Unlocking the Power of ChatGPT and AI in Testing - A Real-World Look, present...
Raising Your Research Profile: Know Your Rights
1. Raising your research profile
Know your rights: increasing
access to your publications
Library Research Team
2. By the end of this session you will be:
• Aware of how rights are assigned during the publishing process
• Aware of the scope to negotiate with publishers to secure your
author rights
• Introduced to the SPARC Author Addendum and other practical
steps to negotiate your rights
• In a position to distribute your work as widely as possible, within
the scope of your publishing agreement.
17 September 2014
2
3. Why do I need to know about my rights?
• By understanding the rights attached to your work, you will be in the best position
to ensure your research reaches the widest possible audience and increases its
potential impact.
• Dissemination of your work beyond the act of publishing is:
– Easy to do via academic social networks or personal websites
– Encouraged by NTU in the NTU Publications Strategy and Good Practice
Guidelines
– Increasingly viewed as a normal part of academic practice
• BUT that doesn’t mean it is allowed within the terms of your publishing
agreement.
• Always read the small print
– Can you self-archive your work elsewhere?
– If yes, where? Publishers may allow posting to your personal website but say no
to an institutional or subject repository.
– Which version? Pre-print, post-print, publisher’s version?
– When? Is there an embargo?
– Can you reuse your own work in your subsequent research or teaching?
17 September 2014
3
4. What are my rights?
• As the author of a work, you are the copyright holder unless or until you transfer
your rights.
• Copyright law gives the creator of copyrighted works exclusive rights, including:
– To reproduce the work in copies (e.g., through photocopying)
– To distribute copies of the work
– To prepare transitional or other derivative works
– To perform or display the work publicly
– To authorize others to exercise any of these rights
17 September 2014
4
5. What happens when I publish?
• Publishers require authors to sign a copyright transfer agreement or license to
publish consent form before proceeding with formal publication.
• If you have co-authors from other institutions, you should ask their permission to
sign on their behalf.
• Publisher policies and agreements vary considerably. The
SHERPA/RoMEO database offers a summary of publisher copyright policies & self-archiving.
• Publisher policies change over time, and the terms stated on their websites often
vary from the terms of their actual agreements, so it is important to read the
agreement itself
• Remember: transferring copyright doesn’t have to be all or nothing. You
can negotiate with your publisher.
5
6. Negotiating your rights
Be Prepared:
• Before entering negotiations, think about what you would like to do with your
work and be clear about which rights you wish to retain.
• Beware of the consequences of retaining full author copyright. You will be
responsible for policing any copyright infringement of your work. You can assign
rights for others to use your work by adding a creative commons licence.
• As a minimum, we suggest you ask for the right to:
– Deposit a full-text copy of your work in NTU’s institutional repository. Ideally,
the full-text would be the publisher’s final version, or as near to this as possible
(e.g. post-print).
– Reuse your work for teaching, future publications and in all scholarly and
professional activities.
• Use the SPARC Author Addendum as a starting point for negotiation.
17 September 2014
6
7. Negotiating your rights
Negotiations:
• Try to conduct negotiations in person or over the phone. It is easier to explain
your position and it speeds up proceedings.
• If you are using email or written communication, state why it is important to you
to retain your rights and explain that the NTU Publication Strategy expects you to
deposit a full-text copy in your institutional repository.
• Attach a copy of your completed SPARC Author Addendum.
• While some publishers will not accept an addendum outright, they might respond
by sending back a second, more author friendly publishing contract.
17 September 2014
7
8. Negotiating your rights
Closing the deal
• Establish that both parties share the same understanding of the new agreement.
Restate the details and ask the publisher to confirm they understand and agree to
the new terms.
• Put it in writing. Copyright must be transferred in writing to be legally binding.
• Keep a record of your new agreement.
• When submitting to IRep, be aware that your new agreement overrides the
Sherpa/Romeo advice that appears during the submission process.
What if my negotiations are unsuccessful?
• Investigate if your chosen journal offers an Open Access option (there is likely to
be a charge for pursuing OA, discuss with your School Research Co-ordinator)
• Consider another publisher with more liberal policies
17 September 2014
8
9. Summary
• Consider copyright policy alongside impact and esteem factors when choosing
where to publish.
• Check Sherpa/Romeo for guidance on journal copyright policy
• Find out if there is a green open access journal in your discipline?
• Allowed to self-archive your research output? Submit the copyright permitted
full-text to NTU IRep and link to your other profile sites e.g. ResearchGate,
Academia.edu
• Permission denied? Be prepared to negotiate!
• The Sparc Author Addendum will help you explain which rights you wish to retain
• And finally …
17 September 2014
9
10. Further reading
• Copyright: the basics – CLA Advice
• Retaining your rights
– Advice on negotiating with publishers from Arizona State University
– SPARC Author Addendum
– JISC/SURF copyright toolkit
17 September 2014
10
Key message: it is easy, and encouraged, to disseminate your research as widely as possible BUT make sure it isn’t a breach of your publishing agreement. Your publisher can impose a surprising number of restrictions on your use of your work. The next slides will take you through the process of securing the necessary rights.
Copyright is a bundle of rights, not a single right.
Making sense of your agreement can be difficult. Don’t assume there is one standard agreement used by all publishers or that they won’t change in the course of your relationship with them.
Advocate for your rights – publishers are increasingly open to this and understand the drive for open access.
Copyright should be a balance of rights between you, the author, and your publisher. SPARC helps you formalize the negotiation process.
Try not to be intimidated by publisher power. You will not be the first author to ask for a more liberal publishing agreement. There is often room to negotiate on finer details.
Record keeping is essential!
IRep submission – your new agreement overrides the advice that appears during submission. Proceed with confidence!