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PART A – TODOROV’S THEORY



                            This is a sheet we
                            done in class where
                            we looked at the
                            disruptions/ conflicts
                            and resolutions in
                            different genres.
Todorov suggested there are 5 stages of
narrative:
1.Equilibrium
2.Disequlibrium
3.recognition of Disequilibrium
4.Attempt to repair disequilibrium
5.New Equilibrium

The next slides will show how Todorov’s
theory applies to the film ‘The Hunger
Games’
PART B: EQUILIBRIUM
•   Equilibrium is shown in the beginning of the hunger games in the scene
    where Katniss and Gale are out hunting and relaxing in the forest.
PART B: DISEQUILIBRIUM
•   Disequilibrium is shown in the scene where the reaping in taking place.
•   This is because in this scene Katniss’s sister is picked to go into the hunger
    games but Katniss volunteers to take her sisters place and Peeta is also picked to
    enter the Hunger Games.
RECOGNITION OF DISEQUILIBRIUM
•   Recognition of disequilibrium can be found in the scene where the people taking
    part in the hunger games are taken into the training room,
•   It can also be found when Haymitch begins to mentor Katniss and Peeta.
•   This is because in these scenes both Peeta and Katniss have accepted that they
    are going into the Hunger games.
ATTEMPT TO REPAIR DISEQUILIBRIUM

The attempt to repair the disequilibrium can be found in the scenes where Katniss is
    fighting for her life in the hunger games.
It can also be found when Katniss and Peeta meet up again and realise that they can
     win and go home together.
NEW EQUILIBRIUM

•   The new equilibrium can be found when Katniss and Peeta survive and win the
    hunger games.
•   This is because they have returned to their old lives, however they are not the
    same as before.
Example of a binary
opposite.




                      Levi –Strauss believed the
                      world is described as
                      binary opposites and this
                      is the same in movies as
                      we always have a villain
                      and a hero.

                       The next slides will show
                      how this can be a applied
                      to a variety of genres.
DRAMA:
Film       Opposite 1             Opposite 2                 Explanation

Batman                                                       They are opposites
                                                             because:
                                                             • Batman is good he
                                                                is the hero
                                                             • The Joker is evil he
                                                                is the villain
                                                             • Batman is trying to
                                                                save Gotham
                                     The Joker is the evil   • The Joker is
            Batman is the hero,      villain from the           destroying it
            his identity is a        batman movie
            secret.
HORROR:
Film       Opposite 1                    Opposite 2              Explanation
Texas                                                            They are opposites
Chainsaw                                                         because:
Massacre                                                         • The man is evil and
                                                                    he is trying to kill
                                                                    innocent people
                                                                 • The woman is
                                                                    innocent and she is
                                                                    trying to survive.
                                             This woman is the
             This character is evil as       victim trying to
             he goes around killing          hide away from
             innocent people                 the evil guy
ACTION:
Film         Opposite 1                      Opposite 2                     Explanation
Mission                                                                     They are opposites
                                                                            because:
impossible                                                                  • Ethan is working to
                                                                               stop the evil forces
                                                                            • The other man is a
                                                                               terrorist
                                                                            • Ethan is trying to
                 The man (Ethan) is an                                         protect the people
                 American agent              This man is a terrorist, who   • The other man has
                 working against             want power and money in           the power to kill
                 terrorist and evil forces   exchange for the safety of        thousands if he
                 to protect his country      the people                        doesn’t get what he
                                                                               wants.
BARTHES THEORY
Barthes theory is similar to Todorov’s. Barthe says that the audiences
experiences of narrative involves anticipation and experience.

Barthe identified this by codes:
•Enigma code
•Action code
•Semantic code
•Symbolic code
•Cultural code.
BARTHES - ENIGMA CODE
        Barthes enigma code states that narratives set up puzzles to be solved by
           the audience. These puzzles intrigue and draw in the audience.



For example this scene from the film Saw
raises questions from the audience like..

Who is the person on the floor?
What happened to them?
Who are all the people in the room?
BARTHES - ACTION CODE
  These are codes of behaviours or actions that lead the audience to expect
     certain consequences.
Thriller/ Mystery                          Romance
Action: villain holding a knife standing   Action: couple have broken up but still
behind teenage girl.                       miss each other




Assumption: The girl is going to die       Assumption: the couple will get back
                                           together.
BARTHES - SEMANTIC CODE
These are the connotative meanings of characters, locations, objects etc.
BARTHES - SYMBOLIC CODE
These are symbolic features which signify oppositions. This example is from the film
   Harry Potter and the deathly hallows part 2.


                            The dark costume and evil facial expression connotes
                            that this group of people are the villains in this film.




These features signify opposition with the
characters on the next page as it shows that
they are one the ‘bad’ side.




                             This character in particular shows the symbolic
                             features of the ‘villains’ within films as she is
                             deranged and her costume is also dark and
                             sinister.
BARTHES – SYMBOLIC CODE
    These are symbolic features which signify oppositions. This example is from the film
       Harry Potter and the deathly hallows part 2.


                                  In this scene from the film the statues are brought to
                                  life to defend Hogwarts. The fact that they are
                                  defending the school shows that the are on the ‘good’
                                  side.



In this scene a force field is created to protect
Hogwarts from the ‘dark side’. As we can see
the shield protecting the school is a white
colour which signifies peace, good and purity.



                               This image shows the symbolic features of the
                               heroes as all the characters are illuminated in a
                               bright white light.
BARTHES SYMBOLIC CODE
 Another Example from The Lord of the Rings.




Gandalf represents
good, which the
audience can tell                              From this picture the
because of the colour of                       audience can tell that this
his clothes (white) and                        character is the ‘villain’
his relaxed and calm                           because of his dark
demeanour                                      clothes, angry facial
                                               expression and evil
                                               disfigured face.
BARTHES - CULTURAL CODE
   Outside knowledge we share to bring understanding of the meaning in a text. This
      often happens through references to popular culture and historical events.


The cultural code can be applied to the
film the Kings Speech because it is
based on historical events.


  The King's Speech is a British
  historical drama film about King
  George VI ( played by Colin firth) who,
  to cope with a stammer, sees Lionel
  Logue.
PROPP’S THEORY
Propp developed a theory about the seven types of characters in traditional
classic fairy tales. He called this the ‘ seven spheres of action’ which are :

1.   Hero
2.   Villain
3.   Dispatcher
4.   Donor
5.   helper
6.   Heroine
7.   False hero



The next slides will identify these characters in the film The hunger games.
PROPP – HERO

The hero is usually:
●On a quest/ search




●Traditionally male however today more female heroes are being
seen like Katniss from The Hunger Games
PROPP – VILLIAN
The villain :
●Opposes the hero

●Causes destruction

●And often poses a threat to the safety of the heroine.




●The ultimate villain from the hunger games would be the
president of Capitol as he is the person that created the
hunger games.

However there is another villain in the movie and this
●

would be Cato as he poses a threat to the safety of both
Katniss and Peeta.
PROPP - DISPATCHER

The dispatcher usually :
●Starts the hero on their way.

●Is the father of the heroine.



●In the case of The Hunger Games Cinna is the
dispatcher as he helps Katniss and prepares her for
the hunger games.
PROPP - DONOR
The Donor usually:

• Helps the hero by giving them a tool/gift (which
  could also be advice) to help them on their
  journey

• The donor in the Hunger games is Haymitch as
  he helps to prepare Katniss for the hunger
  games by giving her advice on what to do.
PROPP - HELPER

• As the name suggests the helper assists
  the hero in restoring normality/ equilibrium

• Rue is the helper in the Hunger Games as
  she helps Katniss when she is hurt and
  takes care of her.
PROPP - HEROINE

• The Heroine is usually female – but not always –
  and is a more passive and vulnerable character.
  The heroine often falls in love with hero

• In the Hunger Games Peeta is the heroine as he
  falls in love with Katniss and needed rescuing
  from the Katniss.
PROPP – FALSE HERO
         The false hero is initially on the side of the hero but then turns against or
          deceives him/her
         Tempts hero away from quest.
         There is no false hero in The Hunger Games, so an example of a false hero from
          another movie would be Victor from the Underworld movie.



Victor is the false hero because:
•He lied to Selene (the hero) by telling her that
the lycans had killed her family when it had
been him.
•He tried to kill Selene and the man the she
loved.
DIEGESIS
The diegesis is the internal world created by the story that the characters
   themselves experience and encounter.


An example of this is the film Avatar as the characters are in their own world
NARRATIVE RANGE –
Unrestricted narration:
An unrestricted narration is one which has no limit to the information that is
   presented ( there is nothing hidden from the audience).


An example of this is the documentary March of the Penguins.
NARRATIVE RANGE -
Restricted narration:
Restricted narration only offers a restricted amount of information and this
   may be to create enigmas. Restricted narration is usually used in
   thrillers. An example of restricted narration in films is the film Texas
   Chainsaw Massacre as the villain is wearing a mask which means he is
   hiding his identity and the audience is unable to see who he is.
MODULAR NARRATIVES: ALLAN CAMERON
Allan Cameron identified four types of modular narratives which are:
• Forking path
• Episodic
• Anachronic
• Split screen

As I am doing the green level I will explain the forking path, episodic and
anachronic narrative.l
FORKING PATHS
Forking paths juxtapose alternate version of a story, showing the possible
   outcomes that might result from small changes in a single even of group
   of events.
An example of this is in the movie Sliding Doors, where the story alternates
   between the character catching the train and finding her boyfriend in
   bed with another woman, and the character missing the train and not
   finding out about her boyfriend.



To understand this narrative better, the trailer for this film
explains how this forking path narrative is used.
http://www.youtube.com/watch?v=QsQuNu4NBmQ&safe=active
ANACHRONIC
This narrative involves flash-backs and flash-forwards, these narratives also
    often repeat scenes directly or via a different perspective.


An example of an anachronic film is the film 4-3-2-1 as in this film the same
   day is shown four times but in the perspectives of four different people.
EPISODIC
  Episodic narratives can be organised as an abstract series or an anthology.
  •   Abstract series – which is structured so that all the series go in order.
  •   Anthology narrative – consists of a series of shorter tales which appear
      to be disconnected but share a random similarity.
  Episodic structure can also be described as narratives that have many
     heroes with many goals. An example of this is the film Crash which is an
     anthology narrative.


The film crash is episodic because:
 It features many characters that aim for their own
   goals
 The characters – and their goals- are intertwined
   with each other ( for example the shop owner and
   the locksmith )
 Each character has their own story which doesn't
   appear to be connected but is.
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Assignment 8 new

  • 1.
  • 2. PART A – TODOROV’S THEORY This is a sheet we done in class where we looked at the disruptions/ conflicts and resolutions in different genres.
  • 3. Todorov suggested there are 5 stages of narrative: 1.Equilibrium 2.Disequlibrium 3.recognition of Disequilibrium 4.Attempt to repair disequilibrium 5.New Equilibrium The next slides will show how Todorov’s theory applies to the film ‘The Hunger Games’
  • 4. PART B: EQUILIBRIUM • Equilibrium is shown in the beginning of the hunger games in the scene where Katniss and Gale are out hunting and relaxing in the forest.
  • 5. PART B: DISEQUILIBRIUM • Disequilibrium is shown in the scene where the reaping in taking place. • This is because in this scene Katniss’s sister is picked to go into the hunger games but Katniss volunteers to take her sisters place and Peeta is also picked to enter the Hunger Games.
  • 6. RECOGNITION OF DISEQUILIBRIUM • Recognition of disequilibrium can be found in the scene where the people taking part in the hunger games are taken into the training room, • It can also be found when Haymitch begins to mentor Katniss and Peeta. • This is because in these scenes both Peeta and Katniss have accepted that they are going into the Hunger games.
  • 7. ATTEMPT TO REPAIR DISEQUILIBRIUM The attempt to repair the disequilibrium can be found in the scenes where Katniss is fighting for her life in the hunger games. It can also be found when Katniss and Peeta meet up again and realise that they can win and go home together.
  • 8. NEW EQUILIBRIUM • The new equilibrium can be found when Katniss and Peeta survive and win the hunger games. • This is because they have returned to their old lives, however they are not the same as before.
  • 9. Example of a binary opposite. Levi –Strauss believed the world is described as binary opposites and this is the same in movies as we always have a villain and a hero. The next slides will show how this can be a applied to a variety of genres.
  • 10. DRAMA: Film Opposite 1 Opposite 2 Explanation Batman They are opposites because: • Batman is good he is the hero • The Joker is evil he is the villain • Batman is trying to save Gotham The Joker is the evil • The Joker is Batman is the hero, villain from the destroying it his identity is a batman movie secret.
  • 11. HORROR: Film Opposite 1 Opposite 2 Explanation Texas They are opposites Chainsaw because: Massacre • The man is evil and he is trying to kill innocent people • The woman is innocent and she is trying to survive. This woman is the This character is evil as victim trying to he goes around killing hide away from innocent people the evil guy
  • 12. ACTION: Film Opposite 1 Opposite 2 Explanation Mission They are opposites because: impossible • Ethan is working to stop the evil forces • The other man is a terrorist • Ethan is trying to The man (Ethan) is an protect the people American agent This man is a terrorist, who • The other man has working against want power and money in the power to kill terrorist and evil forces exchange for the safety of thousands if he to protect his country the people doesn’t get what he wants.
  • 13. BARTHES THEORY Barthes theory is similar to Todorov’s. Barthe says that the audiences experiences of narrative involves anticipation and experience. Barthe identified this by codes: •Enigma code •Action code •Semantic code •Symbolic code •Cultural code.
  • 14. BARTHES - ENIGMA CODE Barthes enigma code states that narratives set up puzzles to be solved by the audience. These puzzles intrigue and draw in the audience. For example this scene from the film Saw raises questions from the audience like.. Who is the person on the floor? What happened to them? Who are all the people in the room?
  • 15. BARTHES - ACTION CODE These are codes of behaviours or actions that lead the audience to expect certain consequences. Thriller/ Mystery Romance Action: villain holding a knife standing Action: couple have broken up but still behind teenage girl. miss each other Assumption: The girl is going to die Assumption: the couple will get back together.
  • 16. BARTHES - SEMANTIC CODE These are the connotative meanings of characters, locations, objects etc.
  • 17. BARTHES - SYMBOLIC CODE These are symbolic features which signify oppositions. This example is from the film Harry Potter and the deathly hallows part 2. The dark costume and evil facial expression connotes that this group of people are the villains in this film. These features signify opposition with the characters on the next page as it shows that they are one the ‘bad’ side. This character in particular shows the symbolic features of the ‘villains’ within films as she is deranged and her costume is also dark and sinister.
  • 18. BARTHES – SYMBOLIC CODE These are symbolic features which signify oppositions. This example is from the film Harry Potter and the deathly hallows part 2. In this scene from the film the statues are brought to life to defend Hogwarts. The fact that they are defending the school shows that the are on the ‘good’ side. In this scene a force field is created to protect Hogwarts from the ‘dark side’. As we can see the shield protecting the school is a white colour which signifies peace, good and purity. This image shows the symbolic features of the heroes as all the characters are illuminated in a bright white light.
  • 19. BARTHES SYMBOLIC CODE Another Example from The Lord of the Rings. Gandalf represents good, which the audience can tell From this picture the because of the colour of audience can tell that this his clothes (white) and character is the ‘villain’ his relaxed and calm because of his dark demeanour clothes, angry facial expression and evil disfigured face.
  • 20. BARTHES - CULTURAL CODE Outside knowledge we share to bring understanding of the meaning in a text. This often happens through references to popular culture and historical events. The cultural code can be applied to the film the Kings Speech because it is based on historical events. The King's Speech is a British historical drama film about King George VI ( played by Colin firth) who, to cope with a stammer, sees Lionel Logue.
  • 21. PROPP’S THEORY Propp developed a theory about the seven types of characters in traditional classic fairy tales. He called this the ‘ seven spheres of action’ which are : 1. Hero 2. Villain 3. Dispatcher 4. Donor 5. helper 6. Heroine 7. False hero The next slides will identify these characters in the film The hunger games.
  • 22. PROPP – HERO The hero is usually: ●On a quest/ search ●Traditionally male however today more female heroes are being seen like Katniss from The Hunger Games
  • 23. PROPP – VILLIAN The villain : ●Opposes the hero ●Causes destruction ●And often poses a threat to the safety of the heroine. ●The ultimate villain from the hunger games would be the president of Capitol as he is the person that created the hunger games. However there is another villain in the movie and this ● would be Cato as he poses a threat to the safety of both Katniss and Peeta.
  • 24. PROPP - DISPATCHER The dispatcher usually : ●Starts the hero on their way. ●Is the father of the heroine. ●In the case of The Hunger Games Cinna is the dispatcher as he helps Katniss and prepares her for the hunger games.
  • 25. PROPP - DONOR The Donor usually: • Helps the hero by giving them a tool/gift (which could also be advice) to help them on their journey • The donor in the Hunger games is Haymitch as he helps to prepare Katniss for the hunger games by giving her advice on what to do.
  • 26. PROPP - HELPER • As the name suggests the helper assists the hero in restoring normality/ equilibrium • Rue is the helper in the Hunger Games as she helps Katniss when she is hurt and takes care of her.
  • 27. PROPP - HEROINE • The Heroine is usually female – but not always – and is a more passive and vulnerable character. The heroine often falls in love with hero • In the Hunger Games Peeta is the heroine as he falls in love with Katniss and needed rescuing from the Katniss.
  • 28. PROPP – FALSE HERO  The false hero is initially on the side of the hero but then turns against or deceives him/her  Tempts hero away from quest.  There is no false hero in The Hunger Games, so an example of a false hero from another movie would be Victor from the Underworld movie. Victor is the false hero because: •He lied to Selene (the hero) by telling her that the lycans had killed her family when it had been him. •He tried to kill Selene and the man the she loved.
  • 29.
  • 30. DIEGESIS The diegesis is the internal world created by the story that the characters themselves experience and encounter. An example of this is the film Avatar as the characters are in their own world
  • 31. NARRATIVE RANGE – Unrestricted narration: An unrestricted narration is one which has no limit to the information that is presented ( there is nothing hidden from the audience). An example of this is the documentary March of the Penguins.
  • 32. NARRATIVE RANGE - Restricted narration: Restricted narration only offers a restricted amount of information and this may be to create enigmas. Restricted narration is usually used in thrillers. An example of restricted narration in films is the film Texas Chainsaw Massacre as the villain is wearing a mask which means he is hiding his identity and the audience is unable to see who he is.
  • 33. MODULAR NARRATIVES: ALLAN CAMERON Allan Cameron identified four types of modular narratives which are: • Forking path • Episodic • Anachronic • Split screen As I am doing the green level I will explain the forking path, episodic and anachronic narrative.l
  • 34. FORKING PATHS Forking paths juxtapose alternate version of a story, showing the possible outcomes that might result from small changes in a single even of group of events. An example of this is in the movie Sliding Doors, where the story alternates between the character catching the train and finding her boyfriend in bed with another woman, and the character missing the train and not finding out about her boyfriend. To understand this narrative better, the trailer for this film explains how this forking path narrative is used. http://www.youtube.com/watch?v=QsQuNu4NBmQ&safe=active
  • 35. ANACHRONIC This narrative involves flash-backs and flash-forwards, these narratives also often repeat scenes directly or via a different perspective. An example of an anachronic film is the film 4-3-2-1 as in this film the same day is shown four times but in the perspectives of four different people.
  • 36. EPISODIC Episodic narratives can be organised as an abstract series or an anthology. • Abstract series – which is structured so that all the series go in order. • Anthology narrative – consists of a series of shorter tales which appear to be disconnected but share a random similarity. Episodic structure can also be described as narratives that have many heroes with many goals. An example of this is the film Crash which is an anthology narrative. The film crash is episodic because:  It features many characters that aim for their own goals  The characters – and their goals- are intertwined with each other ( for example the shop owner and the locksmith )  Each character has their own story which doesn't appear to be connected but is.