SlideShare une entreprise Scribd logo
1  sur  32
Télécharger pour lire hors ligne
Mike Bridges: The Patchwork Man


                                  The Patchwork Man



They walk to the Giddy Bridge: Vincent, Ian and Jack. Vince’s sister Emily, hears

their voices and leans over the pub roof-garden, waving at them, calling their names.

Ian and Jack call back with the latter louder than the former.

        Hi, Emily.

        Vince moving on ahead opens the front doors and sees the other pub dwellers

inside. Dim peach lights create a grainy-static view of the bar and coloured bottles.

Men drinking around, most speckled in their previous drinks’ splash. They sniff and

bring out falling apart tissue to catch their nose drippings while the workers in black

carry plates of food to the people sat down at irregular shaped tables. Jack heads to the

bar while Ian and Vince wait behind. Ian with hands in his pockets rocks on his heels,

as Vince bites the side of his thumb nail.

        Jack comes back with two pints of ale and one cider and on three they drink

half.

        Can’t neck anymore. Tastes good though. Strong…Here, Jack, hold my pint.

        Vince hands over his pint to take his jacket off and they make their way to the

roof-garden. Jack carefully climbing the stairs with the two half gone pints in hand as

the first wave of drink fills his head.

        The three reach the roof-garden where Vince’s sister wraps a hug around him

as he places his coat on a nearby chair.

        Hey bro, like my new earrings?

        Yeah. Lovely. Also, Em, back there. The waving.

        The waving?



1
Mike Bridges: The Patchwork Man


          You know. Was a bit…frontal.

          Emily pauses, lowering eyebrows.

          You are mental sometimes.

          Vince shifts his body slightly.

          Yeah…but…you scare the living piss out of me the way you walk down the

street.

          Emily stares at Vince while catching the fleeting glimpse of Ian scratching his

beard who turns away, bringing a drink to his face.

          Wha?

          You know, your walk. It’s wavy…wriggly like.

          Emily cocks her head, lowering eyebrows.

          Come on Em, your high heels. Clack, clack, clack.

          Jack comes up behind Vince, placing the two half-gone pints on a table.

          Right… Okay… Vince.

          He rubs his hands together then down his face, sniffing amongst his soft facial

hair. Then points at the ale.

          Drink this and shut the fuck up.

          Alright. Just saying. A lot of nutters out there.

          And you’re bloody one of them, mate.

          Vince drinks not caring of the taste but reeling in its strength. Jess comes to

Vince’s side placing an arm around him.

          You actually going to say hi.

          Yeah. Sorry. Just haven’t had a chance to properly catch up with Em since

she got back from uni. She was just in-and-out of our house yesterday.


2
Mike Bridges: The Patchwork Man

         Vince and Jess kiss quickly and he feels the dryness of her mouth.

         What, by complaining about her clack, clack, clack.

         I just care is all.

         Vince’s pint is half gone as he scans the roof-garden, looking for familiar

faces. One man nods, eyes closed, cigarette hanging out of hand, dripping ash in grey

peels.

         Vince, pull up a chair. Stop staring at…whatever you’re staring at. Freaking

me out man.

         Vince eyes Ian before sitting at the light metallic table and chairs, scraping his

chair across the roof’s stones. The roof-garden: eight tables, each with four chairs,

dotted amongst spiky trees and the now empty plant-pots in the winter’s frost. The

tables half occupied by smokers burning away in grey haze tinted orange by street

lights. Some cough irregularly, batting flies coming near to the warmth of men in the

quickening chilly night air. Now, disrupted by Jack’s announcement.

         Right boys!…and two lovely ladies.

         He bites the tip of his index and rubs his nipple through his shirt. Vince shifts

his body weight from one leg to the other, cramping his shoulder. Jess places a hand

on his knee.

         I’m gonna get us a drink.

         What? Not one each?

         Jack smiles at Emily, a smile that takes up half his nubile face fuzz. Ian leans

in.

         Vince has still got a day left on his pint.

         Jack points from glass to Vince, who grabs instinctively and drinks the last


3
Mike Bridges: The Patchwork Man

down, leaving a tiny foam in the bottom. The first brewings of a piss stir in his gut.

        Didn’t you lot just buy these?

        Emily looks to Jack, Ian and Vince. Ian leans back placing an elbow on the

nearby railing, looking back and forth. He gesticulates his reply.

        You see Em, them’s the rules. First pint you down quick, so the

conversation isn’t stilted by pre-drunk meandering through subjects consisting of

mostly shit. You let the first hit you quickly, then talk ensues madly.

        Jess’ eyebrows lift as Vince pulls out his wallet.

        I’ll come help, Jack. My round anyway. What’s everyone wanting?

        Jack gets up scratching his neck.

        I’ll have a pint of Vodka and a little splash of coke, mate.

        Right bruv-aah, I’ll have a snakebite.

        Since when you been drinking that shit?

        Guy named Steve showed me it.

        Emily leans forward in her low-cut top, smirking at Vince who grits his teeth.

Jess comes between.

        Think I’ll have the same. Be like back at uni.

        Okay…Mr Pie?

        Could I have a pint of their most oddly named ale please, sir?

        Certainly, Pie. You see? He says a drink and makes the whole thing easy on

me.

        Vince and Jack go through the doors of the roof-garden, making their way

down the stairwell to the bar and pass a blond man with dark-haired accomplice,

talking quickly about meeting ‘her’. Vince scratches his ear at the foot of the stairs as


4
Mike Bridges: The Patchwork Man

Jack arranges his Jeans. They scan the bar for an entrance between the men who never

leave.

         Through a gap between men at the bar, their usual tiny blond server comes up

to gather their supplies.

         Alright you two?

         Aight rug muncher.

         Vince laugh-coughs into his sleeve while the tiny blond steadily looks at Jack.

         Well fuck you grizzly Adams, you ain’t getting served.

         What, don’t you like the beard? Proper man this is, love.

          About as manly as my cousin’s back fuzz and she’s two months old.

         Jack shakes his head looking out of the corner of his eye at Vince, who is

looking through the beer-on-pump selection: Groovy Reindeer, Santa’s Funky

Backpack, Snowman’s Breakfast, Old Thumper, Fortyniner, Crosby’s Sleigh Bells

and another non-festive pint called Responsibly.

         I reckon Ian’ll want Responsibly.

         Pretty gash name.

         You know…please drink…you know…fuck it, wit’s wasted on you.

         Alright mate!…Ruggy, I’ll have a pint of Old Rosie, Responsibly, two

snakebites and …Vince?

         I’ll have a Snowman’s Breakfast, please.




         With drinks on tray they get back to the roof-garden and look for their table.

Two men are now with Ian and the women. A blond man talking rapidly at Emily


5
Mike Bridges: The Patchwork Man

while the dark-haired man sits back, chin in hand, nodding at Jess’ steady words. The

blond man gesticulates his story wildly.

         Jack and Vince walk to the table, setting drinks down to their respective

owners as Vince’s bladder pangs for a release.

         These are my cousins. Just back from their trip in Paraguay.

         Vince smiles at Jess while keeping a firm eye on the blond.

         Hi, cousins.

         The blond stands grabbing Vince’s hand, pulling it up and down, cracking his

wrist.

         Hey man, can’t believe we’ve never met before or anything. How long you

been seeing my cousin? I’m Tim, by the way.

         Vince ends the handshake and gives the answer after hearing Ian laugh the

word ‘Responsibly’ to Jack, over the rumbling of conversation forming at the table.

         Five years.

         Wow man, that’s incredible. Don’t know how you hold one down; know

what I mean?

         His tanned blondness creeps further into Vince’s eyes, so he looks to the dark-

haired man.

         Sorry, didn’t catch your name.

         Didn’t say. It’s Chris.

         Tim…Chris…easy and short.

         Vince pulls a chair from another table, his old chair being heisted by the blond.

He drags over his Snowman’s Breakfast inhaling a third. He holds and tenses his

thighs tighter, maintaining his bladder. Vince leans over to Emily after shifting his


6
Mike Bridges: The Patchwork Man

feet.

        So tell me Em, uni good?

        I’m talking.

        But I haven’t seen you in ages. Talk to your brother.

        I’m back for a month. Talk to me later.

        The outdoor heaters come on under the umbrellas bringing warmth to the

smokers. The man dozing wakes up to the wiry hum, before he brings out his tobacco

pouch and rolls another, shivering .

        Come on Em…

        …Leave her be, Vince.

        Jess has hold of his arm pulling him back. He turns back to his Snowman,

drowning more. The blond stands.

        Sweet! Chris, fancy a drink? Looks like the others are getting properly on it.

        Yeah. Get me what Vince’s drinking. Snowman’s Balls or whatever.

        Ah, what? You know I’m skint Eastwood. Come down and pay.

        The two leave. Jack puffs out his cheeks as Vince sips.

        Like my cousins?

        Blond’s a bit of a douche. Chris seems normal.

        I was talking to Em, Vince.

        Emily taps Jess’ hand.

        I like Tim; he’s pretty energetic.

        Jack throws Vince a cigarette instinctively as Ian and Jack maintain their

conversation on bass-lines.

        I just think wobble might be dying. Drone’s coming back in a big way.


7
Mike Bridges: The Patchwork Man

        Jack scratches his facial hair, then adds his position on the matter in a squeak:

        Really?

        Vince places the rollie in his mouth and pats around. A lighter comes to his

face in his sister’s hand and a flame appears. He begins toking healthily as Ian leans

towards.

        Bit of a Freudian cock this is, isn’t it?

        Vince’s heart pumps a new rhythm of adrenaline as his body momentarily

relaxes to the nicotine high and he answers Ian:

        It’s meant to be a cigar though.

        Not with yours, Vince.

        Jack laughs smoke towards the centre of the table, coughing, before realising

he doesn’t get it.

        I don’t get it.

        Vince stands grating his chair back against the stones.

        I said wit’s wasted on you.

        Vince stubs his fag out and throws the dying little light of orange into an

empty pot.

        Where you going?

        Toilet. Bladder’s the size of Holland.

        Vince walks weak kneed from drink, grazing his elbow on the roof-garden

door. He sucks his tongue producing moisture in his post-smoke mouth as he enters

the bathroom.




Vince stands in the only cubicle in the male toilets; the other a bare toilet with no

8
Mike Bridges: The Patchwork Man

walls, unable to protect a man’s privacy. The square of wood and porcelain contains

Vince’s thoughts, and allows himself to gather his tension in release, creating a steady

stream into the stained white. In his final drops, Vince looks into the bulb above him,

burning its image to his retinas momentarily, and he zips and stumbles slightly out of

his personal square of solitude.

Fire is waiting at the sink.

         Fire? When did you get here?

         Fire does not turn from the sink but inspects his features before looking at

Vince’s reflection in the above-sink mirrors.

         You know me, Vince. I’m always around.

         Fire’s black suit with green striped shirt underneath, neat and clean, beyond

human.

         Yeah. Haven’t seen you for a while. Just here with my sister and a couple of

mates.

         Jess?

         Yeah, her too. And two of her cousins.

         Vince hushes his voice and takes a step towards Fire who straightens slightly.

         The blond’s a douche.

         Slight childlike cuss, Vince.

         Fire turns on the tap and begins working the pub soap into his hands producing

a thick lather. The little oily bubbles dance through his fingers before being plunged

into the aerated water stream.

         Tell me about the blond, Vince. What’s he doing?

         Fire applies a little more soap to get the last of the grime from his hands.


9
Mike Bridges: The Patchwork Man


          You know, Fire. He’s come in, bouncing all around… you know? Can’t be

his real… you know… the blond. Not normal or anything. He’s canary like.

Showboater. Constantly talking to my sister, and she’s loving it. I mean. She doesn’t

get it, Fire. Men. They’re there for one thing and one thing only.

          Vince paces the urinals before walking to Fire’s side. Vince pulls the skin of

his face down inspecting his lower gums and Fire looks up into the closer reflection of

Vince.

          Your eyes are like tunnels, Vince. A stranger’s moved in.

          A stranger?

          And I’m far more aware of your stranger than you are.

          An elderly man walks in, semi-soaked in the day and night’s drink, and stares

at Vince who is now silent. Vince watches as the tap still runs beside him. The elderly

man looks at Vince after zipping up, mouth open slightly, eyes buried deep in grey

eyebrows. He skips washing his hands and exits the door. Vince turns to Fire and

speaks:

          I bet the blond’s out there now with his hands over her like a.. a…ah?

          Thief?

          Yeah.

          Vince’s leg muscles tense making him fall back standing on his heels. Fire

looks at the back of Vince’s head in the mirror.

          Do the gods rule our hearts? Or do our desires become our gods?

          Vince turns to Fire and places both hands on the sink’s rim.

          I don’t believe in god.

          Neither do I, but I’ll leave that with you.


10
Mike Bridges: The Patchwork Man


        You sound like a psychic.

        Fire laughs and flicks the excess water from his hands.

        Keep your hands clean, Vincent.

        Fire exits the toilets, his suit static to his body, not moving with the swiftness

of his exit. Vince momentarily hovers his hand over the tap but exits in Fire’s wake.




        You okay…Jess? You okay?

        Sorry, what? Miles away.

        It’s why I asked.

        Emily comes close to the end of her drink as Jack and Ian’s bass-line argument

carries on.

        Seriously mate. Drone. Fuck it, royally.

        No, Rosie, Rosie, Rosie.

        No-one’s called me Rosie in ages.

        Well you’re being a girl and that’s why I’m using it. Honestly man, drone

bass-lines. They’re decent when well produced.

        Tim is retelling a story about Paraguay to Chris who’s head is falling further

into his open palm. Jess and Emily sit close in quiet talk: knee to knee.

        Just Vince, Emily. Been acting crazy the past few weeks. Slightly out-of-it,

you know?

        He always has his funny moments. Don’t worry too much.

        Yeah.

        Jess cups her face blocking her view from the rest of the table so only Emily


11
Mike Bridges: The Patchwork Man

can hear.

          So, what you think of Tim?

          I like him. Funny. Pretty cute.

          Jess takes her hand down and places it on her quarter full pint glass.

          Met anyone up at uni though?

          Not really. Some nice guys but they all seem a bit young though.

          What about Steve?

          Made him up to annoy Vince.

          Jess’ eyes drop as she flicks her top teeth with the bottom set.

          Fair enough. He needs to stop… caring … so much. You know?

          He’s a little overbearing sometimes, but it’s fun to mess with him.

          Please stop it though. Tell him straight. Tell him who you are and that

you’re old enough to do things for yourself, without your older brother clouding

around you. Tell him to let you go instead of keeping you trapped like a pretty bird in

a cage.

          Jess’ face has flushed a deeper red, mixing with the rose tinted aura of alcohol.

          Okay Jess…I will. Jesus, you look a bit angry.

          I’m fine, you know, things.

          They turn to their drinks.

          But, Pie! Wub wub wub wuuuuuuuub wub wub.

          Stop D Y O Deeing; it’s not going to convince me.

          Tim, now bored of Chris, revolves round to Jack and Ian.

          D Y O Deeing?

          Do Your Own Dub.


12
Mike Bridges: The Patchwork Man

        Tim snaps his fingers.

        Aw, wicked….what’s dub?

        Vince enters the roof-garden with a fresh pint of Crosby’s Sleigh Bells. He

smiles over to the table as he makes his way between the smokers outside, weaving

hips side to side, in and out.

Jack pipes up:

        Where you been, big lips.

        You get…you start chatting to people…in the toilets. Can take a while.

Bought a pint.

        Tim starts engaging the female Emily in conversation and Vince sits at his

seat. The dozing man now immersed in the land of nod has burnt a hole in his trouser.

A light drizzle begins tapping on the umbrella canvas. Ian turns up the dial on the

closest out door heater, creating a new wave of wire-heat across the table. Cars

silently wail past below; the odd bus reveals top-deck passengers clouded by moisture.

The odd ‘fuck’ ‘tits’ or ‘Jeremy blows goats for crack’ written in the condensation.

        A spider! I’ll save you!

        Tim jumps up and whips the spider crawling up Emily’s leg, into the lap of the

sleeping man, who shifts further round in his seat, in the sudden burst of loudness.

        Shall we go in? It’s getting freezing out here.




Seven pints in and everyone’s swaying. Tim now animatedly talking towards Emily.

Vince scratches under his watch taking a layer of drying skin from his wrist with half

a pint of Groovy Reindeer in front of him: the liquid swirling in a circle slowly. Ian’s


13
Mike Bridges: The Patchwork Man

soft smile pushes through his beard as he grabs Vince’s pint and tries spinning the

liquid in the opposite direction.

        Just trying to see if I can reverse things a little, Vince. It’s hard to spin it the

other way when it gets going. The beer doesn’t stick to the glass, see? They look like

little clouds.

        Vince looks up, brow slightly furrowed, then stares at his pint. The liquid now

restless and churning as Ian sits back and tries doing the same to his pint. A group

hang around an itbox cheering and slapping each other, constantly bringing drinks to

their faces. At one false answer their heads come to hands as a scream of mild

annoyance and laugh comes out. They reprimand one and keep punching his arm

lightly whilst his cries of ‘I thought it was Gogh, he’s the only one I know’ fills his

yells. One of them eyes Vince, noticing his stare; then the man turns to view Emily.

The man juts his bottom lip out and smiles, nodding. Vince dizzies slightly with his

back teeth hitting each other. He silently sees the back of Fire wander off in the

distance. Emily turns from Tim to Vince.

        Oi you! Wake up.

        Vince turns around smiling grabbing his pint.

        Was wandering off. Just watching them idiots losing at itbox.

        Tim pipes up slamming his chest.

        I’m a sodding master at itbox.

        Ian turns instantly, putting down his turbulent pint.

        Who invented the ballpoint pen?

        Technically John Loud but it was Ladislas Biro who perfected it. Boo-Yaa!

        If that’s true, I’m bloody well impressed.


14
Mike Bridges: The Patchwork Man


        You heard about people from Lesbos who want to stop their name from

being used as a slang word for lesbians?

        Vince grips his pint and speaks into his glass:

        Yes, yes. We’ve all heard about the plight of the lesbos.

        Ian drinks from his pint, leaving small beads of beer in his beard as Vince

turns to Emily, confused by the blond’s knowledge.

        Em, you heard from Mum recently?

        Fuck no. She’s in Magaluf, probs finding some new dad for our ever

expanding collection.

        Emily turns to Tim.

        Where did you get such knowledge?

        I don’t know. But they say a thousand years ago, the Danes invaded Sicily.

        Vince eyes downwards to his shoes, scuffing the leather slightly more,

repressing the urge to burp. He shifts back placing more pain on his left shoulder. Jack

wheels round, eyes rolling, with his bottom chin poked out in his mild face fuzz and

opens his mouth to the side.

        Vince, you still into cartoons, ya pussy?

        Vince leans forwards.

        No, why?

        Just had the CatDog theme in my head. Remember? Jack Rose….Jaaaack

Rose….All alone in the world is a little Jack Rose.

        Sit down, stop dancing.

        The small blond barmaid points from the bar laughing at Jack’s trousers

hanging below his backside. A trait left since teenage years. The men by the itbox


15
Mike Bridges: The Patchwork Man

move to the bar and Emily decides to advantage the opportunity.

        itbox! itbox! itbox!

        Chris jumps from his minor doze while Ian swallows his drink down the

wrong hole, coughing.

        Yes indeed-dee.

        See, Tim’s game!

        Emily grabs Tim’s hand and starts dragging him upwards as he admires the

below breast view, before being brought to his feet. Jack falls forward grabbing his

pint from the table, bracing himself with his left hand and Ian pulls him back to his

proper grounding.

        Same old Rosie.

        Fuck you! Trucker.

        Trucker. What?

        Jack pulls fluff from his pocket along with a loose Rizla and filter.

        You heard…trucker…mother trucker.

        Jack stumbles through the main doors while pulling out a string of tobacco and

he places it in the semi-crushed Rizla being battered by the wind.

        Ian joins the others round the itbox leaving Chris dozing in his chair and brings

over Vince’s pint. He walks past a man being asked to leave who’s leaning on the bar

releasing saliva uncontrollably. Two of the bigger workers grab him by the arms to try

and get him out the front door. The spittle-man mumbles ‘Christmas’ under his breath

as Ian hands Vince his drink.

        A steaming Mr Dribble there.

        Vince looks at an old man leaning on a bin outside, midway through a heave.


16
Mike Bridges: The Patchwork Man


        Fuck, Ian. Why you make me look at that.

        Oh shit! He was just dribbling when I saw him.

        The two big workers are outside trying to force the old man away as two

Police Community Support Officers run over. An awkward scream pierces through the

doors and Jack falls against the window from outside, knocking the pub’s two-for-one

advert. Jess loads the itbox with coins, while Tim keeps saying:

        Bullseye!

        Jess looks round.

        Bullseye okay for everyone?

        Vince chews his lips and rubs his eye.

        Yeah…guess so.

        You’re always wanting Bullseye.

        Another Bullseye fan. Suuuhweet.

        Vince takes in the rest of his pint, nodding and turning away. Tim purses his

lips giving a little nod and Emily pushes her arms around his waist.

        Bully The Bull of Bullseye comes up on screen in bright animated form,

followed by his bull-horn of a moo.

        Step back!

        Tim parts the people putting them behind himself.

        I’m the king at aiming this dart.

        He stands on tip toes bringing his arm into a long loop behind his back. He

comes down over-arm and with finger-point he hits the fire button, landing a bulls-

eye. The letter ‘B’ lights up followed by a question. He hits answer ‘C’ instantly

without conferring with the group. Ian calls out:


17
Mike Bridges: The Patchwork Man


        Come on man, at least divulge the question to the rest of us, even if you

know.

        Yeah, but, come on? Ian Beale is a character from which soap opera. Who

needs to confer on that?

        There’s a loud bang as Jack makes his entrance back into the bar, smelling of

smoke and singed hair. One of the two big staff members tells the group they need to

control him as Tim answers another question without asking the others. Ian furrows

his brow pursing his lips, violently nodding. He explodes in a mini-fake-rage.

        Right! Your Bullseye etiquette is beyond inhuman and Jack, here’s a fiver.

Get some coffee and chips.

        Aww. Safe then blud!

        Jack wanders to the bar and, amidst the protests surrounding the itbox, Jack’s

order of two ciders can be heard.

        The next swirling dart revolves around the screen. Tim ready to land the

button blow gets shunned aside by Vince’s finger-point, but, in his shaky state, the

dart misses the bulls-eye. The letter ‘L’ of Bullseye doesn’t light up, instead, more

obscure questions follow.

        Vince! You little ess-aitch-one-tee.

        Vince looks at Tim, the man he only met this night, taken aback by the insult.

Vince leans in answering ‘B’, landing the first question correctly. Quickly followed by

Tim on the next answer with ‘C’.

        Right if you two don’t start…

        Answer ‘D’ is hit by Vince.

        You two are itbox monsters.


18
Mike Bridges: The Patchwork Man

        Ian fakes crying into his sleeve while Jess’ fingers scratch the nearby table.

Emily puts a light hand on top, stroking. Tim lands the next dart. Bulls-eye. Vince

rushes in for the first question missing the correct one. Ian shouts:

        But I knew that one!

        Come on you two, it’s all our money.

        Tim really put in?

        Vince looks between Jess and Tim, eyebrow cocked, as Ian dives for an

answer landing correct. Tim fires the next dart. Bulls-eye. Now up to ‘E’ is lit up: two

letters from the full word.

        We are cuh-lose, mateys!

        Tim holds off Vince from answering.

        Right! Together this time.

        Jack staggers to the group with two pints.

        You order chips, Rosie?

        What mate?

        Jack inhales part of his pint. Ian shakes his head, looking to the itbox match.

        Right. Question is, ‘Who wrote Coming Through Slaughter, a novel about

the legendary Jazz musician Buddy Bolden’?

        Michael Ondaatje.

        You sure, Vince?

        Positive.

        Vince lands the ‘C’ button blow. The dart starts swirling again. Ian steps

forward wanting to land a dart but Vince jumps in releasing the set of pixels on its

path. Bulls-eye. ‘Y’ is lit. Tim starts jumping.


19
Mike Bridges: The Patchwork Man


        Soooooooooo fucking cuh-lose you guys!

        The excitement stirs Chris who makes himself more comfortable at his table.

A couple of the regulars stare at the jumping blond and shake their heads before

turning back to their drinks. One man under his breath gives a cursive. Vince starts

tapping his foot.

        Next question. ‘What is comedy legend Benny Hill’s real name?

        They look at each other perplexed as Vince whacks his head.

        Pretty certain it’s Alfred Hawthorne Hill.

        Tim hits ‘C’, the answer correct.

        Wicked! Question two. ‘Complete the title of this play by Arthur Miller:

‘Death of a . . .’.

        Emily answers:

        Salesman! Haven’t read that in ages.

        ‘A’ is hit and the dart resets to swirling. Tim goes for the fire button but Vince

pushes forward and lands the blow.

        Hey, come on. That was a bit violent.

        Vince turns to Tim at speed, catching Fire in his vision.

        Well, you’re a prancing dick.

        Tim’s smile drops to a wide-eyed open mouth.

        Ah…well…look….I mean…we’ve missed getting full Bullseye now.

        I don’t give a fuck about Bullseye. You’re not giving the right…

        Jess steps forward.

        Calm down Vince.

        Jess has a firm palm against Vince’s fist. Emily pushes past.


20
Mike Bridges: The Patchwork Man


        Come on, this is silly.

        Vince breathes through his nose, rushing the air out. Jack trips over his own

leg in confusion.

        Right. You lot, out!

        The two big workers start coming over.

        And take your sleeping muppet with you.

        One of the two kicks Chris’ chair, waking him. Chris looks into the face of the

big man.

        We off?

        Chris stands grabbing his coat and puts it on, tapping his pockets. The big man

steps back letting him pass as Emily turns to Vince.

        Come on let’s go back to yours. Calm down and back to yours. You’ve got

drink I noticed and you don’t mind the others do you?

        Vince stares into Emily’s blue. The brown hair blue eyes. Vince falls a little

where his muscles relax.

        Yeah…yeah that’s great. Sorry, Tim. Don’t know what…Drink and the

stuff, you know.

        That’s alright, buddy. Absolutely wicked. These things happen.

        Vince tenses a little.

        Boys! I’m on the floor, what am I doing?




In Jess and Vince’s house, Emily sits across Tim’s leg; Chris sleeps in the corner

under his jacket, sat on an arm chair. Jack no-where in sight, lost on the travel. Jess,


21
Mike Bridges: The Patchwork Man

Ian and Vince talk on the long sofa.

        I’m feeling a bit battered, Vince.

        Want to go to bed? Got pillows and sheets and teddies.

        No. I’ll have a Cointreau though if you got one?

        Jess stands and says:

        I think we do. What you wanting, Vince?

        I’ll have a beer.

        Tim looks up from Emily’s face.

        I’ll have a beer if that’s cool?

        Emily is biting her lower lip, knees pulled up to her chest, rocking.

        I’ll have a tea please, Jess.

        Would you like some vowels?

        Tim laughs at his joke that barely woke the room, apart from Emily. Vince

scratches his knee, feeling a burning behind the ears. Ian taps Vince on the shoulder.

        Alright if I put a tune on?

        Vince nods, not taking his eyes off Tim who’s whispering into Emily’s ear.

Her moments of laughter squeezing his stomach. Ian walks to the CD player and puts

some music on. A chill out track with just noticeable deep-bass fills the room,

accompanied by an effortlessly sung melody line by a young female vocalist. Vince’s

body relaxes into his sofa, letting the music breathe in him. He knows the pub without

music always seems like a bad call, but when the post-evening music starts, the gap in

play is always worth the wait. Vince smiles slightly. A burning sensation in his gut,

calming. Jess comes back with the drinks.

        Cointreau, Ian.


22
Mike Bridges: The Patchwork Man


         Why thank you.

         Ian necks in one and turns to Vince.

         Get me a beer, Vince.

         Vince pulls his hands down his head.

         You cheeky cunt.

         Jess hands Vince his bottle of Becks which he then drains to the top of the

label.

         Ian I’ll get you a beer, don’t worry.

         Vince leans forwards.

         No. Don’t. I’ll get it. Need a piss anyway.

         Vince makes his way to one of the living room doors, brushing Emily‘s face

on the way. He checks the front door in the hallway to make sure it’s shut but finds it

unlocked. He locks then looks to the top of the stairs and begins walking. He mildly

bounces off the wall to propel himself upwards, bruising his shoulder. He stops at the

top and looks to the thin line of bright white light surrounding the door frame of the

bathroom. The sound of running water can be heard on the other side. He pushes the

door and it gives.

Fire is washing his hands.

         Jesus Christ, Fire, scared the shit out of me.

         Fire looks up into the mirrored front of Jess and Vince’s medicine cabinet.

         I was returning your coat, Vince. You’d left it behind.

         Oh…cheers. Could have left it. I’d of worked it out. You want to stay for a

bit?

         I’ll be here for a moment and that’ll be me.


23
Mike Bridges: The Patchwork Man

        Vince leans on the doorframe, while Fire hesitates distributing more soap from

the dispenser and decides not to. He smiles.

        Didn’t think you came this way at all?

        I come this way just as often as you do, Vince.

        Vince folds his arms and looks around his tiny bathroom. Barely enough room

for two men. His sister’s toiletries, a new welcome sight on the sink. The strawberry

shampoo she’s been using since her teens, stains the bath tub.

        How was the rest of the night, Vince?

        Fire gazes at Vince’s reflection. His stance straightening.

        Had some problems with the blond.

        I saw.

        Why didn’t you step in?

        Not my place, but I admire your commitment.

        Commitment to what?

        Your stranger.

        You’re the stranger here, Fire. Constant riddle-me-this.

        I’m saying what you and others know, but you haven’t awoken to it yet.

        Vince pulls a little at his right cheek.

        Awoken to what?

        You’ll work it out, Vince. The trick is whether or not to act on it when that

stranger comes out. You’re allowing yourself to be perfectly known…history will run

its course.

        Had enough bloody history with the itbox.

        Fire laughs. Both hands still on the sink, dark eyes staring into the tunnels of


24
Mike Bridges: The Patchwork Man

Vince’s.

        Your flaw. Your self-interest. It’s admirable.

        Yeah…he’s still up in her, you know? He’s laughing at her, cause you

know, what he wants is…and she’s giving. He’s laughing at me, Fire.

        I see the hall your walking down, Vince. That inevitable door, waiting.

        Vince stands stiff in the doorway. The pulse of the corridor of stairs beats

behind him. The door to the living room lighted in dim peach.

        I tell this like a dream, Vince.

        Fire lifts his hands from the sink, smiling into the mirror.

        I need to do something about them, Fire, about her. Give her the right way.

        Remember though, Vince, you wont have a friend in the world after. Even

those who understand will turn against you. Even the ones that feel the same will

despise you.

        Fire stops to let the words sink in. Vince strokes his arms up and down. He

stares Fire in the eyes through reflection.

        Only God makes justice, Vince.

         So, you believe in God now?

        Fire smiles.

        I could create justice not found in a book.

        Vince clenches his head, feeling it’ll burst.

        You think I have such thoughts?

        Fire’s smile weakens and he looks down to the taps.

        Most of the time, people settle for half the thought and action.

        He looks to Vince.


25
Mike Bridges: The Patchwork Man


         And those people like it better.

         Fire turns the tap off and Vince lets him pass. Vince looks to Fire’s back and

calls:

         Why do they call you Fire?

         It’s only you that calls me Fire, Vince.

         Fire walks down the stairs and unlocks the back door. He touches the living

room door before exiting.




         Did he just leave the house?

         Jess stands and walks to the window, checking through the curtains to see the

black, dimly lit street outside.

         I can’t see anyone… he must have been shutting the door properly.

         Vince waits outside the living room door, hand hovering over the door handle.

His eyes red and stinging in rawness. The muffled bass tones of the others’ voices

seep through the dim peach cracks of light. Vince leans forward pressing his ear

against the wood, listening deeper.

         Jess, why does Vince hate me so much.

         Tim’s voice, quiet and short, forcing Vince to press his ear closer for clarity.

         Don’t mind him. Can take a while for him to get used to people.

         Ian’s deeper tone hit’s the door.

         You think he’s gone to bed. Can’t hear him at all?

         Shuffling feet on carpet creates shadow blobs in the crack of light beneath the

door. Music switches to new tones, distorting voices. Vince searches for words as Tim


26
Mike Bridges: The Patchwork Man

raises his voice.

        I think I should leave though, feel a bit…odd being here.

        Tim, really, don’t worry. There’s just…there’s a campaign in him, stuck

there. Something he can’t shift…or wont. It’d be better for him if you stay.

        That was one of the scariest things you ever said, Jess.

        Vince grips the door handle harder, feeling his warmth heat the cold metal, and

prepares himself to enter. He pauses before twisting the handle, remembering Ian’s

beer. The cold of the metal pushes back, calming Vince slightly. He walks down the

narrow hallway and enters the kitchen. He opens up the fridge taking out two bottles

then wonders if he should remove a third. Two or three swim through his head as he

stares at the knife block; the largest of the set, slightly out from the wooden base. Two

or three to make amends. The knife slides out some more. Take three bottles, or two

and a knife. The thoughts burn through Vince, digging nails into his palms. Two

bottles are in hand and open, a third is taken from the fridge; the knife comes a little

further out of the block, closer to falling. He grips its handle tightly in his right as he

hears the click of the kitchen door. With sleight of hand he flicks the blade up his shirt

sleeve, in time to see the entrance of Jess.

        Everything alright? You’ve been gone long.

        Nature called.

        What did it say? No, really. Bit long for a piss.

        Wasn’t a piss.

        Oh…I see.

        Vince smiles, staring at the bottles in his left hand.

        I was just wondering if Tim wanted a drink too?


27
Mike Bridges: The Patchwork Man


        Just grab him one.

        Jess leaves as the blade edge digs deeper into the side of Vince’s forearm. He

rotates it so the blade faces outwards. He opens the bottle for Tim as an irregular drum

pattern erupts, bouncing out of the living room. Vince walks into the living room and

sees Ian at the stereo.

        Sorry, sorry! Didn’t mean to put this on, slightly hectic for the early

morning.

        The drums flick about between speakers like dancing fire as Vince’s head and

heart thump with the bass.

        Nah, keep this on. I like it.

        Ian hits the next button allowing further ambience to fill the room. He takes

his beer with a nod, frothing the top slightly, and catches the overspill into his mouth

and beard.

        You mucky pup.

        Thanks, Jess. Like to see how you would deal with beer overflow dilemmas.

        Vince and Ian take their places beside Jess on the long sofa. Vince’s eyes are

red and itchy. Tim and Emily grow even closer in their drunken haze and Vince

drinks, feeling an acidic burn creeping up his throat; a stinging and sharp tang taste

hits the back of his tongue.

        You alright? Look like you’ve gone a bit pale, my friend?

        Just stomach burn.

        Want some Rennie?

        Jess turns to Ian.

        Do you actually have Rennie on you?


28
Mike Bridges: The Patchwork Man

        Ian looks down to the tip of his chin.

        No.

        Jess pokes Ian in the face as Tim and Emily get closer. Their talk unheard over

the music and Ian’s exclamations of ‘face rape’. Tim and Emily stroke hands, fingers

running up and down. Vince feels the blade beat to his pulse, itching his skin. Their

hands glide over knuckles and forearms. Their faces close and lips move effortlessly

in provocative talk. Her blue eyes to the blond’s brown. The blond’s hand runs two

fingers through her hair. Vince’s back muscles arch in tension; more sweat hits his

brow, stinging the eyes further with burning intensity. A slight pool forms at the base

of his fringe. Tim and Emily lean closer in their laugh. Lips a penny gap apart. Chests

rising. Her hands on his chest, rubbing. Vince feels that hand as his hairs on his chest

raise. The blade begins slipping into his welcoming palm.

The fire erupts within him as he stands above the two.

        VINCE! What the fuck!

        Tim and Emily stand, jumping past Vince, with knife in hand, who screams:

        You two. What the fuck are you two DOING! You, you don’t get it, do you?

Ay? With all this prancing, all this…

        Vince, put the knife down.

        Jess steps forward. Vince points the knife at her, while looking at Emily.

        This is what you’re after, Emily.

        His anger runs at Emily, pulling her into a forceful embrace; his tongue works

its way over her clenched teeth as she feels his heat against her and struggles against

his weight. He violently grabs her between legs, rubbing furiously, as Emily’s muffled

screams fill the room. Tim pulls him off her as Ian and Jess try to step in. Vince hits


29
Mike Bridges: The Patchwork Man

Tim with his elbow and throws him to the wall. Vince embraces him against the wall,

biting down hard on Tim’s lower lip, drawing metallic blood into both their mouths.

Vince manages to squeeze hard between Tim’s trousers before the others wrestle

Vince off him. Vince turns waving the knife at them, looking at the room. The others

stay back, arms out, palms facing him, offering platitudes of peace. Vince sees Emily,

curled on the floor, crying. Tim with back of hand to wrecked mouth, stemming the

flow of blood. Ian’s hands are on his head, eyes wide and head shaking. Chris stares at

Vince. The music plays as the people are silent. Tears fall down Jess’ face. The

burning in Vince subsides to cooling; his body shakes on the spot, hot tears falling

from his nose. He gives a limp wristed wave of the knife and backs away to the living

room door.

        I…I can…I can’t.

        He shakes his head as a heavy heave shifts up.

        Fuck the lot of you!

        He opens the living room door and unlocks the front, pulling the door inwards

heavily, denting the wall it hits. He runs as the others shout. Ian and Chris run after

him as Emily and Jess stare at each other with eyes glazed. Emily vomits on the floor.

Chris and Ian come back, shaking their heads.

        He’s disappeared. Call the police.




Vince’s lungs burn in his stride, drawing in cold air, stinging his teeth. Light rain

dampens him. His tears mix with rain as he passes people of the night, stepping aside

to his blade in hand as each step of the run gives more strain to his legs and his heart

beats, erupting in pain, chest tightening in the lack of air. His body relenting, he falls
30
Mike Bridges: The Patchwork Man

repeatedly, scrabbling back to leave his old world behind in burning, fiery tears. He

comes to The Giddy Bridge and stops, staring into the empty building. Back lights on

the bar create a small glow, leaving the rest in darkness and grey silhouettes. The knife

gripped in his palm, digging in and he stares at it, longing for it. He stumbles down

the side alley by the bins collapsing and vomits: white dotted grazing up his arms,

trailing tiny blood bubbles. He sits up, back against the wall, breathing quickly with

wheezing, in and out, as he puts the point of the blade in the soft below breast bone,

pointing it upwards. He pushes a little, feeling the sharpness burst his skin. He looks

up, eyes slitted and intense, purses his lips and breaths quicker through his nose,

quicker and quicker; tense blows through his nose. He pulls the blade inside him

upward, skittering of bone, piercing his lung, screaming out and defecates. He screams

crying tears as he twists the blade more, trying to end it quicker. Bubbles burst

through the blood in his shirt from his damaged lung, as his breaths become harder

and slower while the pain releasing endorphins kick in. He stares at the black wall

opposite; the blade feeling like a stranger within him: an invader of the body.

Fire comes by and places himself next to Vince in the dying moments.

        It seems we went for it, Vince. We became known.

        Vince lurches and cries out as a wave of pain hits. He breathes, speaking

through clenched teeth.

        I’m scared, Fire.

        He leans forward forgetting the blade still in him, shocking him upright with

more screams.

        It was always going to be this way, Vince. We had to accept that. Fear or no

fear.

        Fire looks at the wound. The would be incarnadine turned black by dim-peach
31
Mike Bridges: The Patchwork Man

streetlights, shaded by the alleyway bins. A pool forms around as Vince’s eyes close

momentarily in his greying face.

        We haven’t got long now have we, Vince?

        You could…get an ambulance.

        You know I can’t do that, Vince.

        Fire places an arm across Vince’s neck, drawing him in

        Your only friend in the world now, Vince. Your stranger in the tunnel.

        Vince laughs the last bit of life and says his final:

        Me and my Fire, die together.




32

Contenu connexe

En vedette

White and Black Storyboards
White and Black StoryboardsWhite and Black Storyboards
White and Black StoryboardsMikeBridges88
 
White and Black Storyboards
White and Black StoryboardsWhite and Black Storyboards
White and Black StoryboardsMikeBridges88
 
BÚSQUEDA Y USO DE RECURSOS EDUCATIVOS ABIERTOS
BÚSQUEDA Y USO DE RECURSOS EDUCATIVOS ABIERTOSBÚSQUEDA Y USO DE RECURSOS EDUCATIVOS ABIERTOS
BÚSQUEDA Y USO DE RECURSOS EDUCATIVOS ABIERTOSMiguel Angel Rodríguez
 
Bulletin 12 15-10
Bulletin 12 15-10Bulletin 12 15-10
Bulletin 12 15-10apinzelik
 
Eclipse,open ocd,openjta gv3嵌入式开发教程
Eclipse,open ocd,openjta gv3嵌入式开发教程Eclipse,open ocd,openjta gv3嵌入式开发教程
Eclipse,open ocd,openjta gv3嵌入式开发教程magicmanu
 
Тонкости настроект Яндекс Директ
Тонкости настроект Яндекс ДиректТонкости настроект Яндекс Директ
Тонкости настроект Яндекс ДиректUkrainian Advertising Agency
 
Эффективные текстовые объявление
Эффективные текстовые объявлениеЭффективные текстовые объявление
Эффективные текстовые объявлениеUkrainian Advertising Agency
 
Тренды PPC маркетинга в 2016 году
Тренды PPC маркетинга в 2016 годуТренды PPC маркетинга в 2016 году
Тренды PPC маркетинга в 2016 годуUkrainian Advertising Agency
 
Innovation versus Improvement
Innovation versus ImprovementInnovation versus Improvement
Innovation versus Improvementukumar
 
Auto Sales Strategy Map
Auto Sales Strategy MapAuto Sales Strategy Map
Auto Sales Strategy Mapukumar
 

En vedette (19)

White and Black Storyboards
White and Black StoryboardsWhite and Black Storyboards
White and Black Storyboards
 
Blue lights
Blue lightsBlue lights
Blue lights
 
White and Black Storyboards
White and Black StoryboardsWhite and Black Storyboards
White and Black Storyboards
 
BÚSQUEDA Y USO DE RECURSOS EDUCATIVOS ABIERTOS
BÚSQUEDA Y USO DE RECURSOS EDUCATIVOS ABIERTOSBÚSQUEDA Y USO DE RECURSOS EDUCATIVOS ABIERTOS
BÚSQUEDA Y USO DE RECURSOS EDUCATIVOS ABIERTOS
 
Práctica 1 Portafolio Diagnóstico
Práctica 1 Portafolio DiagnósticoPráctica 1 Portafolio Diagnóstico
Práctica 1 Portafolio Diagnóstico
 
Snow
SnowSnow
Snow
 
Lecture 1
Lecture 1Lecture 1
Lecture 1
 
¨Práctica 1 portafolio diagnóstico
¨Práctica 1 portafolio diagnóstico¨Práctica 1 portafolio diagnóstico
¨Práctica 1 portafolio diagnóstico
 
Bulletin 12 15-10
Bulletin 12 15-10Bulletin 12 15-10
Bulletin 12 15-10
 
Eclipse,open ocd,openjta gv3嵌入式开发教程
Eclipse,open ocd,openjta gv3嵌入式开发教程Eclipse,open ocd,openjta gv3嵌入式开发教程
Eclipse,open ocd,openjta gv3嵌入式开发教程
 
A bristolian rose
A bristolian roseA bristolian rose
A bristolian rose
 
Тонкости настроект Яндекс Директ
Тонкости настроект Яндекс ДиректТонкости настроект Яндекс Директ
Тонкости настроект Яндекс Директ
 
Эффективные текстовые объявление
Эффективные текстовые объявлениеЭффективные текстовые объявление
Эффективные текстовые объявление
 
Тренды PPC маркетинга в 2016 году
Тренды PPC маркетинга в 2016 годуТренды PPC маркетинга в 2016 году
Тренды PPC маркетинга в 2016 году
 
Поиск и анализ ЦА в Facebook
Поиск и анализ ЦА в FacebookПоиск и анализ ЦА в Facebook
Поиск и анализ ЦА в Facebook
 
6 Steps to Wellness
6 Steps to Wellness6 Steps to Wellness
6 Steps to Wellness
 
Presentation1
Presentation1Presentation1
Presentation1
 
Innovation versus Improvement
Innovation versus ImprovementInnovation versus Improvement
Innovation versus Improvement
 
Auto Sales Strategy Map
Auto Sales Strategy MapAuto Sales Strategy Map
Auto Sales Strategy Map
 

Similaire à The Patchwork Man

St. vincent by theodore melfi
St. vincent by theodore melfiSt. vincent by theodore melfi
St. vincent by theodore melfiMaor Gillerman
 
V Chan Pilot 10_15_15
V Chan Pilot 10_15_15V Chan Pilot 10_15_15
V Chan Pilot 10_15_15Dan Armstrong
 
Agatha Christie - The Mysterious Affair At Styles
Agatha Christie - The Mysterious Affair At StylesAgatha Christie - The Mysterious Affair At Styles
Agatha Christie - The Mysterious Affair At StylesGeorge Grayson
 
Wynter Wonderland: Chapter 1
Wynter Wonderland: Chapter 1Wynter Wonderland: Chapter 1
Wynter Wonderland: Chapter 1Keika20
 
Affiliation Final Script
Affiliation   Final ScriptAffiliation   Final Script
Affiliation Final ScriptChaz212
 
Lessons In Realism Tenuous
Lessons In  Realism TenuousLessons In  Realism Tenuous
Lessons In Realism Tenuouschristinaj1683
 
Script Horror Film.pdf
Script Horror Film.pdfScript Horror Film.pdf
Script Horror Film.pdfJack702467
 
New Script affiliation deluxe
New Script affiliation deluxeNew Script affiliation deluxe
New Script affiliation deluxeJ_Scott01
 
Script affiliation deluxe
Script affiliation deluxeScript affiliation deluxe
Script affiliation deluxeAlexMedia0104
 
Unbound captive jason sihler
Unbound captive jason sihler Unbound captive jason sihler
Unbound captive jason sihler Louis Sihler
 

Similaire à The Patchwork Man (12)

St. vincent by theodore melfi
St. vincent by theodore melfiSt. vincent by theodore melfi
St. vincent by theodore melfi
 
V Chan Pilot 10_15_15
V Chan Pilot 10_15_15V Chan Pilot 10_15_15
V Chan Pilot 10_15_15
 
Artifice
ArtificeArtifice
Artifice
 
Agatha Christie - The Mysterious Affair At Styles
Agatha Christie - The Mysterious Affair At StylesAgatha Christie - The Mysterious Affair At Styles
Agatha Christie - The Mysterious Affair At Styles
 
Wynter Wonderland: Chapter 1
Wynter Wonderland: Chapter 1Wynter Wonderland: Chapter 1
Wynter Wonderland: Chapter 1
 
Affiliation Final Script
Affiliation   Final ScriptAffiliation   Final Script
Affiliation Final Script
 
Lessons In Realism Tenuous
Lessons In  Realism TenuousLessons In  Realism Tenuous
Lessons In Realism Tenuous
 
Script Horror Film.pdf
Script Horror Film.pdfScript Horror Film.pdf
Script Horror Film.pdf
 
New Script affiliation deluxe
New Script affiliation deluxeNew Script affiliation deluxe
New Script affiliation deluxe
 
Script affiliation deluxe
Script affiliation deluxeScript affiliation deluxe
Script affiliation deluxe
 
Script affiliation deluxe
Script affiliation deluxeScript affiliation deluxe
Script affiliation deluxe
 
Unbound captive jason sihler
Unbound captive jason sihler Unbound captive jason sihler
Unbound captive jason sihler
 

Dernier

Unraveling Hypertext_ Analyzing Postmodern Elements in Literature.pptx
Unraveling Hypertext_ Analyzing  Postmodern Elements in  Literature.pptxUnraveling Hypertext_ Analyzing  Postmodern Elements in  Literature.pptx
Unraveling Hypertext_ Analyzing Postmodern Elements in Literature.pptxDhatriParmar
 
CLASSIFICATION OF ANTI - CANCER DRUGS.pptx
CLASSIFICATION OF ANTI - CANCER DRUGS.pptxCLASSIFICATION OF ANTI - CANCER DRUGS.pptx
CLASSIFICATION OF ANTI - CANCER DRUGS.pptxAnupam32727
 
ICS 2208 Lecture Slide Notes for Topic 6
ICS 2208 Lecture Slide Notes for Topic 6ICS 2208 Lecture Slide Notes for Topic 6
ICS 2208 Lecture Slide Notes for Topic 6Vanessa Camilleri
 
4.11.24 Poverty and Inequality in America.pptx
4.11.24 Poverty and Inequality in America.pptx4.11.24 Poverty and Inequality in America.pptx
4.11.24 Poverty and Inequality in America.pptxmary850239
 
Decoding the Tweet _ Practical Criticism in the Age of Hashtag.pptx
Decoding the Tweet _ Practical Criticism in the Age of Hashtag.pptxDecoding the Tweet _ Practical Criticism in the Age of Hashtag.pptx
Decoding the Tweet _ Practical Criticism in the Age of Hashtag.pptxDhatriParmar
 
Objectives n learning outcoms - MD 20240404.pptx
Objectives n learning outcoms - MD 20240404.pptxObjectives n learning outcoms - MD 20240404.pptx
Objectives n learning outcoms - MD 20240404.pptxMadhavi Dharankar
 
PART 1 - CHAPTER 1 - CELL THE FUNDAMENTAL UNIT OF LIFE
PART 1 - CHAPTER 1 - CELL THE FUNDAMENTAL UNIT OF LIFEPART 1 - CHAPTER 1 - CELL THE FUNDAMENTAL UNIT OF LIFE
PART 1 - CHAPTER 1 - CELL THE FUNDAMENTAL UNIT OF LIFEMISSRITIMABIOLOGYEXP
 
6 ways Samsung’s Interactive Display powered by Android changes the classroom
6 ways Samsung’s Interactive Display powered by Android changes the classroom6 ways Samsung’s Interactive Display powered by Android changes the classroom
6 ways Samsung’s Interactive Display powered by Android changes the classroomSamsung Business USA
 
ClimART Action | eTwinning Project
ClimART Action    |    eTwinning ProjectClimART Action    |    eTwinning Project
ClimART Action | eTwinning Projectjordimapav
 
Shark introduction Morphology and its behaviour characteristics
Shark introduction Morphology and its behaviour characteristicsShark introduction Morphology and its behaviour characteristics
Shark introduction Morphology and its behaviour characteristicsArubSultan
 
BIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptx
BIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptxBIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptx
BIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptxSayali Powar
 
4.9.24 Social Capital and Social Exclusion.pptx
4.9.24 Social Capital and Social Exclusion.pptx4.9.24 Social Capital and Social Exclusion.pptx
4.9.24 Social Capital and Social Exclusion.pptxmary850239
 
The role of Geography in climate education: science and active citizenship
The role of Geography in climate education: science and active citizenshipThe role of Geography in climate education: science and active citizenship
The role of Geography in climate education: science and active citizenshipKarl Donert
 
An Overview of the Calendar App in Odoo 17 ERP
An Overview of the Calendar App in Odoo 17 ERPAn Overview of the Calendar App in Odoo 17 ERP
An Overview of the Calendar App in Odoo 17 ERPCeline George
 
Employablity presentation and Future Career Plan.pptx
Employablity presentation and Future Career Plan.pptxEmployablity presentation and Future Career Plan.pptx
Employablity presentation and Future Career Plan.pptxryandux83rd
 
DiskStorage_BasicFileStructuresandHashing.pdf
DiskStorage_BasicFileStructuresandHashing.pdfDiskStorage_BasicFileStructuresandHashing.pdf
DiskStorage_BasicFileStructuresandHashing.pdfChristalin Nelson
 

Dernier (20)

Unraveling Hypertext_ Analyzing Postmodern Elements in Literature.pptx
Unraveling Hypertext_ Analyzing  Postmodern Elements in  Literature.pptxUnraveling Hypertext_ Analyzing  Postmodern Elements in  Literature.pptx
Unraveling Hypertext_ Analyzing Postmodern Elements in Literature.pptx
 
CLASSIFICATION OF ANTI - CANCER DRUGS.pptx
CLASSIFICATION OF ANTI - CANCER DRUGS.pptxCLASSIFICATION OF ANTI - CANCER DRUGS.pptx
CLASSIFICATION OF ANTI - CANCER DRUGS.pptx
 
ICS 2208 Lecture Slide Notes for Topic 6
ICS 2208 Lecture Slide Notes for Topic 6ICS 2208 Lecture Slide Notes for Topic 6
ICS 2208 Lecture Slide Notes for Topic 6
 
4.11.24 Poverty and Inequality in America.pptx
4.11.24 Poverty and Inequality in America.pptx4.11.24 Poverty and Inequality in America.pptx
4.11.24 Poverty and Inequality in America.pptx
 
Decoding the Tweet _ Practical Criticism in the Age of Hashtag.pptx
Decoding the Tweet _ Practical Criticism in the Age of Hashtag.pptxDecoding the Tweet _ Practical Criticism in the Age of Hashtag.pptx
Decoding the Tweet _ Practical Criticism in the Age of Hashtag.pptx
 
Objectives n learning outcoms - MD 20240404.pptx
Objectives n learning outcoms - MD 20240404.pptxObjectives n learning outcoms - MD 20240404.pptx
Objectives n learning outcoms - MD 20240404.pptx
 
CARNAVAL COM MAGIA E EUFORIA _
CARNAVAL COM MAGIA E EUFORIA            _CARNAVAL COM MAGIA E EUFORIA            _
CARNAVAL COM MAGIA E EUFORIA _
 
PART 1 - CHAPTER 1 - CELL THE FUNDAMENTAL UNIT OF LIFE
PART 1 - CHAPTER 1 - CELL THE FUNDAMENTAL UNIT OF LIFEPART 1 - CHAPTER 1 - CELL THE FUNDAMENTAL UNIT OF LIFE
PART 1 - CHAPTER 1 - CELL THE FUNDAMENTAL UNIT OF LIFE
 
6 ways Samsung’s Interactive Display powered by Android changes the classroom
6 ways Samsung’s Interactive Display powered by Android changes the classroom6 ways Samsung’s Interactive Display powered by Android changes the classroom
6 ways Samsung’s Interactive Display powered by Android changes the classroom
 
ClimART Action | eTwinning Project
ClimART Action    |    eTwinning ProjectClimART Action    |    eTwinning Project
ClimART Action | eTwinning Project
 
Plagiarism,forms,understand about plagiarism,avoid plagiarism,key significanc...
Plagiarism,forms,understand about plagiarism,avoid plagiarism,key significanc...Plagiarism,forms,understand about plagiarism,avoid plagiarism,key significanc...
Plagiarism,forms,understand about plagiarism,avoid plagiarism,key significanc...
 
Shark introduction Morphology and its behaviour characteristics
Shark introduction Morphology and its behaviour characteristicsShark introduction Morphology and its behaviour characteristics
Shark introduction Morphology and its behaviour characteristics
 
BIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptx
BIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptxBIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptx
BIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptx
 
4.9.24 Social Capital and Social Exclusion.pptx
4.9.24 Social Capital and Social Exclusion.pptx4.9.24 Social Capital and Social Exclusion.pptx
4.9.24 Social Capital and Social Exclusion.pptx
 
The role of Geography in climate education: science and active citizenship
The role of Geography in climate education: science and active citizenshipThe role of Geography in climate education: science and active citizenship
The role of Geography in climate education: science and active citizenship
 
An Overview of the Calendar App in Odoo 17 ERP
An Overview of the Calendar App in Odoo 17 ERPAn Overview of the Calendar App in Odoo 17 ERP
An Overview of the Calendar App in Odoo 17 ERP
 
Employablity presentation and Future Career Plan.pptx
Employablity presentation and Future Career Plan.pptxEmployablity presentation and Future Career Plan.pptx
Employablity presentation and Future Career Plan.pptx
 
DiskStorage_BasicFileStructuresandHashing.pdf
DiskStorage_BasicFileStructuresandHashing.pdfDiskStorage_BasicFileStructuresandHashing.pdf
DiskStorage_BasicFileStructuresandHashing.pdf
 
Mattingly "AI & Prompt Design" - Introduction to Machine Learning"
Mattingly "AI & Prompt Design" - Introduction to Machine Learning"Mattingly "AI & Prompt Design" - Introduction to Machine Learning"
Mattingly "AI & Prompt Design" - Introduction to Machine Learning"
 
Faculty Profile prashantha K EEE dept Sri Sairam college of Engineering
Faculty Profile prashantha K EEE dept Sri Sairam college of EngineeringFaculty Profile prashantha K EEE dept Sri Sairam college of Engineering
Faculty Profile prashantha K EEE dept Sri Sairam college of Engineering
 

The Patchwork Man

  • 1. Mike Bridges: The Patchwork Man The Patchwork Man They walk to the Giddy Bridge: Vincent, Ian and Jack. Vince’s sister Emily, hears their voices and leans over the pub roof-garden, waving at them, calling their names. Ian and Jack call back with the latter louder than the former. Hi, Emily. Vince moving on ahead opens the front doors and sees the other pub dwellers inside. Dim peach lights create a grainy-static view of the bar and coloured bottles. Men drinking around, most speckled in their previous drinks’ splash. They sniff and bring out falling apart tissue to catch their nose drippings while the workers in black carry plates of food to the people sat down at irregular shaped tables. Jack heads to the bar while Ian and Vince wait behind. Ian with hands in his pockets rocks on his heels, as Vince bites the side of his thumb nail. Jack comes back with two pints of ale and one cider and on three they drink half. Can’t neck anymore. Tastes good though. Strong…Here, Jack, hold my pint. Vince hands over his pint to take his jacket off and they make their way to the roof-garden. Jack carefully climbing the stairs with the two half gone pints in hand as the first wave of drink fills his head. The three reach the roof-garden where Vince’s sister wraps a hug around him as he places his coat on a nearby chair. Hey bro, like my new earrings? Yeah. Lovely. Also, Em, back there. The waving. The waving? 1
  • 2. Mike Bridges: The Patchwork Man You know. Was a bit…frontal. Emily pauses, lowering eyebrows. You are mental sometimes. Vince shifts his body slightly. Yeah…but…you scare the living piss out of me the way you walk down the street. Emily stares at Vince while catching the fleeting glimpse of Ian scratching his beard who turns away, bringing a drink to his face. Wha? You know, your walk. It’s wavy…wriggly like. Emily cocks her head, lowering eyebrows. Come on Em, your high heels. Clack, clack, clack. Jack comes up behind Vince, placing the two half-gone pints on a table. Right… Okay… Vince. He rubs his hands together then down his face, sniffing amongst his soft facial hair. Then points at the ale. Drink this and shut the fuck up. Alright. Just saying. A lot of nutters out there. And you’re bloody one of them, mate. Vince drinks not caring of the taste but reeling in its strength. Jess comes to Vince’s side placing an arm around him. You actually going to say hi. Yeah. Sorry. Just haven’t had a chance to properly catch up with Em since she got back from uni. She was just in-and-out of our house yesterday. 2
  • 3. Mike Bridges: The Patchwork Man Vince and Jess kiss quickly and he feels the dryness of her mouth. What, by complaining about her clack, clack, clack. I just care is all. Vince’s pint is half gone as he scans the roof-garden, looking for familiar faces. One man nods, eyes closed, cigarette hanging out of hand, dripping ash in grey peels. Vince, pull up a chair. Stop staring at…whatever you’re staring at. Freaking me out man. Vince eyes Ian before sitting at the light metallic table and chairs, scraping his chair across the roof’s stones. The roof-garden: eight tables, each with four chairs, dotted amongst spiky trees and the now empty plant-pots in the winter’s frost. The tables half occupied by smokers burning away in grey haze tinted orange by street lights. Some cough irregularly, batting flies coming near to the warmth of men in the quickening chilly night air. Now, disrupted by Jack’s announcement. Right boys!…and two lovely ladies. He bites the tip of his index and rubs his nipple through his shirt. Vince shifts his body weight from one leg to the other, cramping his shoulder. Jess places a hand on his knee. I’m gonna get us a drink. What? Not one each? Jack smiles at Emily, a smile that takes up half his nubile face fuzz. Ian leans in. Vince has still got a day left on his pint. Jack points from glass to Vince, who grabs instinctively and drinks the last 3
  • 4. Mike Bridges: The Patchwork Man down, leaving a tiny foam in the bottom. The first brewings of a piss stir in his gut. Didn’t you lot just buy these? Emily looks to Jack, Ian and Vince. Ian leans back placing an elbow on the nearby railing, looking back and forth. He gesticulates his reply. You see Em, them’s the rules. First pint you down quick, so the conversation isn’t stilted by pre-drunk meandering through subjects consisting of mostly shit. You let the first hit you quickly, then talk ensues madly. Jess’ eyebrows lift as Vince pulls out his wallet. I’ll come help, Jack. My round anyway. What’s everyone wanting? Jack gets up scratching his neck. I’ll have a pint of Vodka and a little splash of coke, mate. Right bruv-aah, I’ll have a snakebite. Since when you been drinking that shit? Guy named Steve showed me it. Emily leans forward in her low-cut top, smirking at Vince who grits his teeth. Jess comes between. Think I’ll have the same. Be like back at uni. Okay…Mr Pie? Could I have a pint of their most oddly named ale please, sir? Certainly, Pie. You see? He says a drink and makes the whole thing easy on me. Vince and Jack go through the doors of the roof-garden, making their way down the stairwell to the bar and pass a blond man with dark-haired accomplice, talking quickly about meeting ‘her’. Vince scratches his ear at the foot of the stairs as 4
  • 5. Mike Bridges: The Patchwork Man Jack arranges his Jeans. They scan the bar for an entrance between the men who never leave. Through a gap between men at the bar, their usual tiny blond server comes up to gather their supplies. Alright you two? Aight rug muncher. Vince laugh-coughs into his sleeve while the tiny blond steadily looks at Jack. Well fuck you grizzly Adams, you ain’t getting served. What, don’t you like the beard? Proper man this is, love.  About as manly as my cousin’s back fuzz and she’s two months old. Jack shakes his head looking out of the corner of his eye at Vince, who is looking through the beer-on-pump selection: Groovy Reindeer, Santa’s Funky Backpack, Snowman’s Breakfast, Old Thumper, Fortyniner, Crosby’s Sleigh Bells and another non-festive pint called Responsibly. I reckon Ian’ll want Responsibly. Pretty gash name. You know…please drink…you know…fuck it, wit’s wasted on you. Alright mate!…Ruggy, I’ll have a pint of Old Rosie, Responsibly, two snakebites and …Vince? I’ll have a Snowman’s Breakfast, please. With drinks on tray they get back to the roof-garden and look for their table. Two men are now with Ian and the women. A blond man talking rapidly at Emily 5
  • 6. Mike Bridges: The Patchwork Man while the dark-haired man sits back, chin in hand, nodding at Jess’ steady words. The blond man gesticulates his story wildly. Jack and Vince walk to the table, setting drinks down to their respective owners as Vince’s bladder pangs for a release. These are my cousins. Just back from their trip in Paraguay. Vince smiles at Jess while keeping a firm eye on the blond. Hi, cousins. The blond stands grabbing Vince’s hand, pulling it up and down, cracking his wrist. Hey man, can’t believe we’ve never met before or anything. How long you been seeing my cousin? I’m Tim, by the way. Vince ends the handshake and gives the answer after hearing Ian laugh the word ‘Responsibly’ to Jack, over the rumbling of conversation forming at the table. Five years. Wow man, that’s incredible. Don’t know how you hold one down; know what I mean? His tanned blondness creeps further into Vince’s eyes, so he looks to the dark- haired man. Sorry, didn’t catch your name. Didn’t say. It’s Chris. Tim…Chris…easy and short. Vince pulls a chair from another table, his old chair being heisted by the blond. He drags over his Snowman’s Breakfast inhaling a third. He holds and tenses his thighs tighter, maintaining his bladder. Vince leans over to Emily after shifting his 6
  • 7. Mike Bridges: The Patchwork Man feet. So tell me Em, uni good? I’m talking. But I haven’t seen you in ages. Talk to your brother. I’m back for a month. Talk to me later. The outdoor heaters come on under the umbrellas bringing warmth to the smokers. The man dozing wakes up to the wiry hum, before he brings out his tobacco pouch and rolls another, shivering . Come on Em… …Leave her be, Vince. Jess has hold of his arm pulling him back. He turns back to his Snowman, drowning more. The blond stands. Sweet! Chris, fancy a drink? Looks like the others are getting properly on it. Yeah. Get me what Vince’s drinking. Snowman’s Balls or whatever. Ah, what? You know I’m skint Eastwood. Come down and pay. The two leave. Jack puffs out his cheeks as Vince sips. Like my cousins? Blond’s a bit of a douche. Chris seems normal. I was talking to Em, Vince. Emily taps Jess’ hand. I like Tim; he’s pretty energetic. Jack throws Vince a cigarette instinctively as Ian and Jack maintain their conversation on bass-lines. I just think wobble might be dying. Drone’s coming back in a big way. 7
  • 8. Mike Bridges: The Patchwork Man Jack scratches his facial hair, then adds his position on the matter in a squeak: Really? Vince places the rollie in his mouth and pats around. A lighter comes to his face in his sister’s hand and a flame appears. He begins toking healthily as Ian leans towards. Bit of a Freudian cock this is, isn’t it? Vince’s heart pumps a new rhythm of adrenaline as his body momentarily relaxes to the nicotine high and he answers Ian: It’s meant to be a cigar though. Not with yours, Vince. Jack laughs smoke towards the centre of the table, coughing, before realising he doesn’t get it. I don’t get it. Vince stands grating his chair back against the stones. I said wit’s wasted on you. Vince stubs his fag out and throws the dying little light of orange into an empty pot. Where you going? Toilet. Bladder’s the size of Holland. Vince walks weak kneed from drink, grazing his elbow on the roof-garden door. He sucks his tongue producing moisture in his post-smoke mouth as he enters the bathroom. Vince stands in the only cubicle in the male toilets; the other a bare toilet with no 8
  • 9. Mike Bridges: The Patchwork Man walls, unable to protect a man’s privacy. The square of wood and porcelain contains Vince’s thoughts, and allows himself to gather his tension in release, creating a steady stream into the stained white. In his final drops, Vince looks into the bulb above him, burning its image to his retinas momentarily, and he zips and stumbles slightly out of his personal square of solitude. Fire is waiting at the sink. Fire? When did you get here? Fire does not turn from the sink but inspects his features before looking at Vince’s reflection in the above-sink mirrors. You know me, Vince. I’m always around. Fire’s black suit with green striped shirt underneath, neat and clean, beyond human. Yeah. Haven’t seen you for a while. Just here with my sister and a couple of mates. Jess? Yeah, her too. And two of her cousins. Vince hushes his voice and takes a step towards Fire who straightens slightly. The blond’s a douche. Slight childlike cuss, Vince. Fire turns on the tap and begins working the pub soap into his hands producing a thick lather. The little oily bubbles dance through his fingers before being plunged into the aerated water stream. Tell me about the blond, Vince. What’s he doing? Fire applies a little more soap to get the last of the grime from his hands. 9
  • 10. Mike Bridges: The Patchwork Man You know, Fire. He’s come in, bouncing all around… you know? Can’t be his real… you know… the blond. Not normal or anything. He’s canary like. Showboater. Constantly talking to my sister, and she’s loving it. I mean. She doesn’t get it, Fire. Men. They’re there for one thing and one thing only. Vince paces the urinals before walking to Fire’s side. Vince pulls the skin of his face down inspecting his lower gums and Fire looks up into the closer reflection of Vince. Your eyes are like tunnels, Vince. A stranger’s moved in. A stranger? And I’m far more aware of your stranger than you are. An elderly man walks in, semi-soaked in the day and night’s drink, and stares at Vince who is now silent. Vince watches as the tap still runs beside him. The elderly man looks at Vince after zipping up, mouth open slightly, eyes buried deep in grey eyebrows. He skips washing his hands and exits the door. Vince turns to Fire and speaks: I bet the blond’s out there now with his hands over her like a.. a…ah? Thief? Yeah. Vince’s leg muscles tense making him fall back standing on his heels. Fire looks at the back of Vince’s head in the mirror. Do the gods rule our hearts? Or do our desires become our gods? Vince turns to Fire and places both hands on the sink’s rim. I don’t believe in god. Neither do I, but I’ll leave that with you. 10
  • 11. Mike Bridges: The Patchwork Man You sound like a psychic. Fire laughs and flicks the excess water from his hands. Keep your hands clean, Vincent. Fire exits the toilets, his suit static to his body, not moving with the swiftness of his exit. Vince momentarily hovers his hand over the tap but exits in Fire’s wake. You okay…Jess? You okay? Sorry, what? Miles away. It’s why I asked. Emily comes close to the end of her drink as Jack and Ian’s bass-line argument carries on. Seriously mate. Drone. Fuck it, royally. No, Rosie, Rosie, Rosie. No-one’s called me Rosie in ages. Well you’re being a girl and that’s why I’m using it. Honestly man, drone bass-lines. They’re decent when well produced. Tim is retelling a story about Paraguay to Chris who’s head is falling further into his open palm. Jess and Emily sit close in quiet talk: knee to knee. Just Vince, Emily. Been acting crazy the past few weeks. Slightly out-of-it, you know? He always has his funny moments. Don’t worry too much. Yeah. Jess cups her face blocking her view from the rest of the table so only Emily 11
  • 12. Mike Bridges: The Patchwork Man can hear. So, what you think of Tim? I like him. Funny. Pretty cute. Jess takes her hand down and places it on her quarter full pint glass. Met anyone up at uni though? Not really. Some nice guys but they all seem a bit young though. What about Steve? Made him up to annoy Vince. Jess’ eyes drop as she flicks her top teeth with the bottom set. Fair enough. He needs to stop… caring … so much. You know? He’s a little overbearing sometimes, but it’s fun to mess with him. Please stop it though. Tell him straight. Tell him who you are and that you’re old enough to do things for yourself, without your older brother clouding around you. Tell him to let you go instead of keeping you trapped like a pretty bird in a cage. Jess’ face has flushed a deeper red, mixing with the rose tinted aura of alcohol. Okay Jess…I will. Jesus, you look a bit angry. I’m fine, you know, things. They turn to their drinks. But, Pie! Wub wub wub wuuuuuuuub wub wub. Stop D Y O Deeing; it’s not going to convince me. Tim, now bored of Chris, revolves round to Jack and Ian. D Y O Deeing? Do Your Own Dub. 12
  • 13. Mike Bridges: The Patchwork Man Tim snaps his fingers. Aw, wicked….what’s dub? Vince enters the roof-garden with a fresh pint of Crosby’s Sleigh Bells. He smiles over to the table as he makes his way between the smokers outside, weaving hips side to side, in and out. Jack pipes up: Where you been, big lips. You get…you start chatting to people…in the toilets. Can take a while. Bought a pint. Tim starts engaging the female Emily in conversation and Vince sits at his seat. The dozing man now immersed in the land of nod has burnt a hole in his trouser. A light drizzle begins tapping on the umbrella canvas. Ian turns up the dial on the closest out door heater, creating a new wave of wire-heat across the table. Cars silently wail past below; the odd bus reveals top-deck passengers clouded by moisture. The odd ‘fuck’ ‘tits’ or ‘Jeremy blows goats for crack’ written in the condensation. A spider! I’ll save you! Tim jumps up and whips the spider crawling up Emily’s leg, into the lap of the sleeping man, who shifts further round in his seat, in the sudden burst of loudness. Shall we go in? It’s getting freezing out here. Seven pints in and everyone’s swaying. Tim now animatedly talking towards Emily. Vince scratches under his watch taking a layer of drying skin from his wrist with half a pint of Groovy Reindeer in front of him: the liquid swirling in a circle slowly. Ian’s 13
  • 14. Mike Bridges: The Patchwork Man soft smile pushes through his beard as he grabs Vince’s pint and tries spinning the liquid in the opposite direction. Just trying to see if I can reverse things a little, Vince. It’s hard to spin it the other way when it gets going. The beer doesn’t stick to the glass, see? They look like little clouds. Vince looks up, brow slightly furrowed, then stares at his pint. The liquid now restless and churning as Ian sits back and tries doing the same to his pint. A group hang around an itbox cheering and slapping each other, constantly bringing drinks to their faces. At one false answer their heads come to hands as a scream of mild annoyance and laugh comes out. They reprimand one and keep punching his arm lightly whilst his cries of ‘I thought it was Gogh, he’s the only one I know’ fills his yells. One of them eyes Vince, noticing his stare; then the man turns to view Emily. The man juts his bottom lip out and smiles, nodding. Vince dizzies slightly with his back teeth hitting each other. He silently sees the back of Fire wander off in the distance. Emily turns from Tim to Vince. Oi you! Wake up. Vince turns around smiling grabbing his pint. Was wandering off. Just watching them idiots losing at itbox. Tim pipes up slamming his chest. I’m a sodding master at itbox. Ian turns instantly, putting down his turbulent pint. Who invented the ballpoint pen? Technically John Loud but it was Ladislas Biro who perfected it. Boo-Yaa! If that’s true, I’m bloody well impressed. 14
  • 15. Mike Bridges: The Patchwork Man You heard about people from Lesbos who want to stop their name from being used as a slang word for lesbians? Vince grips his pint and speaks into his glass: Yes, yes. We’ve all heard about the plight of the lesbos. Ian drinks from his pint, leaving small beads of beer in his beard as Vince turns to Emily, confused by the blond’s knowledge. Em, you heard from Mum recently? Fuck no. She’s in Magaluf, probs finding some new dad for our ever expanding collection. Emily turns to Tim. Where did you get such knowledge? I don’t know. But they say a thousand years ago, the Danes invaded Sicily. Vince eyes downwards to his shoes, scuffing the leather slightly more, repressing the urge to burp. He shifts back placing more pain on his left shoulder. Jack wheels round, eyes rolling, with his bottom chin poked out in his mild face fuzz and opens his mouth to the side. Vince, you still into cartoons, ya pussy? Vince leans forwards. No, why? Just had the CatDog theme in my head. Remember? Jack Rose….Jaaaack Rose….All alone in the world is a little Jack Rose. Sit down, stop dancing. The small blond barmaid points from the bar laughing at Jack’s trousers hanging below his backside. A trait left since teenage years. The men by the itbox 15
  • 16. Mike Bridges: The Patchwork Man move to the bar and Emily decides to advantage the opportunity. itbox! itbox! itbox! Chris jumps from his minor doze while Ian swallows his drink down the wrong hole, coughing. Yes indeed-dee. See, Tim’s game! Emily grabs Tim’s hand and starts dragging him upwards as he admires the below breast view, before being brought to his feet. Jack falls forward grabbing his pint from the table, bracing himself with his left hand and Ian pulls him back to his proper grounding. Same old Rosie. Fuck you! Trucker. Trucker. What? Jack pulls fluff from his pocket along with a loose Rizla and filter. You heard…trucker…mother trucker. Jack stumbles through the main doors while pulling out a string of tobacco and he places it in the semi-crushed Rizla being battered by the wind. Ian joins the others round the itbox leaving Chris dozing in his chair and brings over Vince’s pint. He walks past a man being asked to leave who’s leaning on the bar releasing saliva uncontrollably. Two of the bigger workers grab him by the arms to try and get him out the front door. The spittle-man mumbles ‘Christmas’ under his breath as Ian hands Vince his drink. A steaming Mr Dribble there. Vince looks at an old man leaning on a bin outside, midway through a heave. 16
  • 17. Mike Bridges: The Patchwork Man Fuck, Ian. Why you make me look at that. Oh shit! He was just dribbling when I saw him. The two big workers are outside trying to force the old man away as two Police Community Support Officers run over. An awkward scream pierces through the doors and Jack falls against the window from outside, knocking the pub’s two-for-one advert. Jess loads the itbox with coins, while Tim keeps saying: Bullseye! Jess looks round. Bullseye okay for everyone? Vince chews his lips and rubs his eye. Yeah…guess so. You’re always wanting Bullseye. Another Bullseye fan. Suuuhweet. Vince takes in the rest of his pint, nodding and turning away. Tim purses his lips giving a little nod and Emily pushes her arms around his waist. Bully The Bull of Bullseye comes up on screen in bright animated form, followed by his bull-horn of a moo. Step back! Tim parts the people putting them behind himself. I’m the king at aiming this dart. He stands on tip toes bringing his arm into a long loop behind his back. He comes down over-arm and with finger-point he hits the fire button, landing a bulls- eye. The letter ‘B’ lights up followed by a question. He hits answer ‘C’ instantly without conferring with the group. Ian calls out: 17
  • 18. Mike Bridges: The Patchwork Man Come on man, at least divulge the question to the rest of us, even if you know. Yeah, but, come on? Ian Beale is a character from which soap opera. Who needs to confer on that? There’s a loud bang as Jack makes his entrance back into the bar, smelling of smoke and singed hair. One of the two big staff members tells the group they need to control him as Tim answers another question without asking the others. Ian furrows his brow pursing his lips, violently nodding. He explodes in a mini-fake-rage. Right! Your Bullseye etiquette is beyond inhuman and Jack, here’s a fiver. Get some coffee and chips. Aww. Safe then blud! Jack wanders to the bar and, amidst the protests surrounding the itbox, Jack’s order of two ciders can be heard. The next swirling dart revolves around the screen. Tim ready to land the button blow gets shunned aside by Vince’s finger-point, but, in his shaky state, the dart misses the bulls-eye. The letter ‘L’ of Bullseye doesn’t light up, instead, more obscure questions follow. Vince! You little ess-aitch-one-tee. Vince looks at Tim, the man he only met this night, taken aback by the insult. Vince leans in answering ‘B’, landing the first question correctly. Quickly followed by Tim on the next answer with ‘C’. Right if you two don’t start… Answer ‘D’ is hit by Vince. You two are itbox monsters. 18
  • 19. Mike Bridges: The Patchwork Man Ian fakes crying into his sleeve while Jess’ fingers scratch the nearby table. Emily puts a light hand on top, stroking. Tim lands the next dart. Bulls-eye. Vince rushes in for the first question missing the correct one. Ian shouts: But I knew that one! Come on you two, it’s all our money. Tim really put in? Vince looks between Jess and Tim, eyebrow cocked, as Ian dives for an answer landing correct. Tim fires the next dart. Bulls-eye. Now up to ‘E’ is lit up: two letters from the full word. We are cuh-lose, mateys! Tim holds off Vince from answering. Right! Together this time. Jack staggers to the group with two pints. You order chips, Rosie? What mate? Jack inhales part of his pint. Ian shakes his head, looking to the itbox match. Right. Question is, ‘Who wrote Coming Through Slaughter, a novel about the legendary Jazz musician Buddy Bolden’? Michael Ondaatje. You sure, Vince? Positive. Vince lands the ‘C’ button blow. The dart starts swirling again. Ian steps forward wanting to land a dart but Vince jumps in releasing the set of pixels on its path. Bulls-eye. ‘Y’ is lit. Tim starts jumping. 19
  • 20. Mike Bridges: The Patchwork Man Soooooooooo fucking cuh-lose you guys! The excitement stirs Chris who makes himself more comfortable at his table. A couple of the regulars stare at the jumping blond and shake their heads before turning back to their drinks. One man under his breath gives a cursive. Vince starts tapping his foot. Next question. ‘What is comedy legend Benny Hill’s real name? They look at each other perplexed as Vince whacks his head. Pretty certain it’s Alfred Hawthorne Hill. Tim hits ‘C’, the answer correct. Wicked! Question two. ‘Complete the title of this play by Arthur Miller: ‘Death of a . . .’. Emily answers: Salesman! Haven’t read that in ages. ‘A’ is hit and the dart resets to swirling. Tim goes for the fire button but Vince pushes forward and lands the blow. Hey, come on. That was a bit violent. Vince turns to Tim at speed, catching Fire in his vision. Well, you’re a prancing dick. Tim’s smile drops to a wide-eyed open mouth. Ah…well…look….I mean…we’ve missed getting full Bullseye now. I don’t give a fuck about Bullseye. You’re not giving the right… Jess steps forward. Calm down Vince. Jess has a firm palm against Vince’s fist. Emily pushes past. 20
  • 21. Mike Bridges: The Patchwork Man Come on, this is silly. Vince breathes through his nose, rushing the air out. Jack trips over his own leg in confusion. Right. You lot, out! The two big workers start coming over. And take your sleeping muppet with you. One of the two kicks Chris’ chair, waking him. Chris looks into the face of the big man. We off? Chris stands grabbing his coat and puts it on, tapping his pockets. The big man steps back letting him pass as Emily turns to Vince. Come on let’s go back to yours. Calm down and back to yours. You’ve got drink I noticed and you don’t mind the others do you? Vince stares into Emily’s blue. The brown hair blue eyes. Vince falls a little where his muscles relax. Yeah…yeah that’s great. Sorry, Tim. Don’t know what…Drink and the stuff, you know. That’s alright, buddy. Absolutely wicked. These things happen. Vince tenses a little. Boys! I’m on the floor, what am I doing? In Jess and Vince’s house, Emily sits across Tim’s leg; Chris sleeps in the corner under his jacket, sat on an arm chair. Jack no-where in sight, lost on the travel. Jess, 21
  • 22. Mike Bridges: The Patchwork Man Ian and Vince talk on the long sofa. I’m feeling a bit battered, Vince. Want to go to bed? Got pillows and sheets and teddies. No. I’ll have a Cointreau though if you got one? Jess stands and says: I think we do. What you wanting, Vince? I’ll have a beer. Tim looks up from Emily’s face. I’ll have a beer if that’s cool? Emily is biting her lower lip, knees pulled up to her chest, rocking. I’ll have a tea please, Jess. Would you like some vowels? Tim laughs at his joke that barely woke the room, apart from Emily. Vince scratches his knee, feeling a burning behind the ears. Ian taps Vince on the shoulder. Alright if I put a tune on? Vince nods, not taking his eyes off Tim who’s whispering into Emily’s ear. Her moments of laughter squeezing his stomach. Ian walks to the CD player and puts some music on. A chill out track with just noticeable deep-bass fills the room, accompanied by an effortlessly sung melody line by a young female vocalist. Vince’s body relaxes into his sofa, letting the music breathe in him. He knows the pub without music always seems like a bad call, but when the post-evening music starts, the gap in play is always worth the wait. Vince smiles slightly. A burning sensation in his gut, calming. Jess comes back with the drinks. Cointreau, Ian. 22
  • 23. Mike Bridges: The Patchwork Man Why thank you. Ian necks in one and turns to Vince. Get me a beer, Vince. Vince pulls his hands down his head. You cheeky cunt. Jess hands Vince his bottle of Becks which he then drains to the top of the label. Ian I’ll get you a beer, don’t worry. Vince leans forwards. No. Don’t. I’ll get it. Need a piss anyway. Vince makes his way to one of the living room doors, brushing Emily‘s face on the way. He checks the front door in the hallway to make sure it’s shut but finds it unlocked. He locks then looks to the top of the stairs and begins walking. He mildly bounces off the wall to propel himself upwards, bruising his shoulder. He stops at the top and looks to the thin line of bright white light surrounding the door frame of the bathroom. The sound of running water can be heard on the other side. He pushes the door and it gives. Fire is washing his hands. Jesus Christ, Fire, scared the shit out of me. Fire looks up into the mirrored front of Jess and Vince’s medicine cabinet. I was returning your coat, Vince. You’d left it behind. Oh…cheers. Could have left it. I’d of worked it out. You want to stay for a bit? I’ll be here for a moment and that’ll be me. 23
  • 24. Mike Bridges: The Patchwork Man Vince leans on the doorframe, while Fire hesitates distributing more soap from the dispenser and decides not to. He smiles. Didn’t think you came this way at all? I come this way just as often as you do, Vince. Vince folds his arms and looks around his tiny bathroom. Barely enough room for two men. His sister’s toiletries, a new welcome sight on the sink. The strawberry shampoo she’s been using since her teens, stains the bath tub. How was the rest of the night, Vince? Fire gazes at Vince’s reflection. His stance straightening. Had some problems with the blond. I saw. Why didn’t you step in? Not my place, but I admire your commitment. Commitment to what? Your stranger. You’re the stranger here, Fire. Constant riddle-me-this. I’m saying what you and others know, but you haven’t awoken to it yet. Vince pulls a little at his right cheek. Awoken to what? You’ll work it out, Vince. The trick is whether or not to act on it when that stranger comes out. You’re allowing yourself to be perfectly known…history will run its course. Had enough bloody history with the itbox. Fire laughs. Both hands still on the sink, dark eyes staring into the tunnels of 24
  • 25. Mike Bridges: The Patchwork Man Vince’s. Your flaw. Your self-interest. It’s admirable. Yeah…he’s still up in her, you know? He’s laughing at her, cause you know, what he wants is…and she’s giving. He’s laughing at me, Fire. I see the hall your walking down, Vince. That inevitable door, waiting. Vince stands stiff in the doorway. The pulse of the corridor of stairs beats behind him. The door to the living room lighted in dim peach. I tell this like a dream, Vince. Fire lifts his hands from the sink, smiling into the mirror. I need to do something about them, Fire, about her. Give her the right way. Remember though, Vince, you wont have a friend in the world after. Even those who understand will turn against you. Even the ones that feel the same will despise you. Fire stops to let the words sink in. Vince strokes his arms up and down. He stares Fire in the eyes through reflection. Only God makes justice, Vince.  So, you believe in God now? Fire smiles. I could create justice not found in a book. Vince clenches his head, feeling it’ll burst. You think I have such thoughts? Fire’s smile weakens and he looks down to the taps. Most of the time, people settle for half the thought and action. He looks to Vince. 25
  • 26. Mike Bridges: The Patchwork Man And those people like it better. Fire turns the tap off and Vince lets him pass. Vince looks to Fire’s back and calls: Why do they call you Fire? It’s only you that calls me Fire, Vince. Fire walks down the stairs and unlocks the back door. He touches the living room door before exiting. Did he just leave the house? Jess stands and walks to the window, checking through the curtains to see the black, dimly lit street outside. I can’t see anyone… he must have been shutting the door properly. Vince waits outside the living room door, hand hovering over the door handle. His eyes red and stinging in rawness. The muffled bass tones of the others’ voices seep through the dim peach cracks of light. Vince leans forward pressing his ear against the wood, listening deeper. Jess, why does Vince hate me so much. Tim’s voice, quiet and short, forcing Vince to press his ear closer for clarity. Don’t mind him. Can take a while for him to get used to people. Ian’s deeper tone hit’s the door. You think he’s gone to bed. Can’t hear him at all? Shuffling feet on carpet creates shadow blobs in the crack of light beneath the door. Music switches to new tones, distorting voices. Vince searches for words as Tim 26
  • 27. Mike Bridges: The Patchwork Man raises his voice. I think I should leave though, feel a bit…odd being here. Tim, really, don’t worry. There’s just…there’s a campaign in him, stuck there. Something he can’t shift…or wont. It’d be better for him if you stay. That was one of the scariest things you ever said, Jess. Vince grips the door handle harder, feeling his warmth heat the cold metal, and prepares himself to enter. He pauses before twisting the handle, remembering Ian’s beer. The cold of the metal pushes back, calming Vince slightly. He walks down the narrow hallway and enters the kitchen. He opens up the fridge taking out two bottles then wonders if he should remove a third. Two or three swim through his head as he stares at the knife block; the largest of the set, slightly out from the wooden base. Two or three to make amends. The knife slides out some more. Take three bottles, or two and a knife. The thoughts burn through Vince, digging nails into his palms. Two bottles are in hand and open, a third is taken from the fridge; the knife comes a little further out of the block, closer to falling. He grips its handle tightly in his right as he hears the click of the kitchen door. With sleight of hand he flicks the blade up his shirt sleeve, in time to see the entrance of Jess. Everything alright? You’ve been gone long. Nature called. What did it say? No, really. Bit long for a piss. Wasn’t a piss. Oh…I see. Vince smiles, staring at the bottles in his left hand. I was just wondering if Tim wanted a drink too? 27
  • 28. Mike Bridges: The Patchwork Man Just grab him one. Jess leaves as the blade edge digs deeper into the side of Vince’s forearm. He rotates it so the blade faces outwards. He opens the bottle for Tim as an irregular drum pattern erupts, bouncing out of the living room. Vince walks into the living room and sees Ian at the stereo. Sorry, sorry! Didn’t mean to put this on, slightly hectic for the early morning. The drums flick about between speakers like dancing fire as Vince’s head and heart thump with the bass. Nah, keep this on. I like it. Ian hits the next button allowing further ambience to fill the room. He takes his beer with a nod, frothing the top slightly, and catches the overspill into his mouth and beard. You mucky pup. Thanks, Jess. Like to see how you would deal with beer overflow dilemmas. Vince and Ian take their places beside Jess on the long sofa. Vince’s eyes are red and itchy. Tim and Emily grow even closer in their drunken haze and Vince drinks, feeling an acidic burn creeping up his throat; a stinging and sharp tang taste hits the back of his tongue. You alright? Look like you’ve gone a bit pale, my friend? Just stomach burn. Want some Rennie? Jess turns to Ian. Do you actually have Rennie on you? 28
  • 29. Mike Bridges: The Patchwork Man Ian looks down to the tip of his chin. No. Jess pokes Ian in the face as Tim and Emily get closer. Their talk unheard over the music and Ian’s exclamations of ‘face rape’. Tim and Emily stroke hands, fingers running up and down. Vince feels the blade beat to his pulse, itching his skin. Their hands glide over knuckles and forearms. Their faces close and lips move effortlessly in provocative talk. Her blue eyes to the blond’s brown. The blond’s hand runs two fingers through her hair. Vince’s back muscles arch in tension; more sweat hits his brow, stinging the eyes further with burning intensity. A slight pool forms at the base of his fringe. Tim and Emily lean closer in their laugh. Lips a penny gap apart. Chests rising. Her hands on his chest, rubbing. Vince feels that hand as his hairs on his chest raise. The blade begins slipping into his welcoming palm. The fire erupts within him as he stands above the two. VINCE! What the fuck! Tim and Emily stand, jumping past Vince, with knife in hand, who screams: You two. What the fuck are you two DOING! You, you don’t get it, do you? Ay? With all this prancing, all this… Vince, put the knife down. Jess steps forward. Vince points the knife at her, while looking at Emily. This is what you’re after, Emily. His anger runs at Emily, pulling her into a forceful embrace; his tongue works its way over her clenched teeth as she feels his heat against her and struggles against his weight. He violently grabs her between legs, rubbing furiously, as Emily’s muffled screams fill the room. Tim pulls him off her as Ian and Jess try to step in. Vince hits 29
  • 30. Mike Bridges: The Patchwork Man Tim with his elbow and throws him to the wall. Vince embraces him against the wall, biting down hard on Tim’s lower lip, drawing metallic blood into both their mouths. Vince manages to squeeze hard between Tim’s trousers before the others wrestle Vince off him. Vince turns waving the knife at them, looking at the room. The others stay back, arms out, palms facing him, offering platitudes of peace. Vince sees Emily, curled on the floor, crying. Tim with back of hand to wrecked mouth, stemming the flow of blood. Ian’s hands are on his head, eyes wide and head shaking. Chris stares at Vince. The music plays as the people are silent. Tears fall down Jess’ face. The burning in Vince subsides to cooling; his body shakes on the spot, hot tears falling from his nose. He gives a limp wristed wave of the knife and backs away to the living room door. I…I can…I can’t. He shakes his head as a heavy heave shifts up. Fuck the lot of you! He opens the living room door and unlocks the front, pulling the door inwards heavily, denting the wall it hits. He runs as the others shout. Ian and Chris run after him as Emily and Jess stare at each other with eyes glazed. Emily vomits on the floor. Chris and Ian come back, shaking their heads. He’s disappeared. Call the police. Vince’s lungs burn in his stride, drawing in cold air, stinging his teeth. Light rain dampens him. His tears mix with rain as he passes people of the night, stepping aside to his blade in hand as each step of the run gives more strain to his legs and his heart beats, erupting in pain, chest tightening in the lack of air. His body relenting, he falls 30
  • 31. Mike Bridges: The Patchwork Man repeatedly, scrabbling back to leave his old world behind in burning, fiery tears. He comes to The Giddy Bridge and stops, staring into the empty building. Back lights on the bar create a small glow, leaving the rest in darkness and grey silhouettes. The knife gripped in his palm, digging in and he stares at it, longing for it. He stumbles down the side alley by the bins collapsing and vomits: white dotted grazing up his arms, trailing tiny blood bubbles. He sits up, back against the wall, breathing quickly with wheezing, in and out, as he puts the point of the blade in the soft below breast bone, pointing it upwards. He pushes a little, feeling the sharpness burst his skin. He looks up, eyes slitted and intense, purses his lips and breaths quicker through his nose, quicker and quicker; tense blows through his nose. He pulls the blade inside him upward, skittering of bone, piercing his lung, screaming out and defecates. He screams crying tears as he twists the blade more, trying to end it quicker. Bubbles burst through the blood in his shirt from his damaged lung, as his breaths become harder and slower while the pain releasing endorphins kick in. He stares at the black wall opposite; the blade feeling like a stranger within him: an invader of the body. Fire comes by and places himself next to Vince in the dying moments. It seems we went for it, Vince. We became known. Vince lurches and cries out as a wave of pain hits. He breathes, speaking through clenched teeth. I’m scared, Fire. He leans forward forgetting the blade still in him, shocking him upright with more screams. It was always going to be this way, Vince. We had to accept that. Fear or no fear. Fire looks at the wound. The would be incarnadine turned black by dim-peach 31
  • 32. Mike Bridges: The Patchwork Man streetlights, shaded by the alleyway bins. A pool forms around as Vince’s eyes close momentarily in his greying face. We haven’t got long now have we, Vince? You could…get an ambulance. You know I can’t do that, Vince. Fire places an arm across Vince’s neck, drawing him in Your only friend in the world now, Vince. Your stranger in the tunnel. Vince laughs the last bit of life and says his final: Me and my Fire, die together. 32