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By Zara, James and Holly
Representation of Disability
The scene starts with a shot of a
woman with her back to the camera
opening a door. This already
creates a sense of mystery in the
scene.
The camera pans down to show a
medium shot of a disabled boy.
The camera angle is at his eye
level (Rule of thirds) to show that
he is the main focus in the scene.
This is because as an audience we
see him as ‘different’
The audience hears the woman
say ‘Hi, you must be Blake’ even
before her face is reviled. This
brings attention to what she is
saying and as an audience we can
hear emotion and nervousness in
her voice
Her facial expression shows an
audience that she is wearing a
‘fake smile’ to hide her nerves and
uncomfortableness.
When the disabled boy and his dad
enter the flat there is complete
silence. This emphasizes the
tension and awkwardness between
them all. It is obvious that there
would not be as much
awkwardness if the boy was not
disabled.
The establishing shot of the flat
reveals that the walls are red. This
gives the connotation of love and
romance.
The boy hints at his dad to help him
onto the bed. This helps to create the
typical stereotype that disabled people
are not independent.
The shot cuts to the woman about to
walk into the room but she then stops
and becomes hesitant. This is showing
that people feel uncomfortable around
disabled people and are not sure how
to act.
The dad kisses his son on the
forehead. This shows that he is over
protective of his son and sees him as
vulnerable because he is disabled.
The boy does not want to be seen
as dependent by the woman. When
the dad asks weather he needs help
undressing the boy refuses help.
The woman then offers the boy a
drink.
From this point the conversation
between the boy and the call
woman has a lot of pauses and
unfinished sentences for
example ‘just in case you…’ This
awkwardness affects the
audience and makes it clear that
this is not a normal situation for
either of them.
Once the dad has left the flat the
camera cuts to the woman
locking the door then realising
that she shouldn’t. This is most
likely because the boy is
disabled and she feels that
something injury related could
happen
A lot of sympathy is then
generated because there is a
close up of the woman helping the
boy to drink. This shows the boy’s
incapability to do a task that to an
able person may seem normal
The camera then cuts to the boy’s
dad sat in his van just outside of
the flat. He uses the radio to
distract himself from what is going
on.
The sound of the radio is the only
diegetic music used in the clip. It
then switches to non-diegetic
music which creates a sound
bridge from the shot of the dad in
the car to the boy and the woman
on the bed.
This shot shows the woman and
the boy laying on the bed. The
woman takes up the left and
centre third of the shot, therefore
dominating. This could show the
superiority she has over the boy.
When the woman Is helping the
boy take his top off there is a lack
of dialog in the scene. This could
emphasise the woman’s care
when helping the boy as she
doesn’t want to cause him any
pain.
The boy also doesn’t say anything
when this is happening. This could
highlight that he feels
embarrassed because he is
always dependant on the woman
to help him.

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Representation of disability in film

  • 1. http://www.youtube.com/watch?v=auSAGvpM7W8 By Zara, James and Holly Representation of Disability
  • 2. The scene starts with a shot of a woman with her back to the camera opening a door. This already creates a sense of mystery in the scene. The camera pans down to show a medium shot of a disabled boy. The camera angle is at his eye level (Rule of thirds) to show that he is the main focus in the scene. This is because as an audience we see him as ‘different’ The audience hears the woman say ‘Hi, you must be Blake’ even before her face is reviled. This brings attention to what she is saying and as an audience we can hear emotion and nervousness in her voice
  • 3. Her facial expression shows an audience that she is wearing a ‘fake smile’ to hide her nerves and uncomfortableness. When the disabled boy and his dad enter the flat there is complete silence. This emphasizes the tension and awkwardness between them all. It is obvious that there would not be as much awkwardness if the boy was not disabled. The establishing shot of the flat reveals that the walls are red. This gives the connotation of love and romance.
  • 4. The boy hints at his dad to help him onto the bed. This helps to create the typical stereotype that disabled people are not independent. The shot cuts to the woman about to walk into the room but she then stops and becomes hesitant. This is showing that people feel uncomfortable around disabled people and are not sure how to act.
  • 5. The dad kisses his son on the forehead. This shows that he is over protective of his son and sees him as vulnerable because he is disabled. The boy does not want to be seen as dependent by the woman. When the dad asks weather he needs help undressing the boy refuses help.
  • 6. The woman then offers the boy a drink. From this point the conversation between the boy and the call woman has a lot of pauses and unfinished sentences for example ‘just in case you…’ This awkwardness affects the audience and makes it clear that this is not a normal situation for either of them. Once the dad has left the flat the camera cuts to the woman locking the door then realising that she shouldn’t. This is most likely because the boy is disabled and she feels that something injury related could happen A lot of sympathy is then generated because there is a close up of the woman helping the boy to drink. This shows the boy’s incapability to do a task that to an able person may seem normal
  • 7. The camera then cuts to the boy’s dad sat in his van just outside of the flat. He uses the radio to distract himself from what is going on. The sound of the radio is the only diegetic music used in the clip. It then switches to non-diegetic music which creates a sound bridge from the shot of the dad in the car to the boy and the woman on the bed. This shot shows the woman and the boy laying on the bed. The woman takes up the left and centre third of the shot, therefore dominating. This could show the superiority she has over the boy.
  • 8. When the woman Is helping the boy take his top off there is a lack of dialog in the scene. This could emphasise the woman’s care when helping the boy as she doesn’t want to cause him any pain. The boy also doesn’t say anything when this is happening. This could highlight that he feels embarrassed because he is always dependant on the woman to help him.