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1
School 2
(Coleridge Community
College, Cambridgshire)
Cambridge Junction
(Project management)
Sam Aaron
(Sonic Pi creator)
Juneau Projects
(artist)
Juneau Projects
(artist)
School 1
(Freeman College
Hertfordshire)
NESTA Event
Digital R&D Fund for the Arts
Sonic Pi: Live &
Coding
Pam Burnard (lead research partner)
University of Cambridge
To what extent can arts led partnerships
use live coding to facilitate innovative,
exciting, and engaging digital music
opportunities and progression routes for:
(i) young people,
(ii) teachers, and
(iii) artists.
2
Research Proposition
3
Sonic Pi: Live & Coding Partners
&
( )
Juneau
Project
s
Live & Coding
4
PHASE 1 – DEVELOPMENT
Workshops & training sessions
 Observation
 Interviews
 Literature review
PHASE 3b - DISSEMINATION
Summit
 Legacy materials online
 Multiple publications
 Support launch completed
PHASE 3a - FINDINGS
Analysis/Write up/Tool kit
 Online toolkit and resource writing
 Final research report
 Evaluations
PHASE 2b - DELIVERY
Case 3: Summer School
 Documenting arts led partnerships
 Documenting communities of practice
 Performances and sound files
PHASE 2a - DELIVERY
Cases 1 & 2 Schools
 Observations and interviews
 Questionnaires and digital compositions
 Online communities of practice
Research Design
Data Analysis Process
6
Analysis Categories
Partnerships
Challenges
Practices
Themes
Live & Coding
Understanding
Connecting
Building
Reflecting
Educational
Socio-musical
Technological
Institutional
Specialisms
Becoming 'coders’
Digital composing
Digital performing
Assessing coding? Liveness?
Learning-support practices
Ensuring student 'ownership'
7
• Live coding music has the
potential to transform
music education
• Arts led partnerships can
offer unique practices
Emerging Insights

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  • 1. 1 School 2 (Coleridge Community College, Cambridgshire) Cambridge Junction (Project management) Sam Aaron (Sonic Pi creator) Juneau Projects (artist) Juneau Projects (artist) School 1 (Freeman College Hertfordshire) NESTA Event Digital R&D Fund for the Arts Sonic Pi: Live & Coding Pam Burnard (lead research partner) University of Cambridge
  • 2. To what extent can arts led partnerships use live coding to facilitate innovative, exciting, and engaging digital music opportunities and progression routes for: (i) young people, (ii) teachers, and (iii) artists. 2 Research Proposition
  • 3. 3 Sonic Pi: Live & Coding Partners & ( ) Juneau Project s Live & Coding
  • 4. 4 PHASE 1 – DEVELOPMENT Workshops & training sessions  Observation  Interviews  Literature review PHASE 3b - DISSEMINATION Summit  Legacy materials online  Multiple publications  Support launch completed PHASE 3a - FINDINGS Analysis/Write up/Tool kit  Online toolkit and resource writing  Final research report  Evaluations PHASE 2b - DELIVERY Case 3: Summer School  Documenting arts led partnerships  Documenting communities of practice  Performances and sound files PHASE 2a - DELIVERY Cases 1 & 2 Schools  Observations and interviews  Questionnaires and digital compositions  Online communities of practice Research Design
  • 6. 6 Analysis Categories Partnerships Challenges Practices Themes Live & Coding Understanding Connecting Building Reflecting Educational Socio-musical Technological Institutional Specialisms Becoming 'coders’ Digital composing Digital performing Assessing coding? Liveness? Learning-support practices Ensuring student 'ownership'
  • 7. 7 • Live coding music has the potential to transform music education • Arts led partnerships can offer unique practices Emerging Insights