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The Dream Team
   THE BEGINNING
    ◦ Born into wealthy family, father a
      lawyer and mother came from
      wealthy family
    ◦ Father was a gambler though and
      became an alcoholic which led to
      constant gambling
    ◦ Forced Charles to start working and
      living on own!
    ◦ First job was at a printer = hate!
    ◦ Found job working in textiles =
      LOVE!!
   Paris
    ◦   Got a job at the department store Gagelins
    ◦   Met his wife Marie Vernet (an accessory model) here
    ◦   Ended up becoming a dress maker at Gagelins
    ◦   Proposal of pre-made dresses = declined
   New Beginning
    ◦ Became the French couturier after leaving Gagelins
    ◦ Opened his shop on Rue da la Paix
      Hired the best seamstresses in the business
   Crinoline
    ◦ Some believe he invented
      but others think he just
      perfected it… we will never
      know which one is right
    ◦ What made Worth’s crinoline
      design different?
      He made the dresses from
       expensive fabric –
       silk, satin, lace
      Very detailed design
    ◦ Just as fast as he brought it
      into style Worth brought the
      End of Crinoline
   Worth never really liked the crinoline and
    looked for ways to “dethrone” it as he said.
   Just as fast as he brought it into style Worth
    brought the End of Crinoline
   Princess
    ◦ Not nearly as big as crinoline
    ◦ More practical
    ◦ Did not require women to wear as many
      undergarments
   “Age of Worth”
    ◦ Became famous so quickly that the 1860’s are now
      know as this.
   Bustle
    ◦ Not as big as crinoline
      (about size of Princess)
    ◦ More practical
    ◦ Required to not wear as
      many undergarments
    ◦ Lighter = cheaper to make
    ◦ Easy to make different
      designs
   Half-crinoline was brought into style.
   This dress is a mixture of the previous 3
    dresses in a way.
    ◦ Not nearly as big as crinoline but is larger than the
      princess or bustle
    ◦ Much more practical
    ◦ Women had to wear as many undergarments still
      though.
    ◦ Was not nearly as practical as the Princess dress.
   Made designers dresses more affordable to
    not just the upper-class
    ◦ Even though most of his clients were of this
   Dresses seemed to emphasis the female body
    in new ways...
   After Charles Worth’s death his shop was
    continued to be ran by his sons. Plus many of
    his contributions have influenced style today.
   Slide 2: N/A. Charles Frederick Worth Adult. Sublime. Web.
    13 Dec. 2011
   Slide 4: N/A. Worth’s Store in Paris. Rdujour. Web. 13 Dec.
    2011
   Slide 5: N/A. Purple Crinoline. 1865. Metropolitan Museum
    of Art , New York. Artstor. Web. 13 Dec. 2011.
   Slide 6:N/A. Orange Crinoline. 1868. Metropolitan
    Museum of Art , New York. Artstor. Web. 13 Dec. 2011.
   Slide 8: N/A. Gold Princess Dress. 1887. Metropolitan
    Museum of Art , New York. Artstor. Web. 13 Dec. 2011.
   Slide 9: N/A. Gold Bustle . 1888. Metropolitan Museum of
    Art , New York. Artstor. Web. 13 Dec. 2011.
   Slide 11: N/A. Half Crinoline w/ train. 1888. Metropolitan
    Museum of Art , New York. Artstor. Web. 13 Dec. 2011.
   He is considered the father of Haute Couture-
    high fashion
   He was at the top among French Designers
   He was known all around for his work
   Many of his contributions have influenced the
    fashion world today
   In the latter half of the 19th Century, much
    like today, the clothing a woman wore were
    crucial to establishing and retaining social
    status. Therefore their wardrobe was
    extensive.
   Charles Frederick Worth created gowns for
    every occasion.
   Worth was the first designer
    to create high fashion gowns
    that cater to pregnant woman.
   Today’s high fashion
    designers design maternity
    clothing and often make
    custom pieces for pregnant
    women.
   Charles Frederick Worth was the first fashion
    designer to organize and show an entire
    collection of dresses to a client in advance.
   This is still practiced today, and is even seen
    in movies like “The Devil Wears Prada.”
   Just about every piece of clothing found today
    has a tag on the inside with the name of the
    designer of the store it came from. This
    concept was adopted from Charles Frederick
    Worth. He was the first designer to sign his
    name to his work by using a label.
   Charles Frederick Worth’s work even inspired
    a new couture line that debuted in 2011.
   http://www.fashionwindows.net/2010/03/worth-haute-couture-spring-
    2010/

   http://ckhall.com/inspirations.htm

   http://forums.thefashionspot.com/f116/1825-1895-charles-frederick-
    worth-27982-6.html

   http://myhatbox.wordpress.com/2011/04/26/the-house-of-worth/

   http://www.stylehive.com/bookmark/item-20074-charles-frederick-worth-
    trained-ball-gown-1890s-at-heavenofgownscom-14900-item-ref-20074-
    the-most-grand-of-all-ball-and-evening-gowns-ever-to-be-presented-or-
    offered-on-the-open-109374

   http://www.metmuseum.org/toah/works-of-art/1994.462a,b

   http://monjio.tumblr.com/post/244556484/charles-frederick-worth-via-
    chicago-history

   http://www.zimbio.com/100+Most+Influential+People+in+Fashion/articles/
    220/Fashion+Influential+46+Charles+F+Worth
   However, some
    people, like Oscar
    Wilde, were less
    attracted to the
    practical elegance of
    Worth’s designs, and
    more interested in an
    overly aesthetic
    fashion.
   Oscar Wilde was born October 16, 1854 to Sir
    William Wilde, a well- renowned doctor, and
    Jane Francesca Elgee, a respected poet and
    journalist, in Dublin, Ireland.
   He was raised in a more upper class family
    then he would end up living in as a writer
   Oscar Wilde was ridiculed by his detractors
    for his eccentric and foppish clothing, which
    reflected what was known as Victorian
    Dandyism.
   The Dandyism movement was intended to
    elevate the artificial above the natural.
   Wore clothes almost as a parody of the upper
    class.
   Essentially a modern day hipster
   Obsessed with personal appearance
   The opening lines of Oscar Wilde's "Phrases
    and Philosophies for the Use of the Young"
    (1894) state, "The first duty in life is to be as
    artificial as possible,"
   His obsession with the aesthetic self, and
    remaining unmoved by criticism of his attire
    creates a very specific picture of the man that
    we continue to see in modern day dandies
   Slide 27: Oscar Wilde. N.d. Photograph.
    Britlit WikiWeb. 5 Dec 2011.
    <http://britlitwiki.wikispaces.com/file/view
    /Oscar_Wilde_(1854-
    1900)_188_unknown_photographer.jpg>.
   Slide 29: Cludon, David. The World of Oscar
    Wilde. David, Sept. Web. 5 Dec 2011.
    <http://www.gallimauphry.com/PD/wilde/
    wilde.html>.

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Group final presentation

  • 2. THE BEGINNING ◦ Born into wealthy family, father a lawyer and mother came from wealthy family ◦ Father was a gambler though and became an alcoholic which led to constant gambling ◦ Forced Charles to start working and living on own! ◦ First job was at a printer = hate! ◦ Found job working in textiles = LOVE!!
  • 3. Paris ◦ Got a job at the department store Gagelins ◦ Met his wife Marie Vernet (an accessory model) here ◦ Ended up becoming a dress maker at Gagelins ◦ Proposal of pre-made dresses = declined
  • 4. New Beginning ◦ Became the French couturier after leaving Gagelins ◦ Opened his shop on Rue da la Paix  Hired the best seamstresses in the business
  • 5. Crinoline ◦ Some believe he invented but others think he just perfected it… we will never know which one is right ◦ What made Worth’s crinoline design different?  He made the dresses from expensive fabric – silk, satin, lace  Very detailed design ◦ Just as fast as he brought it into style Worth brought the End of Crinoline
  • 6.
  • 7. Worth never really liked the crinoline and looked for ways to “dethrone” it as he said.  Just as fast as he brought it into style Worth brought the End of Crinoline  Princess ◦ Not nearly as big as crinoline ◦ More practical ◦ Did not require women to wear as many undergarments  “Age of Worth” ◦ Became famous so quickly that the 1860’s are now know as this.
  • 8.
  • 9. Bustle ◦ Not as big as crinoline (about size of Princess) ◦ More practical ◦ Required to not wear as many undergarments ◦ Lighter = cheaper to make ◦ Easy to make different designs
  • 10. Half-crinoline was brought into style.  This dress is a mixture of the previous 3 dresses in a way. ◦ Not nearly as big as crinoline but is larger than the princess or bustle ◦ Much more practical ◦ Women had to wear as many undergarments still though. ◦ Was not nearly as practical as the Princess dress.
  • 11.
  • 12. Made designers dresses more affordable to not just the upper-class ◦ Even though most of his clients were of this  Dresses seemed to emphasis the female body in new ways...  After Charles Worth’s death his shop was continued to be ran by his sons. Plus many of his contributions have influenced style today.
  • 13. Slide 2: N/A. Charles Frederick Worth Adult. Sublime. Web. 13 Dec. 2011  Slide 4: N/A. Worth’s Store in Paris. Rdujour. Web. 13 Dec. 2011  Slide 5: N/A. Purple Crinoline. 1865. Metropolitan Museum of Art , New York. Artstor. Web. 13 Dec. 2011.  Slide 6:N/A. Orange Crinoline. 1868. Metropolitan Museum of Art , New York. Artstor. Web. 13 Dec. 2011.  Slide 8: N/A. Gold Princess Dress. 1887. Metropolitan Museum of Art , New York. Artstor. Web. 13 Dec. 2011.  Slide 9: N/A. Gold Bustle . 1888. Metropolitan Museum of Art , New York. Artstor. Web. 13 Dec. 2011.  Slide 11: N/A. Half Crinoline w/ train. 1888. Metropolitan Museum of Art , New York. Artstor. Web. 13 Dec. 2011.
  • 14. He is considered the father of Haute Couture- high fashion  He was at the top among French Designers  He was known all around for his work  Many of his contributions have influenced the fashion world today
  • 15. In the latter half of the 19th Century, much like today, the clothing a woman wore were crucial to establishing and retaining social status. Therefore their wardrobe was extensive.  Charles Frederick Worth created gowns for every occasion.
  • 16.
  • 17.
  • 18. Worth was the first designer to create high fashion gowns that cater to pregnant woman.  Today’s high fashion designers design maternity clothing and often make custom pieces for pregnant women.
  • 19.
  • 20. Charles Frederick Worth was the first fashion designer to organize and show an entire collection of dresses to a client in advance.  This is still practiced today, and is even seen in movies like “The Devil Wears Prada.”
  • 21.
  • 22. Just about every piece of clothing found today has a tag on the inside with the name of the designer of the store it came from. This concept was adopted from Charles Frederick Worth. He was the first designer to sign his name to his work by using a label.
  • 23.
  • 24. Charles Frederick Worth’s work even inspired a new couture line that debuted in 2011.
  • 25. http://www.fashionwindows.net/2010/03/worth-haute-couture-spring- 2010/  http://ckhall.com/inspirations.htm  http://forums.thefashionspot.com/f116/1825-1895-charles-frederick- worth-27982-6.html  http://myhatbox.wordpress.com/2011/04/26/the-house-of-worth/  http://www.stylehive.com/bookmark/item-20074-charles-frederick-worth- trained-ball-gown-1890s-at-heavenofgownscom-14900-item-ref-20074- the-most-grand-of-all-ball-and-evening-gowns-ever-to-be-presented-or- offered-on-the-open-109374  http://www.metmuseum.org/toah/works-of-art/1994.462a,b  http://monjio.tumblr.com/post/244556484/charles-frederick-worth-via- chicago-history  http://www.zimbio.com/100+Most+Influential+People+in+Fashion/articles/ 220/Fashion+Influential+46+Charles+F+Worth
  • 26. However, some people, like Oscar Wilde, were less attracted to the practical elegance of Worth’s designs, and more interested in an overly aesthetic fashion.
  • 27. Oscar Wilde was born October 16, 1854 to Sir William Wilde, a well- renowned doctor, and Jane Francesca Elgee, a respected poet and journalist, in Dublin, Ireland.
  • 28. He was raised in a more upper class family then he would end up living in as a writer  Oscar Wilde was ridiculed by his detractors for his eccentric and foppish clothing, which reflected what was known as Victorian Dandyism.  The Dandyism movement was intended to elevate the artificial above the natural.
  • 29.
  • 30. Wore clothes almost as a parody of the upper class.  Essentially a modern day hipster  Obsessed with personal appearance  The opening lines of Oscar Wilde's "Phrases and Philosophies for the Use of the Young" (1894) state, "The first duty in life is to be as artificial as possible,"
  • 31. His obsession with the aesthetic self, and remaining unmoved by criticism of his attire creates a very specific picture of the man that we continue to see in modern day dandies
  • 32. Slide 27: Oscar Wilde. N.d. Photograph. Britlit WikiWeb. 5 Dec 2011. <http://britlitwiki.wikispaces.com/file/view /Oscar_Wilde_(1854- 1900)_188_unknown_photographer.jpg>.  Slide 29: Cludon, David. The World of Oscar Wilde. David, Sept. Web. 5 Dec 2011. <http://www.gallimauphry.com/PD/wilde/ wilde.html>.

Notes de l'éditeur

  1. Oscar Wilde. N.d. Photograph. BritlitWikiWeb. 5 Dec 2011. &lt;http://britlitwiki.wikispaces.com/file/view/Oscar_Wilde_(1854-1900)_188_unknown_photographer.jpg&gt;.