevant for
Europeana Cloud
@maxkaiser
subtask 3.1.1: Requirements Gathering
→ month 1–4
→ MS8: Requirements for the Content Layer of the
extended Europeana Licensing Framework
formulated (month 4)
→ coordinated by Kennisland & Europeana Foundation
→ requirements from content providers, creative
industries and technical development partners
→ requirements in terms of rights status, quality,
access, etc.
@maxkaiser
subtask 3.1.1: Requirements Gathering
→ requirements gathered in Europeana Creative
WP3 will be provided to Europeana Cloud
→ Europeana Cloud WP5 will use them to specify
the overall Licensing Framework infrastructure
@maxkaiser
subtask 3.1.2: Europeana Content
Re-use Framework
month 4–24
→ implement the Content Layer of the extended
Europeana Licensing Framework
→ month 6: Specifications for implementing the
Content Layer of the extended Europeana
Licensing Framework
→implemented in WP2 (Infrastructure for
Content Re-use)
@maxkaiser
Europeana
Cloud:
next steps
@maxkaiser
Europeana Cloud WP5 -
Sustaining the Europeana Cloud
next steps relevant for
Europeana Creative
@maxkaiser
task 5.3 – exploring licensing issues
month 3–24
→subtask 5.3.1 – Requirements for
Extending Europeana Licensing
Framework
→KL will gather requirements to allow access
to content and re-use of content
m6: Specification for
implementing Content
Layer of Licensing Framework
m0 m12 m24 m36
T3.1 Content Re-Use Framework (m1-27)
T5.1 Strategic Requirements for the Europeana Cloud (m1-30)
T5.2 Practical Requirements (m3-20)
T5.3 Exploring Licensing Issues (m3-24)
m24: Documentation of
extension
of Licensing FrameworkRequirements
(m1-4)
ST3.1.1
ST5.3.1 ST5.3.2
Requirements (m3-18) Produce revised ELF
(m18-24)
eCreative
eCloud
@maxkaiser
Cloud
coordination
http://saypeople.com/2012/05/23/chinas-plans-to-increase-the-use-of-rainmaking-technology/#axzz2Ma5gDTi2
@maxkaiser
cloud coordination group
→represents several ICT PSP-funded
“cloud” projects
→including Europeana Creative, Europeana
Cloud, LoCloud
→part of T5.2 in Europeana Cloud
→first meeting in Spring 2013
@maxkaiser
more information
www.europeanacreative.eu
@maxkaiser
thank you!
max.kaiser@onb.ac.at
www.onb.ac.at
www.slideshare.net/maxkaiser
www.linkedin.com/in/maxkaiser
gplus.to/maxkaiser
twitter.com/maxkaiser

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Europeana Cloud - 'Why it is relevant for Europeana Cloud and the two need to work together'

  • 1. @maxkaiser Europeana Creative Why it is relevant for Europeana Cloud and the two need to work together Max Kaiser Head R&D, Austrian National Library Europeana Cloud Kick-Off Meeting KB, The Hague 04/05 March 2013
  • 5. @maxkaiser 1. creative industries seek to explore innovative ways to use existing data sources → develop exciting ideas, products and services → digital industry is a high growth sector → enormous potential for the cultural heritage sector 2. digitisation sets the foundation for memory institutions to engage with creative industries
  • 7. @maxkaiser re-use of cultural heritage resources by creative industries, organisations and individuals is impeded by a number of obstacles (organisational, technical, legal, cultural, …)
  • 8. @maxkaiser our expected impact “increase substantially the use and re-use of cultural heritage resources (and in particular those available through Europeana) by creative industries, organisations and individuals and bring out the economic potential of digitisation actions in Europe through innovative applications and services” (Expected impact of Objective 2.1.b)
  • 9. @maxkaiser measures → impact increase the re-use of cultural heritage resources by Creative Industries provide Open Lab environments for experimenting with cultural content produce a Content Re-Use Framework for Europeana deliver technical infrastructure to enable creative re-use inspire and support creative industries to re-use Europe’s cultural heritage →
  • 10. @maxkaiser key facts → Best Practice Network → EC call: CIP-ICT-PSP-2012-6 → activity: CIP6 – theme 2 – digital content, open access and creativity → duration: February 2013 – July 2015 (30 months) → 26 partners from 14 member states → 8 work packages → 835 person months effort (= 28 FTEs / 70 person years) → budget: 5.312.500 € → 80% Community funding: 4.250.000 €
  • 12. @maxkaiser consortium / 1 → Europeana Foundation with access to 2,200+ cultural heritage institutions → creative hubs and associations with access to creative industries, tourism and educational professionals across Europe → European Design Centre BV → MFG Medien- und Filmgesellschaft Baden-Württemberg mbH → European Creative Business Network → Aalto-korkeakoulusäätiö → Agence luxembourgeoise d’action culturelle ASBL – ALAC → Culture24 → EUROCLIO – European Association of History Educators → EUN Partnership AISBL
  • 13. @maxkaiser consortium / 2 → living labs in four member states → YouARhere / i-Marginal → Platoniq Sistema Cultural → Aalto-korkeakoulusäätiö → EUN Partnership AISBL → technical and multimedia experts with a strong deployment record → National Technical University of Athens → Austrian Institute of Technology GmbH → Ontotext AD → Spild af Tid ApS → We Are What We Do Community Interest Company → WEBtic → Exozet Berlin GmbH → YouARhere → Semantika
  • 14. @maxkaiser consortium / 3 → business planning specialists → European Business and Innovation Centre Network → Kennisland → content providing cultural heritage institutions and museums → Austrian National Library → British Library → Netherlands Institute of Sound and Vision → Museum für Naturkunde → National Museum Prague
  • 15. @maxkaiser project goal demonstrate that Europeana can facilitate the re-use of cultural heritage content made available by a diverse set of organisations by realising eight concrete objectives
  • 17. @maxkaiser objective 1 establish the Europeana Open Lab Network as a sustainable environment for experimentation and stakeholder engagementhttp://d.lib.ncsu.edu/collections/c atalog/ua023_025-003-bx0005- 004-028
  • 18. @maxkaiser why? →no platform to facilitate & inspire stakeholders to experiment with re-use of cultural heritage resources →access to documentation and sector knowledge scattered 1
  • 19. @maxkaiser how? → Open Culture Labs: access to metadata and cultural content available via Europeana → standardised methodology, access to technical & business services → APIs & services for creative industry clients → start with 4 existing Living Labs → first clients: five pilot applications 1
  • 20. objective 2 develop the Europeana Content Re-use Framework to allow content providers to make their content available for specified re-use scenarios http://en.wikipedia.org/wiki/File:G lenfiddich_Distillery_stills_hall.jpg
  • 21. @maxkaiser why? →current Europeana Licensing Framework applies only to metadata →lack of a Licensing Framework for content prevents re-use at scale 2
  • 22. @maxkaiser how? → implement Europeana Content Re-use Framework in coordination with Europeana Cloud → provide a permission management infrastructure allowing content providers to communicate conditions for content re-use scenarios 2
  • 23. @maxkaiser objective 3 implement the infrastructure and services Europeana needs to support creative re-use of European cultural resources and long- term business development http://www.radiomuseum.org/forum/neuberg er_w_252_roehrenpruefgeraet_frage_zur_erw eiterung.html
  • 24. @maxkaiser why? → Europeana supports only search & display of metadata → no access to the content referenced by metadata → without adequate API metering, extended search and security: →commercial exploitation cannot occur →no incentive for heritage organisations to provide high-quality digital objects for re-use 3
  • 25. @maxkaiser how? → deploy technical infrastructure and services to resolve the issues of storage, legal infrastructure and re-use → make available content supplied by project partners, Europeana & network providers 3
  • 26. objective 4 create five pilot applications in five thematic areas http://d19sdi931o025v.cl oudfront.net/cdn_120402 150336/images/detailed/ 4/airline-pilot.jpg
  • 27. @maxkaiser five thematic areas →history education →natural history education →tourism →social networks →design 4
  • 28. @maxkaiser why? →currently no “real-world” applications to inspire projects based on re-use of cultural heritage aggregated by Europeana →no clear incentive for creative industry to work with this material 4
  • 29. @maxkaiser how? → show potential for creative re-use of cultural content: → creative industries: → re-use possibilities → memory institutions: → benefits of providing access → use methodologies & facilities of Open Lab → use technical infrastructure & services provided → use content via Content Re-use Framework → bring each pilot to production standard → serve as reference implementation and showcase 4
  • 30. objective 5 conduct five open innovation challenges, in five thematic areas, to identify, incubate and spin-off five viable projects into the commercial sector http://www.kreisgemeinschaft- wehlau.de/Tapiau%20Alt/105- 0043%20Start%20zum%20100 %20Meter%20Lauf.html
  • 31. @maxkaiser why? →no current opportunity for creative industries to engage directly with Europeana stakeholders to propose new products and services 5
  • 32. @maxkaiser how? → open innovation challenges in the 5 areas → select most viable project in each theme → provide business incubation & support package → support each spin-off project for 3 months → use infrastructure & network of Open Labs → use services, APIs & content for experimentation → use pilots as reference implementations 5
  • 33. objective 6 identify business models that allow key stakeholders within the Europeana ecosystem to develop their own applications and services based on the Europeana Content Re-use Framework
  • 34. @maxkaiser why? → no clear business models for re-use projects that demonstrate sustainable relationships between key customers, channels, resources, partners and costs → wider industry adoption depends on creation of these models 6
  • 35. @maxkaiser how? → key stakeholders: → cultural heritage institutions & creative industries → stakeholders from specific thematic areas → related industries → initial business models developed in focused workshops → Content Re-use Framework designed to support these and other business models 6
  • 36. objective 7 evaluate the results at key points in the project and measure their success against the strategic objectiveshttp://en.wikipedia.org/ wiki/File:Explorer_10_in spection.jpg
  • 37. @maxkaiser why? →integrate learning capacity into the structure of the engagement →strong evaluation and feedback loop: better-tested and more immediately applicable outcomes 7
  • 38. @maxkaiser how? →evaluate: → Europeana Open Labs Network → technical infrastructure & services → Content Re-use Framework → pilots / spin-off projects / business models → sustainability plan → apply learning to improve each cycle → refine processes, products, approaches 7
  • 39. http://gratuitouslyy ours.wordpress.com /tag/fuck-door-to- door-salesmen/ objective 8 undertake an extensive stakeholder engagement campaign promoting Europeana’s cultural heritage content to the creative industries and the merits of creative re-use to cultural institutions
  • 40. @maxkaiser why? → without effort to engage stakeholders: → no significant take-up project outcomes → no large-scale re-use of cultural heritage material → without credibility by expert industry networks: → not possible to entice future actors to engage with new products or services or to collaborate with cultural heritage institutions 8
  • 41. @maxkaiser how? → 2 target stakeholders: → creative industries and cultural heritage institutions → engagement campaign: greater coverage → project partners: extensive networking activities → promote services & applications in each thematic area → promote & encourage participation in the challenges 8
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  • 46. @maxkaiser eCreative & eCloud → both CIP Best Practice Networks → Same call: CIP-ICT-PSP-2012-6 → both started on February 1, 2013 → Europeana Creative: 30 months → Europeana Cloud: 36 months → 2 partners involved in both projects → Europeana Foundation & Kennisland → use of same collaboration tools → Basecamp, GitHub, etc. → important overlaps and dependencies
  • 47. @maxkaiser shared challenges →what are the conditions under which cultural heritage institutions will make content available? →how to expose it to other communities? →what are the technical, legal, economic and strategic requirements?
  • 48. @maxkaiser common goals →allow content providers to make content available for specific re-use scenarios (opt-in) and define conditions of access →define requirements & build Europeana Content Re-use Framework →implement mechanisms for storage, use and re-use of content and rich metadata
  • 49. @maxkaiser Europeana Foundation → Involved in all WPs in both projects Europeana Creative → WP1 Lead: Europeana Open Laboratory Europeana Cloud → Project Coordinator → WP2 Lead: Developing the Infrastructure for eCloud → WP5 Lead: Sustaining the Europeana Cloud
  • 50. @maxkaiser Kennisland Europeana Creative → WP3 Lead: Business Model Frameworks Europeana Cloud → Key partner in WP5: Sustaining the Europeana Cloud
  • 53. @maxkaiser Europeana Creative WP3 - Business Model Frameworks next steps relevant for Europeana Cloud
  • 54. @maxkaiser subtask 3.1.1: Requirements Gathering → month 1–4 → MS8: Requirements for the Content Layer of the extended Europeana Licensing Framework formulated (month 4) → coordinated by Kennisland & Europeana Foundation → requirements from content providers, creative industries and technical development partners → requirements in terms of rights status, quality, access, etc.
  • 55. @maxkaiser subtask 3.1.1: Requirements Gathering → requirements gathered in Europeana Creative WP3 will be provided to Europeana Cloud → Europeana Cloud WP5 will use them to specify the overall Licensing Framework infrastructure
  • 56. @maxkaiser subtask 3.1.2: Europeana Content Re-use Framework month 4–24 → implement the Content Layer of the extended Europeana Licensing Framework → month 6: Specifications for implementing the Content Layer of the extended Europeana Licensing Framework →implemented in WP2 (Infrastructure for Content Re-use)
  • 58. @maxkaiser Europeana Cloud WP5 - Sustaining the Europeana Cloud next steps relevant for Europeana Creative
  • 59. @maxkaiser task 5.3 – exploring licensing issues month 3–24 →subtask 5.3.1 – Requirements for Extending Europeana Licensing Framework →KL will gather requirements to allow access to content and re-use of content
  • 60. m6: Specification for implementing Content Layer of Licensing Framework m0 m12 m24 m36 T3.1 Content Re-Use Framework (m1-27) T5.1 Strategic Requirements for the Europeana Cloud (m1-30) T5.2 Practical Requirements (m3-20) T5.3 Exploring Licensing Issues (m3-24) m24: Documentation of extension of Licensing FrameworkRequirements (m1-4) ST3.1.1 ST5.3.1 ST5.3.2 Requirements (m3-18) Produce revised ELF (m18-24) eCreative eCloud
  • 62. @maxkaiser cloud coordination group →represents several ICT PSP-funded “cloud” projects →including Europeana Creative, Europeana Cloud, LoCloud →part of T5.2 in Europeana Cloud →first meeting in Spring 2013