SlideShare une entreprise Scribd logo
1  sur  59
TRANSCODING for ACCESS and PRESERVATION Screening the Future Skip Elsheimer, A/V Geeks Dave Rice, AV Preserve 2011-03-15
Our Approach ,[object Object],[object Object],[object Object],[object Object],[object Object]
Who are these guys anyway? ,[object Object],[object Object]
OUTLINE OF PRESENTATION intro of digital video why transcode? transcoding assembly line transcoding for access transcoding for preservation
Transcoding ,[object Object],[object Object]
Why do it? ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Why do it? ,[object Object],[object Object],[object Object],[object Object]
Characteristics of a Pixel & Frame ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Y Cb / Cr Colorspace
Transcoding Process ,[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],Transcoding Process
Transcoding Process DV NTSC to DV PAL < File size  : 36000000> File size  : 36144000< Duration  : 00:00:10.010> Duration  : 00:00:10.040< Height  : 480> Height  : 576< Pixel aspect ratio  : 0.889> Pixel aspect ratio  : 1.067< Frame rate  : 29.970> Frame rate  : 25.000< Frame count  : 300> Frame count  : 251< Chroma subsampling  : 4:1:1> Chroma subsampling  : 4:2:0
Transcoding Process Film to Betacam < Size  : Large and round> Size  : Small and rectangular< Frame Size  : ~8k> Frame Size  : 720x486< Frame rate  : ~24.000> Frame rate  : 29.970< Chroma subsampling  : none> Chroma subsampling  : 4:2:2 < Colorspace  : RGB? > Colorspace  : YUV < Interlacement  : None (Progressive) > Interlacement  : Interlaced
Digital video basics - here’s what can be manipulated/lost/mangled when you transcode a video file ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Why is transcoding for access important and you should give it more attention in your workflow? ,[object Object],[object Object],[object Object],[object Object]
Examples of transcoding for access ,[object Object],[object Object],[object Object],[object Object]
100816 MPEG-4 68580 Windows Media 61985 AVI 49879 RealMedia 43106 JPEG 32318 Flash Video 28937 MPEG Audio 28617 MPEG-PS 13300 QuickTime  5979 OGG  4057 GIF  3365 ShockWave  2940 MPEG Video  1411 DivX  914 Matroska  907 PNG  582 ZIP  480 DV 421 BDAV393 MPEG-TS364 WebM300 SubRip296 Wave191 AMR189 ADTS117 DVD Video113 GZip 66 Bitmap 65 MZ 57 AIFF 56 7-Zip 49 MXF 38 FLAC 31 AC-3 27 CDXA/MPEG-PS A/V Container Popularity (# by use) within Internet Archive original video uploads
 
 
81625 MPEG-4 Visual68283 AVC43226 VC-133854 RealVideo 420374 H.26320131 MPEG-2 Video16793 VP616021 WMV211907 MPEG-1 Video 9502 M-JPEG 7880 RealVideo 3 6530 Sorenson 3 4865 WMV1 4272 Theora 1376 Dirac 1308 DV1131 DVCPRO1063 RLE 938 Sorenson 1 935 Cinepack 594 Indeo 4 577 Road Pizza 508 RGB 422 xvid 364 VP8 335 MS Video 252 WVP2 225 TechSmith 225 RealVideo 2 205 M-PNG A/V Video Codec Popularity (# by use) within Internet Archive original video uploads
 
 
 
 
24025 29.97021285 25.00010213 30.000 7265 15.000 2297 23.976 2150 14.985 1370  7.500  954 12.000  813 24.000  748 20.000  723  8.000  568 10.000 516 29.000  466 29.900  368 11.988  359 59.940  291  7.000  225 60.000  206 12.500  167 14.970  120 15.170  119 50.000 Video Frame Rate Popularity (# by use)
3775 720x480 @ 4:3 2956 720x480 @ 3:2 556 720x480 @ 16:9 13 720x480 @ 1.600 4 720x480 @ 1.296  4 720x480 @ 2.2:1  4 720x480 @ 4.615 3 720x480 @ 2.227 2 720x480 @ 1.636  2 720x480 @ 1.666 1 720x480 @ 1.863  1 720x480 @ 2.35:1 Sampling of the Display Aspect Ratios of 7,321 videos with 720x480  frame  size
 
 
 
Transcoding Use Case: Democracy Now! DVCam miniDV CD-R .dv .flac .mpeg .h264 Internet Archive .mp4 .mp3 .ogg .mp4 .ogv DVD-R CD-R Created during broadcast
•  ffmpeg -i camels.avi -vn -acodec libfaac -ab 64k -ac 2 temp.aac •  ffmpeg -an -deinterlace -i camels.avi -s 320x240 -r 20 -vcodec rawvideo -pix_fmt yuv420p -f rawvideo - 2>/dev/null | ffmpeg -an -f rawvideo -s 320x240 -r 20 -i - -f yuv4mpegpipe - 2>/dev/null | x264 --bitrate 512 --vbv-maxrate 768 --vbv-bufsize 1024 --profile baseline --pass 1 /dev/stdin --demuxer y4m -o temp.h264 •  ffmpeg -an -deinterlace -i camels.avi -s 320x240 -r 20 -vcodec rawvideo -pix_fmt yuv420p -f rawvideo - 2>/dev/null | ffmpeg -an -f rawvideo -s 320x240 -r 20 -i - -f yuv4mpegpipe - 2>/dev/null | x264 --bitrate 512 --vbv-maxrate 768 --vbv-bufsize 1024 --profile baseline --pass 2 /dev/stdin --demuxer y4m -o temp.h264 •  mp4creator -c temp.h264 -r 20 t2.mp4 •  mp4creator -c temp.aac -interleave t2.mp4 •  ffmpeg -i t2.mp4 -acodec copy -vcodec copy  -metadata title=&quot;Camels at a Zoo - http://www.archive.org/details/camels&quot; -metadata year=&quot;2004&quot; -metadata comment=&quot;license:http://creativecommons.org/licenses/by-nc/3.0/&quot;  camels_512kb.mp4 •  mp4creator -optimize camels_512kb.mp4
 
 
qtmux qtmux --metadatatype metadata -o out.mov inVideo.mov inAudio.mov use -siv to activate save-in-placemultiple metadatatypes and input videos welcome accepted metadatatypes: Album, Artist, Author, Chapter, Comment, Composer, Copyright, CreationDate, Description, Director, Disclaimer, EncodedBy, FullName, Genre, HostComputer, Information, Keywords, Make, Model, OriginalArtist, OriginalFormat, OriginalSource, Performers, Producer, Product, Software, SpecialPlaybackRequirements, Track, Warning, Writer, URLLink, EditDate also accepted are metadatatypes of 4 characters starting with @
qtmedia -File- &quot;/Users/daverice/Downloads/B03774-12.mov_bitc.mov&quot;-Info- Hinted: No Ref Movie: No Size: 600.00 x 480.00 Duration: 32.00 seconds DataRate: 90077.97 bytes/secs BitRate: 0 bits/secs User Data: ©enc: &quot;WITNESS Media Archive oris: &quot;E007653 (WITNESS Media Archive); Prior source: B03774 (WITNESS Media Archive); FCP Reel Value: B03774 cmmt: &quot;Master (Generation). name: &quot;[Screening of ON THE FRONTLINES in Gasorwe, Nuyinga, and Mwaro] (3869) perf: &quot;Bukeni Tete Waruzi genr: &quot;Raw prod: &quot;P-OTF On the Frontlines: Child Soldiers in the DRC. keyw: &quot;Child Soldiers, Film and Video Screenings, WITNESS Events, WITNESS Partners, WITNESS, Burundi, Africa, Gasorwe, Nuyinga, Democratic Republic of Congo (formerly Zaire), Mwaro cprt: &quot;WITNESS/AJEDI-ka
Inspection: http://mediainfo.sourceforge.net / VideoCount  : 1AudioCount  : 1TextCount  : 11Video_Format_List  : AVCVideo_Language_List  : enAudio_Format_List  : DTSText_Format_List  : ASS / ASS / ASS / ASS / ASS / ASS / ASS / ASS / ASS / ASS / ASSText_Language_List  : en / fr / es / sv / da / fi / hu / ro / de / cs / slFolderName  : /Users/daverice/Projects/samples/samples2FileName  : matroska+h264+dca+0x0000+memory-usageFileExtension  : mkvFormat  : MatroskaFileSize  : 262144000Duration  : 8437088Duration/String3  : 02:20:37.088OverallBitRate  : 248563Encoded_Date  : UTC 2007-05-30 07:44:45File_Modified_Date  : UTC 2010-02-21 12:59:57File_Modified_Date_Local  : 2010-02-21 07:59:57Encoded_Application  : mkvmerge v2.0.2 ('You're My Flame') built on Feb 21 2007 23:40:55Encoded_Library  : libebml v0.7.7 + libmatroska v0.8.1Encoded_Library/String  : libebml v0.7.7 + libmatroska v0.8.1Cover  : Yes
VideoUniqueID  : 1Format  : AVCFormat_Profile  :  [email_address] Format_Settings  : CABAC / 8 Ref FramesCodecID  : V_MPEG4/ISO/AVCDuration/String3  : 02:20:37.104Width  : 1920Height  : 800PixelAspectRatio  : 1.000DisplayAspectRatio  : 2.400FrameRate  : 23.976ColorSpace  : YUVChromaSubsampling  : 4:2:0BitDepth  : 8ScanType  : ProgressiveDelay/String3  : 00:00:00.000Title  : Letters From Iwo Jima (2006)Encoded_Library/Name  : x264Encoded_Library/Version  : core 55Encoded_Library_Settings  : cabac=1 / ref=5 / deblock=1:-6:-6 / analyse=0x3:0x133 / me=umh / subme=7 / brdo=1 / mixed_ref=1 / me_range=16 / chroma_me=1 / trellis=1 / 8x8dct=1 / cqm=2 / deadzone=21,11 / chroma_qp_offset=0 / threads=3 / nr=0 / decimate=1 / mbaff=0 / bframes=3 / b_pyramid=1 / b_adapt=1 / b_bias=0 / direct=3 / wpredb=1 / bime=1 / keyint=250 / keyint_min=25 / scenecut=40(pre) / rc=2pass / bitrate=6546 / ratetol=1.0 / rceq='blurCplx^(1-qComp)' / qcomp=0.60 / qpmin=10 / qpmax=51 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / ip_ratio=1.40 / pb_ratio=1.30 / aq=1:0.3:15.0Language  : en Inspection: http://mediainfo.sourceforge.net /
AudioUniqueID  : 881684881Format  : DTSFormat/Info  : Digital Theater SystemsCodecID  : A_DTSDuration/String3  : 02:20:37.088 BitRate_Mode  : CBRBitRate  : 1509750Channel(s)  : 6ChannelPositions  : Front: L C R, Side: L R, LFESamplingRate  : 48000SamplingCount  : 404980224Resolution  : 24BitDepth  : 24Delay/String3  : 00:00:00.000Delay_Source  : ContainerStreamSize  : 1592236701Title  : Japanese DTS 5.1 (1.5mbps)Text #1UniqueID  : 3861542542Format  : ASSCodecID  : S_TEXT/ASSCodecID/Info  : Advanced Sub Station AlphaCodec  : S_TEXT/ASSLanguage  : en Inspection: http://mediainfo.sourceforge.net /
Defining ‘Lossless’ Quicktime DV PCM Raw Video lossless h264 MP4 Original Quicktime: 125 MB  Resulting Lossless MP4: 187 MB
Quicktime DV PCM Raw Video lossless h264 MP4 Original Quicktime: 125 MB  Resulting Lossless MP4: 187 MB  Raw Decompressed Video: 512 MB  Defining ‘Lossless’ lossless process
codec= raw uyvy422 , bitdepth=8, frameSize=720x486 1210 Megabytes / minute codec= jpeg2000 , bitdepth=8, frameSize=720x486 409 Megabytes / minute  (encoded random video samples with openjpeg) codec= ffv1 , bitdepth=8, frameSize=720x486 354 Megabytes / minute  (encoded random video samples with ffmpeg / libavcodec) codec= dv50 , bitdepth=8, frameSize= 720x480 422 Megabytes / minute Comparison of Data Rates All scenario assume 29.97 fps, 4:2:2 and stereo 16 bit, 48,000 kHz audio
Verifying ‘Lossless’ ffmpeg -i 5129-B04312_DV-PAL_720x576.mov -f framemd5 -an -Input #0, mov,mp4,m4a,3gp,3g2,mj2, from '5129-B04312_DV-PAL_720x576.mov':  Duration: 00:55:14.04, start: 0.000000, bitrate: 301 kb/s  Stream #0.0(eng): Audio: pcm_s16be, 48000 Hz, 2 channels, s16, 1536 kb/  Stream #0.1(eng): Video: dvvideo, yuv420p, 720x576 [PAR 64:45 DAR 16:9], 28800 kb/s, PAR 118:81 DAR 295:162, 25 fps, 25 tbr, 2500 tbn, 25 tbc  Stream #0.2(eng): Data: tmcd / 0x64636D74Output #0, framemd5, to 'pipe:':  Stream #0.0(eng): Video: rawvideo, yuv420p, 720x576 [PAR 118:81 DAR 295:162], q=2-31, 200 kb/s, 90k tbn, 25 tbcStream mapping:  Stream #0.1 -> #0.0Press [q] to stop encoding0, 0, 622080, 9f7be428173e13d64a52ad75838b01230, 3600, 622080, e03f0dd12d7764100a201c378e732acc0, 7200, 622080, d6a0038f274dba8ce0a2e5b2015442900, 10800, 622080, a8dd7615d180b42a771cd071f1e37f160, 14400, 622080, 3c542b25edc7cf358c82400324f5f26e0, 18000, 622080, 41f456d4dae64dce0bf6dda30809d8550, 21600, 622080, 9018249d3224ecc89b474d97514220fd0, 25200, 622080, 1b9a03d8c21b5247f0f87c8d02b2542e0, 28800, 622080, 10214f13c0b7f18af715b359ed0263280, 32400, 622080, a7fa46bcff6ba19767d2587a8ec748770, 36000, 622080, c7e15c5a303755d759dfa6b0d99a69980, 39600, 622080, d2ff6b07d43d96296998e8be47a72ec80, 43200, 622080, 8a5477da7f834320e99b97b0642c2904
Verifying ‘Lossless’ ffmpeg -i 5129-B04312_DV-PAL_720x576_lossloss.mp4 -f framemd5 -t 0.5 -an -Input #0, mov,mp4,m4a,3gp,3g2,mj2, from '/Users/daverice/Desktop/samples/5129-B04312_DV-PAL_720x576_lossloss.mp4':  Duration: 00:00:32.96, start: 0.000000, bitrate: 45531 kb/s  Stream #0.0(eng): Video: h264 (High 4:4:4 Predictive), yuv420p, 720x576 [PAR 118:81 DAR 295:162], 45467 kb/s, PAR 131:90 DAR 131:72, 25 fps, 25 tbr, 25 tbn, 50 tbcOutput #0, framemd5, to 'pipe:':  Stream #0.0(eng): Video: rawvideo, yuv420p, 720x576 [PAR 131:90 DAR 131:72], q=2-31, 200 kb/s, 90k tbn, 25 tbcStream mapping:  Stream #0.0 -> #0.0Press [q] to stop encoding0, 0, 622080, 9f7be428173e13d64a52ad75838b01230, 3600, 622080, e03f0dd12d7764100a201c378e732acc0, 7200, 622080, d6a0038f274dba8ce0a2e5b2015442900, 10800, 622080, a8dd7615d180b42a771cd071f1e37f160, 14400, 622080, 3c542b25edc7cf358c82400324f5f26e0, 18000, 622080, 41f456d4dae64dce0bf6dda30809d8550, 21600, 622080, 9018249d3224ecc89b474d97514220fd0, 25200, 622080, 1b9a03d8c21b5247f0f87c8d02b2542e0, 28800, 622080, 10214f13c0b7f18af715b359ed0263280, 32400, 622080, a7fa46bcff6ba19767d2587a8ec74877
 
 
 
 
http://en.wikipedia.org/wiki/Execution_of_Saddam_Hussein Time and place of execution Saddam was executed by hanging at approximately 06:00 local time (03:00  GMT ) on December 30, 2006, the day  Sunni  Iraqis begin ce leb rating  Eid ul-Adha . [4][5][6]  Report s con flict as to the exact time of t he executio n, with some  so urc es  rep ort ing the time as 06:00, 06:05, or some, as late as 06:10. [4][6][7]  The execution took place at the joint Iraqi-American military base  Camp Ju sti ce ,  lo cat ed  in  Kazimain , a north-eastern suburb of  Baghdad . Camp Justice was previo usly used by  Saddam as his military i ntellige nce headquarters, then known as Camp  Banzai , where Iraqi civilians were taken to be tortured and executed on the same gallows. Contrary to initial reports, Saddam was executed alone, not at the same time as his co-defendants  Barzan Ibrahim al-Tikriti  and  Awad Hamed al-Bandar , who were executed on January 15, 2007.
http://en.wikipedia.org/wiki/Execution_of_Saddam_Hussein Time and place of execution Saddam was executed by hanging at approximately 06:00 local time (03:00  GMT ) on December 30, 2006, the day  Sunni  Iraqis begin ce leb rating  Eid ul-Adha . [4][5][6]  Report s con flict as to the exact time of t he executio n, with some  so urc es  rep ort ing the time as 06:00, 06:05, or some, as late as 06:10. [4][6][7]  The execution took place at the joint Iraqi-American military base  Camp Ju sti ce ,  lo cat ed  in  Kazimain , a north-eastern suburb of  Baghdad . Camp Justice was previo usly used by  Saddam as his military i ntellige nce headquarters, then known as Camp  Banzai , where Iraqi civilians were taken to be tortured and executed on the same gallows. Contrary to initial reports, Saddam was executed alone, not at the same time as his co-defendants  Barzan Ibrahim al-Tikriti  and  Awad Hamed al-Bandar , who were executed on January 15, 2007. mediainfo saddam.3gp  GeneralFormat profile  : 3GPP Media Release 4File size  : 1381144Encoded date  : 2006-12-30 06:11:47VideoFormat  : H.263Format profile  :  [email_address] Duration  : 00:02:37.127Width  : 176Height  : 144Frame rate mode  : VariableFrame rate  : 6.186 fpsCompression mode  : Lossy
Thanks
More information which we won't be able to address during the presentation...
How? - Solutions for transcoding ,[object Object],[object Object],[object Object]
How – What to shop for? ,[object Object],[object Object],[object Object],[object Object],[object Object]
Transcoding with  Final Cut Pro/Premiere/After Effects, etc.  ,[object Object],[object Object],[object Object],[object Object]
Some professional transcoding tools ,[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object]
Cheap/Free Solutions ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
WARNING – Common mistakes ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Questions? Skip Elsheimer A/V Geeks LLC [email_address] http://www.avgeeks.com

Contenu connexe

Tendances

Embedded Android Real-Time Streaming Optimization
Embedded Android Real-Time Streaming OptimizationEmbedded Android Real-Time Streaming Optimization
Embedded Android Real-Time Streaming OptimizationVIA Embedded
 
H2O - the optimized HTTP server
H2O - the optimized HTTP serverH2O - the optimized HTTP server
H2O - the optimized HTTP serverKazuho Oku
 
ConférenSquad #4 - UHDTV, Etat de l'art part Thierry Fautier (Harmonic)
ConférenSquad #4 - UHDTV, Etat de l'art part Thierry Fautier (Harmonic)ConférenSquad #4 - UHDTV, Etat de l'art part Thierry Fautier (Harmonic)
ConférenSquad #4 - UHDTV, Etat de l'art part Thierry Fautier (Harmonic)Justindwah
 

Tendances (6)

Embedded Android Real-Time Streaming Optimization
Embedded Android Real-Time Streaming OptimizationEmbedded Android Real-Time Streaming Optimization
Embedded Android Real-Time Streaming Optimization
 
Astricon 2007
Astricon 2007Astricon 2007
Astricon 2007
 
nanoFlash and Nexto NVS2500
nanoFlash and Nexto NVS2500nanoFlash and Nexto NVS2500
nanoFlash and Nexto NVS2500
 
3
33
3
 
H2O - the optimized HTTP server
H2O - the optimized HTTP serverH2O - the optimized HTTP server
H2O - the optimized HTTP server
 
ConférenSquad #4 - UHDTV, Etat de l'art part Thierry Fautier (Harmonic)
ConférenSquad #4 - UHDTV, Etat de l'art part Thierry Fautier (Harmonic)ConférenSquad #4 - UHDTV, Etat de l'art part Thierry Fautier (Harmonic)
ConférenSquad #4 - UHDTV, Etat de l'art part Thierry Fautier (Harmonic)
 

Similaire à Introduction to Transcoding: Tools and Processes

HTML5 Multimedia Accessibility
HTML5 Multimedia AccessibilityHTML5 Multimedia Accessibility
HTML5 Multimedia Accessibilitybrucelawson
 
Intro to Compression: Audio and Video Optimization for Learning
Intro to Compression: Audio and Video Optimization for LearningIntro to Compression: Audio and Video Optimization for Learning
Intro to Compression: Audio and Video Optimization for LearningNick Floro
 
How does Netflix Get Built and Triumphed?
How does Netflix Get Built and Triumphed?How does Netflix Get Built and Triumphed?
How does Netflix Get Built and Triumphed?Shuen-Huei Guan
 
Encoding Video for the Web - Webinar from ReelSEO.com
Encoding Video for the Web  - Webinar from ReelSEO.comEncoding Video for the Web  - Webinar from ReelSEO.com
Encoding Video for the Web - Webinar from ReelSEO.comMark Robertson ⏩
 
Preserving Audiovisual Materials (LIS 198-Digital Preservation)
Preserving Audiovisual Materials (LIS 198-Digital Preservation)Preserving Audiovisual Materials (LIS 198-Digital Preservation)
Preserving Audiovisual Materials (LIS 198-Digital Preservation)Roy Santos Necesario
 
Architecting a Video Encoding Strategy Designed For Growth
Architecting a Video Encoding Strategy Designed For GrowthArchitecting a Video Encoding Strategy Designed For Growth
Architecting a Video Encoding Strategy Designed For GrowthZencoder
 
Promise - Rich media storage solution- Thunderbolt3 storage solution - Pegasu...
Promise - Rich media storage solution- Thunderbolt3 storage solution - Pegasu...Promise - Rich media storage solution- Thunderbolt3 storage solution - Pegasu...
Promise - Rich media storage solution- Thunderbolt3 storage solution - Pegasu...Nguyễn Hoàng (LightJSC)
 
An Unbiased Explanation of AV-over-IP
An Unbiased Explanation of AV-over-IPAn Unbiased Explanation of AV-over-IP
An Unbiased Explanation of AV-over-IPrAVe [PUBS]
 
Video Compression Standards - History & Introduction
Video Compression Standards - History & IntroductionVideo Compression Standards - History & Introduction
Video Compression Standards - History & IntroductionChamp Yen
 
Html5 Open Video Tutorial
Html5 Open Video TutorialHtml5 Open Video Tutorial
Html5 Open Video TutorialSilvia Pfeiffer
 
44CON 2014 - Stupid PCIe Tricks, Joe Fitzpatrick
44CON 2014 - Stupid PCIe Tricks, Joe Fitzpatrick44CON 2014 - Stupid PCIe Tricks, Joe Fitzpatrick
44CON 2014 - Stupid PCIe Tricks, Joe Fitzpatrick44CON
 
Avtex Lync 2013 Event - Fargo
Avtex Lync 2013 Event - FargoAvtex Lync 2013 Event - Fargo
Avtex Lync 2013 Event - FargoAvtex
 
Consideration of issues for archiving of 4K/8K. Arai Hirokazu, NHK
Consideration of issues for archiving of 4K/8K. Arai Hirokazu, NHKConsideration of issues for archiving of 4K/8K. Arai Hirokazu, NHK
Consideration of issues for archiving of 4K/8K. Arai Hirokazu, NHKFIAT/IFTA
 
H 264 Pc Based Dvr
H 264 Pc Based DvrH 264 Pc Based Dvr
H 264 Pc Based Dvrandy
 
H 264 Pc Based Dvr
H 264 Pc Based DvrH 264 Pc Based Dvr
H 264 Pc Based Dvrandy
 
H 264 Pc Based Dvr
H 264 Pc Based DvrH 264 Pc Based Dvr
H 264 Pc Based Dvrandy
 
i-Cast - product I built once. Still around. Awesome.
i-Cast - product I built once. Still around. Awesome.i-Cast - product I built once. Still around. Awesome.
i-Cast - product I built once. Still around. Awesome.Lennart Hagberg
 

Similaire à Introduction to Transcoding: Tools and Processes (20)

HTML5 Multimedia Accessibility
HTML5 Multimedia AccessibilityHTML5 Multimedia Accessibility
HTML5 Multimedia Accessibility
 
Intro to Compression: Audio and Video Optimization for Learning
Intro to Compression: Audio and Video Optimization for LearningIntro to Compression: Audio and Video Optimization for Learning
Intro to Compression: Audio and Video Optimization for Learning
 
How does Netflix Get Built and Triumphed?
How does Netflix Get Built and Triumphed?How does Netflix Get Built and Triumphed?
How does Netflix Get Built and Triumphed?
 
Encoding Video for the Web - Webinar from ReelSEO.com
Encoding Video for the Web  - Webinar from ReelSEO.comEncoding Video for the Web  - Webinar from ReelSEO.com
Encoding Video for the Web - Webinar from ReelSEO.com
 
Preserving Audiovisual Materials (LIS 198-Digital Preservation)
Preserving Audiovisual Materials (LIS 198-Digital Preservation)Preserving Audiovisual Materials (LIS 198-Digital Preservation)
Preserving Audiovisual Materials (LIS 198-Digital Preservation)
 
Dcp
DcpDcp
Dcp
 
video tools
video toolsvideo tools
video tools
 
Architecting a Video Encoding Strategy Designed For Growth
Architecting a Video Encoding Strategy Designed For GrowthArchitecting a Video Encoding Strategy Designed For Growth
Architecting a Video Encoding Strategy Designed For Growth
 
Promise - Rich media storage solution- Thunderbolt3 storage solution - Pegasu...
Promise - Rich media storage solution- Thunderbolt3 storage solution - Pegasu...Promise - Rich media storage solution- Thunderbolt3 storage solution - Pegasu...
Promise - Rich media storage solution- Thunderbolt3 storage solution - Pegasu...
 
Slide
SlideSlide
Slide
 
An Unbiased Explanation of AV-over-IP
An Unbiased Explanation of AV-over-IPAn Unbiased Explanation of AV-over-IP
An Unbiased Explanation of AV-over-IP
 
Video Compression Standards - History & Introduction
Video Compression Standards - History & IntroductionVideo Compression Standards - History & Introduction
Video Compression Standards - History & Introduction
 
Html5 Open Video Tutorial
Html5 Open Video TutorialHtml5 Open Video Tutorial
Html5 Open Video Tutorial
 
44CON 2014 - Stupid PCIe Tricks, Joe Fitzpatrick
44CON 2014 - Stupid PCIe Tricks, Joe Fitzpatrick44CON 2014 - Stupid PCIe Tricks, Joe Fitzpatrick
44CON 2014 - Stupid PCIe Tricks, Joe Fitzpatrick
 
Avtex Lync 2013 Event - Fargo
Avtex Lync 2013 Event - FargoAvtex Lync 2013 Event - Fargo
Avtex Lync 2013 Event - Fargo
 
Consideration of issues for archiving of 4K/8K. Arai Hirokazu, NHK
Consideration of issues for archiving of 4K/8K. Arai Hirokazu, NHKConsideration of issues for archiving of 4K/8K. Arai Hirokazu, NHK
Consideration of issues for archiving of 4K/8K. Arai Hirokazu, NHK
 
H 264 Pc Based Dvr
H 264 Pc Based DvrH 264 Pc Based Dvr
H 264 Pc Based Dvr
 
H 264 Pc Based Dvr
H 264 Pc Based DvrH 264 Pc Based Dvr
H 264 Pc Based Dvr
 
H 264 Pc Based Dvr
H 264 Pc Based DvrH 264 Pc Based Dvr
H 264 Pc Based Dvr
 
i-Cast - product I built once. Still around. Awesome.
i-Cast - product I built once. Still around. Awesome.i-Cast - product I built once. Still around. Awesome.
i-Cast - product I built once. Still around. Awesome.
 

Plus de PrestoCentre

Towards a New Enlightenment - Moving Images, Recorded Sound, and the Promise ...
Towards a New Enlightenment - Moving Images, Recorded Sound, and the Promise ...Towards a New Enlightenment - Moving Images, Recorded Sound, and the Promise ...
Towards a New Enlightenment - Moving Images, Recorded Sound, and the Promise ...PrestoCentre
 
Wrapping Up: Evolving Practives in AV Archiving
Wrapping Up: Evolving Practives in AV ArchivingWrapping Up: Evolving Practives in AV Archiving
Wrapping Up: Evolving Practives in AV ArchivingPrestoCentre
 
Building Workflows for Digitsation and Digital Preservation - Tobias Golodnof...
Building Workflows for Digitsation and Digital Preservation - Tobias Golodnof...Building Workflows for Digitsation and Digital Preservation - Tobias Golodnof...
Building Workflows for Digitsation and Digital Preservation - Tobias Golodnof...PrestoCentre
 
Preservation: Scenarios, Risks, Costs
Preservation: Scenarios, Risks, CostsPreservation: Scenarios, Risks, Costs
Preservation: Scenarios, Risks, CostsPrestoCentre
 
Building Workflows For Digitisation and Digital Preservation –A Case Study: ...
Building Workflows For Digitisation and Digital Preservation –A Case Study:  ...Building Workflows For Digitisation and Digital Preservation –A Case Study:  ...
Building Workflows For Digitisation and Digital Preservation –A Case Study: ...PrestoCentre
 
Screening the Future 2011: New Strategies and Challenges in Audiovisual Arch...
Screening the Future 2011:New Strategies and Challenges in Audiovisual Arch...Screening the Future 2011:New Strategies and Challenges in Audiovisual Arch...
Screening the Future 2011: New Strategies and Challenges in Audiovisual Arch...PrestoCentre
 
Cost, Risk, Loss and other fun things
Cost, Risk, Loss and other fun things Cost, Risk, Loss and other fun things
Cost, Risk, Loss and other fun things PrestoCentre
 

Plus de PrestoCentre (7)

Towards a New Enlightenment - Moving Images, Recorded Sound, and the Promise ...
Towards a New Enlightenment - Moving Images, Recorded Sound, and the Promise ...Towards a New Enlightenment - Moving Images, Recorded Sound, and the Promise ...
Towards a New Enlightenment - Moving Images, Recorded Sound, and the Promise ...
 
Wrapping Up: Evolving Practives in AV Archiving
Wrapping Up: Evolving Practives in AV ArchivingWrapping Up: Evolving Practives in AV Archiving
Wrapping Up: Evolving Practives in AV Archiving
 
Building Workflows for Digitsation and Digital Preservation - Tobias Golodnof...
Building Workflows for Digitsation and Digital Preservation - Tobias Golodnof...Building Workflows for Digitsation and Digital Preservation - Tobias Golodnof...
Building Workflows for Digitsation and Digital Preservation - Tobias Golodnof...
 
Preservation: Scenarios, Risks, Costs
Preservation: Scenarios, Risks, CostsPreservation: Scenarios, Risks, Costs
Preservation: Scenarios, Risks, Costs
 
Building Workflows For Digitisation and Digital Preservation –A Case Study: ...
Building Workflows For Digitisation and Digital Preservation –A Case Study:  ...Building Workflows For Digitisation and Digital Preservation –A Case Study:  ...
Building Workflows For Digitisation and Digital Preservation –A Case Study: ...
 
Screening the Future 2011: New Strategies and Challenges in Audiovisual Arch...
Screening the Future 2011:New Strategies and Challenges in Audiovisual Arch...Screening the Future 2011:New Strategies and Challenges in Audiovisual Arch...
Screening the Future 2011: New Strategies and Challenges in Audiovisual Arch...
 
Cost, Risk, Loss and other fun things
Cost, Risk, Loss and other fun things Cost, Risk, Loss and other fun things
Cost, Risk, Loss and other fun things
 

Introduction to Transcoding: Tools and Processes

  • 1. TRANSCODING for ACCESS and PRESERVATION Screening the Future Skip Elsheimer, A/V Geeks Dave Rice, AV Preserve 2011-03-15
  • 2.
  • 3.
  • 4. OUTLINE OF PRESENTATION intro of digital video why transcode? transcoding assembly line transcoding for access transcoding for preservation
  • 5.
  • 6.
  • 7.
  • 8.
  • 9. Y Cb / Cr Colorspace
  • 10.
  • 11.
  • 12. Transcoding Process DV NTSC to DV PAL < File size : 36000000> File size : 36144000< Duration : 00:00:10.010> Duration : 00:00:10.040< Height : 480> Height : 576< Pixel aspect ratio : 0.889> Pixel aspect ratio : 1.067< Frame rate : 29.970> Frame rate : 25.000< Frame count : 300> Frame count : 251< Chroma subsampling : 4:1:1> Chroma subsampling : 4:2:0
  • 13. Transcoding Process Film to Betacam < Size : Large and round> Size : Small and rectangular< Frame Size : ~8k> Frame Size : 720x486< Frame rate : ~24.000> Frame rate : 29.970< Chroma subsampling : none> Chroma subsampling : 4:2:2 < Colorspace : RGB? > Colorspace : YUV < Interlacement : None (Progressive) > Interlacement : Interlaced
  • 14.
  • 15.
  • 16.
  • 17. 100816 MPEG-4 68580 Windows Media 61985 AVI 49879 RealMedia 43106 JPEG 32318 Flash Video 28937 MPEG Audio 28617 MPEG-PS 13300 QuickTime 5979 OGG 4057 GIF 3365 ShockWave 2940 MPEG Video 1411 DivX 914 Matroska 907 PNG 582 ZIP 480 DV 421 BDAV393 MPEG-TS364 WebM300 SubRip296 Wave191 AMR189 ADTS117 DVD Video113 GZip 66 Bitmap 65 MZ 57 AIFF 56 7-Zip 49 MXF 38 FLAC 31 AC-3 27 CDXA/MPEG-PS A/V Container Popularity (# by use) within Internet Archive original video uploads
  • 18.  
  • 19.  
  • 20. 81625 MPEG-4 Visual68283 AVC43226 VC-133854 RealVideo 420374 H.26320131 MPEG-2 Video16793 VP616021 WMV211907 MPEG-1 Video 9502 M-JPEG 7880 RealVideo 3 6530 Sorenson 3 4865 WMV1 4272 Theora 1376 Dirac 1308 DV1131 DVCPRO1063 RLE 938 Sorenson 1 935 Cinepack 594 Indeo 4 577 Road Pizza 508 RGB 422 xvid 364 VP8 335 MS Video 252 WVP2 225 TechSmith 225 RealVideo 2 205 M-PNG A/V Video Codec Popularity (# by use) within Internet Archive original video uploads
  • 21.  
  • 22.  
  • 23.  
  • 24.  
  • 25. 24025 29.97021285 25.00010213 30.000 7265 15.000 2297 23.976 2150 14.985 1370 7.500 954 12.000 813 24.000 748 20.000 723 8.000 568 10.000 516 29.000 466 29.900 368 11.988 359 59.940 291 7.000 225 60.000 206 12.500 167 14.970 120 15.170 119 50.000 Video Frame Rate Popularity (# by use)
  • 26. 3775 720x480 @ 4:3 2956 720x480 @ 3:2 556 720x480 @ 16:9 13 720x480 @ 1.600 4 720x480 @ 1.296 4 720x480 @ 2.2:1 4 720x480 @ 4.615 3 720x480 @ 2.227 2 720x480 @ 1.636 2 720x480 @ 1.666 1 720x480 @ 1.863 1 720x480 @ 2.35:1 Sampling of the Display Aspect Ratios of 7,321 videos with 720x480 frame size
  • 27.  
  • 28.  
  • 29.  
  • 30. Transcoding Use Case: Democracy Now! DVCam miniDV CD-R .dv .flac .mpeg .h264 Internet Archive .mp4 .mp3 .ogg .mp4 .ogv DVD-R CD-R Created during broadcast
  • 31. • ffmpeg -i camels.avi -vn -acodec libfaac -ab 64k -ac 2 temp.aac •  ffmpeg -an -deinterlace -i camels.avi -s 320x240 -r 20 -vcodec rawvideo -pix_fmt yuv420p -f rawvideo - 2>/dev/null | ffmpeg -an -f rawvideo -s 320x240 -r 20 -i - -f yuv4mpegpipe - 2>/dev/null | x264 --bitrate 512 --vbv-maxrate 768 --vbv-bufsize 1024 --profile baseline --pass 1 /dev/stdin --demuxer y4m -o temp.h264 •  ffmpeg -an -deinterlace -i camels.avi -s 320x240 -r 20 -vcodec rawvideo -pix_fmt yuv420p -f rawvideo - 2>/dev/null | ffmpeg -an -f rawvideo -s 320x240 -r 20 -i - -f yuv4mpegpipe - 2>/dev/null | x264 --bitrate 512 --vbv-maxrate 768 --vbv-bufsize 1024 --profile baseline --pass 2 /dev/stdin --demuxer y4m -o temp.h264 •  mp4creator -c temp.h264 -r 20 t2.mp4 •  mp4creator -c temp.aac -interleave t2.mp4 •  ffmpeg -i t2.mp4 -acodec copy -vcodec copy -metadata title=&quot;Camels at a Zoo - http://www.archive.org/details/camels&quot; -metadata year=&quot;2004&quot; -metadata comment=&quot;license:http://creativecommons.org/licenses/by-nc/3.0/&quot; camels_512kb.mp4 •  mp4creator -optimize camels_512kb.mp4
  • 32.  
  • 33.  
  • 34. qtmux qtmux --metadatatype metadata -o out.mov inVideo.mov inAudio.mov use -siv to activate save-in-placemultiple metadatatypes and input videos welcome accepted metadatatypes: Album, Artist, Author, Chapter, Comment, Composer, Copyright, CreationDate, Description, Director, Disclaimer, EncodedBy, FullName, Genre, HostComputer, Information, Keywords, Make, Model, OriginalArtist, OriginalFormat, OriginalSource, Performers, Producer, Product, Software, SpecialPlaybackRequirements, Track, Warning, Writer, URLLink, EditDate also accepted are metadatatypes of 4 characters starting with @
  • 35. qtmedia -File- &quot;/Users/daverice/Downloads/B03774-12.mov_bitc.mov&quot;-Info- Hinted: No Ref Movie: No Size: 600.00 x 480.00 Duration: 32.00 seconds DataRate: 90077.97 bytes/secs BitRate: 0 bits/secs User Data: ©enc: &quot;WITNESS Media Archive oris: &quot;E007653 (WITNESS Media Archive); Prior source: B03774 (WITNESS Media Archive); FCP Reel Value: B03774 cmmt: &quot;Master (Generation). name: &quot;[Screening of ON THE FRONTLINES in Gasorwe, Nuyinga, and Mwaro] (3869) perf: &quot;Bukeni Tete Waruzi genr: &quot;Raw prod: &quot;P-OTF On the Frontlines: Child Soldiers in the DRC. keyw: &quot;Child Soldiers, Film and Video Screenings, WITNESS Events, WITNESS Partners, WITNESS, Burundi, Africa, Gasorwe, Nuyinga, Democratic Republic of Congo (formerly Zaire), Mwaro cprt: &quot;WITNESS/AJEDI-ka
  • 36. Inspection: http://mediainfo.sourceforge.net / VideoCount : 1AudioCount : 1TextCount : 11Video_Format_List : AVCVideo_Language_List : enAudio_Format_List : DTSText_Format_List : ASS / ASS / ASS / ASS / ASS / ASS / ASS / ASS / ASS / ASS / ASSText_Language_List : en / fr / es / sv / da / fi / hu / ro / de / cs / slFolderName : /Users/daverice/Projects/samples/samples2FileName : matroska+h264+dca+0x0000+memory-usageFileExtension : mkvFormat : MatroskaFileSize : 262144000Duration : 8437088Duration/String3 : 02:20:37.088OverallBitRate : 248563Encoded_Date : UTC 2007-05-30 07:44:45File_Modified_Date : UTC 2010-02-21 12:59:57File_Modified_Date_Local : 2010-02-21 07:59:57Encoded_Application : mkvmerge v2.0.2 ('You're My Flame') built on Feb 21 2007 23:40:55Encoded_Library : libebml v0.7.7 + libmatroska v0.8.1Encoded_Library/String : libebml v0.7.7 + libmatroska v0.8.1Cover : Yes
  • 37. VideoUniqueID : 1Format : AVCFormat_Profile : [email_address] Format_Settings : CABAC / 8 Ref FramesCodecID : V_MPEG4/ISO/AVCDuration/String3 : 02:20:37.104Width : 1920Height : 800PixelAspectRatio : 1.000DisplayAspectRatio : 2.400FrameRate : 23.976ColorSpace : YUVChromaSubsampling : 4:2:0BitDepth : 8ScanType : ProgressiveDelay/String3 : 00:00:00.000Title : Letters From Iwo Jima (2006)Encoded_Library/Name : x264Encoded_Library/Version : core 55Encoded_Library_Settings : cabac=1 / ref=5 / deblock=1:-6:-6 / analyse=0x3:0x133 / me=umh / subme=7 / brdo=1 / mixed_ref=1 / me_range=16 / chroma_me=1 / trellis=1 / 8x8dct=1 / cqm=2 / deadzone=21,11 / chroma_qp_offset=0 / threads=3 / nr=0 / decimate=1 / mbaff=0 / bframes=3 / b_pyramid=1 / b_adapt=1 / b_bias=0 / direct=3 / wpredb=1 / bime=1 / keyint=250 / keyint_min=25 / scenecut=40(pre) / rc=2pass / bitrate=6546 / ratetol=1.0 / rceq='blurCplx^(1-qComp)' / qcomp=0.60 / qpmin=10 / qpmax=51 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / ip_ratio=1.40 / pb_ratio=1.30 / aq=1:0.3:15.0Language : en Inspection: http://mediainfo.sourceforge.net /
  • 38. AudioUniqueID : 881684881Format : DTSFormat/Info : Digital Theater SystemsCodecID : A_DTSDuration/String3 : 02:20:37.088 BitRate_Mode : CBRBitRate : 1509750Channel(s) : 6ChannelPositions : Front: L C R, Side: L R, LFESamplingRate : 48000SamplingCount : 404980224Resolution : 24BitDepth : 24Delay/String3 : 00:00:00.000Delay_Source : ContainerStreamSize : 1592236701Title : Japanese DTS 5.1 (1.5mbps)Text #1UniqueID : 3861542542Format : ASSCodecID : S_TEXT/ASSCodecID/Info : Advanced Sub Station AlphaCodec : S_TEXT/ASSLanguage : en Inspection: http://mediainfo.sourceforge.net /
  • 39. Defining ‘Lossless’ Quicktime DV PCM Raw Video lossless h264 MP4 Original Quicktime: 125 MB Resulting Lossless MP4: 187 MB
  • 40. Quicktime DV PCM Raw Video lossless h264 MP4 Original Quicktime: 125 MB Resulting Lossless MP4: 187 MB Raw Decompressed Video: 512 MB Defining ‘Lossless’ lossless process
  • 41. codec= raw uyvy422 , bitdepth=8, frameSize=720x486 1210 Megabytes / minute codec= jpeg2000 , bitdepth=8, frameSize=720x486 409 Megabytes / minute (encoded random video samples with openjpeg) codec= ffv1 , bitdepth=8, frameSize=720x486 354 Megabytes / minute (encoded random video samples with ffmpeg / libavcodec) codec= dv50 , bitdepth=8, frameSize= 720x480 422 Megabytes / minute Comparison of Data Rates All scenario assume 29.97 fps, 4:2:2 and stereo 16 bit, 48,000 kHz audio
  • 42. Verifying ‘Lossless’ ffmpeg -i 5129-B04312_DV-PAL_720x576.mov -f framemd5 -an -Input #0, mov,mp4,m4a,3gp,3g2,mj2, from '5129-B04312_DV-PAL_720x576.mov': Duration: 00:55:14.04, start: 0.000000, bitrate: 301 kb/s Stream #0.0(eng): Audio: pcm_s16be, 48000 Hz, 2 channels, s16, 1536 kb/ Stream #0.1(eng): Video: dvvideo, yuv420p, 720x576 [PAR 64:45 DAR 16:9], 28800 kb/s, PAR 118:81 DAR 295:162, 25 fps, 25 tbr, 2500 tbn, 25 tbc Stream #0.2(eng): Data: tmcd / 0x64636D74Output #0, framemd5, to 'pipe:': Stream #0.0(eng): Video: rawvideo, yuv420p, 720x576 [PAR 118:81 DAR 295:162], q=2-31, 200 kb/s, 90k tbn, 25 tbcStream mapping: Stream #0.1 -> #0.0Press [q] to stop encoding0, 0, 622080, 9f7be428173e13d64a52ad75838b01230, 3600, 622080, e03f0dd12d7764100a201c378e732acc0, 7200, 622080, d6a0038f274dba8ce0a2e5b2015442900, 10800, 622080, a8dd7615d180b42a771cd071f1e37f160, 14400, 622080, 3c542b25edc7cf358c82400324f5f26e0, 18000, 622080, 41f456d4dae64dce0bf6dda30809d8550, 21600, 622080, 9018249d3224ecc89b474d97514220fd0, 25200, 622080, 1b9a03d8c21b5247f0f87c8d02b2542e0, 28800, 622080, 10214f13c0b7f18af715b359ed0263280, 32400, 622080, a7fa46bcff6ba19767d2587a8ec748770, 36000, 622080, c7e15c5a303755d759dfa6b0d99a69980, 39600, 622080, d2ff6b07d43d96296998e8be47a72ec80, 43200, 622080, 8a5477da7f834320e99b97b0642c2904
  • 43. Verifying ‘Lossless’ ffmpeg -i 5129-B04312_DV-PAL_720x576_lossloss.mp4 -f framemd5 -t 0.5 -an -Input #0, mov,mp4,m4a,3gp,3g2,mj2, from '/Users/daverice/Desktop/samples/5129-B04312_DV-PAL_720x576_lossloss.mp4': Duration: 00:00:32.96, start: 0.000000, bitrate: 45531 kb/s Stream #0.0(eng): Video: h264 (High 4:4:4 Predictive), yuv420p, 720x576 [PAR 118:81 DAR 295:162], 45467 kb/s, PAR 131:90 DAR 131:72, 25 fps, 25 tbr, 25 tbn, 50 tbcOutput #0, framemd5, to 'pipe:': Stream #0.0(eng): Video: rawvideo, yuv420p, 720x576 [PAR 131:90 DAR 131:72], q=2-31, 200 kb/s, 90k tbn, 25 tbcStream mapping: Stream #0.0 -> #0.0Press [q] to stop encoding0, 0, 622080, 9f7be428173e13d64a52ad75838b01230, 3600, 622080, e03f0dd12d7764100a201c378e732acc0, 7200, 622080, d6a0038f274dba8ce0a2e5b2015442900, 10800, 622080, a8dd7615d180b42a771cd071f1e37f160, 14400, 622080, 3c542b25edc7cf358c82400324f5f26e0, 18000, 622080, 41f456d4dae64dce0bf6dda30809d8550, 21600, 622080, 9018249d3224ecc89b474d97514220fd0, 25200, 622080, 1b9a03d8c21b5247f0f87c8d02b2542e0, 28800, 622080, 10214f13c0b7f18af715b359ed0263280, 32400, 622080, a7fa46bcff6ba19767d2587a8ec74877
  • 44.  
  • 45.  
  • 46.  
  • 47.  
  • 48. http://en.wikipedia.org/wiki/Execution_of_Saddam_Hussein Time and place of execution Saddam was executed by hanging at approximately 06:00 local time (03:00 GMT ) on December 30, 2006, the day Sunni Iraqis begin ce leb rating Eid ul-Adha . [4][5][6] Report s con flict as to the exact time of t he executio n, with some so urc es rep ort ing the time as 06:00, 06:05, or some, as late as 06:10. [4][6][7] The execution took place at the joint Iraqi-American military base Camp Ju sti ce , lo cat ed in Kazimain , a north-eastern suburb of Baghdad . Camp Justice was previo usly used by Saddam as his military i ntellige nce headquarters, then known as Camp Banzai , where Iraqi civilians were taken to be tortured and executed on the same gallows. Contrary to initial reports, Saddam was executed alone, not at the same time as his co-defendants Barzan Ibrahim al-Tikriti and Awad Hamed al-Bandar , who were executed on January 15, 2007.
  • 49. http://en.wikipedia.org/wiki/Execution_of_Saddam_Hussein Time and place of execution Saddam was executed by hanging at approximately 06:00 local time (03:00 GMT ) on December 30, 2006, the day Sunni Iraqis begin ce leb rating Eid ul-Adha . [4][5][6] Report s con flict as to the exact time of t he executio n, with some so urc es rep ort ing the time as 06:00, 06:05, or some, as late as 06:10. [4][6][7] The execution took place at the joint Iraqi-American military base Camp Ju sti ce , lo cat ed in Kazimain , a north-eastern suburb of Baghdad . Camp Justice was previo usly used by Saddam as his military i ntellige nce headquarters, then known as Camp Banzai , where Iraqi civilians were taken to be tortured and executed on the same gallows. Contrary to initial reports, Saddam was executed alone, not at the same time as his co-defendants Barzan Ibrahim al-Tikriti and Awad Hamed al-Bandar , who were executed on January 15, 2007. mediainfo saddam.3gp GeneralFormat profile : 3GPP Media Release 4File size : 1381144Encoded date : 2006-12-30 06:11:47VideoFormat : H.263Format profile : [email_address] Duration : 00:02:37.127Width : 176Height : 144Frame rate mode : VariableFrame rate : 6.186 fpsCompression mode : Lossy
  • 51. More information which we won't be able to address during the presentation...
  • 52.
  • 53.
  • 54.
  • 55.
  • 56.
  • 57.
  • 58.
  • 59. Questions? Skip Elsheimer A/V Geeks LLC [email_address] http://www.avgeeks.com