Andy warhol-screenprints

Andy Warhol 1928 – 1987

Iconic Screenprints, 1964-1987

More than any other artist of his generation, Andy Warhol understood
how the reproduced image had come to reflect and shape
contemporary life. His paintings of Coca-cola bottles, race riots in
Birmingham, Alabama, and the empty desolation of the death chamber
are like a catalogue of contemporary hieroglyphs scattered across the
American landscape.
--Donna de Salvo
“God is in the Details: The Prints of Andy Warhol”

Andy Warhol was born Andrew Warhola in Pittsburgh, Pennsylvania,
in 1928. In 1945 he entered the Carnegie Institute of Technology (now
Carnegie Mellon University) where he majored in pictorial design.
Upon graduation, Warhol moved to New York where he found steady
work as a commercial artist.

In 1952, Warhol had his first individual show at the Hugo Gallery,
exhibiting Fifteen Drawings Based on the Writings of Truman Capote.
His work was exhibited in several other venues during the 1950s,
including his first group show at The Museum of Modern Art in 1956.

Appropriating images from popular culture, Warhol created many
images that remain icons of 20th-century art, such as the Campbell's
Soup Cans, Disasters and Marilyn Monroe screenprints. In addition to
painting and printmaking, Warhol made several 16mm films which
have become underground classics such as Chelsea Girls and
Empire.

Following routine gall bladder surgery, Andy Warhol died February 22,
1987. After his burial in Pittsburgh, his friends and associates
organized a memorial mass at St. Patrick's Cathedral in New York that
was attended by more than 2,000 people.

COSKUN • LONDON
91 Walton Street London SW3 2HP Tel: +44 (0)20 7581 9056 Fax: +44 (0)20 7581 1336
email: info@coskunfineart.com www.coskunfineart.com

Andy Warhol 1928 – 1987 Andy Warhol 1928 – 1987

Banana, ca. 1966

Screenprint on styrene
24 x 53 1/4 inches (61 x 135.2 cm)
Image: approximately 17 x 36 inches (43.2 x 91.4 cm)
Liz, 1964 The banana skin, printed on laminated plastic 17 7/8 x 36 1/4 inches
(45.4 x 92.1 cm), can be removed and placed anywhere on the sheet
Offset lithograph on paper Edition: approximately 300
23 1/8 x 23 1/8 inches (58.7 x 58.7 cm) Some have a stamped signature on recto;
Edition: approximately 300 signed and dated in ball-point pen some signed on verso, some stamped AP on recto; some dated
Printer: Total Color, New York Printer: Unknown
Publisher: Leo Castelli Gallery, New York Publisher: Andy Warhol, New York

Catalogue Raisonné: Feldman & Schellmann II.7 Catalogue Raisonné: Feldman & Schellmann II.10

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Cow, 1966 Cow, 1971
.
Screenprint on wallpaper Screenprint on wallpaper
45 1/2 x 29 3/4 inches (115.6 x 75.6 cm) 45 1/2 x 29 3/4 inches (115.6 x 75.6 cm)
Edition: unlimited Edition: unlimited
100 signed with a rubber stamp and numbered on verso; Approximately 100 signed in felt pen in 1979
some dated on recto Published for a Warhol exhibition at
Published for an exhibition at Leo Castelli Gallery, New York, the Whitney Museum of American Art,
April 2 – April 27, 1966 New York, May 1 – June 13, 1971
Printer: Bill Miller’s Wallpaper Studio, Inc., New York Printer: Bill Miller’s Wallpaper Studio, Inc., New York
Publisher: Andy Warhol, New York Publisher: Factory Additions, New York

Catalogue Raisonné: Feldman & Schellmann II.11 Catalogue Raisonné: Feldman & Schellmann II.11A

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Cow, 1976
Cow, 1971
Screenprint on wallpaper
Screenprint on wallpaper 45 1/2 x 29 3/4 inches (115.6 x 75.6 cm)
45 1/2 x 29 3/4 inches (115.6 x 75.6 cm) Edition: unlimited
Edition: unlimited Approximately 100 signed in felt pen in 1979
150 signed, numbered, and dated in ball-point pen on verso; some Published for an exhibition at the
dated on recto Modern Art Pavilion, Seattle Center, Seattle, Washington,
Printer: Bill Miller’s Wallpaper Studio, Inc., New York November 18, 1976 – January 9, 1977
Publisher: Factory Additions, New York Printer: Bill Miller’s Wallpaper Studio, Inc., New York
Publisher: Factory Additions, New York
Catalogue Raisonné: Feldman & Schellmann II.12
Catalogue Raisonné: Feldman & Schellmann II.12A

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Jacqueline Kennedy I (Jackie I), 1966 Jacqueline Kennedy II (Jackie II), 1966
Screenprint on paper Screenprint on paper
24 x 20 inches (61 x 50.8 cm) 24 x 30 inches (61 x 76.2 cm)
Image: 20 5/8 x 17 1/8 inches (52.4 x 43.5 cm) Edition: 200, 50 numbered in Roman numerals
Edition: 200, 50 numbered in Roman numerals Signed with a rubber stamp and numbered in pencil on verso
Signed with a rubber stamp and numbered in pencil on verso Published in the portfolio 11 Pop Artists II,
Published in the portfolio 11 Pop Artists I, containing works by eleven artists
containing works by eleven artists Printer: KMF, Inc. (Knickerbocker Machine & Foundry, Inc.), New York
Printer: KMF, Inc. (Knickerbocker Machine & Foundry, Inc.), New York Publisher: Original Editions, New York
Publisher: Original Editions, New York

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Jacqueline Kennedy III (Jackie III), 1966
Self-Portrait, 1966
Screenprint on paper
Offset lithograph on silver coated paper
40 x 30 inches (101.6 x 76.2 cm)
23 x 23 inches (58.4 x 58.4 cm)
Edition: 200, 50 numbered in Roman numerals
Edition: 300 signed and numbered in ball-point pen on verso;
Signed with a rubber stamp and numbered in pencil on verso
some signed on recto
Published in the portfolio 11 Pop Artists III,
Published to announce a Warhol exhibition at the Leo Castelli Gallery,
containing works by eleven artists
New York, April 2 – April 27, 1966
Printer: KMF, Inc. (Knickerbocker Machine & Foundry, Inc.), New York
Printer: Total Color, New York
Publisher: Original Editions, New York
Publisher: Leo Castelli Gallery, New York

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Marilyn Monroe (Marilyn), 1967

Portfolio of ten screenprints on paper
36 x 36 inches (91.4 x 91.4 cm)
Edition: 250, 26 AP signed and lettered A-Z on verso
Signed in pencil and numbered with a rubber stamp on verso;
some signed in ball-point pen, some initialled on verso; some dated
Printer: Aetna Silkscreen Products, Inc., New York

Catalogue Raisonné: Feldman & Schellmann II.22-31

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Flash – November 22, 1963, 1968

Portfolio of eleven screenprints, colophon and Teletype text on paper
21 x 21 inches (53.3 x 53.3 cm)
The prints, wrapped with the screenprint cover, are in a plexiglass box, 23 x 22 1/2 x 2 inches (58.4 x 57.1 x 5.1 cm)
Edition: 200, 26 numbered in Roman numerals, 10 lettered A-J have three additional screenprints (not in folders)
Each print, housed in a folder with a page of Teletype text, is signed in ball-point pen on verso;
The colophon is signed and numbered in ball-point pen
Publisher: Racolin Press, Inc., Briarcliff Manor, New York


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Andy Warhol 1928-1987

Campbell’s Soup I, 1968
35 x 23 inches (88.9 x 58.4 cm)
Edition: 250, 26 AP signed and lettered A-Z in ball-point pen on verso
Signed in ball-point pen and numbered with a rubber stamp on verso
Printer: Salvatore Silkscreen Co., Inc., New York


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Campbell’s Soup II, 1969
35 x 23 inches (88.9 x 58.4 cm)
Edition: 250, 26 AP signed and lettered A – Z in ball-point pen on verso

Catalogue Raisonné: Feldman & Schellmann II.54 – 63

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Flowers, 1970

36 x 36 inches (91.4 x 91.4 cm)
Edition: 250, 26 AP signed and lettered A-Z in ball-point pen on verso
Signed in ball-point pen and numbered with a rubber stamp on verso; some dated


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Electric Chairs, 1971

35 1/2 x 48 inches (90.2 x 121.9 cm)
Edition: 250, 50 AP numbered in Roman numerals which are signed and dated in ball-point pen,
stamped AP and numbered with a rubber stamp on verso
Signed and dated ’71 in ball-point pen and numbered with a rubber stamp on verso; some signed in pencil
Printer: Silkprint Kettner, Zurich, Switzerland
Publisher: Bruno Bischofberger, Zurich, Switzerland


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Sunset, 1972

Screenprint on paper
34 x 34 inches (86.4 x 86.4 cm)
Edition: 632 unique prints divided as follows:
40 portfolios containing four prints each, signed and numbered in pencil on verso
472 prints were used by architects Johnson & Burgee for the Hotel Marquette, Minneapolis, Minnesota
In 1981, upon removal from the hotel, these prints were signed, numbered 1/470-470/470 and dated in pencil on verso, and two were marked HC
They were stamped in black on verso Hotel Marquette Prints
Publisher: David Whitney, New York


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Mao, 1972

Portfolio of ten screenprints on Beckett High White paper
36 x 36 inches (91.4 x 91.4 cm)
Edition: 250, 50 AP signed and numbered in pencil on verso; some signed and numbered in ball-point pen
Printer: Styria Studio, Inc., New York
Publisher: Castelli Graphics and Multiples, Inc., New York


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Ladies and Gentlemen, 1975

Portfolio of ten screenprints on Arches paper
43 1/2 x 28 1/2 inches (110.5 x 72.4 cm);
Image, approximately 33 1/2 x 26 1/2 inches (85.1 x 67.3 cm)
Edition: 250, 25 AP, 1 PP
Signed, numbered and dated ’75 in pencil on verso
Printer: Alexander Heinrici, New York
Publisher: Luciano Anselmino, Milan, Italy


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Mick Jagger, 1975

Portfolio of ten screenprints on Arches Aquarelle (Rough) paper
43 1/2 x 29 inches (110.5 x 73.7 cm)
Signed in pencil lower right and numbered in pencil lower left; some signed in felt pen
Most of the prints are also signed in black, green, or red felt pen by Mick Jagger
Printer: Alexander Heinrici, New York
Publisher: Seabird Editions, London, England

Catalogue Raisonné: Feldman & Schellmann II.138–147

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Jimmy Carter I, 1976 Jimmy Carter II, 1976

Screenprint on Strathmore Bristol paper Screenprint on Strathmore Bristol paper
39 1/4 x 29 1/2 inches (99.7 x 74.9 cm) 39 1/4 x 29 1/2 inches (99.7 x 74.9 cm)
Edition: 50, 25 AP Edition: 100, 25 AP
Signed and numbered in pencil lower center Signed and numbered in felt pen lower left
Some prints are also signed by Jimmy Carter Some prints are also signed by Jimmy Carter
Printer: Gem Screens, New York Printer: Rupert Jasen Smith, New York
Publisher: Democratic National Committee, Washington, D.C. Publisher: Democratic National Committee, Washington, D.C.
Published to raise funds for his campaign for president Published to raise funds for his campaign for president


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Skulls, 1976

Portfolio of four screenprints on Strathmore Bristol paper
30 x 40 inches (76.2 x 101.6 cm)
Edition: 50, 10 AP
Signed and numbered in pencil as follows: II.157 and II.159 – lower left;
II.158 – lower center; II.160 – signed lower right, numbered lower left
Printer: Gem Screens, New York
Publisher: Andy Warhol Enterprises, Inc., New York


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Hammer and Sickle, 1977

30 x 40 inches (76.2 x 101.6 cm)
Edition: 50, 10 AP, 2 PP, 1 HC
Signed and numbered in pencil lower left.
Printer: Rupert Jasen Smith, New York


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Hammer and Sickle (Special Edition), 1977

Portfolio of seven screenprints on Strathmore Bristol paper
30 x 40 inches (76.2 x 101.6 cm)
Edition: 10 signed and numbered in pencil lower center, except II.165 and II.166 – lower left
Based on the print (II.164), the portfolio illustrates the five separate colors of the print progression (II.165 – II.169) plus one (II.171) with only the
drawing line and one (II.170) with the black separation in registration with the drawing line


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Muhammad Ali, 1978

40 x 30 inches (101.6 x 76.2 cm)
Signed and numbered in felt pen lower right, except II.179 – lower left


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After the Party, 1979

Screenprint on Arches 88 paper
21 1/2 x 30 1/2 inches (54.6 x 77.5 cm)
Edition: 1,000, 30 AP, 3 PP, 10 HC
Signed and numbered in pencil lower right
Publisher: Grosset and Dunlap, Inc., New York
Included with the Gold Edition of the 1979 book Exposures
by Andy Warhol published by Grosset and Dunlap, Inc., New York


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Ten Portraits of Jews of the Twentieth Century, 1980

Portfolio of ten screenprints on Lenox Museum Board
40 x 32 inches (101.6 x 81.3 cm)
Edition: 200, 30 AP, 5 PP, 3 EP, 25 TP
Signed and numbered in pencil as follows: Gertrude Stein, Martin Buber, George Gershwin, Golda Meir, Sarah Bernhardt, Sigmund Freud – lower
right; Franz Kafka, Albert Einstein, Louis Brandeis, The Marx Brothers – lower left
Publisher: Ronald Feldman Fine Arts Inc., New York; Jonathan A Editions, Tel Aviv, Israel

Catalogue Raisonné: Feldman & Schellmann II.226 -235

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Edward Kennedy (Deluxe Edition), 1980
Edward Kennedy, 1980
Screenprint with diamond dust on Lenox Museum Board
Screenprint with diamond dust on Lenox Museum Board 40 x 32 inches (101.6 x 81.3 cm)
40 x 32 inches (101.6 x 81.3 cm) Edition: 50, 15 AP, 1 PP
Edition: 300, 25 AP, 3 PP, 10 HC which are trial proof variations, 15 Signed and numbered in pencil lower right
TP, 1 TPPP DE is marked before each number – e.g., DE 1/50, DEAP 1/15
Signed and numbered in pencil lower right Printer: Rupert Jasen Smith, New York
Printer: Rupert Jasen Smith, New York Publisher: Kennedy for President Committee, Washington, D.C
Publisher: Kennedy for President Committee, Washington, D.C. Published in the portfolio Artists for Kennedy, containing works by
Published to raise funds for the Edward Kennedy twenty-two artists to raise funds for the Edward Kennedy primary
primary campaign for president campaign for president


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Joseph Beuys, 1980/83

Screenprint on Lenox Museum Board
40 x 32 inches (101.6 x 81.3 cm)
There are three states; states II and III have rayon flock
Edition: 150, 36 AP, 9 PP, 45 individual TP not in portfolios
II.242 (state I), 1980: numbered 101/150-150/150, AP 25/36-36/36, PP 7/9-9/9;
II.243 (state II), 1980/83: numbered 51/150-100/150, AP 13/36 – 24/36, PP 4/9 – 6/9;
II.244 (state III), 1980/83: numbered 1/150-50/150, AP 1/36-12/36, PP 1/9-3/9
Publisher: Editions Schellmann & Klüser, Munich, Germany / New York


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Joseph Beuys, 1980

Portfolio of three screenprints on Arches Cover Black paper (II.245 and II.247 have diamond dust)
44 x 30 inches (111.8 x 76.2 cm)
Edition: 90, 15 AP, 3 PP, 1 HC, 13 individual TP not in portfolios
Printer: Rupert Jason Smith, New York


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Shoes (Deluxe Edition), 1980

Portfolio of five screenprints with diamond dust on Arches Aquarelle (Cold Pressed) paper
40 1/4 x 59 1/2 inches (102.2 x 151.1 cm)
Edition: 10, 1 PP signed and numbered in pencil on verso (DE is marked after each number – e.g., 1/10 DE, PP 1/1DE)
Publisher: Andy Warhol, New York


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Shoes, 1980

Portfolio of five screenprints with diamond dust on Arches Aquarelle (cold pressed) paper
40 1/4 x 59 1/2 inches (102.2 x 151.1 cm)
Edition: 60, 10 AP, 2 PP, signed and numbered in pencil on verso

Catalogue Raisonné: Feldman & Schellman II.253–257

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Myths, 1981

38 x 38 inches (96.5 x 96.5 cm)
Edition: 200, 30 AP, 5 PP, 5 EP, 30 TP
Signed and numbered in pencil as follows: The Star, The Witch, Howdy Doody – verso; Uncle Sam, Superman, Mammy, Dracula, Santa Claus,
The Shadow – lower right; Mickey Mouse – lower left
There are the following HC signed and numbered in pencil the same as above: The Star, HC 1 /4 – 4 /4; Uncle Sam, HC 1/1; Superman HC 1 /12 –
12/12; The Witch HC 1/10 – 10/10; Mammy, HC 1 /4 – 4/4; Howdy Doody HC 1 /3 – 3/3; Dracula, HC 1/1; Mickey Mouse, HC 1/4 - 4/4; Santa
Claus, HC 1/1; The Shadow, HC 1/1; some of these are trial proof variations
All regular edition prints have diamond dust, except Dracula; most TP have diamond dust
Publisher: Ronald Feldman Fine Arts, New York


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Andy Warhol 1928-1987 Andy Warhol 1928 – 1987

Jane Fonda, 1982

39 1/2 x 31 1/2 inches (100.3 x 80 cm) Double Mickey Mouse, 1981
Edition: 100, 25 AP, 3 PP, 25 TP
Signed and numbered in pencil lower left; Screenprint on Arches 88 paper (some with diamond dust)
some TP have diamond dust 30 1/2 x 43 inches (77.5 x 109.2 cm)
Some prints are also signed by Jane Fonda Edition: 25
Printer: Rupert Jasen Smith, New York Signed and numbered in pencil on verso
Publisher: Friends of Tom Hayden, Santa Monica, California Each print is unique
Published to raise funds for the Tom Hayden Campaign for California Printer: Rupert Jasen Smith, New York
state assemblyman Publisher: Ronald Feldman Fine Arts, Inc., New York

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The Shadow, 1981

Screenprint on Lenox Museum Board (some have diamond dust)
38 x 38 inches (96.5 x 96.5 cm)
Edition: 32
Signed and numbered in pencil on verso by the executor of
The Estate of Andy Warhol on a stamped certificate of authenticity
Each print is unique
Publisher: Ronald Feldman Fine Arts, Inc., New York

Catalogue Raisonné: Feldman & Schellmann II.269A

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Goethe, 1982

Portfolio of four screenprints on Lenox Museum Board
38 x 38 inches (96.5 x 96.5 cm)
Edition: 100, 5 PP, 2 EP, 6 HC (three of which are numbered in Roman numerals),
22 AP (signed and numbered in pencil lower right), 15 TP (signed and numbered in pencil lower left)
Signed and numbered in pencil lower right, except II.272 – lower left
Publisher: Editions Schellmann & Klüser, Munich, Germany / New York; Denise René / Hans Mayer, Düsseldorf, Germany


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$ (1), 1982

Portfolio of six screenprints on Lenox Museum Board
19 3/4 x 15 5/8 inches (50.2 x 39.7 cm)
Edition: 60, 10 AP, 3 PP, 15 TP
Signed and numbered in pencil
Portfolios are assembled in mixed variations

Catalogue Raisonné: Feldman & Schellmann II.274 – 279

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$ (1), 1982

20 x 16 inches (50.8 x 40.6 cm)
Edition: 25


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$ (4), 1982

Portfolio of two screenprints on Lenox Museum Board
40 x 32 inches (101.6 x 81.3 cm)


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$ (Quadrant), 1982

40 x 32 inches (101.6 x 81.3 cm)
Edition: 60, 10 AP, 3PP


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$ (9), 1982

40 x 32 inches (101.6 x 813 cm)


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Alexander the Great, 1982

39 1/2 x 39 1/2 inches (100.3 x 100 x 3 cm)
Edition: 25, 5 AP, 1 PP, there are the following individual TP not in portfolios signed and numbered in pencil lower right: 65 TP, 40 x 40 inches
(101.6 x 101.6 cm); 15 TP, 39 1/2 x 39 1/2 inches (100.3 x 100.3 cm); 8 TP numbered in Roman numerals, 40 x 32 inches (101.6 x 81.3 cm); 5
TPAP, 40 x 40 inches (101.6 x 101.6 cm)
Publisher: Alexander Iolas, New York
Published in cooperation with the Hellenic Heritage Foundation to coincide with
“The Search for Alexander” exhibition at the Metropolitan Museum of Art, New York, October 27, 1982 – January 3, 1983


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Endangered Species, 1983

38 x 38 inches (96.5 x 96.5 cm)
Edition: 150, 30 AP, 5 PP, 5 EP, 3 HC, 10 numbered in Roman numerals, 1 BAT, 30 TP
Signed and numbered in pencil as follows: African Elephant, San Francisco Silverspot, Orangutan – lower right; Pine Barrens Tree Frog, Giant
Panda, Bald Eagle, Siberian Tiger, Black Rhinoceros – lower left; Grevy’s Zebra, Bighorn Ram – lower center
The TP of Grevy’s Zebra are signed and numbered in pencil lower left; Giant Panda - lower right; San Francisco Silverspot – verso


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Grace Kelly, 1984
Brooklyn Bridge, 1983
Screenprint on Lenox Museum Board 40 x 32 inches (101.6 x 81.3 cm)
39 1/4 x 39 1/4 inches (99.7 x 99.7 cm) Edition: 225, 30 AP, 8 PP, 2 HC,
Edition: 200, 20 AP, 5 PP, 10 HC, 25 TP 50 numbered in Roman numerals, 20 TP
Signed vertically in pencil and numbered in pencil lower left; prints Signed and numbered in pencil lower right
numbered 176/200 – 200/200 signed horizontally in pencil lower left Printer: Rupert Jasen Smith, New York
Printer: Rupert Jasen Smith, New York Publisher: Institute of Contemporary Art, University of Pennsylvania,
Publisher: The 1983 Brooklyn Bridge Centennial Commission, Inc., Philadelphia, Pennsylvania, with the consent of the Princess Grace
New York Foundation (USA), New York
Published to commemorate the 100th anniversary of the Brooklyn Published to raise funds for the Institute of Contemporary Art in
Bridge Philadelphia, Pennsylvania


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Love, 1983

Portfolio of three screenprints on Rives BFK paper
26 x 19 5/8 inches (66 x 49.8 cm)
Edition: 100, 10 AP, 2 PP, 5 EP, 16 HC for II.310, 7 HC for II.311, 17 HC for II.312
Signed and numbered in pencil lower left
Printer: Rupert Jasen Smith, New York; Ryoichi Ishida, Tokyo, Japan
Publisher: Form K.K., Tokyo, Japan


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Ingrid Bergman, 1983

Portfolio of three screenprints on Lenox Museum Board
38 x 38 inches (96.5 x 96.5 cm)
Edition: 250, 20 AP, 5 PP, 30 HC, 30 TP
Publisher: Galerie Börjeson, Malmö, Sweden


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Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482), 1984

Portfolio of four screenprints on Arches Aquarelle (Cold Pressed) paper
32 x 44 inches (81.3 x 111.8 cm); image, 25 x 37 inches (63.5 x 94 cm)
Edition: 70, 18 AP, 5 PP, 5 HC, 36 TP portfolios containing II.316A and one image from each of the Details portfolios, several TP on Arches 88
paper, 29 1/2 x 41 inches (74.9 x 104.1 cm)
Signed and numbered in pencil lower left


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Reigning Queens, 1985

Portfolio of sixteen screenprints on Lenox Museum Board
39 3/8 x 31 1/2 inches (100 x 80 cm)
Edition: 40, 10 AP, 5 PP, 3 HC, 30 TP containing only one image of each queen
Signed and numbered in pencil as follows: Queen Elizabeth II, Queen Beatrix – lower right; Queen Margrethe II, Queen Ntombi Twala – lower left
The colour block screen placement of the AP of Queen Beatrix (II.338, II.340, II.341) differs from the other edition prints
Publisher: George C.P. Mulder, Amsterdam, The Netherlands


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Reigning Queens (Royal Edition), 1985

Portfolio of sixteen screenprints on Lenox Museum Board with diamond dust
39 3/8 x 31 1/2 inches (100 x 80 cm)
Edition: 30, 5 AP, 2 PP, 2 HC
Signed and numbered in pencil as follows: Queen Elizabeth II, Queen Beatrix - lower right; Queen Margrethe II, Queen Ntombi Twala – lower left
R is marked before each number – e.g. R 1/30, RAP 1/5, RPP 1/2, RHC ½
The color block screen placement of the AP of Queen Beatrix (II.338, II.340, II.341) differs from the other edition prints
Publisher: George C.P. Mulder, Amsterdam, The Netherlands

Catalogue Raisonné: Feldman & Schellmann II.334A-349A

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Ads, 1985

38 x 38 inches (96.5 x 96.5 cm)
Edition: 190, 30 AP, 5 PP, 5 EP, 10 HC, 10 numbered in Roman numerals, 1 BAT, 30 TP
Signed and numbered in pencil as follows: Rebel Without a Cause (James Dean), Van Heusen (Ronald Reagan), Volkswagen, Apple – lower
right; Mobil, Blackglama (Judy Garland), Paramount, Life Savers, Chanel, The New Spirit (Donald Duck) – lower left
Publisher: Ronald Feldman Fine Arts, Inc. New York


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Vesuvius, 1985

Screenprint on Arches 88 paper
31 1/2 x 39 3/8 inches (80 x 100 cm)
Edition: 250, 50 AP, 10 PP, 57 TP signed in pencil lower right and unnumbered
Publisher: Fondazione Amelio, Naples, Italy


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Truck, 1985

39 3/8 x 39 3/8 inches (100 x 100 cm)
Edition: 60, 15 AP, 10 PP, 15 HC, 5 numbered in Roman numerals, there are the following 73 individual TP not in portfolios signed in pencil lower
right and unnumbered: 30 TP. 40 1/4 x 40 1/4 inches (100.2 x 100.2 cm); 30 TP, 39 3/8 x 39 3/8 inches (100 x 100 cm); 13 TP, 32 x 40 inches
(81.3 x 101.6 cm)
Publisher: Hermann Wünsche, Bonn, Germany
Published in cooperation with the Bundesverband des Deutschen Güterfernverkehrs to commemorate the XXth World Congress of the
International Road Transport Union


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Cowboys and Indians, 1986

Screenprints on Lenox Museum Board
36 x 36 inches (91.4 x 91.4 cm)
Edition: 36 TP of each print
Signed and numbered in pencil as follows: War Bonnet Indian, Action Picture – lower left; Buffalo Nickel, Sitting Bull – lower right
Publisher: Gaultney, Klineman Art, Inc., New York

Catalogue Raisonné: Feldman & Schellmann II.373–II.376

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Cowboys and Indians, 1986

36 x 36 inches (91.4 x 91.4 cm)
Edition: 250, 50 AP, 15 PP, 15 HC, 10 numbered in Roman numerals, signed and numbered in pencil as follows:
Annie Oakley, General Custer, Kachina Dolls, Plains Indian Shield, Mother and Child, Geronimo, Indian Head Nickel – lower left;
John Wayne, Northwest Coast Mask, Teddy Roosevelt – lower right. Some John Wayne prints are unique and dated and
marked unique on verso. There are 36 TP, signed and numbered in pencil, containing the following four additional
prints: War Bonnet Indian, Buffalo Nickel, Action Picture, and Sitting Bull. The TP of Kachina Dolls are signed and numbered in pencil lower right.
Publisher: Gaultney, Klineman Art, Inc., New York

Catalogue: Feldman & Schellmann II.377 – 386

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Martha Graham, 1986

Portfolio of three screenprints on Lenox Museum Board
36 x 36 inches (91.4 x 91.4 cm)
Edition: 100, 25 AP, 5 PP, 10 HC, 25 numbered in Roman numerals
Signed and numbered in pencil on verso
Publisher: Martha Graham Center of Contemporary Dance, Inc., New York
Published to commemorate the sixtieth anniversary of the Martha Graham Center of Contemporary Dance Inc., New York


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Beethoven, 1987

40 x 40 inches (101.6 x 101.6 cm)
Edition: 60,15 AP, 10 PP, 20 numbered in Roman numerals, 72 individual TP not in portfolios
Signed and numbered in pencil on verso by
the executor of the Estate of Andy Warhol, the publisher,
and the printer on a stamped certificate of authenticity
Publisher: Hermann Wünsche Bonn, Germany


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Red Lenin, 1987

Lenin, 1987 Screenprint on Arches 88 paper
39 3/8 x 29 1/2 inches (100 x 74.9 cm)
Screenprint on Arches 88 paper Edition: 120, 24 AP, 6 PP, 10 HC, 46 TP for II.402 and II.403
39 3/8 x 29 1/2 inches (100 x 74.9 cm) signed and numbered in pencil lower left
Edition: 120, 24 AP, 6 PP, 10 HC, 46 TP for II.402 and II.403 Signed and numbered in pencil on verso by the executor of The
Signed and numbered in pencil lower left Estate of Andy Warhol on a stamped certificate of authenticity
Printer: Rupert Jasen Smith, New York Printer: Rupert Jasen Smith, New York
Publisher: Galerie Bernd Klüser, Munich, Germany Publisher: Andy Warhol, New York


COSKUN • LONDON


Moonwalk, 1987

38 x 38 inches (96.5 x 96.5 cm)
Edition: 160, 31 AP, 5 PP, 5 EP, 66 individual TP not in portfolios
Signed with a printed signature and numbered in pencil lower right,
Also numbered in pencil and signed in pencil on verso by the executor of The Estate of Andy Warhol,
the publisher, and the printer on a stamped certificate of authenticity


COSKUN • LONDON


Camouflage, 1987

Portfolio of eight screenprints on Lenox Museum Board
38 x 38 inches (96.5 x 96.5 cm)
Edition: 80, 3PP, 1 EP, 84 individual TP not in portfolios
Signed and numbered in pencil on verso by the executor of The Estate of Andy Warhol on a stamped certificate of authenticity
The colours are not accurately reproduced since they are fluorescent


COSKUN • LONDON

Andy warhol-screenprints

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