Student of Dezyne E'cole College ,the student is updating her industry required skills of Fashion Design through the Diploma Programme.This is a work showcase of student after one year of her study of Fashion Design Programme in Womens Wear. www.dezyneecole.com

2. ACKNOLEDGEMENT
I am thankful to all those whose guidance helped me to complete
my project.
I am thankful to my mentors of dezyne e`cole college who gave me
this project and helped me to show my working ability through my
project.
Varsha karadia
Bachelor`s of science in fashion technology
1 year advance diploma

3. Dezyne e`cole college
Civil line, Ajmer
www.dezyneecole.com
The project of ms. Varsha karadia student of bachelor's of science in
fashion technology with 1 year women`s wear fashion diploma program
has been checked and graded as_ ____________________ ___
______________________________________________________
Thanks
Principal
[Seal and Signature]

4. Experience
Garment
construction
Profile
I am fashion designer from
dezyene e`cole college, ajmer.
I appreciate hand skill and the art
of manipulating fabrics. I have
always enjoying doing intricate
work and have A keen eyes for
detail finishing. For me esthetics
is equally important as the
functionality of A product. A
design process followed in an
organized and designed manner
is the key of A successful end
product.
Skills
Pattern engineering
Draping
Traditional indian textile
Illustration
Coral draw
Foundation design
Fabric manipulation
Languages
Hindi, english
Interest
Sketching
Pintrest
Dance
Varsha Karadia
Fashion Designer
 Www.Dezyneecole.Com  9829024839
Collection of
casual women`s
wear
Fabric
manipulation
Draping
Manipulate fabric
by tucks, pleats
etc.
Dart manipulation
by single and
double dart series
Embroidery Collection of
traditional indian
embroidery
Education
B.Sc. In fashion
technology
Dezyne e`cole
college
12th RBSE
Ajmer
10th RBSE
Ajmer
Govt. Central
girls school
2013- 2014
Govt. Central
girls school
2011- 2012

5. CONTENT
• Fashion industry
• Introduction to women’s wear
• Learning experience
• Foundation design (colours)
• Illustration
• Surface design technique
• Drafting
• Coral draw
• Draping
• Garment construction
• Collection of basic garments with paper pattern
• Case study

6. THE FASHION INDUSTRY
Fashion today is the key of during force in running not just A country's
economy but in linking country with its partners on different sides of the
`network globe`
Fashion is a serious global business with high financial stakes.
The need of the growing fashion conscious consumer and has passed
the way for new job avenues and opportunities in the arenas of fashion.
In response to the demand fashion industry the subject fashion studies
was introduced in 2006 at senior secondary level as independent
elective. Fashion studies offers insight into the components and process
of design, manufacturing, marketing in apparel and textile.
Fashion theory and practice are built on an academic foundation where
history anthropology, sociology, psychology and economics interning to
shed height on clothing as one of the most essential needs of the
human race.
Fashion is the dynamic force which influences lifestyle choice made by
consumers it drives international trends in a multitude of areas from
apparel, accessories, automobiles and more.

7. Fashion is mot something that exist in dress
only fashion is in the sky the streets fashion
has to do with ideas the way we live what is
happening by coco chanel.
Women’s wear has always enjoyed the
center stage in fashion.
Clothing in past were custom made i.E.
Stitched for an individual using her body
measurements by A tailor or A dressmaker.
During earlier countries the majority of
women of the house.
This new clothing which was easier to
produce and cheaper to afford got widely
accepts among various social classes.
This social change coincided with the
development of manufacturing facilities for
large scale production of ready to wear
garments. With changing times the role of
the women have become multi dimensional
prom handling office to home, to kids and
simultaneously balancing their social and
personal responsibility working for office
with A hectic schedule has led to the
requirement of an easy to wear maintain
and comfortable dressing which has
become A necessity for today’s lifestyle
WOMEN’S WEAR

8. LEARNING EXPERIENCE
Fashion industry is A very vast industry. Today everyone is spending
more money on their looks, because of this fashion industry increasing
day by day, many industries are entering in this market to expertise in
designing, functionality and comfort.
I have learnt many things about designing through my mentor which
helped me to enter in this fashion industry.
According to my learning in this one year i came to know that fashion is
not only glamour or style it is more about comfort and functionality. I
learnt that how to design garment using elements and principles of
design, use of surface ornamentation like fabric manipulation,
embroidery etc.
To give proper fit in a garment we can use various techniques like
draping and pattern engineering that i have learnt in this one year
bachelor's of science in fashion technology and 1 year diploma.

11. FOUNDATION DESIGN
Colour is the most important factor. Colour is A base of everything
which changes the mood of the person, some colours makes you happy
and some depressed. When we go to buy something colour attracts us
the most.
In fashion colour play and important role. It can change the personality
of A person. Some of the factor influencing the choice of colours –
Effect of light – colours looks different in daylight and at night under
artificial light.
Size of person – colour also affect the size of a person like bright
colours makes us look larger then dull colours, lighter colours are more
noticeable then darker.
Occasion - a impression of fine colours in dress will be gained if the
colours are becoming to the person who is to wear them if they are right
for the occasion.
Texture, complexion and personality are other factors which influence
the colour choices.
Elements and principles
Elements – elements are important factor design something, without
element we can not design any thing.
line
Shape
ValueColour
Texture
Elements

12. Line – A line is series of connecting points. It is the simplest element of
design. All line have A width, length and direction. Types of line –
vertical, horizontal and diagonal. Lines used in A garment – seam line,
hemline, tucks, pleats, darts etc.
Shape – joining lines is creating new shapes like triangle, square etc.
Fashion industry works on silhouettes. Silhouettes are the shape of the
body after wearing garment. Shapes used in A garment as – silhouettes,
prints, cuts etc.
Colours – colours is an important element, there are three types of
colour – primary, secondary and tertiary.

13. Every colour has three characteristics – hue, value and chroma.
Hue – name of the colour such as red, yellow etc.
Value – lightness and darkness of any colour.
Chroma – brightness and dullness of any colour.
Texture – texture is surface quality of any object is of three types –
visual, audible and tactile.
Principles of design -
PRINCIPLES
OF DESIGN
REDITION
GRADITION
REPETITION
DOMINANCE
RYTHEM
UBUTU
BALANCE
PROPORTION
CONTRAST
HARMONY

14. Tints And Shades

15. One And The Same Colour
Seem Different

16. Polychromatic Colour
Scheme

17. Single Complimentary Colour
Scheme

18. Accented Neutral Colour
Scheme

20. Illustration is A base of fashion design. If we want design something we
should be able to explain our design and illustration is a way to illustrate
our idea on paper. Illustration is very important of every designer.
In this one year we have learnt different theories ( 8 head theory, 10
head theory and 12 head theory) which we are using to illustrate any
garment
.I have learn how to use different shapes in a illustration and different
types of shading like hatching, cross hatching,, smudging, stippling and
strokes and use of all in a garment. Illustrate female croqui by flashing
on head theories with accurate proportion.
We also learnt that how we create details of garment( yokes, pockets,
collars, sleeves etc.) in a illustration. We also illustrate some designs of
indian fashion designers like manish malhotra, neeta lulla, J.J, valaya,
Ritu Beri and sabhyasachi.
If we design any garment we have to specify the illustration with a
specification sheet Now we are able to illustrate our imagination on
paper and explain our design to others.
ILLUSTRATION

40. Drafting is also an important subject in designing. This is a way to give
new look to any garment.
Drafting is creating shapes through measurements, combination of
shapes in drafting every shape which we can use made by accurate
measurements. In drafting we can create new shapes and motif. Set of
motifs create patterns which we can use in any garment through prints,
embroidery, cuts etc.
In this one year we have learnt creating new shapes with different
methods of drafting and different patterns. Now we can create new
pattern of our design which we can use in any garment using any
surface design technique.
DRAFTING

42. Surface design technique is very important subject in the field of fashion
designing. Surface design technique is A way to give new look to any
garment.
There are two methods of surface design technique - one is structural
and second is decorative.
Structural - in structural we design the surface before the final fabric or
garment had been made. Some of structural design techniques are –
woven textile, embroidery, printing, painting, dyed, patch work, and
fabric manipulation.
Woven textile - in woven textile the design is creating while weaving.
In weaving warp and weft are interlaced with each other on loom. To
create design an extra warp or weft or A different colour thread is
interlaced. Different type of woven textiles are –
Brocade of varanasi , chanderi , kanchipuram , kota doria, maheshwari
sarees etc.
Embroidery – embroidery is a surface design technique. This is
structural and decorative. Embroidery is done by needle and thread on
A fabric. IN embroidery we can use different types of threads like cotton
and silk. In india every state has there own traditional embroidery like –
Phulkari of panjab, kantha of west bengal, kashida of kashmir, applique
work of orissa , metal embroidery, gujarati embroidery etc.
SURFACE DESIGN TECHNIQUE

43. Dyed – in dyed textile the fabric is dyed with different colour dye. The
dye is in liquid form . in dyed textile the fabric is tied by A thread and
then the fabric is dipped into A color dye. These dye can be natural or
synthetic. In India different way to dye A fabric –
Ikat , patola of gujarat, bandhani of rajasthan and gujarat etc.
Printing – in printing colour used in paste form. The paste is can be
natural or synthetic. The paste applied on fabric using different ways like
Mata ni pachadi, pabuji par, block print, sanganeri prints, bagru prints
etc.
Painting - painting is done on fabric using brush or. Kalam. Through
brush the colour is applied on fabric and draw any design to ornament
the surface
Kalamkari is A way to painting on A fabric. In kalamkari mostly natural
colours are used.
Patch work – in patch work different fabric of different prints and
colours are stitched with each other. This is A structural design
technique.
Decorative - in decorative design technique we decorate the surface
after the fabric or garment had been made. Some of decorative design
techniques are – embroidery, painting, printing, applique work and fabric
manipulation.
Fabric manipulation - in fabric manipulation we create design by
manipulating fabric we have done some fabric manipulation we can
manipulate fabric using tucks, darts, pleats etc.
Applique work - In applique work the surface is designed by applying
a different fabric on a garment.

44. EMBROIDERRY
Embroidery is a surface design technique which is used to create new
designs on fabric or garment. This is structural and decorative.
Embroidery is done by needle and thread on A fabric. IN embroidery we
can use different types of threads like cotton and silk.
In India every state has there own traditional embroidery like –
Phulkari of panjab, kantha of west Bengal, kashida of Kashmir, Kashida
of Bihar, applique work of Orissa , metal embroidery, Guajarati
embroidery etc.

45. Phulkari of Panjab
Phulkari is embroidery
of Panjab. Phulkari is
done on khaddar fabric
and untwisted silk yarn.
In Phulkari I have use
geometric motifs and
bright colours.

46. Kantha Of West
Bengal
Kantha is embroidery of
West Bengal. In kantha
mostly fish and floral
motif is used But for
contemporary look I have
used geometric pattern in
this Kanth embroidery.

47. FABRIC MANIPULATION
This is manipulation
which is done using box
pleat and manipulate
them. We can use this
manipulation in any
formal and party wear
garment using different
colour and size.

48. FABRIC MANIPULATION
This manipulation is done
by using two different
colored fabric. This
manipulation we can use
in any party wear garment
using different color and
fabric.

49. FABRIC MANIPULATION
This manipulation is done
by using wide box pleat.
We can use this in any
professional garment
using different size colour
and fabric.

51. Coral is a vector graphic software which helps me to design my layout
and presentation and I can visualize my design specification and pages.
Few of my work are complied on it.
For a designer coral draw graphic software solution with its content rich
environment and professional graphic design, style and creativity with
endless possibilities.
In coral we can illustrate our design and check that how it is look on a
human body, creating patterns and motifs etc. with different tools like
shape tool, 3 point curve, artistic media, smart fill tools etc. In coral we
can fill different texture and pattern in our illustration.
CORAL

58. DRAPING
Draping is a method where we are
drape a fabric directly on a dress
form. Draping is a very ancient and
popular method, This is also an
easy method which we can use to
design any dress. Through draping
we can create different designs,
styles and cuts in any garment
using darts, pleats, tucks etc.
In this one year I have learnt so
many things. We have done
different dart series –
Single Dart Series – In single dart
series we have done side dart,
shoulder dart, mid armhole princess
style line, mid shoulder princess
style line etc.
Double Dart Series – In double
dart series we have done shoulder
and waist dart, side and waist dart,
mid armhole and waist dart etc.
We also done draping with dart less
bodice block, parallel dart, radiating
dart, vortex and origami.

59. Waist Dart
Front view Back view

60. Shoulder Dart
Front view Back view

61. Mid armhole and Shoulder Dart
Front view Back view

62. Mid Shoulder princess style line
Front view Back view

63. Tuck Dart
Front view Side view
Back view

64. Pleat Dart
Front view Side view
Back view

65. Parallel Dart
Front view Side view
Back view

66. Fullness Around Neck Band
Front view Side view
Back view

67. Fullness Around Princess Panel
Front view
Back view

68. Group Activity
Vortex
Front view Back view

69. Group Activity
Origami
Front view Back view

71. GARMENT CONSTRUCTION
Garment construction is very important subject for every fashion
designing student. Garment construction is a subject in which we are
learn how to construct a garment with proper measurement and fit.
There are two method to construct a garment – Flat pattern method and
Draping method
Draping Method – Draping is the oldest method to construct a garment.
In draping we drape the fabric directly on a dress form and create
different designs in garment.
Flat Pattern Method – In flat pattern method were the body
measurements are taken from the body or dress form to develop a
pattern. This system depend on accurate measurement so that the
design evolves with proper fit.
Sloper –Sloper is set of pattern pieces. Sloper is used in flat pattern
method. Sloper is a basic draft which is used to create a paper pattern.
This is without seam allowance. Without sloper we can not create any
garment in flat pattern method. This is creating by measurements.
Sloper of bodice block

72. Paper Pattern – A sloper including seam allowance is called paper
pattern.
Paper pattern of bodice block
Marking on paper pattern –
Cutting line
Multi size cutting line
Grain line
Place to on fold
Alteration line
Seam or stitch line
Seam allowance
Button hole
Button position

73. Combined button and button hole
Dart
Pleat
Tuck
Bust point
Waist or hip line
Markings to be transferred form
pattern pieces to the fabric for
machining or to indicate details
Single notches
Double notches
Triple notches
Zipper placement

74. Child’s Basic Bodice Block
. A bodice indicates the upper part of a dress. This is covering
the body from neck to the waist. The children’s basic bodice
block is the slopper for all the garments for children’s

75. Child’s Basic Block

76. Women’s Basic Bodice Block
A bodice, is an article of clothing for women covering the body
from neck to the waist. A bodice indicates the upper part of a
dress. This construction was standard for fashionable garments
from 18th century until the late19th century.

77. Women’s Basic Bodice Block

78. Women’s Basic Skirt Block
A skirt is a tube of cone shaped draped garment that hangs
from the waist of hip, but most skirts are fitted the body at the
waist of hip and fuller below, with the fullness introduced by
means of dart, gores, pleats of panels. The hemline of skirt can
vary from micro to floor length and can vary accordingly.

79. Women’s Basic Skirt Block

80. Saree blouse
A blouse is a upper garment loose – fitted garment for women,
covering the body from the neck or shoulder more or less to the
waistline, with or without collar, button and sleeve.

81. Saree blouse

82. Choli Blouse
Choli blouse is cut to fit tightly to the body and has short sleeve
and a low neck. The choli usually cropped allowing exposure of
the navel; the cropped design is particular well suited for wear in
the hot summers. Choli blouse is variations of plain blouse.

83. Choli Blouse

84. Kameez
Kurta is a upper garment a long shirt of tunic falling above of
somewhere below the knee. The side seam ( known as the
chaak ) are often open below the waist line. They were
traditionally wear with loose salwar or paijama. Kurta are worn
both as casual and party wear.

85. Kameez

86. Churidar Pyjama
Churidar pyjama are tightly fitted trousers worn by both men
and women. Churidar are variants of the common salwar pants.
Salwar are cut wide at the top and narrow at the ankle. Earlier
tight fitting churidar like pants worn in India were referred to by
the British as Mughal breeches.

87. Churidar Salwar

88. Six Panel Petticoat
A petticoat of underskirt is an articles of clothing: underskirt to
be worn under a skirt of a dress. The petticoat is a separate
garment hanging from the waist petticoat refers to a skirt worn
to give the desire fashionable shape.

89. Six Panel Petticoat

90. Four Panel Petticoat
A petticoat or a underskirt is an articles of clothing: underskirt to
be worn under a skirt or a dress. The petticoat is a separate
garment hanging from the waist. Petticoat refers to a skirt worn
to give the desire fashionable shape.

91. Patiala Salwar
Salwar is the lower garment it is a traditional outfit originating in
South Asia. Salwar is the traditional garment worn by both
women and men salwar are loose pajama like trousers. The
legs are wide at the top and narrow at the bottom. They were
traditionally worn with kurta. Variations of salwar Dhoti salwar,
Patiala salwar, Afghani salwar etc.

92. Patiala Salwar

93. Kalidar Kurta
A kali of kalidar kurta is similar to a frock and has many panels.
The kalidar kurta is made up of several geometrical pieces. It
has two rectangular central panels in the back and the front.
The kalidar kurta is worn by men and women.

94. Kalidar Kurta

95. Night suit
TOP – The top is made up of front opening with a comfort fitting
and is loosely fitted garment for night wear.
PYJAMA – Pyjama is loose fitted two piece garment derives
from the original garment and worn chiefly for sleeping.

96. Kalidar Kurta

97. Own Creation
Princess panel ,short length kurta with round neckline
in front and back. I used plain sleeve and Geometrical
printed fabric
Kurta -
Salwar - I have create Patiala salwar with good drape from plain
fabric.

98. CLIENT BOARD
CASE STUDY - Make a salwar kameez for 30 – 32 years old
lecturer in engineering college using any surface design technique.
MY CLIENT -
Client
Age
Profession
City
Height
Silhouette
Mood
Color scheme
Surface design technique
Female
30 - 32
Lecturer in engineering college
Delhi
5’7
rectangle
Professional, energetic, confident,
presentative, fresh
Professional
Embroidery

99. TYPES OF KAMEEZ
Anghrakha kurti Straight kurti High and low kurti
Mid armhole
princess panel
Circular kurti Asymmetrical
kurti

100. TYPES OF SALWAR
Patiala Salwar Afghani Salwar Dhoti Salwar
Churidar Pajama Pants Leggie

101. Colour scheme
C M Y K
C M Y K
C M Y K
0
0
0
0
0
0
0
0
0
0
100
40
C M Y K
C M Y K
C M Y K
20
0
0
20
0
0
0
0
0
60
100
40
C M Y K
C M Y K
C M Y K
0
0
0
60
0
0
0
0
0
0
40
100
C M Y K
C M Y K
C M Y K
0
0
0
0
0
0
0
0 0
70
100
40

102. C M Y K
C M Y K
C M Y K
60
0
0
80
0
0
0
0
0
0
0
100
C M Y K
C M Y K
C M Y K
0
0
0
0
0
0
0
100 100
0
0
40
C M Y K
C M Y K
C M Y K
0
0
20
0
0
0
0
0 0
60
80
20
C M Y K
C M Y K
C M Y K
65
0
65
0
0
0
0
0 0
35
80
20
Colour scheme

103. DIFFERENT TYPES OF FABRIC

104. DIFFERENT SURFACE DESIGN TECHNIQUES

105. MOOD BOARD

106. IDEA GENERATION

107. DRAFT OF GARMENT ON COREL DRAW
Center
Panel
Front
part
Side
Panel
Front
part
Back
part
Sleeve
part
SCALE - ½”
SIZE - 34”

108. SPECIFICATION OF GARMENT
SPECIFICATION
SHEET
KURTA AND
CHURIDAR
COLOUR -
TOP - Black colour
BOTTOM - Orange
colour
EMBROIDERY -
Running stitch and
satin stitch with white
and orange colour
cotton anchor thread
STYLE LINE - Mid
shoulder princess style
line is highlighted with
orange colour cord
pipin

109. Design Development
LINE SHAPE TEXTURE
ELEMENTS USED IN GARMENT

110. Design Development
• REPETITION
• RHYTHM
• CONTRAST
• BALANCE
PRINCEPLES USED IN GARMENT

112. ALL VIEW OF FINAL DRESS
Front view Embroidery

113. THANK YOU