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The fundamentals of storyboarding: A craftsman's guide
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Presentation on process follow to storyboard an animated television episode.
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The fundamentals of storyboarding: A craftsman's guide
1.
“First learn to
be a craftsman, it won't keep you from being a genius” Eugene Delacroix
2.
The fundamentals of boarding
are easy. The practice is hard.
3.
STORYBOARDS
A Method
4.
The job of
a board artist on is to serve the director’s idea of how the story should be told.
5.
The job of
a board artist on is to serve the director’s idea of how the story should be told. And to make deadline.
6.
The board is
the first visual slash at getting the story told.
7.
Boards get better
in revisions with specific instructions from the director.
8.
9.
10.
11.
12.
13.
14.
15.
4 B’s
Blank Blue Black Back & Forth
16.
Blank
17.
18.
Blank
Read the bible. Mark up the script. Study the models. Talk to the director. Breakdown the script.
19.
Blank Read the
bible. Always ask for one.
20.
21.
22.
Blank Read the script.
(Mark it up)
23.
24.
Blank Study the character
models and locations GET SIZE RELATIONS
25.
26.
27.
Blank PLAN REUSE NOW
28.
Blank Talk to the
director. Get thumbnails on specific ideas/shots.
29.
Blank LISTEN TO THE
TRACK
30.
Blank Breakdown the script.
Think. Don’t draw.
31.
Blue
32.
33.
Blue
This is the hard part. Don’t thumbnail. Focus on the story. Watch for staging/composition within the fld. Watch cutting continuity.
34.
Blue Don’t thumbnail. Work
size as.
35.
Blue
Focus on the story. LISTEN TO THE TRACK AGAIN Is the gesture and expression furthering the story? Does it link to action/acting that happens later in the script.
36.
Blue Watch
for staging/ composition within the fld. (Cropping)
37.
Blue Watch cutting continuity.
Eye trace. Character position. Look for jump cuts.
38.
Present to director. Always
get feedback.
39.
Black
40.
41.
Black
This is the fun part. Focus on clear gesture/silhouette. Be specific about your expressions. Watch for clichés.
42.
Black
Focus on clear gesture/silhouette.
43.
Black Be specific about
your expressions.
44.
Black Watch for clichés.
45.
Back & Forth REVISIONS
46.
Back & Forth
Usually handled in house by asst director or SB supervisor. Rarely get handed back to board artist.
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