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REFLECTIONS FROM 
PLANNINGNESS 2014 9 things that will change ! 
the way I approach work 
Doug Kleeman, Baldwin&
1 STOP TRYING TO PROVE THINGS, 
GET BETTER AT DESCRIBING THINGS. 
WHAT HAPPENED: 
Ian Fitzpatrick made the point that, as 
planners, we are not looking for the truth or 
the answers. Instead, we are look for 
interesting. Alexandra Horowitz rattled our 
impulsive thought processes by teaching us 
how to look at ordinary things from new 
perspectives. Lisa Azziz-Zadeh taught us that 
there is a science behind creativity, but 
creativity isn’t a science. All of these things 
serve as a very useful reminder for planners 
to avoid pontificating on absolutism. 
WHAT IT MEANS MOVING FORWARD: 
Being able to persuade others is great. Being 
able to capture their interest is even better. 
Looking back at the early stages of my 
planning career, I recognize moments when I 
tried to “convince” clients, even creative 
teams, as to why a certain strategic 
recommendation or idea was the right one. 
Ignore your agenda, focus on the interesting. 
Both clients and creatives are fully capable of 
deducing their own opinions. Make your goal 
to describe things in interesting ways. Evoke 
intrigue. Create new connection points. 
Consider how seemingly disparate data 
points may actually connect with one 
another. But step down from the soapbox.
2 BE RADICALLY ORDINARY. 
WHAT HAPPENED: 
Megan Averell pointed out how Seinfeld 
became an insanely successful TV sitcom 
because it featured ordinary people doing 
ordinary things that ordinary people like you 
and I could relate to. And I loved this 
example because it tends to be the exact 
opposite approach for a lot of advertising 
today. Sasquatches, Shetland ponies, fiery 
explosions and midget wrestlers — these are 
all things that appear in popular ads today. 
Yet how often do we talk about these things 
in our normal everyday lives? Turns out, 
being ordinary is not only unexpected and 
unique, it’s incredibly impactful. 
WHAT IT MEANS MOVING FORWARD: 
Averell says there’s impact in ‘ordinary’. That 
doesn’t mean ads have to be boring. It just 
means that ads need to be relatable to 
people. Beats. Guiness. Cheerios. Brands are 
beginning to realize that being engaging is 
all about being relevant. Sometimes fixating 
on fireworks can muddle the message. It’s 
why homegrown Instagram stars and user-generated 
Tumblr sites can garner a bigger 
groundswell than multi-million dollar brand 
campaigns. The real goal, as Averell pointed 
out, is to create communications that make 
people say “That’s Me!” instead of just 
“That’s Amazing.”
3 MAKE THINGS THAT MAKE 
YOU UNCOMFORTABLE. 
WHAT HAPPENED: 
Planningness bills itself as an “unconference” 
where ‘making things’ is sort of their schtick. 
But it was the second part, the need to 
embrace your own uncomfortableness, that 
really resonated with me. Jeff George gave a 
great talk on how to transform fear into fuel. 
Jeff’s thesis was that “your comfort zone” 
and “where the magic happens” don’t 
overlap in the center of some Venn diagram. 
It takes a leap to get from one to the other. 
WHAT IT MEANS MOVING FORWARD: 
My own interpretation of Jeff’s talk is that if 
you’re not making yourself uncomfortable, 
you might not be doing something worth 
making. Many planners tend to be very risk 
averse. Safety in structure, let the creatives 
be the radical ones, the thinking goes. But 
this runs a great risk of making planning 
predictable. Perhaps sterile, too. Scare the 
shit out of yourself. It applies to our work as 
planners, our interactions with our clients, our 
relationships with our colleagues, the way we 
live our life in general.
4 EMBRACE UNCONVENTIONAL 
APPROACHES TO RESEARCH. 
WHAT HAPPENED: 
One of the great developments announced 
at this year’s Planningness was the release of 
Ian Fitzpatrick’s new low-fi data tool called 
Pollitt. In fact, Ian’s entire presentation of how 
to hack research processes was fantastic. Be 
sure to check out his Slideshare for helpful, 
low-cost tools and unique ways to jui-jitsu 
existing methodologies. 
WHAT IT MEANS MOVING FORWARD: 
Budgets don’t need to completely confine 
your capabilities. Get scrappy. Fuel 
qualitative approaches with quantitative 
input. Dumb down data so that you can 
compare it better. But don’t obsess over data 
points. For example, if you’re working for a 
running shoe brand, don’t look for the 
percentage of runners who go running with 
their smartphone — identify the relationship 
that runners have with their smartphones. 
Data isn’t meant to be taken at face value. 
Stuff like that. It needs to be reframed and 
relatable.
5 DEFY DECKS. 
WHAT HAPPENED: 
After two days of listening to some incredibly 
thought-provoking presentations, I came to 
the realization that some of my favorite 
speakers were the ones that relied on the 
slides onscreen, the least. 
WHAT IT MEANS MOVING FORWARD: 
Creative teams get to present ads. Tangible, 
tactical work. Think about the pieces that 
planners present. What’s the deliverable? 
Putting together yet another powerpoint 
seems like a pretty tired approach. Worse, it’s 
exactly what clients expect. I understand that 
in some instances, it may actually be 
required. And I also understand the irony of 
including this point in a presentation like this. 
But try, just try, to think beyond the 
slideshow.
6 CREATE BETTER CONDITIONS. 
WHAT HAPPENED: 
James Brown gave a soulful speech on how 
to find Flow — a state, as he defined, when 
we are completely present without trying to 
be. Lisa Azziz-Zadeh shared research 
explaining some of the psychology behind 
creativity, providing a handful of exercises to 
induce insight — mental state shifts, multiple 
idea facilitation, changes of perspective, 
things like that. Alexandra Horowitz’s 
presentation “How To See” had us outside, 
roaming the blocks of downtown Portland to 
investigate the city’s stimuli and assume new 
physical and mental perspectives. 
WHAT IT MEANS MOVING FORWARD: 
It all gets back to the notion that, as a 
planner, it’s not just what you look at, but how 
you look at it. This isn’t just an innate mindset 
that some people are better predisposed at 
doing. It’s something that can be consciously 
cultivated. As James Brown said, “we don’t 
hammer out, chisel out ideas. We arrive at 
them.” Resist regimented approaches to 
planning. Reform how you brief creative 
teams. Get your clients outside of the 
conference room. Creativity requires 
spontaneity in order to flourish. Create 
conditions to induce spontaneity. The world 
is your laboratory. Don’t swim inside 
databases and focus groups.
7 REVISIT THE ROOTS. 
WHAT HAPPENED: 
There was a moment during one of the 
presentations when Planningness director 
Mark Lewis asked who knew Stanley Pollitt. In 
a room of 80+ planners only one person 
raised their hand. Shocking. 
WHAT IT MEANS MOVING FORWARD: 
It seems as though planners today can wax 
poetic about social platform technology and 
outline these intricate channel ecosystems, 
but understanding the origins of the craft, 
not so much. I try to absorb the history and 
evolution of the craft as much as I can, but I 
definitely need to hit the books harder, too. I 
already have a massive cache queued up on 
Amazon.
8 FIND PROBLEMS, NOT SOLUTIONS. 
WHAT HAPPENED: 
This one wasn’t explicitly mentioned. But I 
think that’s sort of the point. The speakers at 
this year’s Planningness were amazingly 
adept at keeping things simple while 
keeping things pointed. The speakers had 
clear takeaways that raised just as many 
questions as they did answers. There’s value 
to that. 
WHAT IT MEANS MOVING FORWARD: 
I know what you’re thinking. Bullshit. And you 
may be partly correct. After all, we are in the 
business of finding creative solutions to our 
clients’ business. The problem is, planners 
get so fixated on delivering ‘the’ solution 
that they often fail to define the real problem 
at hand. In a world of “we need more online 
fan engagement” and “how can we create 
better brand advocates?” — it’s equally as 
important to identify (and clearly articulate) 
the real business problem. Our industry loves 
chasing these novelties with little or no 
understanding as to why it all matters. Plus, 
obsessing over the final solution sort of 
undermines the role of your creative team. 
Arm them with the right information. Then let 
them create.
9 GET GOING. 
WHAT HAPPENED: 
Robert Gallup had a hands-on session for 
building an Arduino-powered LED light 
board. Jess Seilheimer had us creating 
business plans for crowd funded projects. 
Jeff George built a “pop up” coffee, beer 
and cycling shop without any professional 
background before. The presenters at this 
year’s Planningness got where they are, just 
as much for what they can do with their head 
as what they can do with their hands. 
WHAT IT MEANS MOVING FORWARD: 
The planning discipline often gets knocked 
for being too scholarly, too academic, too 
consumed with theory and abstraction. 
Maybe rightfully so. Maybe not. But there’s 
one way to avoid it. Make shit. Don’t just 
present data, create a visually stunning data 
visualization. Don’t just report focus group 
quotes, create a compilation film of intercept 
interviews. These are bad ideas for an 
otherwise important point, but you get the 
idea. In a discipline where one gets paid to 
think, there’s also value in what you make.
Special thanks to: 
! 
Mark Lewis for organizing this year’s Planningness event. 
No idea how he pulls off such an amazing event every year. 
! 
Baldwin& for sending me to Portland to learn from 
some of the brightest folks in the industry. 
! 
Planningness’s sponsors Carbonview & W5. 
! 
All the attendees for sharing their ideas, collaborating 
throughout the event and being genuinely 
great all-around people from as far as I can tell.

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Reflections from Planningness 2014

  • 1. REFLECTIONS FROM PLANNINGNESS 2014 9 things that will change ! the way I approach work Doug Kleeman, Baldwin&
  • 2. 1 STOP TRYING TO PROVE THINGS, GET BETTER AT DESCRIBING THINGS. WHAT HAPPENED: Ian Fitzpatrick made the point that, as planners, we are not looking for the truth or the answers. Instead, we are look for interesting. Alexandra Horowitz rattled our impulsive thought processes by teaching us how to look at ordinary things from new perspectives. Lisa Azziz-Zadeh taught us that there is a science behind creativity, but creativity isn’t a science. All of these things serve as a very useful reminder for planners to avoid pontificating on absolutism. WHAT IT MEANS MOVING FORWARD: Being able to persuade others is great. Being able to capture their interest is even better. Looking back at the early stages of my planning career, I recognize moments when I tried to “convince” clients, even creative teams, as to why a certain strategic recommendation or idea was the right one. Ignore your agenda, focus on the interesting. Both clients and creatives are fully capable of deducing their own opinions. Make your goal to describe things in interesting ways. Evoke intrigue. Create new connection points. Consider how seemingly disparate data points may actually connect with one another. But step down from the soapbox.
  • 3. 2 BE RADICALLY ORDINARY. WHAT HAPPENED: Megan Averell pointed out how Seinfeld became an insanely successful TV sitcom because it featured ordinary people doing ordinary things that ordinary people like you and I could relate to. And I loved this example because it tends to be the exact opposite approach for a lot of advertising today. Sasquatches, Shetland ponies, fiery explosions and midget wrestlers — these are all things that appear in popular ads today. Yet how often do we talk about these things in our normal everyday lives? Turns out, being ordinary is not only unexpected and unique, it’s incredibly impactful. WHAT IT MEANS MOVING FORWARD: Averell says there’s impact in ‘ordinary’. That doesn’t mean ads have to be boring. It just means that ads need to be relatable to people. Beats. Guiness. Cheerios. Brands are beginning to realize that being engaging is all about being relevant. Sometimes fixating on fireworks can muddle the message. It’s why homegrown Instagram stars and user-generated Tumblr sites can garner a bigger groundswell than multi-million dollar brand campaigns. The real goal, as Averell pointed out, is to create communications that make people say “That’s Me!” instead of just “That’s Amazing.”
  • 4. 3 MAKE THINGS THAT MAKE YOU UNCOMFORTABLE. WHAT HAPPENED: Planningness bills itself as an “unconference” where ‘making things’ is sort of their schtick. But it was the second part, the need to embrace your own uncomfortableness, that really resonated with me. Jeff George gave a great talk on how to transform fear into fuel. Jeff’s thesis was that “your comfort zone” and “where the magic happens” don’t overlap in the center of some Venn diagram. It takes a leap to get from one to the other. WHAT IT MEANS MOVING FORWARD: My own interpretation of Jeff’s talk is that if you’re not making yourself uncomfortable, you might not be doing something worth making. Many planners tend to be very risk averse. Safety in structure, let the creatives be the radical ones, the thinking goes. But this runs a great risk of making planning predictable. Perhaps sterile, too. Scare the shit out of yourself. It applies to our work as planners, our interactions with our clients, our relationships with our colleagues, the way we live our life in general.
  • 5. 4 EMBRACE UNCONVENTIONAL APPROACHES TO RESEARCH. WHAT HAPPENED: One of the great developments announced at this year’s Planningness was the release of Ian Fitzpatrick’s new low-fi data tool called Pollitt. In fact, Ian’s entire presentation of how to hack research processes was fantastic. Be sure to check out his Slideshare for helpful, low-cost tools and unique ways to jui-jitsu existing methodologies. WHAT IT MEANS MOVING FORWARD: Budgets don’t need to completely confine your capabilities. Get scrappy. Fuel qualitative approaches with quantitative input. Dumb down data so that you can compare it better. But don’t obsess over data points. For example, if you’re working for a running shoe brand, don’t look for the percentage of runners who go running with their smartphone — identify the relationship that runners have with their smartphones. Data isn’t meant to be taken at face value. Stuff like that. It needs to be reframed and relatable.
  • 6. 5 DEFY DECKS. WHAT HAPPENED: After two days of listening to some incredibly thought-provoking presentations, I came to the realization that some of my favorite speakers were the ones that relied on the slides onscreen, the least. WHAT IT MEANS MOVING FORWARD: Creative teams get to present ads. Tangible, tactical work. Think about the pieces that planners present. What’s the deliverable? Putting together yet another powerpoint seems like a pretty tired approach. Worse, it’s exactly what clients expect. I understand that in some instances, it may actually be required. And I also understand the irony of including this point in a presentation like this. But try, just try, to think beyond the slideshow.
  • 7. 6 CREATE BETTER CONDITIONS. WHAT HAPPENED: James Brown gave a soulful speech on how to find Flow — a state, as he defined, when we are completely present without trying to be. Lisa Azziz-Zadeh shared research explaining some of the psychology behind creativity, providing a handful of exercises to induce insight — mental state shifts, multiple idea facilitation, changes of perspective, things like that. Alexandra Horowitz’s presentation “How To See” had us outside, roaming the blocks of downtown Portland to investigate the city’s stimuli and assume new physical and mental perspectives. WHAT IT MEANS MOVING FORWARD: It all gets back to the notion that, as a planner, it’s not just what you look at, but how you look at it. This isn’t just an innate mindset that some people are better predisposed at doing. It’s something that can be consciously cultivated. As James Brown said, “we don’t hammer out, chisel out ideas. We arrive at them.” Resist regimented approaches to planning. Reform how you brief creative teams. Get your clients outside of the conference room. Creativity requires spontaneity in order to flourish. Create conditions to induce spontaneity. The world is your laboratory. Don’t swim inside databases and focus groups.
  • 8. 7 REVISIT THE ROOTS. WHAT HAPPENED: There was a moment during one of the presentations when Planningness director Mark Lewis asked who knew Stanley Pollitt. In a room of 80+ planners only one person raised their hand. Shocking. WHAT IT MEANS MOVING FORWARD: It seems as though planners today can wax poetic about social platform technology and outline these intricate channel ecosystems, but understanding the origins of the craft, not so much. I try to absorb the history and evolution of the craft as much as I can, but I definitely need to hit the books harder, too. I already have a massive cache queued up on Amazon.
  • 9. 8 FIND PROBLEMS, NOT SOLUTIONS. WHAT HAPPENED: This one wasn’t explicitly mentioned. But I think that’s sort of the point. The speakers at this year’s Planningness were amazingly adept at keeping things simple while keeping things pointed. The speakers had clear takeaways that raised just as many questions as they did answers. There’s value to that. WHAT IT MEANS MOVING FORWARD: I know what you’re thinking. Bullshit. And you may be partly correct. After all, we are in the business of finding creative solutions to our clients’ business. The problem is, planners get so fixated on delivering ‘the’ solution that they often fail to define the real problem at hand. In a world of “we need more online fan engagement” and “how can we create better brand advocates?” — it’s equally as important to identify (and clearly articulate) the real business problem. Our industry loves chasing these novelties with little or no understanding as to why it all matters. Plus, obsessing over the final solution sort of undermines the role of your creative team. Arm them with the right information. Then let them create.
  • 10. 9 GET GOING. WHAT HAPPENED: Robert Gallup had a hands-on session for building an Arduino-powered LED light board. Jess Seilheimer had us creating business plans for crowd funded projects. Jeff George built a “pop up” coffee, beer and cycling shop without any professional background before. The presenters at this year’s Planningness got where they are, just as much for what they can do with their head as what they can do with their hands. WHAT IT MEANS MOVING FORWARD: The planning discipline often gets knocked for being too scholarly, too academic, too consumed with theory and abstraction. Maybe rightfully so. Maybe not. But there’s one way to avoid it. Make shit. Don’t just present data, create a visually stunning data visualization. Don’t just report focus group quotes, create a compilation film of intercept interviews. These are bad ideas for an otherwise important point, but you get the idea. In a discipline where one gets paid to think, there’s also value in what you make.
  • 11. Special thanks to: ! Mark Lewis for organizing this year’s Planningness event. No idea how he pulls off such an amazing event every year. ! Baldwin& for sending me to Portland to learn from some of the brightest folks in the industry. ! Planningness’s sponsors Carbonview & W5. ! All the attendees for sharing their ideas, collaborating throughout the event and being genuinely great all-around people from as far as I can tell.