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Early Lessons Learned in Applying Big
        Data To TV Advertising




         IAB ITV for Agencies Day
      Dave Morgan, CEO, Simulmedia
About Us
        Who We Are    We are a New York based start-up. We are venture backed by Avalon
                      Ventures, Union Square Ventures and Time-Warner.

 Where We Have Been   Our 35 person team has veterans of:




    What We Believe   Television is still the most powerful advertising medium in the world.
                      While addressability will come, we’re not waiting for it. We’ve taken a few
                      strategies we learned from the Internet and are applying it to linear TV
                      advertising, today.

       How We Do It   Through partnerships with major data providers, we have assembled the
                      world’s largest set of actionable television data.


 How We Make Money    We sell television advertising. With inventory in over 106 million US
                      households, we can cost-effectively extend reach into high-value target
                      audiences across virtually any advertiser category. We use big data and
                      science to do this.
                                                                                                    2
Why Did We Leave The Web?

                   Television remains the dominant consumer medium




(a) Nielsen US TV Viewing Audicence Traditional Live-Only TV based on average monthly viewing during 1Q2011. Internet and Online Video based on average monthly consumption during July 2011.   3
Video on Demand based on consumption during May 2011.
TV Spend Is Increasing




Source: MAGNAGLOBAL
                              4
Audience Is Fragmenting




Source: Nielsen via TVbythenumbers.com
                                         5
Campaign Reach Is Declining

                             Impossible for measurement and planning tools to keep pace




Source: Simulmedia analysis of data from SQAD, Nielsen and TVB                            6
Big Data



           Highly Confidential
Big Data Is Driving Growth


      “We are on the cusp of a tremendous wave of
     innovation, productivity and growth, as well as
     new modes of competition and value-capture –
                 all driven by Big Data.”
                           - McKinsey Global Institute, May 2011




           “For CMOs, Big Data is a very big deal.”
                 - Alfredo Gangotena, CMO, Mastercard, July 2011



                                                                   8
Size Is Relative



              1 byte x 1000 = 1 kilobyte
                …x 1000 = 1 megabyte
                …x 1000 = 1 gigabyte
                …x 1000 = 1 terabyte
                …x 1000 = 1 petabyte
                 …x 1000 = 1 exabyte


                                           9
Size Is Relative

                                          Telegram = 100 bytes




Data © 1997-2011, James S. Huggins http://www.jamesshuggins.com/h/tek1/how_big.htm
                                                                                     10
Size Is Relative

                           Page of an Encyclopedia = 100 kilobytes




Data © 1997-2011, James S. Huggins http://www.jamesshuggins.com/h/tek1/how_big.htm
                                                                                     11
Size Is Relative

                         Pickup truck bed full of paper = 1 gigabyte




Data © 1997-2011, James S. Huggins http://www.jamesshuggins.com/h/tek1/how_big.htm
                                                                                     12
Size Is Relative

        Entire print collection of the Library of Congress = 10 terabytes




Data © 1997-2011, James S. Huggins http://www.jamesshuggins.com/h/tek1/how_big.htm
                                                                                     13
Size Is Relative

                    All hard drives produced in 1995 = 20 petabytes




Data © 1997-2011, James S. Huggins http://www.jamesshuggins.com/h/tek1/how_big.htm
                                                                                     14
Size Is Relative

                              All printed material = 200 petabytes




Data © 1997-2011, James S. Huggins http://www.jamesshuggins.com/h/tek1/how_big.htm
                                                                                     15
But Big Data Is More Than Size

                                                BIG DATA

                  What        Why did it   What’s going to
                happened?     happen?      happen next?

      Time:         Past                          Future
      Focus:     Reporting                      Prediction
   Supports:       Human                        Machine
                  decisions                     decisions
       Data:     Structured                   Unstructured
                 Aggregated                   Unaggregated
     Human       Dashboards                      Discovery
      Skills:       Excel                      Visualization
                                            Statistics & Physics
                                                                   16
Accelerating The Push To Big Data


 Hadoop, cloud computing, Facebook, Yahoo,
quants, Bittorrent, machine learning, Stanford,
     large hadron collider, Wal-Mart, text
  processing, Amazon S3 & EC2, open source
  intelligence, NoSQL, social media, Google,
 commodity hardware, Hive, fraud detection,
 trading desks, MapReduce, natural language
                  processing
                                             17
What Can It Mean For TV Advertising?

       Big data drove the rise of web & search advertising

     • Accumulation of high volume of direct measurement
       of media consumption
     • Better predictions about consumer interests
     • Real time return path
     • Automation
     • Interim step for addressability
     • More diligence around consumer privacy
     • Media buyers and sellers rethinking their approach to
       audience packaging, campaign planning, technology,
       data assembly and people

                                                               18
Post Modern Architecture

    Have we reached the limits of classic data storage architecture?




Data Warehouses                                                          Data Lakes
•    Yahoo!: 700 tb1                                                     • Facebook: 30 pb3 (7x
•    Australian Bureau of Statistics: 250 tb1                              compression)
•    AT&T: 250 tb1                                                       • Yahoo: 22 pb4
•    Nielsen: 45 tb1                                                     • Google: ???
•    Adidas: 13 tb1
•    Wal-Mart: 1 pb2

1 Oracle F1Q10 Earnings Call September 16, 2009 Transcript
2 Stair, Principles of Information Systems, 2009, p 181
3 Dhruba Borthakur, Facebook, December 2010, http://www.facebook.com/note.php?note_id=468211193919
4 Simulmedia estimate                                                                                19
Our Idea of Big Data

                   Bringing the data set together in a single platform
                                                                         Client          Nielsen
  Set Top Boxes          Program         Public     Ad Occurrence
                                                                      Proprietary        Ratings
 • 17+ million        • 3 different   • US census   • What ads      • Business        • All Minute
   boxes                sets of       • Military      ran?            Development       Respondent
 • Completely           schedule      • Business    • Where did       Indices (BDI)     Level Data
   anonymous            data                          they run?     • Commercial        (AMRLD)
   viewing            • Proprietary                                   Development
  • Live                metadata                                      Indices (CDI)
  • DVR                                                             • Regional
  • VOD                                                               sales data
  • Pay channels


 Our (comparatively modest) data set:
 • 200 tb (approx. 7x compression)
 • 113,858,592 daily events
 • Approximately 402,301 weekly ads
 • Double capacity every 6 months
 …And we don’t load every data point across all data sets, yet
                                                                                                   20
Rethinking Media Data Architecture

  Applying big data to television required us to rethink what our
                 technical architecture should be

       Commodity       •   No clouds allowed (ISO compliance)
        Hardware       •   Expect hardware failure



       Open Source     •   Learn from those who have done it
        Software       •   Participate in the Open Source community


                       •   ELT (Extract, Load, Transform)
      Write Your Own
                       •   Meddle
         Software
                       •   Machine learning


                       •   Advanced statistical techniques
         Science
                       •   Experimentation

                                                                      21
Some Wrinkles In The Matrix




                              22
The People We Needed

          A different approach required different skill sets

   • New core skills for everyone in the company
      •   Pattern recognition
      •   Visualization
      •   Technology
      •   Experimentation
   • Where do you find hard to find tech skills?
      • You don’t find them. You make them.
   • A dedicated Science team
      • Non traditional researchers (Brain imaging, bioinformatics,
        economic modeling, genetics)
   • People who watch a lot of television


                                                                      23
10 Lessons We’ve Learned



                    Highly Confidential
Some Things To Know, First

• Live viewing unless otherwise noted
   • Time shifting lessons is a whole other presentation
   • Time shifting + live viewing lessons is a whole other other presentation
   • Video on demand is a whole other other other presentation
• We name names and provide numbers where clients and data
  partners permit
   • Client confidentiality is important to us
• None of this work would’ve been possible without the help of
  our clients and partners


                 This box will contain important        Read me…

               information about the graphs on
                                      each page.
                                                                                25
60% of TV Viewers Watch
       90% of TV


                   Highly Confidential
Where The Other 40% Are


                                                                    TCM                   13.6
                                                                    HALLMARK              13.7
                                        Networks with
                                        relatively fewer            ADSWIM                14.0
                                        lighter viewer              NICKNITE              14.3
                                        impressions                 CNBC                  15.7
                                                                    FOX NEWS              18.0




                                                                      OXYGEN               7.4
                                        Networks with
                                        relatively more               WE                   7.6

                                        lighter viewer                PLANET               7.7
 Vertical: Ratio of Heavy               impressions                   GREEN
 Viewers to light viewer                                              OVATION              7.8
 impressions.
                                                                      STYLE                7.8
 Horizontal: Low rated to
 Highly rated networks                                                MTV2                 7.8
 Call outs: Ratio is the                                              SUNDANCE             7.9
 number of Heavier
 Viewer impressions you                                               IFC                  7.9
                              Lower             Higher rated
 would deliver to reach a      rated             networks
 Lighter Viewer on a given   networks
 network                                             Sources: Nielsen & Simulmedia’s a7    27
Where The Other 40% Are

  To capture light viewers, media planning and measurement
  tools must quickly apply new methods to emerging data sets




                                                               28
Quality Control Is A Full
       Time Job


                     Highly Confidential
When Data Goes Missing
                             Automation of error
                             checking/quality control is
                             essential

                             Reuse the data to solve other
                             problems

                             Occasionally observe missing
                             data

                             Three choices:
                                    • Pick up the phone
                                    • Estimate missing fields
                                    • Work around the missing
                                      data
                           Time series of SYFY
                           network. 10645
                           observations from
                           2010.02.28 at 7:00pm
                           Eastern to 2010.10.14 at
                           12:30pm Eastern
                                                                30
Source: Simulmedia’s a7
More Data Really Is Better



                     Highly Confidential
Disambiguation: The Madonna Problem




                      OR


        Pop Icon?                     Religious icon?
                                                        32
The Revolution of Simple Methods

                                                                             More data beats
                                                                             better algorithms.
                                                                             The best performing
                                                                             algorithm underperforms
                                                                             the worst algorithm when
                                                                             given an order of
                                                                             magnitude more data.

                                                                             Simple algorithms at very
                                                                             large scale can help better
Peter Norvig | Internet Scale Data Analysis | June 21, 2010                  predict audience
                                                                             movement.


Original graph sourced from: Banko & Brill, 2001. Mitigating the paucity-of-data problem: exploring the effect
of training corpus size on classifier performance for natural language processing                                33
Packaging Reach

  Very large data sets better predict TV audience movements




           Peter Norvig | Internet Scale Data Analysis | June 21, 2010
                                                                         34
The Cost Of More Data

        More data drives better results but there are costs




     • All data online. All the   • All data online. All the
       time.                        time.
     • Less expensive hardware    • More expensive talent
     • Extremely flexible           • Physicists & statisticians ain’t
                                      cheap
                                    • Hard to find programmers
                                  • Not everything meets
                                    your needs
                                  • Evolving technologies in
                                    mission critical functions           35
The Data Isn’t Biased Just
Because It Comes From A
      Set Top Box


                      Highly Confidential
Applying Simple Methods At Scale

                                                   High correlation of a7
                                                   measures and Nielsen
                                                   estimates.

                                                   Either bias is insignificant or
                                                   Nielsen data and our data
                                                   share the same bias.

                                                   Multiple methods yield
                                                   similar results

                                     Regression analysis of
                                     Nielsen Household Cume
                                     Rating against
                                     Simulmedia’s a7 cume
                                     rating. 20 Primetime
                                     Network shows with
Sources: Nielsen & Simulmedia’s a7   HAWAII FIVE-0. Fall 2010.
                                                                              37
And Then We Kept Going
   We measured program Tune-In, Spot Tune-In, Campaign Reach,
   Campaign Rating using multiple slices of our data set using two
              different sample sets and time frames

How we sliced it                         Two samples
• Entire a7 data set                     1. Sample 1: Fall 2010: 20 Primetime
• Cross correlated individual data          broadcast series launches +
  sets contained in a7 aggregate            promos
                                         2. Sample 2: Jan 2011: 15 Primetime
  data set
                                            cable series premieres + promos
• Aggregate cross geographies               (Plus one multi-season/year
  (DMA to DMA)                              primetime broadcast premiere +
                                            promos)
Observations
• Sample 1 average r2>0.85               • Hand selected programs
• Sample 2 average r2>0.93                  • Mix of genres
                                            • Mix of new vs. returning shows
                                                                           38
Addressability Is Here



                   Highly Confidential
Closing The Loop On Program Promotion




                                        Spring 2010 broadcast
                                        premiere promotion.
                                        Horizontal: Left to right moves
                                        back in time. 0 is the premiere
                                        time. Vertical: Conversion rate
                                        is measured in percent. Size of
Sources: Simulmedia’s a7
                                        the bubble represents total
                                        conversions for a given spot.
                                                                          40
Closing The Loop On Program Promotion




                                        Spring 2010 broadcast
                                        premiere promotion.
                                        Horizontal: Left to right moves
                                        back in time. 0 is the premiere
                                        time. Vertical: Conversion rate
                                        is measured in percent. Size of
Sources: Simulmedia’s a7
                                        the bubble represents total
                                        conversions for a given spot.
                                                                          41
Closing The Loop




 Long held beliefs and rules of thumb in planning may or may
                   not be supported by data

  TV marketers now have more options for show promotion




                                                               42
Nielsen’s Ratings Are Good
    (Surprisingly Good)


                     Highly Confidential
Time Series: Broadcast: CBS

      60 networks. High correlation between Nielsen   Hour by hour time series
                                                      Mar 20 to April 8, 2011. Z
       large sample measurement and a7 measures       score plots with Nielsen
                                                      estimates in red.
                                                      Simulmedia
                                                      measurements in blue.
                                                      Where Nielsen provided
                                                      no estimate, estimates
                                                      were imputed using
                                                      Multiple Imputation
                                                      (Rubin (1987))




Sources: Nielsen & Simulmedia’s a7

                                                                              44
Time Series: Broadcast: Fox
                                     Hour by hour time series
                                     Mar 20 to April 8, 2011. Z
                                     score plots with Nielsen
                                     estimates in red.
                                     Simulmedia
                                     measurements in blue.
                                     Where Nielsen provided
                                     no estimate, estimates
                                     were imputed using
                                     Multiple Imputation
                                     (Rubin (1987))




Sources: Nielsen & Simulmedia’s a7

                                                             45
Time Series: Broadcast: ABC
                                     Hour by hour time series
                                     Mar 20 to April 8, 2011. Z
                                     score plots with Nielsen
                                     estimates in red.
                                     Simulmedia
                                     measurements in blue.
                                     Where Nielsen provided
                                     no estimate, estimates
                                     were imputed using
                                     Multiple Imputation
                                     (Rubin (1987))




Sources: Nielsen & Simulmedia’s a7

                                                             46
Time Series: Cable: Investigation Discovery
                                              Hour by hour time series
                                              Mar 20 to April 8, 2011. Z
                                              score plots with Nielsen
                                              estimates in red.
                                              Simulmedia
                                              measurements in blue.
                                              Where Nielsen provided
                                              no estimate, estimates
                                              were imputed using
                                              Multiple Imputation
                                              (Rubin (1987))




Sources: Nielsen & Simulmedia’s a7

                                                                      47
Time Series: Cable: Golf
                                     Hour by hour time series
                                     Mar 20 to April 8, 2011. Z
                                     score plots with Nielsen
                                     estimates in red.
                                     Simulmedia
                                     measurements in blue.
                                     Where Nielsen provided
                                     no estimate, estimates
                                     were imputed using
                                     Multiple Imputation
                                     (Rubin (1987))




Sources: Nielsen & Simulmedia’s a7

                                                             48
Time Series: Cable: Bravo
                                     Hour by hour time series
                                     Mar 20 to April 8, 2011. Z
                                     score plots with Nielsen
                                     estimates in red.
                                     Simulmedia
                                     measurements in blue.
                                     Where Nielsen provided
                                     no estimate, estimates
                                     were imputed using
                                     Multiple Imputation
                                     (Rubin (1987))




Sources: Nielsen & Simulmedia’s a7

                                                             49
Time Series: Cable: ESPN2
                                     Hour by hour time series
                                     Mar 20 to April 8, 2011. Z
                                     score plots with Nielsen
                                     estimates in red.
                                     Simulmedia
                                     measurements in blue.
                                     Where Nielsen provided
                                     no estimate, estimates
                                     were imputed using
                                     Multiple Imputation
                                     (Rubin (1987))




Sources: Nielsen & Simulmedia’s a7

                                                             50
Time Series: Cable: Speed
                                     Hour by hour time series
                                     Mar 20 to April 8, 2011. Z
                                     score plots with Nielsen
                                     estimates in red.
                                     Simulmedia
                                     measurements in blue.
                                     Where Nielsen provided
                                     no estimate, estimates
                                     were imputed using
                                     Multiple Imputation
                                     (Rubin (1987))




Sources: Nielsen & Simulmedia’s a7

                                                             51
…but…



        Highly Confidential
When You Look Closer
                                     Hour by hour time series
                                     Mar 20 to April 8, 2011. Z
                                     score plots with Nielsen
                                     estimates in red.
                                     Simulmedia
                                     measurements in blue.
                                     Where Nielsen provided
                                     no estimate, estimates
                                     were imputed using
                                     Multiple Imputation
                                     (Rubin (1987))




Sources: Nielsen & Simulmedia’s a7

                                                             53
High Frequency Time Series: ABC Family
           Volatility in dayparts, low rated networks, demographics….
             Unrated networks “don’t exist.” Did NOT look at local.




                                                                    a7




                                                                         Nielsen




                                                  Sample graph from High Frequency
                                                  (Second and Minute level) Time Series
                                                  Analysis of 45 networks on January 19th
                                                  2011.
                                                  Simulmedia a7 Sample (Second by Second
                                                  to Minute)
                                                  Nielsen Sample (Minute by Minute)
                                                                                            54
Sources: Nielsen & Simulmedia’s   a7
Women Are More Different
      Than Men


                   Highly Confidential
Gender Driven Geographic Variation
 Viewing by zip code among women across markets is more varied than
                      men in the same zip codes
          Women 18-54                           Men 18-54




                                    Fraction of view time for ages 18-54 as fraction of view
                                    time for all TV viewers. Week 2 vs. the same fraction for
                                    week 1 (last two weeks in January). Three markets:
                                    Philadelphia (blue) Atlanta (red) and Chicago (green) Each
Source: Simulmedia’s a7             point represents a zip code in one of these markets.
                                                                                                 56
Gender Driven Geographic Variation

Planning tactics for female targeted campaigns should be different than
                         male target campaigns




        PS…Also a good case for geo based creative versioning
                                                                          57
Privacy Matters



                  Highly Confidential
Privacy By Design

• All marketing data companies need to
  care
• Make consumer privacy protection part
  of the business from the beginning
   • Anonymous, aggregated data only
   • No personal data or data that can
      be related to particular individuals
      or devices
   • Broad marketing segmentations,
      not profiling
   • No sensitive data
                                             Don’t be creepy


                                                           59
Mass Reach Is
Indiscriminant


                 Highly Confidential
Fragmentation Effects On Frequency
  Each segment was above 70% reach but the frequency distribution was nearly
                                 identical




                                     Percent of audience reached for major animated motion
                                     picture campaign 2011. Two weeks prior to release. Each
                                     stacked bar is a different audience segment. Each color
Source: Nielsen & Simulmedia’s a7    with the stacked bar represents the frequency of ad view
                                                                                                61
                                     for each segment.
Fragmentation Effects On Frequency
                      Fragmentation is affecting all high reach campaigns.




                                              Percent of audience reached for insurance advertisers
                                              September to October 2010. Approximately 8000 ads.
                                              Each stacked bar is a different audience segment. Each
Source: Nielsen & Simulmedia’s a7             color with the stacked bar represents the frequency of ad
                                                                                                          62
                                              view for each segment.
Fragmentation Effects On Frequency




   The TV advertising market can’t continue to support this




                                                              63
40% Of The Audience Is
  Getting 85% Of The
     Impressions


                   Highly Confidential
Fragmentation Rears It’s Head Again

                                                                                 Campaign impressions
                                                                            increasingly concentrated against
                                              0.0              0.0%                  heavy viewers.

                                              1.4              3.6%

    Total
US Television                                 4.3              10.8%
 Audience
                                                                                         Percent of audience
                                                               23.0%                     reached for a different
                                              9.1
                                                                                         major animated motion
                                                                                         picture campaign 2011.
                                                                                         Two weeks prior to
                                                                                         release. The stacked bar
                                             24.8              62.6%                     represents quintiles.
                                                                                         Blue labels are average
                                                                                         frequency per
                                       Average Frequency % of Total Impressions
                                                                                         respective quintile. Red
                                          Per Quintile        Per Quintile
                                                                                         labels are % of total
                                                                                         campaign impressions
   Source: Nielsen & Simulmedia’s a7                                                     by respective quintile.
                                                                                                                    65
Fragmentation Effects on Frequency




         Advertisers won’t continue to support this




                                                      66
What Happens Next?



                Highly Confidential
Choices

• If fragmentation is causing declining campaign reach and
  frequency imbalances, marketers must make choices.
   • Reduce reach
        • Do nothing
        • Use other channels
   • Stabilize or improve reach
        • Re-aggregate audiences using big data




                   What do you think?
                                                             68
Jack Smith




             jack@simulmedia.com
                @simulmedia
                @jkellonsmith




                                   69
About Our Science Team
• Krishna Balasubramanian, Chief Scientist
    •   Previously: Chief Scientist, Tacoda. Chief Scientist, Real Media.
    •   Doctoral Candidate, Physics. (Condensed Matter Physics) The Ohio State University
    •   MS, Computer & Information Systems. The Ohio State University
    •   MSc, Physics. Indian Institute of Technology, Kanpur
• Yuliya Torosjan, Scientist
    •   Previously: Clinical Research (Brain Imaging), Mount Sinai College of Medicine
    •   MA, Statistics. Columbia University
    •   BSE, Computer Science & Engineering. University of Pennsylvania
    •   BA, Psychology. University of Pennsylvania
• Mario Morales, Scientist
    •   Previously: Lecturer, Bioinformatics, New York University. Senior Consultant, Weiser LLP.
    •   MS, Statistics. Hunter College
    •   MS, Bioinformatics. New York University
• Dr. Sidd Mukherjee, Scientist
    •   Previously, Visiting Scholar (Atomic Scattering experiments), The Ohio State University
    •   Post doctoral research, Heat capacity of Helium-4. Pennsylvania State University
    •   PhD, Physics. (Thesis: Measurements of Diffuse and Specular Scattering of 4He Atoms from
        4He Films), Ohio State University
    •   MS, Computer &Information Systems. The Ohio State University
    •   BSc, Physics & Mathematics. University of Bombay
                                                                                                    70

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Applying Big Data To TV Advertising

  • 1. Early Lessons Learned in Applying Big Data To TV Advertising IAB ITV for Agencies Day Dave Morgan, CEO, Simulmedia
  • 2. About Us Who We Are We are a New York based start-up. We are venture backed by Avalon Ventures, Union Square Ventures and Time-Warner. Where We Have Been Our 35 person team has veterans of: What We Believe Television is still the most powerful advertising medium in the world. While addressability will come, we’re not waiting for it. We’ve taken a few strategies we learned from the Internet and are applying it to linear TV advertising, today. How We Do It Through partnerships with major data providers, we have assembled the world’s largest set of actionable television data. How We Make Money We sell television advertising. With inventory in over 106 million US households, we can cost-effectively extend reach into high-value target audiences across virtually any advertiser category. We use big data and science to do this. 2
  • 3. Why Did We Leave The Web? Television remains the dominant consumer medium (a) Nielsen US TV Viewing Audicence Traditional Live-Only TV based on average monthly viewing during 1Q2011. Internet and Online Video based on average monthly consumption during July 2011. 3 Video on Demand based on consumption during May 2011.
  • 4. TV Spend Is Increasing Source: MAGNAGLOBAL 4
  • 5. Audience Is Fragmenting Source: Nielsen via TVbythenumbers.com 5
  • 6. Campaign Reach Is Declining Impossible for measurement and planning tools to keep pace Source: Simulmedia analysis of data from SQAD, Nielsen and TVB 6
  • 7. Big Data Highly Confidential
  • 8. Big Data Is Driving Growth “We are on the cusp of a tremendous wave of innovation, productivity and growth, as well as new modes of competition and value-capture – all driven by Big Data.” - McKinsey Global Institute, May 2011 “For CMOs, Big Data is a very big deal.” - Alfredo Gangotena, CMO, Mastercard, July 2011 8
  • 9. Size Is Relative 1 byte x 1000 = 1 kilobyte …x 1000 = 1 megabyte …x 1000 = 1 gigabyte …x 1000 = 1 terabyte …x 1000 = 1 petabyte …x 1000 = 1 exabyte 9
  • 10. Size Is Relative Telegram = 100 bytes Data © 1997-2011, James S. Huggins http://www.jamesshuggins.com/h/tek1/how_big.htm 10
  • 11. Size Is Relative Page of an Encyclopedia = 100 kilobytes Data © 1997-2011, James S. Huggins http://www.jamesshuggins.com/h/tek1/how_big.htm 11
  • 12. Size Is Relative Pickup truck bed full of paper = 1 gigabyte Data © 1997-2011, James S. Huggins http://www.jamesshuggins.com/h/tek1/how_big.htm 12
  • 13. Size Is Relative Entire print collection of the Library of Congress = 10 terabytes Data © 1997-2011, James S. Huggins http://www.jamesshuggins.com/h/tek1/how_big.htm 13
  • 14. Size Is Relative All hard drives produced in 1995 = 20 petabytes Data © 1997-2011, James S. Huggins http://www.jamesshuggins.com/h/tek1/how_big.htm 14
  • 15. Size Is Relative All printed material = 200 petabytes Data © 1997-2011, James S. Huggins http://www.jamesshuggins.com/h/tek1/how_big.htm 15
  • 16. But Big Data Is More Than Size BIG DATA What Why did it What’s going to happened? happen? happen next? Time: Past Future Focus: Reporting Prediction Supports: Human Machine decisions decisions Data: Structured Unstructured Aggregated Unaggregated Human Dashboards Discovery Skills: Excel Visualization Statistics & Physics 16
  • 17. Accelerating The Push To Big Data Hadoop, cloud computing, Facebook, Yahoo, quants, Bittorrent, machine learning, Stanford, large hadron collider, Wal-Mart, text processing, Amazon S3 & EC2, open source intelligence, NoSQL, social media, Google, commodity hardware, Hive, fraud detection, trading desks, MapReduce, natural language processing 17
  • 18. What Can It Mean For TV Advertising? Big data drove the rise of web & search advertising • Accumulation of high volume of direct measurement of media consumption • Better predictions about consumer interests • Real time return path • Automation • Interim step for addressability • More diligence around consumer privacy • Media buyers and sellers rethinking their approach to audience packaging, campaign planning, technology, data assembly and people 18
  • 19. Post Modern Architecture Have we reached the limits of classic data storage architecture? Data Warehouses Data Lakes • Yahoo!: 700 tb1 • Facebook: 30 pb3 (7x • Australian Bureau of Statistics: 250 tb1 compression) • AT&T: 250 tb1 • Yahoo: 22 pb4 • Nielsen: 45 tb1 • Google: ??? • Adidas: 13 tb1 • Wal-Mart: 1 pb2 1 Oracle F1Q10 Earnings Call September 16, 2009 Transcript 2 Stair, Principles of Information Systems, 2009, p 181 3 Dhruba Borthakur, Facebook, December 2010, http://www.facebook.com/note.php?note_id=468211193919 4 Simulmedia estimate 19
  • 20. Our Idea of Big Data Bringing the data set together in a single platform Client Nielsen Set Top Boxes Program Public Ad Occurrence Proprietary Ratings • 17+ million • 3 different • US census • What ads • Business • All Minute boxes sets of • Military ran? Development Respondent • Completely schedule • Business • Where did Indices (BDI) Level Data anonymous data they run? • Commercial (AMRLD) viewing • Proprietary Development • Live metadata Indices (CDI) • DVR • Regional • VOD sales data • Pay channels Our (comparatively modest) data set: • 200 tb (approx. 7x compression) • 113,858,592 daily events • Approximately 402,301 weekly ads • Double capacity every 6 months …And we don’t load every data point across all data sets, yet 20
  • 21. Rethinking Media Data Architecture Applying big data to television required us to rethink what our technical architecture should be Commodity • No clouds allowed (ISO compliance) Hardware • Expect hardware failure Open Source • Learn from those who have done it Software • Participate in the Open Source community • ELT (Extract, Load, Transform) Write Your Own • Meddle Software • Machine learning • Advanced statistical techniques Science • Experimentation 21
  • 22. Some Wrinkles In The Matrix 22
  • 23. The People We Needed A different approach required different skill sets • New core skills for everyone in the company • Pattern recognition • Visualization • Technology • Experimentation • Where do you find hard to find tech skills? • You don’t find them. You make them. • A dedicated Science team • Non traditional researchers (Brain imaging, bioinformatics, economic modeling, genetics) • People who watch a lot of television 23
  • 24. 10 Lessons We’ve Learned Highly Confidential
  • 25. Some Things To Know, First • Live viewing unless otherwise noted • Time shifting lessons is a whole other presentation • Time shifting + live viewing lessons is a whole other other presentation • Video on demand is a whole other other other presentation • We name names and provide numbers where clients and data partners permit • Client confidentiality is important to us • None of this work would’ve been possible without the help of our clients and partners This box will contain important Read me… information about the graphs on each page. 25
  • 26. 60% of TV Viewers Watch 90% of TV Highly Confidential
  • 27. Where The Other 40% Are TCM 13.6 HALLMARK 13.7 Networks with relatively fewer ADSWIM 14.0 lighter viewer NICKNITE 14.3 impressions CNBC 15.7 FOX NEWS 18.0 OXYGEN 7.4 Networks with relatively more WE 7.6 lighter viewer PLANET 7.7 Vertical: Ratio of Heavy impressions GREEN Viewers to light viewer OVATION 7.8 impressions. STYLE 7.8 Horizontal: Low rated to Highly rated networks MTV2 7.8 Call outs: Ratio is the SUNDANCE 7.9 number of Heavier Viewer impressions you IFC 7.9 Lower Higher rated would deliver to reach a rated networks Lighter Viewer on a given networks network Sources: Nielsen & Simulmedia’s a7 27
  • 28. Where The Other 40% Are To capture light viewers, media planning and measurement tools must quickly apply new methods to emerging data sets 28
  • 29. Quality Control Is A Full Time Job Highly Confidential
  • 30. When Data Goes Missing Automation of error checking/quality control is essential Reuse the data to solve other problems Occasionally observe missing data Three choices: • Pick up the phone • Estimate missing fields • Work around the missing data Time series of SYFY network. 10645 observations from 2010.02.28 at 7:00pm Eastern to 2010.10.14 at 12:30pm Eastern 30 Source: Simulmedia’s a7
  • 31. More Data Really Is Better Highly Confidential
  • 32. Disambiguation: The Madonna Problem OR Pop Icon? Religious icon? 32
  • 33. The Revolution of Simple Methods More data beats better algorithms. The best performing algorithm underperforms the worst algorithm when given an order of magnitude more data. Simple algorithms at very large scale can help better Peter Norvig | Internet Scale Data Analysis | June 21, 2010 predict audience movement. Original graph sourced from: Banko & Brill, 2001. Mitigating the paucity-of-data problem: exploring the effect of training corpus size on classifier performance for natural language processing 33
  • 34. Packaging Reach Very large data sets better predict TV audience movements Peter Norvig | Internet Scale Data Analysis | June 21, 2010 34
  • 35. The Cost Of More Data More data drives better results but there are costs • All data online. All the • All data online. All the time. time. • Less expensive hardware • More expensive talent • Extremely flexible • Physicists & statisticians ain’t cheap • Hard to find programmers • Not everything meets your needs • Evolving technologies in mission critical functions 35
  • 36. The Data Isn’t Biased Just Because It Comes From A Set Top Box Highly Confidential
  • 37. Applying Simple Methods At Scale High correlation of a7 measures and Nielsen estimates. Either bias is insignificant or Nielsen data and our data share the same bias. Multiple methods yield similar results Regression analysis of Nielsen Household Cume Rating against Simulmedia’s a7 cume rating. 20 Primetime Network shows with Sources: Nielsen & Simulmedia’s a7 HAWAII FIVE-0. Fall 2010. 37
  • 38. And Then We Kept Going We measured program Tune-In, Spot Tune-In, Campaign Reach, Campaign Rating using multiple slices of our data set using two different sample sets and time frames How we sliced it Two samples • Entire a7 data set 1. Sample 1: Fall 2010: 20 Primetime • Cross correlated individual data broadcast series launches + sets contained in a7 aggregate promos 2. Sample 2: Jan 2011: 15 Primetime data set cable series premieres + promos • Aggregate cross geographies (Plus one multi-season/year (DMA to DMA) primetime broadcast premiere + promos) Observations • Sample 1 average r2>0.85 • Hand selected programs • Sample 2 average r2>0.93 • Mix of genres • Mix of new vs. returning shows 38
  • 39. Addressability Is Here Highly Confidential
  • 40. Closing The Loop On Program Promotion Spring 2010 broadcast premiere promotion. Horizontal: Left to right moves back in time. 0 is the premiere time. Vertical: Conversion rate is measured in percent. Size of Sources: Simulmedia’s a7 the bubble represents total conversions for a given spot. 40
  • 41. Closing The Loop On Program Promotion Spring 2010 broadcast premiere promotion. Horizontal: Left to right moves back in time. 0 is the premiere time. Vertical: Conversion rate is measured in percent. Size of Sources: Simulmedia’s a7 the bubble represents total conversions for a given spot. 41
  • 42. Closing The Loop Long held beliefs and rules of thumb in planning may or may not be supported by data TV marketers now have more options for show promotion 42
  • 43. Nielsen’s Ratings Are Good (Surprisingly Good) Highly Confidential
  • 44. Time Series: Broadcast: CBS 60 networks. High correlation between Nielsen Hour by hour time series Mar 20 to April 8, 2011. Z large sample measurement and a7 measures score plots with Nielsen estimates in red. Simulmedia measurements in blue. Where Nielsen provided no estimate, estimates were imputed using Multiple Imputation (Rubin (1987)) Sources: Nielsen & Simulmedia’s a7 44
  • 45. Time Series: Broadcast: Fox Hour by hour time series Mar 20 to April 8, 2011. Z score plots with Nielsen estimates in red. Simulmedia measurements in blue. Where Nielsen provided no estimate, estimates were imputed using Multiple Imputation (Rubin (1987)) Sources: Nielsen & Simulmedia’s a7 45
  • 46. Time Series: Broadcast: ABC Hour by hour time series Mar 20 to April 8, 2011. Z score plots with Nielsen estimates in red. Simulmedia measurements in blue. Where Nielsen provided no estimate, estimates were imputed using Multiple Imputation (Rubin (1987)) Sources: Nielsen & Simulmedia’s a7 46
  • 47. Time Series: Cable: Investigation Discovery Hour by hour time series Mar 20 to April 8, 2011. Z score plots with Nielsen estimates in red. Simulmedia measurements in blue. Where Nielsen provided no estimate, estimates were imputed using Multiple Imputation (Rubin (1987)) Sources: Nielsen & Simulmedia’s a7 47
  • 48. Time Series: Cable: Golf Hour by hour time series Mar 20 to April 8, 2011. Z score plots with Nielsen estimates in red. Simulmedia measurements in blue. Where Nielsen provided no estimate, estimates were imputed using Multiple Imputation (Rubin (1987)) Sources: Nielsen & Simulmedia’s a7 48
  • 49. Time Series: Cable: Bravo Hour by hour time series Mar 20 to April 8, 2011. Z score plots with Nielsen estimates in red. Simulmedia measurements in blue. Where Nielsen provided no estimate, estimates were imputed using Multiple Imputation (Rubin (1987)) Sources: Nielsen & Simulmedia’s a7 49
  • 50. Time Series: Cable: ESPN2 Hour by hour time series Mar 20 to April 8, 2011. Z score plots with Nielsen estimates in red. Simulmedia measurements in blue. Where Nielsen provided no estimate, estimates were imputed using Multiple Imputation (Rubin (1987)) Sources: Nielsen & Simulmedia’s a7 50
  • 51. Time Series: Cable: Speed Hour by hour time series Mar 20 to April 8, 2011. Z score plots with Nielsen estimates in red. Simulmedia measurements in blue. Where Nielsen provided no estimate, estimates were imputed using Multiple Imputation (Rubin (1987)) Sources: Nielsen & Simulmedia’s a7 51
  • 52. …but… Highly Confidential
  • 53. When You Look Closer Hour by hour time series Mar 20 to April 8, 2011. Z score plots with Nielsen estimates in red. Simulmedia measurements in blue. Where Nielsen provided no estimate, estimates were imputed using Multiple Imputation (Rubin (1987)) Sources: Nielsen & Simulmedia’s a7 53
  • 54. High Frequency Time Series: ABC Family Volatility in dayparts, low rated networks, demographics…. Unrated networks “don’t exist.” Did NOT look at local. a7 Nielsen Sample graph from High Frequency (Second and Minute level) Time Series Analysis of 45 networks on January 19th 2011. Simulmedia a7 Sample (Second by Second to Minute) Nielsen Sample (Minute by Minute) 54 Sources: Nielsen & Simulmedia’s a7
  • 55. Women Are More Different Than Men Highly Confidential
  • 56. Gender Driven Geographic Variation Viewing by zip code among women across markets is more varied than men in the same zip codes Women 18-54 Men 18-54 Fraction of view time for ages 18-54 as fraction of view time for all TV viewers. Week 2 vs. the same fraction for week 1 (last two weeks in January). Three markets: Philadelphia (blue) Atlanta (red) and Chicago (green) Each Source: Simulmedia’s a7 point represents a zip code in one of these markets. 56
  • 57. Gender Driven Geographic Variation Planning tactics for female targeted campaigns should be different than male target campaigns PS…Also a good case for geo based creative versioning 57
  • 58. Privacy Matters Highly Confidential
  • 59. Privacy By Design • All marketing data companies need to care • Make consumer privacy protection part of the business from the beginning • Anonymous, aggregated data only • No personal data or data that can be related to particular individuals or devices • Broad marketing segmentations, not profiling • No sensitive data Don’t be creepy 59
  • 60. Mass Reach Is Indiscriminant Highly Confidential
  • 61. Fragmentation Effects On Frequency Each segment was above 70% reach but the frequency distribution was nearly identical Percent of audience reached for major animated motion picture campaign 2011. Two weeks prior to release. Each stacked bar is a different audience segment. Each color Source: Nielsen & Simulmedia’s a7 with the stacked bar represents the frequency of ad view 61 for each segment.
  • 62. Fragmentation Effects On Frequency Fragmentation is affecting all high reach campaigns. Percent of audience reached for insurance advertisers September to October 2010. Approximately 8000 ads. Each stacked bar is a different audience segment. Each Source: Nielsen & Simulmedia’s a7 color with the stacked bar represents the frequency of ad 62 view for each segment.
  • 63. Fragmentation Effects On Frequency The TV advertising market can’t continue to support this 63
  • 64. 40% Of The Audience Is Getting 85% Of The Impressions Highly Confidential
  • 65. Fragmentation Rears It’s Head Again Campaign impressions increasingly concentrated against 0.0 0.0% heavy viewers. 1.4 3.6% Total US Television 4.3 10.8% Audience Percent of audience 23.0% reached for a different 9.1 major animated motion picture campaign 2011. Two weeks prior to release. The stacked bar 24.8 62.6% represents quintiles. Blue labels are average frequency per Average Frequency % of Total Impressions respective quintile. Red Per Quintile Per Quintile labels are % of total campaign impressions Source: Nielsen & Simulmedia’s a7 by respective quintile. 65
  • 66. Fragmentation Effects on Frequency Advertisers won’t continue to support this 66
  • 67. What Happens Next? Highly Confidential
  • 68. Choices • If fragmentation is causing declining campaign reach and frequency imbalances, marketers must make choices. • Reduce reach • Do nothing • Use other channels • Stabilize or improve reach • Re-aggregate audiences using big data What do you think? 68
  • 69. Jack Smith jack@simulmedia.com @simulmedia @jkellonsmith 69
  • 70. About Our Science Team • Krishna Balasubramanian, Chief Scientist • Previously: Chief Scientist, Tacoda. Chief Scientist, Real Media. • Doctoral Candidate, Physics. (Condensed Matter Physics) The Ohio State University • MS, Computer & Information Systems. The Ohio State University • MSc, Physics. Indian Institute of Technology, Kanpur • Yuliya Torosjan, Scientist • Previously: Clinical Research (Brain Imaging), Mount Sinai College of Medicine • MA, Statistics. Columbia University • BSE, Computer Science & Engineering. University of Pennsylvania • BA, Psychology. University of Pennsylvania • Mario Morales, Scientist • Previously: Lecturer, Bioinformatics, New York University. Senior Consultant, Weiser LLP. • MS, Statistics. Hunter College • MS, Bioinformatics. New York University • Dr. Sidd Mukherjee, Scientist • Previously, Visiting Scholar (Atomic Scattering experiments), The Ohio State University • Post doctoral research, Heat capacity of Helium-4. Pennsylvania State University • PhD, Physics. (Thesis: Measurements of Diffuse and Specular Scattering of 4He Atoms from 4He Films), Ohio State University • MS, Computer &Information Systems. The Ohio State University • BSc, Physics & Mathematics. University of Bombay 70

Editor's Notes

  1. The revolution will be televised.
  2. Audience fragmentation is going from bad to worseThis fragmentation is wrecking effective campaign reach and creating a massive frequency imbalanceAudience re-aggregation will be key for brand advertisers to maintain scaleTV is not going to the web. The web is going to television.
  3. Audience fragmentation is going from bad to worseThis fragmentation is wrecking effective campaign reach and creating a massive frequency imbalanceAudience re-aggregation will be key for brand advertisers to maintain scaleTV is not going to the web. The web is going to television.
  4. The Huntington copy is one of eleven surviving copies printed on vellum, and one of three such copies in the United States. An additional thirty-six copies printed on paper also survive.
  5. Our claim of the world's largest actionable set of TV viewing data at 75tb would be hard for anyone to challenge. The fact that we link schedule information, set-top box data and ratings data makes it even more difficult to challenge.  The most interesting discovery was that we're 3x larger than Nielsen's biggest single instance transactional datastore. (Netezza has similar kinds of multiplying factors as our data storage scheme, Hadoop.) The Numbers:Wal-Mart: 1 petabyte (800 million transactions/day across 7000 stores globally) (3)  (This is probably in a combination of HP Neoview and Teradata.)Yahoo!: 700 terabytes (1)  (Doesn't include their Hadoop cluster which is approx 15 petabytes.)Australian Bureau of Statistics: 250 terabytes (1)AT&T: 250 terabytes (1)AC Nielsen: Largest single instances: Netezza: 20 tera, Oracle: 10 tera (500 terabytes TOTAL in Netezza, 45 tera in Oracle) Most are distributed databases with client data. (1)(2)Adidas: 13 terabytesLargest Hadoop cluster (4):Facebook: 30 petabytes of storage---------------------------------------------The fine print----------NOTES:(1) From Oracle F1Q10 Earnings Call September 16, 2009 5:00 pm ET Transcript (Charles E. Phillips Jr.)Yahoo!: 700 terabytes Australian Bureau of Statistics: 250 terabytesAT&T: 250 terabytesAC Nielsen: 45-terabyte data [mart], they called itAdidas: 13 terabytes2) DBMS2:September 29, 2009What Nielsen really uses in data warehousing DBMSIn its latest earnings call, Oracle made a reference to The Nielsen Companythat was — to put it politely — rather confusing. I just plopped down in a chair next to Greg Goff, who evidently runs data warehousing at Nielsen, and had a quick chat. Here’s the real story.The Nielsen Company has over half a petabyte of data on Netezza in the US. This installation is growing.The Nielsen Company indeed has 45 terabytes or whatever of data on Oracle in its European (Customer) Information Factory. This is not particularly growing. Nielsen’s Oracle data warehouse has been built up over the past 9 years. It’s not new. It’s certainly not on Exadata, nor planned to move to Exadata.These are not single-instance databases. Nielsen’s biggest single Netezza database is 20 terabytes or so of user data, and its biggest single Oracle database is 10 terabytes or so.Much (most?) of the rest of the installations are customer data marts and the like, based in each case on the “big” central database. (That’s actually a classic data mart use case.) Greg said that Netezza’s capabilities to spin out those databases seemed pretty good.That 10 terabyte Oracle data warehouse instance requires a lot of partitioning effort and so on in the usual way.Nielsen has no immediate plans to replace Oracle with Netezza.Nielsen actually has 800 terabytes or so of Netezza equipment. Some of that is kept more lightly loaded, for performance.(3) Stair, Principles of Information Systems, 2009, p 181.(4) Dhruba Borthakur who is the Hadoop Engineer for Facebook.30petabytes in December 2010.  This is really interesting....  http://www.facebook.com/note.php?note_id=468211193919In May 2010The Datawarehouse Hadoop cluster at Facebook has become the largest known Hadoop storage cluster in the world. Here are some of the details about this single HDFS cluster:21 PB of storage in a single HDFS cluster2000 machines12 TB per machine (a few machines have 24 TB each)1200 machines with 8 cores each + 800 machines with 16 cores each32 GB of RAM per machine15 map-reduce tasks per machineThat's a total of more than 21 PB of configured storage capacity! This is larger than the previously known Yahoo!'s cluster of 14 PB. Here are the cluster statistics from the HDFS cluster at Facebook:
  6. BioinformaticsFederalist papersPhysicsBusinessdevelopement
  7. Two reasons for light viewing:Modality. People have busy lives.Fragmentation to lower measured networksThe heaviest viewers watch 3X the volume of television of the average viewer.The lightest viewers watch 5% the volume of television of the average viewer.60% of the television audience accounts for 90% of television viewing (and therefore ad impressions).  Call them the Heavier Viewers.The remaining 40% of the viewers account for only 10% of total attention to television.  These Lighter Viewers’ attention to television generates less than 1/10 the volume of impressions that a Heavier Viewer does.Without careful planning based on the best possible data resource, every 12 impressions an advertiser buys will yield one unit of reach against the 40% of the audience that are Lighter Viewers.Ratio of Heavier Viewer viewing to Lighter Viewer viewing varies by network.  Networks with a relatively greater share of viewing attributable to heavier viewers will tend to accumulate audience more slowly that networks with lower share of viewing attributable to heavier viewers.  All else equal, impressions on networks with more heavier viewer viewing will create more frequency and less reach than networks with less heavier viewer viewing.
  8. SYFY 2010.02.28 7:00:00PM to 2010.10.14 12:30PM10645 Observations for 514 stationsSometimes easy to spotFiles corruptedWhat about inconsistency in field level data?Possibly a logging problem at the STB level?Possibly an aggregation problem?
  9. Learning the difference between “bank” of a river vs “bank” as a place where you put your money.In search we called this the “Madonna problem” Madonna the religious icon vs Madonna pop culture icon
  10. Learning the difference between “bank” of a river vs “bank” as a place where you put your money.In search we called this the “Madonna problem” Madonna the religious icon vs Madonna pop culture icon
  11. Learning the difference between “bank” of a river vs “bank” as a place where you put your money.In search we called this the “Madonna problem” Madonna the religious icon vs Madonna pop culture icon
  12. Nielsen has Over The Air, Analog, Digital
  13. Nielsen has Over The Air, Analog, Digital
  14. Nielsen has Over The Air, Analog, Digital
  15. Nielsen has Over The Air, Analog, Digital
  16. Nielsen has Over The Air, Analog, DigitalImputed Nielsen’s numbers
  17. The first chart shows the Fraction of view time for women of ages 18-54 (F18-54) as fraction of view time for all tv viewers for week 2 vs the same fraction for week 1 (two weeks in January). The data is for three markets Philadelphia in blue, Atlanta in red and Chicago in green. Each point represents a zip code in one of these markets. The second chart is similar but for men 18-54 (M18-54).The distance of a point away from the diagonal line represents the variation from one week to the next for that zip code. The separation along the diagonal line represents the varying fraction of adult women between the zip codes. As an example, if there had been no change from the first week to the second, all points would have been along the diagonal.We see strong overlap of all three markets and they can't be separated in these views. However, we see significant spread of the fraction of the F18-54 group and M-18-54 group between the zip codes that compose these markets.  Women appear to show more geographically variation in their viewing habits
  18. Audience fragmentation is going from bad to worseThis fragmentation is wrecking effective campaign reach and creating a massive frequency imbalanceAudience re-aggregation will be key for brand advertisers to maintain scaleTV is not going to the web. The web is going to television.
  19. Audience fragmentation is going from bad to worseThis fragmentation is wrecking effective campaign reach and creating a massive frequency imbalanceAudience re-aggregation will be key for brand advertisers to maintain scaleTV is not going to the web. The web is going to television.
  20. Merci.