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museums  in   a  digital  culture DR. ROSS PARRY Department of Museum Studies University of Leicester UK Technologies for Cultural Heritage: Leonardo and Beyond Oxford, 1-2 October 2008 Museums in a Digital Culture FARO Department for Culture, Youth, Sports and Media Agency for Arts and Heritage Brussels - 22 May 2010
 
‘ Much of our imaginary and our political and social practices are conditioned and organised by and through the electronic communications system.’ Manuel Castells, ‘Museums in the information era: cultural connectors of time and space’. ICOM News, special issue Vol. 54, No. 3 (2001), 4-7.
 
museum gallery ICT 1. OUTSIDE (1950s-60s)
museum gallery ICT museum gallery ICT 1. OUTSIDE (1950s-60s) 2. PERIPHERAL 1970s)
museum gallery ICT museum gallery ICT museum gallery ICT` web 1. OUTSIDE (1950s-60s) 2. PERIPHERAL 1970s) 3. CONTAINED (1980s-90s)
museum gallery ICT museum gallery ICT museum gallery ICT` museum gallery ICT web web 1. OUTSIDE (1950s-60s) 2. PERIPHERAL 1970s) 3. CONTAINED (1980s-90s) 4. DISCRETE (1990s)
museum gallery ICT museum gallery ICT museum gallery ICT` museum gallery ICT museum gallery web web web 1. OUTSIDE (1950s-60s) 2. PERIPHERAL 1970s) 3. CONTAINED (1980s-90s) 4. DISCRETE (1990s) 5. INTEGRATED  (today)
museum gallery ICT museum gallery ICT museum gallery ICT` museum gallery ICT museum gallery museum gallery web web web web 1. OUTSIDE (1950s-60s) 2. PERIPHERAL 1970s) 3. CONTAINED (1980s-90s) 4. DISCRETE (1990s) 5. INTEGRATED  (today) 6. EMBEDDED (emerging)
museum gallery ICT museum gallery ICT museum gallery ICT` museum gallery ICT museum gallery museum gallery web web web web museum 1. OUTSIDE (1950s-60s) 2. PERIPHERAL 1970s) 3. CONTAINED (1980s-90s) 4. DISCRETE (1990s) 5. INTEGRATED  (today) 6. EMBEDDED (emerging) 7. INNATE (next?) media
 
Pervasive Participatory Personalised
Pervasive augmented immersive ambient mobile wireless
Participatory intuitive kinesthetic haptic multi-user user-generated
Personalised adaptive adaptable client-side memorising location-specific
Personalised adaptive adaptable client-side memorising location-specific Participatory intuitive kinesthetic haptic multi-user user-generated Pervasive augmented immersive ambient mobile wireless
 
 
1998 ‘ Digital Interactives’ ‘ access’ ‘ interactivity’ ‘ engagement’ ‘ Learning’ ‘ IT skills’ ‘ best practice’
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constructive lead narratives
constructive interpretive lead narratives
constructive interpretive communicative lead narratives
constructive interpretive communicative performative lead narratives
constructive interpretive communicative performative lead narratives distributed
constructive interpretive communicative performative lead narratives distributed hyper-linked
constructive interpretive communicative performative lead narratives distributed hyper-linked addressed
constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual
constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives
constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives
constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated
constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic
constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social
constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory
constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory live narratives
constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory live narratives authoring and building narratives
constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory live narratives authoring and building narratives contributing to narratives planned and initiated narration
constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory live narratives authoring and building narratives contributing to narratives planned and initiated narration unplanned / unseen narration
constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory live narratives authoring and building narratives contributing to narratives planned and initiated narration unplanned / unseen narration staged and evolving narrativity
constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory live narratives authoring and building narratives contributing to narratives planned and initiated narration unplanned / unseen narration staged and evolving narrativity fragmented and transient narrativity
constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory live narratives authoring and building narratives contributing to narratives planned and initiated narration unplanned / unseen narration staged and evolving narrativity fragmented and transient narrativity owned and ‘inside’ (collected)
constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory live narratives authoring and building narratives contributing to narratives planned and initiated narration unplanned / unseen narration staged and evolving narrativity fragmented and transient narrativity owned and ‘inside’ (collected) shared and ‘outside’ (ubiquitous)
constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory live narratives authoring and building narratives contributing to narratives planned and initiated narration unplanned / unseen narration staged and evolving narrativity fragmented and transient narrativity owned and ‘inside’ (collected) shared and ‘outside’ (ubiquitous) time constrained and event-bound
constructive interpretive communicative performative distributed hyper-linked addressed hyper-textual situated semantic social sensory authoring and building narratives contributing to narratives planned and initiated narration unplanned / unseen narration staged and evolving narrativity fragmented and transient narrativity owned and ‘inside’ (collected) shared and ‘outside’ (ubiquitous) time constrained and event-bound ‘ always on’ and ‘on demand’ lead narratives linked narratives live narratives
constructive interpretive communicative performative situated semantic social sensory authoring and building narratives contributing to narratives planned and initiated narration unplanned / unseen narration staged and evolving narrativity fragmented and transient narrativity owned and ‘inside’ (collected) shared and ‘outside’ (ubiquitous) time constrained and event-bound ‘ always on’ and ‘on demand’ lead narratives live narratives
situated semantic social sensory
Dr. Ross Parry Senior Lecturer School of Museum Studies University of Leicester, UK [email_address]

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Ross Parry keynote

  • 1. museums in a digital culture DR. ROSS PARRY Department of Museum Studies University of Leicester UK Technologies for Cultural Heritage: Leonardo and Beyond Oxford, 1-2 October 2008 Museums in a Digital Culture FARO Department for Culture, Youth, Sports and Media Agency for Arts and Heritage Brussels - 22 May 2010
  • 2.  
  • 3. ‘ Much of our imaginary and our political and social practices are conditioned and organised by and through the electronic communications system.’ Manuel Castells, ‘Museums in the information era: cultural connectors of time and space’. ICOM News, special issue Vol. 54, No. 3 (2001), 4-7.
  • 4.  
  • 5. museum gallery ICT 1. OUTSIDE (1950s-60s)
  • 6. museum gallery ICT museum gallery ICT 1. OUTSIDE (1950s-60s) 2. PERIPHERAL 1970s)
  • 7. museum gallery ICT museum gallery ICT museum gallery ICT` web 1. OUTSIDE (1950s-60s) 2. PERIPHERAL 1970s) 3. CONTAINED (1980s-90s)
  • 8. museum gallery ICT museum gallery ICT museum gallery ICT` museum gallery ICT web web 1. OUTSIDE (1950s-60s) 2. PERIPHERAL 1970s) 3. CONTAINED (1980s-90s) 4. DISCRETE (1990s)
  • 9. museum gallery ICT museum gallery ICT museum gallery ICT` museum gallery ICT museum gallery web web web 1. OUTSIDE (1950s-60s) 2. PERIPHERAL 1970s) 3. CONTAINED (1980s-90s) 4. DISCRETE (1990s) 5. INTEGRATED (today)
  • 10. museum gallery ICT museum gallery ICT museum gallery ICT` museum gallery ICT museum gallery museum gallery web web web web 1. OUTSIDE (1950s-60s) 2. PERIPHERAL 1970s) 3. CONTAINED (1980s-90s) 4. DISCRETE (1990s) 5. INTEGRATED (today) 6. EMBEDDED (emerging)
  • 11. museum gallery ICT museum gallery ICT museum gallery ICT` museum gallery ICT museum gallery museum gallery web web web web museum 1. OUTSIDE (1950s-60s) 2. PERIPHERAL 1970s) 3. CONTAINED (1980s-90s) 4. DISCRETE (1990s) 5. INTEGRATED (today) 6. EMBEDDED (emerging) 7. INNATE (next?) media
  • 12.  
  • 14. Pervasive augmented immersive ambient mobile wireless
  • 15. Participatory intuitive kinesthetic haptic multi-user user-generated
  • 16. Personalised adaptive adaptable client-side memorising location-specific
  • 17. Personalised adaptive adaptable client-side memorising location-specific Participatory intuitive kinesthetic haptic multi-user user-generated Pervasive augmented immersive ambient mobile wireless
  • 18.  
  • 19.  
  • 20. 1998 ‘ Digital Interactives’ ‘ access’ ‘ interactivity’ ‘ engagement’ ‘ Learning’ ‘ IT skills’ ‘ best practice’
  • 21. 2008 ‘Senses working overtime’ 1998 ‘ Digital Interactives’ ‘ access’ ‘ interactivity’ ‘ engagement’ ‘ Learning’ ‘ IT skills’ ‘ best practice’ ‘ confidence’ ‘ belief’ ‘ delight’ ‘ GLOs’ ‘ intuitive’ ‘ models’
  • 22.  
  • 26. constructive interpretive communicative performative lead narratives
  • 27. constructive interpretive communicative performative lead narratives distributed
  • 28. constructive interpretive communicative performative lead narratives distributed hyper-linked
  • 29. constructive interpretive communicative performative lead narratives distributed hyper-linked addressed
  • 30. constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual
  • 31. constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives
  • 32. constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives
  • 33. constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated
  • 34. constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic
  • 35. constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social
  • 36. constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory
  • 37. constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory live narratives
  • 38. constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory live narratives authoring and building narratives
  • 39. constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory live narratives authoring and building narratives contributing to narratives planned and initiated narration
  • 40. constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory live narratives authoring and building narratives contributing to narratives planned and initiated narration unplanned / unseen narration
  • 41. constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory live narratives authoring and building narratives contributing to narratives planned and initiated narration unplanned / unseen narration staged and evolving narrativity
  • 42. constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory live narratives authoring and building narratives contributing to narratives planned and initiated narration unplanned / unseen narration staged and evolving narrativity fragmented and transient narrativity
  • 43. constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory live narratives authoring and building narratives contributing to narratives planned and initiated narration unplanned / unseen narration staged and evolving narrativity fragmented and transient narrativity owned and ‘inside’ (collected)
  • 44. constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory live narratives authoring and building narratives contributing to narratives planned and initiated narration unplanned / unseen narration staged and evolving narrativity fragmented and transient narrativity owned and ‘inside’ (collected) shared and ‘outside’ (ubiquitous)
  • 45. constructive interpretive communicative performative lead narratives distributed hyper-linked addressed hyper-textual linked narratives situated semantic social sensory live narratives authoring and building narratives contributing to narratives planned and initiated narration unplanned / unseen narration staged and evolving narrativity fragmented and transient narrativity owned and ‘inside’ (collected) shared and ‘outside’ (ubiquitous) time constrained and event-bound
  • 46. constructive interpretive communicative performative distributed hyper-linked addressed hyper-textual situated semantic social sensory authoring and building narratives contributing to narratives planned and initiated narration unplanned / unseen narration staged and evolving narrativity fragmented and transient narrativity owned and ‘inside’ (collected) shared and ‘outside’ (ubiquitous) time constrained and event-bound ‘ always on’ and ‘on demand’ lead narratives linked narratives live narratives
  • 47. constructive interpretive communicative performative situated semantic social sensory authoring and building narratives contributing to narratives planned and initiated narration unplanned / unseen narration staged and evolving narrativity fragmented and transient narrativity owned and ‘inside’ (collected) shared and ‘outside’ (ubiquitous) time constrained and event-bound ‘ always on’ and ‘on demand’ lead narratives live narratives
  • 49. Dr. Ross Parry Senior Lecturer School of Museum Studies University of Leicester, UK [email_address]