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Instant History Lesson: Photography
Ms. M. Morrissey – Grade 8 Visual Arts
PHOTOGRAPHY
pho·tog·ra·phy n
1. the art, hobby, or profession of taking photographs,
and developing and printing the film or processing the
digitized array image
2. the process of recording images by exposing light-
sensitive film or array to light or other forms of
radiation
PHOTO = light GRAPHY = writing
Ms. M. Morrissey – Grade 8 Visual Arts
Instant History Lesson
When: timeline of events
Who: artists & scientists
What: equipment & art
Look for the key points made in colour!
Ms. M. Morrissey – Grade 8 Visual Arts
1490
The Camera Obscura,
(translated as “dark room”),
dates back to the Chinese
philosopher Mo-Ti in the 5th
century BC.
Reinerus Gemma-Frisius 1544
First documentation of the camera obscura is by
Leonardo DaVinci in his 1490 writings.
The physics behind this technology is simple: light
reflects off objects outside; light bounces off the
objects and channels into a small hole; the light enters
a dark room and projects the outside objects upside
down on a wall inside.
Ms. M. Morrissey – Grade 8 Visual Arts
1614
Angelo Sala, a Dutch
scientist,
experimented with
“silver salts”.
He published results
in 1614 that powdered
silver nitrate turns as
black as ink when
exposed to sun.
1567-1637
Ms. M. Morrissey – Grade 8 Visual Arts
1661
Many chemists contributed
to the advancement of the
early work of Angelo Sala.
Robert Boyle, a founder of
the Royal Society of
Photography, reported in
1661 that silver chloride
turned dark due to exposure,
at first thought due to air.
Boyle is known today for
“Boyles Law” which states
that “the volume of a gas at
constant temperature is
proportional to its pressure”.
1627-1691
Ms. M. Morrissey – Grade 8 Visual Arts
1727
Johann Heinrich Schulze, a
professor of anatomy,
discovered in 1727 that
“silver salts”, specifically a
piece of chalk dipped in
silver nitrate, turned black
from white when exposed to
the sun. The unexposed side
remained white. He
experimented creating crude
photographic impressions,
but eventually it all turned
black due to exposure.
1687-1744
Ms. M. Morrissey – Grade 8 Visual Arts
1802
The first well-documented attempts
to produce photos using light
sensitive materials in a camera
were those of Thomas Wedgwood.
Assisted by Sir Humphrey Davy,
Wedgwood started experiments in
1795 and described his work in an
1802 published paper entitled “An
Account of a Method of Copying
Paintings Upon Glass, and of
Making Profiles, by the Agency of
Light Upon Nitrate of Silver”
Although he made remarkable
progress, he failed in keeping the
image permanent. He called the
images “sun prints”.
1771-1805
Ms. M. Morrissey – Grade 8 Visual Arts
1826
The first successful picture is
produced by Joseph Nicephore
Niepce in 1826 required an 8
hour exposure time.
It was a photo of a view from the
Niece family house in Gras,
France. Niece calling his
pictures “heliographs” or sun
drawing.
1776-1833
Ms. M. Morrissey – Grade 8 Visual Arts
1835
William Henry Fox Talbot
developed permanent paper
negatives in 1835. He calls it
”calotype” process, which
allows for multiple printings,
based on a paper negative.
It is of a lesser quality than
the succeeding
Daguerreotype. Even though
the Daguerreotype enjoyed
more success during the
early days of photography,
the calotype system was the
true forerunner of today’s
modern photography
process.
1780-1877
Ms. M. Morrissey – Grade 8 Visual Arts
1839
Louis Jacques Mande Daguerre first
exposed silver-coated copper plates to
iodine, obtaining silver iodide. Then he
exposed them to light for several
minutes. After that he coated the plate
with mercury vapor heated to 75
。
Celsius, to amalgamate the mercury
with the silver, finally fixing the image
in salt water. These ideas led to the
famous Daguerreotype developed in
1839.
Niece and Daguerre go into a 10-year
partnership after Daguerre discovers a
method to shorten exposure time to a
half hour. Niece dies four years later
and Daguerre carries on to invent
glass plates and discovers that an
image can be made permanent by
immersing it in salt.
1787-1851
Ms. M. Morrissey – Grade 8 Visual Arts
1842
The cyanotype process was
developed by Sir John Herschel
in 1842. Herschel undertook
many early experiments in
photography. He and Talbot
corresponded regularly. The
calotype process became more
popular around 1900.
Photographers sometimes used
it as a means of getting a quick
initial print or 'blueprint' of their
work, perhaps making it in a
hotel bedroom on location,
before returning to their studio
to make their final print.
1832-1940
Ms. M. Morrissey – Grade 8 Visual Arts
1879
In 1880 George Eastman
begins to commercially
manufacture dry plates
following his emulsion-coating
machine invention in 1879
enabling the mass-production of
photographic dry plates. This is
the beginning of the Kodak
empire with the launch of the
Eastman Dry Plate Company.
1854-1932
Ms. M. Morrissey – Grade 8 Visual Arts
1888
George Eastman then
introduces the "Kodak" box
Camera in 1888 for the
amateur market. It is
loaded with 100 exposures
on a film roll for $25. It is
simple to operate with a
three step process. Once
exposed, the camera and
the film are sent back to
the Eastman Dry Plate and
Film Co. for developing.
1854-1932
Ms. M. Morrissey – Grade 8 Visual Arts
1893
Thomas Edison commissions W. K. L. Dickson to invent a motion-
picture camera in 1887. In 1893 Dickson produces the
Kinetograph camera. This device ensured intermittent but regular
motion of the film strip with a regularly perforated celluloid film
strip to ensure precise synchronization between the film strip and
the shutter.
1854-1932 1860-1935
Ms. M. Morrissey – Grade 8 Visual Arts
Photographs 1824-1890
Photogram
c. 1824
Heliograph
c. 1826
Calotype
c. 1860
Daguerretype
c. 1860
Tintype
c. 1860
Glass Plate
c. 1890
Early equipment, simple composition, limited subject matter.
Photographs 1899-1912
Kinescope
c. 1899
Kodak Film
c. 1909
Kodak no. 3
c. 1910
Film
c. 1912
Advancing equipment, composed compositions, expanding subject matter.
Photographs 1924-1986
Film with studio lighting
c. 1924
Negative manipulation
c. 1969
c. 1978 c. 1986
c. 1932
c. 1940
Varying equipment, creative compositions, entertaining subject matter.
Photographs 1988-2006
c. 1988
c. 2000
c. 2004
c. 2006
c. 1991 c. 1996
Advanced equipment, artistic compositions, limitless subject matter.
Now go make history!
Ms. M. Morrissey – Grade 8 Visual Arts

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Instant history photography morrissey

  • 1. Instant History Lesson: Photography Ms. M. Morrissey – Grade 8 Visual Arts
  • 2. PHOTOGRAPHY pho·tog·ra·phy n 1. the art, hobby, or profession of taking photographs, and developing and printing the film or processing the digitized array image 2. the process of recording images by exposing light- sensitive film or array to light or other forms of radiation PHOTO = light GRAPHY = writing Ms. M. Morrissey – Grade 8 Visual Arts
  • 3. Instant History Lesson When: timeline of events Who: artists & scientists What: equipment & art Look for the key points made in colour! Ms. M. Morrissey – Grade 8 Visual Arts
  • 4. 1490 The Camera Obscura, (translated as “dark room”), dates back to the Chinese philosopher Mo-Ti in the 5th century BC. Reinerus Gemma-Frisius 1544 First documentation of the camera obscura is by Leonardo DaVinci in his 1490 writings. The physics behind this technology is simple: light reflects off objects outside; light bounces off the objects and channels into a small hole; the light enters a dark room and projects the outside objects upside down on a wall inside. Ms. M. Morrissey – Grade 8 Visual Arts
  • 5. 1614 Angelo Sala, a Dutch scientist, experimented with “silver salts”. He published results in 1614 that powdered silver nitrate turns as black as ink when exposed to sun. 1567-1637 Ms. M. Morrissey – Grade 8 Visual Arts
  • 6. 1661 Many chemists contributed to the advancement of the early work of Angelo Sala. Robert Boyle, a founder of the Royal Society of Photography, reported in 1661 that silver chloride turned dark due to exposure, at first thought due to air. Boyle is known today for “Boyles Law” which states that “the volume of a gas at constant temperature is proportional to its pressure”. 1627-1691 Ms. M. Morrissey – Grade 8 Visual Arts
  • 7. 1727 Johann Heinrich Schulze, a professor of anatomy, discovered in 1727 that “silver salts”, specifically a piece of chalk dipped in silver nitrate, turned black from white when exposed to the sun. The unexposed side remained white. He experimented creating crude photographic impressions, but eventually it all turned black due to exposure. 1687-1744 Ms. M. Morrissey – Grade 8 Visual Arts
  • 8. 1802 The first well-documented attempts to produce photos using light sensitive materials in a camera were those of Thomas Wedgwood. Assisted by Sir Humphrey Davy, Wedgwood started experiments in 1795 and described his work in an 1802 published paper entitled “An Account of a Method of Copying Paintings Upon Glass, and of Making Profiles, by the Agency of Light Upon Nitrate of Silver” Although he made remarkable progress, he failed in keeping the image permanent. He called the images “sun prints”. 1771-1805 Ms. M. Morrissey – Grade 8 Visual Arts
  • 9. 1826 The first successful picture is produced by Joseph Nicephore Niepce in 1826 required an 8 hour exposure time. It was a photo of a view from the Niece family house in Gras, France. Niece calling his pictures “heliographs” or sun drawing. 1776-1833 Ms. M. Morrissey – Grade 8 Visual Arts
  • 10. 1835 William Henry Fox Talbot developed permanent paper negatives in 1835. He calls it ”calotype” process, which allows for multiple printings, based on a paper negative. It is of a lesser quality than the succeeding Daguerreotype. Even though the Daguerreotype enjoyed more success during the early days of photography, the calotype system was the true forerunner of today’s modern photography process. 1780-1877 Ms. M. Morrissey – Grade 8 Visual Arts
  • 11. 1839 Louis Jacques Mande Daguerre first exposed silver-coated copper plates to iodine, obtaining silver iodide. Then he exposed them to light for several minutes. After that he coated the plate with mercury vapor heated to 75 。 Celsius, to amalgamate the mercury with the silver, finally fixing the image in salt water. These ideas led to the famous Daguerreotype developed in 1839. Niece and Daguerre go into a 10-year partnership after Daguerre discovers a method to shorten exposure time to a half hour. Niece dies four years later and Daguerre carries on to invent glass plates and discovers that an image can be made permanent by immersing it in salt. 1787-1851 Ms. M. Morrissey – Grade 8 Visual Arts
  • 12. 1842 The cyanotype process was developed by Sir John Herschel in 1842. Herschel undertook many early experiments in photography. He and Talbot corresponded regularly. The calotype process became more popular around 1900. Photographers sometimes used it as a means of getting a quick initial print or 'blueprint' of their work, perhaps making it in a hotel bedroom on location, before returning to their studio to make their final print. 1832-1940 Ms. M. Morrissey – Grade 8 Visual Arts
  • 13. 1879 In 1880 George Eastman begins to commercially manufacture dry plates following his emulsion-coating machine invention in 1879 enabling the mass-production of photographic dry plates. This is the beginning of the Kodak empire with the launch of the Eastman Dry Plate Company. 1854-1932 Ms. M. Morrissey – Grade 8 Visual Arts
  • 14. 1888 George Eastman then introduces the "Kodak" box Camera in 1888 for the amateur market. It is loaded with 100 exposures on a film roll for $25. It is simple to operate with a three step process. Once exposed, the camera and the film are sent back to the Eastman Dry Plate and Film Co. for developing. 1854-1932 Ms. M. Morrissey – Grade 8 Visual Arts
  • 15. 1893 Thomas Edison commissions W. K. L. Dickson to invent a motion- picture camera in 1887. In 1893 Dickson produces the Kinetograph camera. This device ensured intermittent but regular motion of the film strip with a regularly perforated celluloid film strip to ensure precise synchronization between the film strip and the shutter. 1854-1932 1860-1935 Ms. M. Morrissey – Grade 8 Visual Arts
  • 16. Photographs 1824-1890 Photogram c. 1824 Heliograph c. 1826 Calotype c. 1860 Daguerretype c. 1860 Tintype c. 1860 Glass Plate c. 1890 Early equipment, simple composition, limited subject matter.
  • 17. Photographs 1899-1912 Kinescope c. 1899 Kodak Film c. 1909 Kodak no. 3 c. 1910 Film c. 1912 Advancing equipment, composed compositions, expanding subject matter.
  • 18. Photographs 1924-1986 Film with studio lighting c. 1924 Negative manipulation c. 1969 c. 1978 c. 1986 c. 1932 c. 1940 Varying equipment, creative compositions, entertaining subject matter.
  • 19. Photographs 1988-2006 c. 1988 c. 2000 c. 2004 c. 2006 c. 1991 c. 1996 Advanced equipment, artistic compositions, limitless subject matter.
  • 20. Now go make history! Ms. M. Morrissey – Grade 8 Visual Arts