Developing a Content Tool for Early Music - Marnix van berchum & Gonzalo Parra, 19 march 2014, Athens

1. Developing a Content Tool
for Early Music
Marnix van Berchum | Gonzalo Parra
19 March 2014 | Athens

2. 2

3. 3

5. Process
 1) identification of content
 2) basic transformation of metadata and content
 3) extended functionality on metadata and content

6. Process
 1) identification of content
• what relevant content is present in Europeana (Cloud)?
• identification of potential (new) content providers; with WP4, like
BL, BSB, Copenhagen;
• inventory of metadata present, type of content (will mainly be
digital representations of music scores/manuscripts/prints)
 2) basic transformation of
• metadata: enrichment; connection to authoritative lists like RISM,
LOD of MusicBrainz
• content: basic 'OCR' transcription of music (e.g. Aruspix)
 3) extended functionality on
• metadata: visualisation of relationships, network representations
• content: connection to editorial tools (e.g. CMME); software for
comparing two images + annotation of editions

7. Process
 1) identification of content
• what relevant content is present in Europeana (Cloud)?
• identification of potential (new) content providers; with WP4, like
BL, BSB, Copenhagen;
• inventory of metadata present, type of content (will mainly be
digital representations of music scores/manuscripts/prints)
 2) basic transformation of
• metadata: enrichment; connection to authoritative lists like RISM,
LOD of MusicBrainz
• content: basic 'OCR' transcription of music (e.g. Aruspix)
 3) extended functionality on
• metadata: visualisation of relationships, network representations
• content: connection to editorial tools (e.g. CMME); software for
comparing two images + annotation of editions