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Simon Tanner Director, Digital Consultancy Services King’s College London Email:  [email_address] Twitter: SimonTanner
 
Centre for Computing in the Humanities (CCH) www.cch.kcl.ac.uk/research/projects/
The nature of projects/programmes now  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Create once, use many times ,[object Object],[object Object],[object Object],[object Object]
Create once, use many times ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
Building selection criteria for your project ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The project proposal  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
How to consider the components
Processes: How to think about the project ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Understanding the audience ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Sustainability Planning ,[object Object],[object Object],[object Object],[object Object],[object Object]
Sustainability Planning ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
[object Object],[object Object],[object Object]
The Good, the Bad and the Ugly ,[object Object],[object Object],[object Object],[object Object],[object Object]
1 st  Top Tip for Success ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
2 nd  Top Tip for Success ,[object Object],[object Object],[object Object],[object Object]
3 rd  Top Tip for Success ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
4 th  Top Tip for Success ,[object Object],[object Object],[object Object],[object Object],[object Object]
5 th  Top Tip for Success ,[object Object],[object Object],[object Object]
6 th  Top Tip for Success ,[object Object],[object Object],[object Object],[object Object],[object Object]
A real example! ,[object Object],[object Object]
7 th  Top Tip for Success ,[object Object],[object Object],[object Object],[object Object]
Is the value in the wine, the glass or the drinking?
Simon Tanner King’s College London www.digitalconsultancy.net Email:  [email_address] Twitter: SimonTanner

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Planning, managing and implementing a project involving digital data

Editor's Notes

  1. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  2. King’s Digital Consultancy Training © Tanner, KCL 2005
  3. King’s Digital Consultancy Training © Tanner, KCL 2005
  4. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  5. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  6. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  7. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  8. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  9. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  10. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  11. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.