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TOPIC:DEUS EX MCHINA 
EXPRESSIVE& OBJETIVE CRITICISM 
Name : Praful ,B Ghareniya 
Class: M.A part one 
Semester: 1 
Roll no :22 
Paper:3 
Submitted : Department of English 
Guided by: Dr Dilip Barad 
Year:5/10/2014 
MK Bhavnagar university
Expressive to Deus machina 
What is deus ex machina ? 
=>Deus ex machina from a Latin meaning 
Deus means a god 
Ex means a from 
And 
Machina means a device, a scaffolding , an 
Artifice in short meaning is ‘god from the 
machine ’
2)Such a device was referred to by Horace in his 
Ars poetica. He instruct poets they that never 
Resort to ‘god from the machine’ to resolve 
Their plots ‘unless a difficult worthy of god’s 
Unraveling should happen’
 He was referring to to the convention of 
Greek tragedy , where a machine is used to 
bring actors playing gods onto the stage, 
the machine could be either a 
crane(machine) used to lower actor from 
above or a riser that brought actors up 
through a trapdoor.
Objective criticism 
Definition 
=>Deals with a work of literature as something 
which stand free from is often called an 
extrinsic relationship to the poet , or to the 
audience , or to the environing world
 It describes the literary product as a self 
sufficient and autonomous object or else as a 
world in itself , which is to be contemplated 
as it own end 
 Example 
The conception of the self sufficiency of an 
aesthetic object was proposed in Kant’s 
critique Aesthetic judgment (1790)
 We have historical criticism , biographical 
criticism, sociological criticism 
 Psychological criticism or myth criticism
 For the many types of critical theory and 
practice, see anxiety of influence archetypal 
criticism ‘art for art sake’ chicago school 
contextual criticism literary studies dialogic 
criticism ecocriticism , feminist criticsim gender 
criticism new historical phenomenology and 
criticism postcolonial studies psychological and 
psychoanalytic criticism 
reader response criticism reception theory 
sociological criticism speech act theory 
structuralist criticism stylistice

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22 praful

  • 1. TOPIC:DEUS EX MCHINA EXPRESSIVE& OBJETIVE CRITICISM Name : Praful ,B Ghareniya Class: M.A part one Semester: 1 Roll no :22 Paper:3 Submitted : Department of English Guided by: Dr Dilip Barad Year:5/10/2014 MK Bhavnagar university
  • 2. Expressive to Deus machina What is deus ex machina ? =>Deus ex machina from a Latin meaning Deus means a god Ex means a from And Machina means a device, a scaffolding , an Artifice in short meaning is ‘god from the machine ’
  • 3. 2)Such a device was referred to by Horace in his Ars poetica. He instruct poets they that never Resort to ‘god from the machine’ to resolve Their plots ‘unless a difficult worthy of god’s Unraveling should happen’
  • 4.  He was referring to to the convention of Greek tragedy , where a machine is used to bring actors playing gods onto the stage, the machine could be either a crane(machine) used to lower actor from above or a riser that brought actors up through a trapdoor.
  • 5. Objective criticism Definition =>Deals with a work of literature as something which stand free from is often called an extrinsic relationship to the poet , or to the audience , or to the environing world
  • 6.  It describes the literary product as a self sufficient and autonomous object or else as a world in itself , which is to be contemplated as it own end  Example The conception of the self sufficiency of an aesthetic object was proposed in Kant’s critique Aesthetic judgment (1790)
  • 7.  We have historical criticism , biographical criticism, sociological criticism  Psychological criticism or myth criticism
  • 8.  For the many types of critical theory and practice, see anxiety of influence archetypal criticism ‘art for art sake’ chicago school contextual criticism literary studies dialogic criticism ecocriticism , feminist criticsim gender criticism new historical phenomenology and criticism postcolonial studies psychological and psychoanalytic criticism reader response criticism reception theory sociological criticism speech act theory structuralist criticism stylistice