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WHAT IS VISUAL REASONING?
PLAN601E VERBAL AND VISUAL: INFORMATION GRAPHICS (SESSION 3)
Let’s test out our graphic design vocabulary:
          LAYERS, HIERARCHY, COLOR, SCALE, BALANCE.




NAPOLEON’S MARCH
                         “Probably the best statistical graphic ever drawn.”
CHARLES JOSEPH MINARD
“When information is stacked in time, it is
difficult to understand context and evaluate
relationships. Visual reasoning usually
works more effectively when the relevant
information is shown adjacent in space within
our eyespan. This is especially the case
for statistical data, where the fundamental
analytical act is to make comparisons.” (4)



THE COGNITIVE STYLE
OF POWERPOINT
THE COGNITIVE STYLE
                      John Graunt, “Bills of Mortality” (1662)
OF POWERPOINT
“Information architectures mimic the hierarchical
structure of the bureaucracy producing those
architectures. Indeed, the report of the Columbia
Accident Investigation Board suggests that the
distinctive cognitive style of PowerPoint reinforced
hierarchical filtering and biases of the NASA
bureaucracy during the crucial period when the
Columbia was injured but still alive... The choice of
headings, arrangement of information, and size of
bullets on the key chart served to highlight what
management already believed.” (10)

THE COGNITIVE STYLE
OF POWERPOINT
“Yet in visual reasoning, art, typography,
cartography, even sculpture, the quantity of
detail is an issue completely separate from
the difficulty of reading. Indeed, at times, the
more intense the detail, the greater the clarity
and understanding – because meaning and
reasoning are contextual. Less is a bore.” (12)




THE COGNITIVE STYLE
OF POWERPOINT
“A better metaphor for presentations is
good teaching. Teachers seek to explain
something with credibility, which is what
many presentations are trying to do. The core
ideas of teaching – explanation, reasoning,
finding things out, questioning, content,
evidence, credible authority not patronizing
authoritarianism – are contrary to the
hierarchical market-pitch approach.” (13)


THE COGNITIVE STYLE
OF POWERPOINT
“It is helpful to provide audience members with at least
one mode of information that allows them to control the
order and pace of learning... Paper handouts for talks
will help provide a permanent record for review – again
unlike projected images and talk. Another way to break
free of low-resolution temporal comparisons is to show
multiple slides, several images at once within the common
view. Spatial parallelism takes advantage of our notable
capacity to reason about multiple images that appear
simultaneously within our eyespan. We are able to select,
sort, edit, reconnoiter, review – ways of seeing quickened and
sharpened by direct spatial adjacency of evidence.” (23)


THE COGNITIVE STYLE
OF POWERPOINT

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Plan601E Session 3 Presentation

  • 1. WHAT IS VISUAL REASONING? PLAN601E VERBAL AND VISUAL: INFORMATION GRAPHICS (SESSION 3)
  • 2. Let’s test out our graphic design vocabulary: LAYERS, HIERARCHY, COLOR, SCALE, BALANCE. NAPOLEON’S MARCH “Probably the best statistical graphic ever drawn.” CHARLES JOSEPH MINARD
  • 3. “When information is stacked in time, it is difficult to understand context and evaluate relationships. Visual reasoning usually works more effectively when the relevant information is shown adjacent in space within our eyespan. This is especially the case for statistical data, where the fundamental analytical act is to make comparisons.” (4) THE COGNITIVE STYLE OF POWERPOINT
  • 4. THE COGNITIVE STYLE John Graunt, “Bills of Mortality” (1662) OF POWERPOINT
  • 5. “Information architectures mimic the hierarchical structure of the bureaucracy producing those architectures. Indeed, the report of the Columbia Accident Investigation Board suggests that the distinctive cognitive style of PowerPoint reinforced hierarchical filtering and biases of the NASA bureaucracy during the crucial period when the Columbia was injured but still alive... The choice of headings, arrangement of information, and size of bullets on the key chart served to highlight what management already believed.” (10) THE COGNITIVE STYLE OF POWERPOINT
  • 6. “Yet in visual reasoning, art, typography, cartography, even sculpture, the quantity of detail is an issue completely separate from the difficulty of reading. Indeed, at times, the more intense the detail, the greater the clarity and understanding – because meaning and reasoning are contextual. Less is a bore.” (12) THE COGNITIVE STYLE OF POWERPOINT
  • 7. “A better metaphor for presentations is good teaching. Teachers seek to explain something with credibility, which is what many presentations are trying to do. The core ideas of teaching – explanation, reasoning, finding things out, questioning, content, evidence, credible authority not patronizing authoritarianism – are contrary to the hierarchical market-pitch approach.” (13) THE COGNITIVE STYLE OF POWERPOINT
  • 8. “It is helpful to provide audience members with at least one mode of information that allows them to control the order and pace of learning... Paper handouts for talks will help provide a permanent record for review – again unlike projected images and talk. Another way to break free of low-resolution temporal comparisons is to show multiple slides, several images at once within the common view. Spatial parallelism takes advantage of our notable capacity to reason about multiple images that appear simultaneously within our eyespan. We are able to select, sort, edit, reconnoiter, review – ways of seeing quickened and sharpened by direct spatial adjacency of evidence.” (23) THE COGNITIVE STYLE OF POWERPOINT