Introduction to DRM and how it affects our conception of what ownership is, what you can do with the materials you buy and (to a lesser degree), how it affects work in libraries.
2. PROBLEM WITH TERMINOLOGY
DRM means different things in different
environments:
Music/Movies/Games
Operating Systems and other software
No one body defines the term
3. WHAT IS DRM?
Also known as:
Copy Protection
Copy Control
Copy Prevention
Digital locks
4. WHAT IS DRM AS COPY PROTECTION?
Intends to limit copying.
5. WHAT IS DRM?
Intends to limit copying or access to digital content
6. WHAT IS DRM?
Intends to limit copying or access to digital content
7. WHAT IS DRM?
Intends to limit copying or access to digital content.
Used to protect the rights of the authors, artists,
creators, programmers, publishers
8. HOW DOES DRM WORK?
DRM adds an extra layer of protection around a file
It does so by embedding code
Needs a key (license to unlock)
9. 2 GENERATIONS OF DRM
1st generation
Limited copying.
2nd generation
Limits access (what you can do with) digital content.
10. USAGE OF DRM?
DRM is used to limit copying of and access to:
Music
Ebooks
Movies
Software
Programs
Games
13. HISTORY OF DRM
Bill Gates’s Open Letter to Hobbyists (1976)
“As the majority of hobbyists must be aware, most of
you steal your software. Hardware must be paid for,
but software is something to share.”
14. SHORT HISTORY OF DRM
Bill Gate’s Open Letter to Hobbyists (1976)
“One thing you do do is prevent good software from
being written. Who can afford to do professional
work for nothing? What hobbyist can put 3-man
years into programming, finding all bugs,
documenting his product and distribute for free?
The fact is, no one besides us has invested a lot of
money in hobby software. “
15. SHORT HISTORY OF DRM
Floppy disks
Paraphrases
Code wheel
Puzzle solving
Code sheets
CD-keys
Dongle
Pieces of hardware that were plugged to a computer
16. SHORT HISTORY OF DRM: MOVING ONLINE
Steam
Origin
Games for Windows LIVE
Uplay
iTunes
17. DRM PROS AND CONS
Pros:
Help protect intellectual property from being stolen: in
other words, they prevent piracy (albeit not completely).
Helps transfer content only to authorized consumers.
Complete product and support: since hundreds of man-
hours were put into creation of proprietary software, bug
fixes etc. are done by the owner of the software.
(Maybe?)
18. DRM PROS AND CONS
Cons:
DRM might prevent the possibility of making backup
copies of software.
Prevents lending of material
Limits materials for research/education under fair
dealing.
19. DRM PROS AND CONS
Cons:
Creates a situation where you potentially have to pay
twice for the same product e.g. if you buy a computer
with a copy of Windows and then have to format your
computer.
Limits having the same material on multiple devices
since not all formats are compatible with or transferable
to other devices.
20. 2 FACES OF DRM
1. Limits illegal copying and distribution
2. Sets limits on access of legally obtained
materials
22. RELEVANCE TO
LIBRARIES/MUSEUMS/ARCHIVES
Can be implemented in digital libraries by:
Controlling access to materials through encryption and
watermarking
Ensuring the content is accessed only by authorized
consumers and remains unmodified
27. DRM: ETHICAL ISSUES
Do you own the material you buy?
Well, not really!
Can you resell your content?
Well, not really!
Can you modify your content?
Well, not really!
Where does fair use doctrine fit?
28. DRM QUESTIONS
1. Is DRM an answer to piracy? Does it create more
problems than it solves?
2. Where do you think DRM will take us? Will we
forget the idea of ownership for the idea of access?
Is ownership relevant in the online world?
Notes de l'éditeur
It is used differently by different environments/industries. The world of music/movies vs. the world of OS etc.
Claiming DRM is only about copying does not tell the whole truth. The second generation of DRM is concerned not just with copying but access, use, resale etc.
Claiming DRM is only about copying does not tell the whole truth. The second generation of DRM is concerned not just with copying but access, use, resale etc.
Limiting what buyers can do with the content they buy is nothing new. As far back as 1976, a certain Bill Gates of a certain Micro-Soft, penned an Open Letter to Hobbyists in which he expressed dismay at unauthorized copying of his system’s punched tapes.
Can’t do much about punched cards if someone has a paper punching machine, they can easily make copies. Which is what happened.
Can’t make back-ups of fragile floppy disks. Entering phrases from manual, using code wheel or sheets, puzzle solving was used.
Until now, copy protection was limited to physical objects. Now it’s moved to digital files.
If you are lending digital materials like ebooks, music or films, DRM ensures the content will be removed after loan period.
If you are using Windows, you cannot modify it to fit your needs. Linux can be fully rewritten to better serve your individual needs.
When you embed code into a file, you can specify how long it can be accessed for, how many devices can access it etc.
If you are lending digital materials like ebooks, music or films, DRM ensures the content will be removed after loan period.
If you are using Windows, you cannot modify it to fit your needs. Linux can be fully rewritten to better serve your individual needs.
Gnu’s not UNIX. Richard Stallman. Open source is not public domain.
Ideally, the consumer never experiences DRM but that has not been the case. The future of DRM might
CISCO’s DRM cloud http://www.youtube.com/watch?v=L49uv81fSSc