Film editing began in 1895 with the invention of the cinematograph by the Lumiere brothers, which could record and project motion pictures. In 1901, Edwin Porter began editing films together, telling stories across multiple shots rather than single continuous shots. D.W. Griffith further advanced film editing in 1908 with his film "For Love of Gold", which was the first to have continuity between shots. The Moviola, invented in 1924, was the first machine designed specifically for motion picture editing and allowed editors to view film while editing. Lev Kuleshov developed Russian cinema in the early 20th century through exploring the Kuleshov effect, which demonstrated how audiences derive additional meaning from the interaction between sequential shots.