Music in VN

1. Music
in Viet Na m
Clla
Ca ss:: 10a01
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Grroup 1
G oup 1

4. North

5. Introduction
Quan ho singing is a
Vietnamese folk
music style
characterized both
by its antiphonal
nature, with
alternating groups of
Quan ho in the female and male
North singers issuing
musical challenges
and responses, and

6. History
The quan ho style
originated in what is
now Bac Ninh
Province and was
first recorded in the
Value
13th century, and
Quan ho is has traditionally been
recognised as the associated with the
Intangible Cultural spring festivals that
Heritage by the follow the celebration
UNESCO in 2009. of Tet Historically,
the singing began on

7. unaccompanied, it
In general, an initial is common today
challenge phrase for the singers to
from the known be accompanied by
body of songs is instruments,
sung by a pair of whether traditional
female singers, Vietnamese
following which a instruments or
pair of male singers modern ones such
will respond by as electric
selecting and keyboards.
singing a matching
phrase, which must

8. Nowadays
There are a huge
number of q ua n ho
melodies, with
thousands of
different songs
having been
recorded and
written down in
score form. A
simpler variant of

9. Chú thích hình Chú thích hình

12. North
Hue

13. History
Nha nhac is a form of
Vietnamese court
Music. Vietnamese
court music is very
diverse, but the term
nha nha c (Han Tu:
雅樂, meaning
Nha nhac at “elegant music” or
Hue “ceremonial music”)
refers specifically to
the Vietnamese court

14. (Vietnamese royal
music) and its
principles came to
Vietnam under the Ho
Dynasty (1400-1407).
The Ho Dynasty, , However, nha nha c
however, only existed only began to develop
for a short time so nha in the reign of King Le
nha c rapidly fell into Thanh Tong (1460-
oblivion. In 1427, Le 1497) and reached its
Loi defeated the peak under the
Chinese Ming Nguyen Dynasty
invaders and liberated (1802-1945). It is
the country.

15. it as the official
court music, and it
became an N nha c is genre
ha
essential part of of scholarly music.
the extensive It attracted the
rituals of the royal participation of
palace. many talented
songwriters and
musicians, with
numerous
traditional musical
instruments.
From now on, nha
nha c will have

16. “Vie tna m e s e ro y a l
Value m us ic re p re s e nts a n
On November 7, e le g a nt a nd re fine d
2003, UNESCO m us ic . I d e a ls with
t
bestowed world the m us ic
heritage status on p e rfo rm e d in the
im p e ria l c o urts a nd
28 relics of nations
o n d iffe re nt
as masterpieces of a nnive rs a rie s ,
oral and intangible re lig io us fe s tiva ls ,
heritage of a nd o n s uc h
humanity. Among p a rtic ula r
the 11 masterpieces o c c a s io ns . O f the

17. Performance:
Vietnamese court
music was performed
at annual ceremonies,
including
anniversaries and
religious holidays, as
well as special events
such as coronations,
funerals or official
receptions, by highly
trained and skilled
court musicians. Along

18. on nha nhac
came from the
Ming dynasty
court of China
later on there
were also
adapted a few
elements from Dàn đại nhạc những
the music of năm 60 chuyển sang
Champa, which tiếng anh nhar hương
the Vietnamese

19. Dàn nhạc cổ điển Huế đầu
thế kỉ 20

24. Instruments
commonly used for
nha nha c include
“”ke n ba u” (conical
oboe), “d a n ty ba ”
(pear-shaped lute
with four strings),
“d a n ng uy e t” (moon-
shaped two-string
lute), “d a n ta m ”
(fretless lute with
snakeskin-covered
body and three

25. Đàn
Kèn bầu Tỳ Bà

26. Đàn Nguyệt
Đàn Nhị
Đàn Tam

27. Sáo Trống

29. Hue
South

30. History Ma River Shanty
The Ma River (Ho in the
Song Ma) has North
witnessed many
severe battles of
Vietnamese people
against the
invaders and the
toughness of the
labor men – the
patriotic, the labor

31. Sp iritua l va lue s
The boat paddler
created the shanty
in the rhythm of
paddling to get rid
of tired, and
encourage the spirit
of both paddlers
and guests.
Therefore, the
shanty is strong

32. South Vietnam, the river in
Thanh Hoa has many waves
and the salty of the sea
mouth, which contains the
braveness of the Central
people who often face up with
the calamity and war.
However, they would not stop
the creative mind of the folk
artisan. Therefore, Ma River
shanty has still available and

33. the French and American, this
shanty was used by the
frontier conscripted laborer,
soldiers and volunteer
youngster in encouraging the
pulling the cannon, digging the
tunnel, operating, in the
singing activities. In the rear,
this shanty is also used to
encourage people to cultivate

35. Chúng ta hãy cùng nghe 1
đoạn hò giữa một chàng trai
và một cô gái,

36. MA
NHA
QUAN HO RIVER
NHAC
SHANTY
To polish, Solemn,
melody Simple, plain
fastidious lyrics elevated
costume Ao tu than Ao dai Ao ba ba
In temples, in On the river
performance In palace
yards (Ma River)

37. Ao tu than, la chiec ao
dac trung cua nguoi phu
nu o mien bac, thân ao
gom bon mảnh nên dc
gọi là tứ (four) thân
(thân áo tiếng anh)

38. Ao dai la trang
phuc dac trung
cho nguoi phu
nu Viet Nam,
dac biet ao dai
cua phu nu o
Hue la mau tim

39. Ao ba ba la trang phuc
dac trung cua phu nu
mien Nam

40. Dù có những khác biệt nhưng những
folk music đều mang một điểm chung
đó là thể hiện tính cách, suy nghĩ, và
phản ánh con người của từng vùng Ngày nay, nó trở thành một món ăn
miền, Âm nhạc là cách để con người tinh thẩn của con người Việt Nam,
thoát khỏi những mệt mọc của lao một nét đẹp để giữ gìn, phát huy,… de
động, là cầu nối cho những mối duyên nhung folk music mãi trường tồn theo
tình trai gái. năm tháng.

41. T
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