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“First learn to be a
craftsman, it won't keep
you from being a genius”
	

   	

   	

   	

   	

   	

   	

   	

   	

   	

   	

   	

   	

   	

   	

   Eugene Delacroix
The fundamentals
of boarding are easy.

The practice is hard.
STORYBOARDS
   A Method
The job of a board artist on
 is to serve the director’s
   idea of how the story
      should be told.
The job of a board artist on
 is to serve the director’s
   idea of how the story
      should be told.
  And to make deadline.
The board is the first
visual slash at getting
    the story told.
Boards get better in
      revisions
     with specific
instructions from the
      director.
4 B’s
   Blank
    Blue
   Black
Back & Forth
Blank
Blank
   Read the bible.
 Mark up the script.
 Study the models.
 Talk to the director.
Breakdown the script.
Blank
 Read the bible.
Always ask for one.
Blank
Read the script.
 (Mark it up)
Blank
Study the character models and locations
      GET SIZE RELATIONS
Blank
PLAN
REUSE
NOW
Blank
Talk to the director.


Get thumbnails on
specific ideas/shots.
Blank

LISTEN TO THE TRACK
Blank
Breakdown the script.
       Think.
     Don’t draw.
Blue
Blue
           This is the hard part.

             Don’t thumbnail.
            Focus on the story.
Watch for staging/composition within the fld.
         Watch cutting continuity.
Blue
Don’t thumbnail.
 Work size as.
Blue
     Focus on the story.
 LISTEN TO THE TRACK
         AGAIN

 Is the gesture and expression
      furthering the story?
Does it link to action/acting that
  happens later in the script.
Blue
  Watch for staging/
composition within the
         fld.
     (Cropping)
Blue
Watch cutting continuity.
      Eye trace.
  Character position.
  Look for jump cuts.
Present to director.
Always get feedback.
Black
Black
       This is the fun part.

Focus on clear gesture/silhouette.

Be specific about your expressions.

        Watch for clichés.
Black
        Focus on
clear gesture/silhouette.
Black

Be specific about your
    expressions.
Black

Watch for clichés.
Back & Forth


REVISIONS
Back & Forth
 Usually handled in house by
asst director or SB supervisor.

 Rarely get handed back to
        board artist.
The fundamentals of storyboarding: A craftsman's guide

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The fundamentals of storyboarding: A craftsman's guide