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Interpreting Sources


   The Writing Center
     Student Success Center
Table of Contents

   Three Types of Sources      Successful Quoting
   Tertiary Sources            Integration Tips
   Primary Sources             Block Quotes
   Secondary Sources           Plagiarism
   Direct Quotes               Paraphrasing
   Hanging Quotes
Presenter: Shelby Vincent
Content Author: Justine White and Thomasina Hickmann
Revisions: Thomasina Hickmann and Cheri Mullins
Design: Cheri Mullins, Enrique Dryere, Justine White, Kaley McGill
Writing Center Coordinator: Thomasina Hickmann

CREDITS
                                     This presentation was created for the Writing Center at the University of
                                     Texas at Dallas. It is licensed under the Creative Commons Attribution-
                                     NonCommercial-NoDerivs 3.0 Unported License. To view a copy of this
                                     license, visit http://creativecommons.org/licenses/by-nc-nd/3.0.




                                                                                   The University of Texas at Dallas
Three Types of Sources

 Primary sources offer first-hand information
  about the subject under discussion.
 Secondary sources are analyses of primary
  source material.
 Tertiary sources provide summaries of or
  commentaries on secondary sources.




Table of Contents
Tertiary Sources

   Use tertiary sources
     to gain a general overview and better
      understanding of your topic
     to weed through large amounts of information
      quickly and efficiently

   Use tertiary sources for research only and not
    as evidence to support your analysis.

Table of Contents
Examples of Tertiary Sources

 Textbooks          The World Almanac
 Magazines          Psychology Today
 Reference books    World Fact Books
  written for the    Encyclopedia
  general public      Britannica
Primary Sources

   Use primary sources
     to explore your subject
     to gather direct evidence for your claim
     to serve as a basis for the formulation of your
      argument




Table of Contents
Examples of Primary Sources

   Diaries                 Film
   Letters                 Visual Art
   Interviews              Musical Compositions
   Artifacts               Literary works
   Scientific Reports          Plays
   Legal Documents             Poems
                                Fiction/Nonfiction
Secondary Sources

   Use secondary sources
     to situate your research within a larger context
     to support your interpretation or refute those
      with whom you disagree
     to keep up with current theory, find models for
      your research, or discover other viewpoints and
      alternative theories


Table of Contents
Examples of Secondary Sources

 Scholarly Journal       Biographies
  Articles                Scientific reviews
 Book-Length Critical    Specialized
  Commentaries             Reference Works
Primary vs. Secondary Sources
Primary Sources                 Secondary Sources
 Shakespeare’s “Sonnet          Michael Pacholski’s
  18”                             analysis of “Sonnet 18”

   Three Essays on the            Anti-Oedipus by Gilles
    Theory of Sexuality by          Deleuze and Félix
    Sigmund Freud                   Guattari

   Letter written by Marilyn      Norma Jean: The Life of
    Monroe to Joe DiMaggio          Marilyn Monroe by Fred
                                    Guiles
Source as Both Primary and Secondary
   Ex: 1850 review of a book published in 1849

   The review is a secondary source because it
    presents an analysis of a primary source (the
    book).

   Yet the review is also a primary source because
    it expresses the cultural perspective of someone
    living during the same historical period in which
    the book first appeared.
Secondary Sources - Indirect

   An indirect source is a concept, analysis, or
    conclusion expressed by one source but located
    in another. It is secondhand information.
      Use indirect sources only when the original
       source is unobtainable.
      Use indirect sources sparingly.
Direct Quotes

   Use a direct quote
     when you find the wording particularly
      memorable
     when you need to present the original wording
      as evidence
     when you want to refute specific words or
      phrases taken from the source


Table of Contents
Paraphrase and Summary

   Paraphrase when you want to pay close
    attention to the author’s reasoning but don’t
    think the section warrants a direct quote.

   Summarize when you want to give a general
    overview or highlight major points of a
    discussion.
Hanging Quotes

   The source material must be connected to what
    you say because
      without the proper framework, the source’s
       relation to your argument is unclear
      it is better to risk overanalyzing the source’s
       relevance than to leave your reader in doubt




Table of Contents
Successful Quoting
The challenge, as college professor Ned Laff has
put it, “is not simply to exploit students’
nonacademic interests, but to get them to see
those interests through academic eyes.”
              To say that students need to see their     Elements of Integration
interests “through academic eyes” is to say that
street smarts are not enough. Making students’            Introduction
nonacademic interests an object of academic
study is useful, then, for getting students’ attention
and overcoming their boredom and alienation, but          Quote
this tactic won’t in itself necessarily move them
closer to an academically rigorous treatment of           Interpretation
those interests. On the other hand, inviting
students to write about cars, sports, or clothing
fashions does not have to be a pedagogical cop-
                                                          Commentary
out as long as students are required to see these
interests “through academic eyes,” that is, to think
and write about cars, sports, and fashion in a
reflective, analytical way, one that sees them as
microcosms of what is going on in the wider
culture (Graff 204).


Table of Contents
Successful Quoting: Introduction
The challenge, as college
professor Ned Laff has put it, “is
not simply to exploit students’
nonacademic interests, but to get    The introduction
them to see those interests through    Introduce the
academic eyes.”
                To say that students need to see their               speaker.
interests “through academic eyes” is to say that street
smarts are not enough. Making students’ nonacademic
interests an object of academic study is useful, then, for
                                                                    Blend your words
getting students’ attention and overcoming their boredom
and alienation, but this tactic won’t in itself necessarily          with the speaker’s.
move them closer to an academically rigorous treatment of
those interests. On the other hand, inviting students to
write about cars, sports, or clothing fashions does not have
                                                                    Build credibility.
to be a pedagogical cop-out as long as students are
required to see these interests “through academic eyes,”
that is, to think and write about cars, sports, and fashion in
a reflective, analytical way, one that sees them as
microcosms of what is going on in the wider culture (Graff
204).
Successful Quoting: Interpretation
The challenge, as college professor Ned Laff has put it, “is
not simply to exploit students’ nonacademic interests, but
to get them to see those interests through academic eyes.”
         To say that students need
to see their interests “through        The interpretation
academic eyes” is to say that street
smarts are not enough. Making            If necessary,
students’ nonacademic interests an        explain what the
object of academic study is useful,
then, for getting students’ attention
                                          author means in
and overcoming their boredom and          relation to the topic
alienation, but this tactic won’t in      that you are
itself necessarily move them closer
to an academically rigorous               discussing.
treatment of those interests. On the
other hand, inviting students to write about cars, sports, or
clothing fashions does not have to be a pedagogical cop-
out as long as students are required to see these …
Successful Quoting: Commentary
…interests an object of academic study is useful, then, for
getting students’ attention and overcoming their boredom
and alienation, but this tactic won’t in itself necessarily
move them closer to an academically rigorous treatment of
           On the other hand,
those interests.
                                      The commentary
inviting students to write about
cars, sports, or clothing fashions      Analyze your
does not have to be a pedagogical
cop-out as long as students are
                                         reference to the
required to see these interests          source in relation
“through academic eyes,” that is, to     to your central
think and write about cars, sports,
and fashion in a reflective,             argument.
analytical way, one that sees them
as microcosms of what is going on
in the wider culture (Graff 204).
Tips for Successful Integration

   Blend your words with the source’s, using a tone
    and language that carefully reflect the original
    material.

    Professor Smith criticizes…
    Critic Robert Black predicts that…
    Dr. Jones questions the usefulness of…
    Researcher James Reed complains that…
Integration Tips
In Zen everything has an innate
Buddha nature; it only needs to be
awakened. Buddha nature is another
word for the divine connection we all
have to the Godhead or Spirit. The
only way to awaken one's true nature     Mix things up.
is to look within. Buddha nature
cannot be found outside the body nor     Begin by interpreting.
can it be discovered through
intellectual study. Huineng the Sixth
Patriarch reflected that "Deluded, a
Buddha is a sentient being /
Awakened, a sentient being is a
Buddha" (Yampolsky 180). The
Buddha nature is awakened through
enlightenment (White 3).


 Table of Contents
Block Quotes
Grammarian and author Joseph Williams
argues that there are specific guidelines for
sentence length and variation:
                                                   Integration calls for
     Those who can write individually clear
     and concise sentences have achieved a
                                                    the same elements
     good deal, and much more if they can           but a different format.
     assemble them into coherent passages.
     But a writer who can’t write clear                introduce with a
     sentences longer than twenty words or
     so is like a composer who can write                sentence followed by a
     only short jingles. No one can                     colon
     communicate complex ideas in short
     sentences alone, so you have to know              begin on a new line,
     how to assemble a sentence long and
     complex enough to express complex                  indent only on the left,
     ideas, but still clear enough to be read           and use no quotation
     easily. You can do that, if you know
     some principles of sentence                        marks except when
     construction that go beyond SUBJECTS
     and VERBS, CHARACTERS and                          including material
     ACTIONS. (166)                                     quoted by your source
 Table of Contents
Revised Quote
When discussing sentence         Ask yourself
length and variation,             questions about
grammarian and author
Joseph Williams argues that       clarity and relevance.
“no one can communicate          Reduce long block
complex ideas in short            quotes to the most
sentences alone, so you
have to know how to
                                  useful and concise
assemble a sentence long          information.
and complex enough to            Consider
express complex ideas, but        paraphrasing or
still clear enough to be read
easily” (166).                    summarizing instead.
Paraphrase and Summary
   Focus on the concepts relevant to your research,
    synthesizing the material.
       Reword the source’s language.

       Refashion the source’s sentence structure.

       Express the source’s meaning.

       Enclose any language belonging to the source within
        quotation marks.

       Provide a source citation.
Plagiarism
Original Text                           Plagiarism
Once civilizations had emerged in       As Tom Standage explains, after
various parts of the world, food        civilizations developed in different
helped to connect them together.        regions of the world, food helped
Food-trade routes acted as              to link them together. Food-trade
international communications            routes served as international
networks that fostered not just         networks, facilitating not only
commercial exchange, but cultural       commercial exchange but also
and religious exchange too. The         cultural and religious exchange.
spice routes that spanned the Old       The Old World spice trade
World led to cross-cultural             influenced such diverse fields as
fertilization in fields as diverse as   theology, science, and the fine
architecture, science, and religion.    arts (x).


 Table of Contents
Plagiarism

   Although the plagiarized version expresses the
    source’s meaning and includes a suitable
    citation, it violates the other conventions of
    paraphrasing.

   It retains the source’s sentence structure and
    appropriates language that belongs to the
    source (signified by the underlined words)
    without enclosing it within quotation marks.
Paraphrasing
Original Text                           Legitimate Paraphrase
Once civilizations had emerged in       As Tom Standage explains, food
various parts of the world, food        served as a link among nascent
helped to connect them together.        civilizations. In the Old World, the
Food-trade routes acted as              trade in food meant expanding
international communications            commercial opportunities, yet it
networks that fostered not just         also meant the intercultural
commercial exchange, but cultural       transmission of ideas. Because
and religious exchange too. The         transporting food over long
spice routes that spanned the Old       distances relied on extensive
World led to cross-cultural             “communications networks,” it
fertilization in fields as diverse as   promoted changes in belief
architecture, science, and religion.    systems as well as developments
                                        in the fine arts and scientific
                                        thought (x).
 Table of Contents
Paraphrasing

   By contrast, the legitimate paraphrase
    represents an acceptable version of the source.

   The new version not only credits the source but
    also conveys its meaning without unfairly
    appropriating its language or relying on its
    sentence structure.
Graff, Gerald. “Hidden Intellectualism.” They Say / I Say: The Moves That Matter in
   Academic Writing. 2nd ed. New York: Norton, 2010. Print.
Standage, Tom. An Edible History of Humanity. New York: Walker, 2009. Print.
White, Justine. "An Evolutionary Analogy for Enlightenment." MA Thesis. University of
   Texas at Dallas, 2009. Print.
Williams, Joseph M. Style: Ten Lessons in Clarity and Grace. 6th ed. New York: Longman,
   2000. Print.


WORKS CITED
Booth, Wayne C., Gregory G. Colomb, and Joseph M. Williams. The Craft of Research. 3rd ed. Chicago:
   University of Chicago, 2008. Print.
Bullock, Richard, Maureen Daly Goggin, and Francine Weinberg. The Norton Field Guide to Writing
   with Readings and Handbook. 2nd ed. New York: Norton, 2010. Print.
Gibaldi, Joseph. MLA Handbook for Writers of Research Papers. New York: Modern Language
   Association of America, 2009. Print.
Fowler, Ramsey F., and Jane E. Aaron. The Little, Brown Workbook. 11th ed. New York: Pearson,
   2010. Print.
Graff, Gerald, and Cathy Birkenstein. They Say / I Say: The Moves That Matter in Academic Writing.
   2nd ed. New York: Norton, 2010. Print.
Turabian, Kate L. A Manual for Writers of Research Papers, Theses, and Dissertations: Chicago Style
   for Students and Researchers. 7th ed. Chicago: University of Chicago, 2007. Print.


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Writing center projects-interpreting sources-online vers-sum12

  • 1. Interpreting Sources The Writing Center Student Success Center
  • 2. Table of Contents  Three Types of Sources  Successful Quoting  Tertiary Sources  Integration Tips  Primary Sources  Block Quotes  Secondary Sources  Plagiarism  Direct Quotes  Paraphrasing  Hanging Quotes
  • 3. Presenter: Shelby Vincent Content Author: Justine White and Thomasina Hickmann Revisions: Thomasina Hickmann and Cheri Mullins Design: Cheri Mullins, Enrique Dryere, Justine White, Kaley McGill Writing Center Coordinator: Thomasina Hickmann CREDITS This presentation was created for the Writing Center at the University of Texas at Dallas. It is licensed under the Creative Commons Attribution- NonCommercial-NoDerivs 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0. The University of Texas at Dallas
  • 4. Three Types of Sources  Primary sources offer first-hand information about the subject under discussion.  Secondary sources are analyses of primary source material.  Tertiary sources provide summaries of or commentaries on secondary sources. Table of Contents
  • 5. Tertiary Sources  Use tertiary sources  to gain a general overview and better understanding of your topic  to weed through large amounts of information quickly and efficiently  Use tertiary sources for research only and not as evidence to support your analysis. Table of Contents
  • 6. Examples of Tertiary Sources  Textbooks  The World Almanac  Magazines  Psychology Today  Reference books  World Fact Books written for the  Encyclopedia general public Britannica
  • 7. Primary Sources  Use primary sources  to explore your subject  to gather direct evidence for your claim  to serve as a basis for the formulation of your argument Table of Contents
  • 8. Examples of Primary Sources  Diaries  Film  Letters  Visual Art  Interviews  Musical Compositions  Artifacts  Literary works  Scientific Reports  Plays  Legal Documents  Poems  Fiction/Nonfiction
  • 9. Secondary Sources  Use secondary sources  to situate your research within a larger context  to support your interpretation or refute those with whom you disagree  to keep up with current theory, find models for your research, or discover other viewpoints and alternative theories Table of Contents
  • 10. Examples of Secondary Sources  Scholarly Journal  Biographies Articles  Scientific reviews  Book-Length Critical  Specialized Commentaries Reference Works
  • 11. Primary vs. Secondary Sources Primary Sources Secondary Sources  Shakespeare’s “Sonnet  Michael Pacholski’s 18” analysis of “Sonnet 18”  Three Essays on the  Anti-Oedipus by Gilles Theory of Sexuality by Deleuze and Félix Sigmund Freud Guattari  Letter written by Marilyn  Norma Jean: The Life of Monroe to Joe DiMaggio Marilyn Monroe by Fred Guiles
  • 12. Source as Both Primary and Secondary  Ex: 1850 review of a book published in 1849  The review is a secondary source because it presents an analysis of a primary source (the book).  Yet the review is also a primary source because it expresses the cultural perspective of someone living during the same historical period in which the book first appeared.
  • 13. Secondary Sources - Indirect  An indirect source is a concept, analysis, or conclusion expressed by one source but located in another. It is secondhand information.  Use indirect sources only when the original source is unobtainable.  Use indirect sources sparingly.
  • 14. Direct Quotes  Use a direct quote  when you find the wording particularly memorable  when you need to present the original wording as evidence  when you want to refute specific words or phrases taken from the source Table of Contents
  • 15. Paraphrase and Summary  Paraphrase when you want to pay close attention to the author’s reasoning but don’t think the section warrants a direct quote.  Summarize when you want to give a general overview or highlight major points of a discussion.
  • 16. Hanging Quotes  The source material must be connected to what you say because  without the proper framework, the source’s relation to your argument is unclear  it is better to risk overanalyzing the source’s relevance than to leave your reader in doubt Table of Contents
  • 17. Successful Quoting The challenge, as college professor Ned Laff has put it, “is not simply to exploit students’ nonacademic interests, but to get them to see those interests through academic eyes.” To say that students need to see their Elements of Integration interests “through academic eyes” is to say that street smarts are not enough. Making students’  Introduction nonacademic interests an object of academic study is useful, then, for getting students’ attention and overcoming their boredom and alienation, but  Quote this tactic won’t in itself necessarily move them closer to an academically rigorous treatment of  Interpretation those interests. On the other hand, inviting students to write about cars, sports, or clothing fashions does not have to be a pedagogical cop-  Commentary out as long as students are required to see these interests “through academic eyes,” that is, to think and write about cars, sports, and fashion in a reflective, analytical way, one that sees them as microcosms of what is going on in the wider culture (Graff 204). Table of Contents
  • 18. Successful Quoting: Introduction The challenge, as college professor Ned Laff has put it, “is not simply to exploit students’ nonacademic interests, but to get  The introduction them to see those interests through  Introduce the academic eyes.” To say that students need to see their speaker. interests “through academic eyes” is to say that street smarts are not enough. Making students’ nonacademic interests an object of academic study is useful, then, for  Blend your words getting students’ attention and overcoming their boredom and alienation, but this tactic won’t in itself necessarily with the speaker’s. move them closer to an academically rigorous treatment of those interests. On the other hand, inviting students to write about cars, sports, or clothing fashions does not have  Build credibility. to be a pedagogical cop-out as long as students are required to see these interests “through academic eyes,” that is, to think and write about cars, sports, and fashion in a reflective, analytical way, one that sees them as microcosms of what is going on in the wider culture (Graff 204).
  • 19. Successful Quoting: Interpretation The challenge, as college professor Ned Laff has put it, “is not simply to exploit students’ nonacademic interests, but to get them to see those interests through academic eyes.” To say that students need to see their interests “through  The interpretation academic eyes” is to say that street smarts are not enough. Making  If necessary, students’ nonacademic interests an explain what the object of academic study is useful, then, for getting students’ attention author means in and overcoming their boredom and relation to the topic alienation, but this tactic won’t in that you are itself necessarily move them closer to an academically rigorous discussing. treatment of those interests. On the other hand, inviting students to write about cars, sports, or clothing fashions does not have to be a pedagogical cop- out as long as students are required to see these …
  • 20. Successful Quoting: Commentary …interests an object of academic study is useful, then, for getting students’ attention and overcoming their boredom and alienation, but this tactic won’t in itself necessarily move them closer to an academically rigorous treatment of On the other hand, those interests.  The commentary inviting students to write about cars, sports, or clothing fashions  Analyze your does not have to be a pedagogical cop-out as long as students are reference to the required to see these interests source in relation “through academic eyes,” that is, to to your central think and write about cars, sports, and fashion in a reflective, argument. analytical way, one that sees them as microcosms of what is going on in the wider culture (Graff 204).
  • 21. Tips for Successful Integration  Blend your words with the source’s, using a tone and language that carefully reflect the original material. Professor Smith criticizes… Critic Robert Black predicts that… Dr. Jones questions the usefulness of… Researcher James Reed complains that…
  • 22. Integration Tips In Zen everything has an innate Buddha nature; it only needs to be awakened. Buddha nature is another word for the divine connection we all have to the Godhead or Spirit. The only way to awaken one's true nature  Mix things up. is to look within. Buddha nature cannot be found outside the body nor  Begin by interpreting. can it be discovered through intellectual study. Huineng the Sixth Patriarch reflected that "Deluded, a Buddha is a sentient being / Awakened, a sentient being is a Buddha" (Yampolsky 180). The Buddha nature is awakened through enlightenment (White 3). Table of Contents
  • 23. Block Quotes Grammarian and author Joseph Williams argues that there are specific guidelines for sentence length and variation:  Integration calls for Those who can write individually clear and concise sentences have achieved a the same elements good deal, and much more if they can but a different format. assemble them into coherent passages. But a writer who can’t write clear  introduce with a sentences longer than twenty words or so is like a composer who can write sentence followed by a only short jingles. No one can colon communicate complex ideas in short sentences alone, so you have to know  begin on a new line, how to assemble a sentence long and complex enough to express complex indent only on the left, ideas, but still clear enough to be read and use no quotation easily. You can do that, if you know some principles of sentence marks except when construction that go beyond SUBJECTS and VERBS, CHARACTERS and including material ACTIONS. (166) quoted by your source Table of Contents
  • 24. Revised Quote When discussing sentence  Ask yourself length and variation, questions about grammarian and author Joseph Williams argues that clarity and relevance. “no one can communicate  Reduce long block complex ideas in short quotes to the most sentences alone, so you have to know how to useful and concise assemble a sentence long information. and complex enough to  Consider express complex ideas, but paraphrasing or still clear enough to be read easily” (166). summarizing instead.
  • 25. Paraphrase and Summary  Focus on the concepts relevant to your research, synthesizing the material.  Reword the source’s language.  Refashion the source’s sentence structure.  Express the source’s meaning.  Enclose any language belonging to the source within quotation marks.  Provide a source citation.
  • 26. Plagiarism Original Text Plagiarism Once civilizations had emerged in As Tom Standage explains, after various parts of the world, food civilizations developed in different helped to connect them together. regions of the world, food helped Food-trade routes acted as to link them together. Food-trade international communications routes served as international networks that fostered not just networks, facilitating not only commercial exchange, but cultural commercial exchange but also and religious exchange too. The cultural and religious exchange. spice routes that spanned the Old The Old World spice trade World led to cross-cultural influenced such diverse fields as fertilization in fields as diverse as theology, science, and the fine architecture, science, and religion. arts (x). Table of Contents
  • 27. Plagiarism  Although the plagiarized version expresses the source’s meaning and includes a suitable citation, it violates the other conventions of paraphrasing.  It retains the source’s sentence structure and appropriates language that belongs to the source (signified by the underlined words) without enclosing it within quotation marks.
  • 28. Paraphrasing Original Text Legitimate Paraphrase Once civilizations had emerged in As Tom Standage explains, food various parts of the world, food served as a link among nascent helped to connect them together. civilizations. In the Old World, the Food-trade routes acted as trade in food meant expanding international communications commercial opportunities, yet it networks that fostered not just also meant the intercultural commercial exchange, but cultural transmission of ideas. Because and religious exchange too. The transporting food over long spice routes that spanned the Old distances relied on extensive World led to cross-cultural “communications networks,” it fertilization in fields as diverse as promoted changes in belief architecture, science, and religion. systems as well as developments in the fine arts and scientific thought (x). Table of Contents
  • 29. Paraphrasing  By contrast, the legitimate paraphrase represents an acceptable version of the source.  The new version not only credits the source but also conveys its meaning without unfairly appropriating its language or relying on its sentence structure.
  • 30. Graff, Gerald. “Hidden Intellectualism.” They Say / I Say: The Moves That Matter in Academic Writing. 2nd ed. New York: Norton, 2010. Print. Standage, Tom. An Edible History of Humanity. New York: Walker, 2009. Print. White, Justine. "An Evolutionary Analogy for Enlightenment." MA Thesis. University of Texas at Dallas, 2009. Print. Williams, Joseph M. Style: Ten Lessons in Clarity and Grace. 6th ed. New York: Longman, 2000. Print. WORKS CITED
  • 31. Booth, Wayne C., Gregory G. Colomb, and Joseph M. Williams. The Craft of Research. 3rd ed. Chicago: University of Chicago, 2008. Print. Bullock, Richard, Maureen Daly Goggin, and Francine Weinberg. The Norton Field Guide to Writing with Readings and Handbook. 2nd ed. New York: Norton, 2010. Print. Gibaldi, Joseph. MLA Handbook for Writers of Research Papers. New York: Modern Language Association of America, 2009. Print. Fowler, Ramsey F., and Jane E. Aaron. The Little, Brown Workbook. 11th ed. New York: Pearson, 2010. Print. Graff, Gerald, and Cathy Birkenstein. They Say / I Say: The Moves That Matter in Academic Writing. 2nd ed. New York: Norton, 2010. Print. Turabian, Kate L. A Manual for Writers of Research Papers, Theses, and Dissertations: Chicago Style for Students and Researchers. 7th ed. Chicago: University of Chicago, 2007. Print. FOR MORE INFORMATION