2. The first shot will be the antagonist walking up to a mirror,
this will be reversed so therefore the shot will start with
an over the shoulder shot of the antagonist looking at a
mirror and will end from him walking away from it. The
mirror reflection will be blurred out and edited in order to
not give away his identity, the shot will be a maximum of
10 seconds long and the transition will be a simple cut to
the next shot.
3. The scene will then cut (with no transition effect) to the
reflection of the antagonist on the mirror as he removes
his face paint, again this will be reversed. The viewer will
see a point of view shot of the antagonist with his face
paint slightly removed but not fully in order to hide his
identity, the motion will be reversed so it will look as if
the paint is being applied. The shot will be edited to look
dark so the background will not be visible in order to keep
the antagonist centre of attention.
4. This shot will gradually zoom up to a close up shot, it will
last 3 seconds long so the pace will be edited. The
newspaper will have a circular gradient around to draw the
viewers attention to it. This drawing shows that the
character is a wanted man.
5. The scene will then cut back to the antagonist rubbing his
face, the scene will be clearer for a few seconds and then
will become dark again, the reason for this is to tease the
audience. The only prop the antagonist will be holding is a
cloth while he does this scene.
6. The scene will then cross cut to a close up picture of priests,
this will symbolise that maybe the antagonists is a priest or
targeting one of them, the shot will only last for two
second as it would give too much information out would
ruin the film. At the last second of the shot the photo will
be edited red and distorted to suggest that the antagonist
has an issue regarding this image.
7. The cut will then jump to a close up of a Bible that is edited
to be dark and unsteady, the camera will slowly pan left to
right and this shot will last no longer then 5 seconds after
that the shot will fade to black. The reason the Bible has
been drawn like this is because it could suggest that if it is
interpreted wrongly then it could be a danger. The Bible
gives another hint that the film will have a religious
element.
8. Again the mirror shot of the antagonist will shown, this time
it will become darker and more distorted. The face of the
antagonist will almost be hidden by his hand, there will be
no use of transition in this scene.
9. This shot will be a close up of a polaroid which will gradually
zoom into an extreme close-up until the camera is fully
zoomed into the black, the camera will be steady and no
transitions will be used. This scene represent past
memories of the antagonist, however only one image will
be clear and the rest will be blank.
10. In this scene it will start off as an extreme close up of the
polaorid that the character is holding. The camera will
zoom out of the blank polaroid. This shot will indicate to
the audience that our character has lost a person in his life
and could suggest that the film will be about vengeance.
This scene will slowly fade to black to create a dramatic
exit.
11. This will be a quick snippet of a tombstone suggesting to the
audience that the person who died is important to our
character. The shot will be two second long making it
clear to the audience that we don’t want them finding out
too much information. The camera movement will be
shaky and we will edit it to look distorted.
12. This shot will again appear again as usual, the shot will
become clearer each time we know more about the
antagonist. The shot will fade to black.
13. This shot will be an extreme close up, the shot will pan from
the edge of the table to the book. The shot will show a
ring and will then gradually move on to the book, the book
is remained hidden with only a few word being shown. This
shot suggests that the character was married therefore
suggesting that the person that has died is his wife.
14. The shot will quickly cut to a radio which will have a
reversed dialogue of “The Mask Man” the voice will be
static. The shot will be shaky and the background will be
distorted. There will be no use of transition.
15. This drawing show the inside of the Good Sheppard Church,
the shot will pan from the bottom showing only the aisle
and the seats, the shot will then pan upwards showing the
stained glass. The angles of the shot will go from high to
low. This shots can suggest to the audience that the
character is part of the Church or is the Church he was
married in.
16. This is an establishing shot of the Good Sheppard Church, the
shot will be still and will in only last for two seconds. This
shot shows the outside of the Church enforcing the
significance of this location. The shot will fade to white.
17. The camera will pan from the eyes of the antagonist and
then will show the entire mask from a mid shot., this will
indicate that the opening sequence has finished. There will
be no sound in this scene to create suspense.
