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Shaping
Exhibitio
n
Develop
ment
Zachary Paul Levine,
Curator at Yeshiva University Museum
Artists, Curators, and
Educators Engaging
Communities
Around
Commu
nity
Perspec
tives
Reaching
Deeper –
Why the Eruv?
(or What the heck is an Eruv and who cares?)
• An eruv is a ritual enclosure for the Sabbath
• Integrate religious and technical creativity
•Eruv history closely tied to Jewish history
• Gaining academic interest
• Artists working around the concept of eruv
Get Your A-Team
Assembled an Advisory Board of
Scholars
• Confounds the most knowledgeable
• Controversial, especially in New York
• Hundreds of thousands of Jews rely on
community eruvs
The Panel’s Conclusions:
• Growing interest popularly
At the Center
These issues are especially important to
Orthodox Jews in particular
• Nobody else uses an eruv (no
kidding!)
• NOT A LOOPHOLE! Illiteracy
around Eruv in Jewish legal
tradition
• Recent data on composition of
Orthodox Jewish community
• Gender dynamics
• Field of Analysis: NYC
On a (Kashered) Silver Platter
• Defined the focus: Eruv and Jewish Community in New
York
In other Words … here’s your audience:
• Defined the Audience: Several Hundred Thousand
Orthodox Jews
Primary Targeted Communities:
• Eruv Enthusiasts (and builders)
• Jewish Schools
• Synagogue Communities
Target: Big Apple
Orthodox Jews
Primary Targeted Communities:
• Eruv Enthusiasts (and builders)
• Jewish Schools
• Synagogue Communities
• Cultivate awareness about the
exhibition
• Enhance the museum’s profile
• Acquire a working database of
community contacts
Early Outreach Goals
Target: Big Apple
Orthodox Jews
Museum Educators
• Know who to call in the schools
• Align exhibition with school needs
• Generate buzz about the exhibition among educators
Putting Out the Call
Education’s Role
Contact Influential Educators and Rabbis
• Consultations
• Program Design and Planning
• Networking
Contact Influential Educators and Rabbis
• Consultations
• Program Design and Planning
• Networking
Interpret Communal Needs
• Identify objects
• Highlight objects
• Identify Essential Lessons
Education’s Role
Putting Out the Call
• Knows people who make eruvs
• Understand the historical and practical dimensions
• Make Connections
Eruv Scholars (Rabbis, Enthusiasts, Others)
• What do people know and not know?
• Life before eruvs
• Impact on women, children, and the infirm
Gathering Information
Getting Communal Voices - Survey
• Stories
• Interviews with eruv creators
• Stories about controversies
• Maintaining eruvs
Leaders – Films
• Finding objects
• What do people know and not know?
• Life before eruvs
• Impact on women, children, and the infirm
Gathering Information
Getting Communal Voices - Survey
• Stories
• Discovered stories about eruv history in
NYC
• Uncovered objects (eruv gates on telephone
poles)
• Made connections with leaders and their
communities
Gathering Information
Effects
• On the eruv in general (using
lasers!)
• Eruv history in NYC (Thousands of
strings)
• Eruv present in NYC
The Artists
Art Pieces on the Eruv
Meeting Expectations?
• Greater relevance for schools
• Better alignment with programs (youth and adult)
• Education brought into interpretative planning
Education Department’s Role – Success
• Initially, attracted students
• Art pieces enhanced didactic quality
Meeting Expectations?
• Added community voices into the
exhibition
• Tightened the narrative’s argument from the beginning
• Placed the narrative in the NYC area (artifacts and
interactive content)
Community Awareness – Success
Meeting Expectations?
• Community buzz – Did not appear to last
• Community ambassadors (synagogues, experts) – Did not
advocate
• Limited press attention
Unfulfilled Expectations – Limited Press and
Few Visitors
• External factors
Meeting Expectations?
• Hurricane Sandy
• Bus Strike
• Maybe too Jewish?
Caveat – External Factors
And Beyond…
• Benefits of cooperation between curatorial and education
departments
• Value of applying community input to interpretative planning
Lessons Learned
• Challenging to expect participants to act as ambassadors

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Shaping Exhibition Development Around Community Perspectives

  • 1. Shaping Exhibitio n Develop ment Zachary Paul Levine, Curator at Yeshiva University Museum Artists, Curators, and Educators Engaging Communities Around Commu nity Perspec tives Reaching Deeper –
  • 2. Why the Eruv? (or What the heck is an Eruv and who cares?) • An eruv is a ritual enclosure for the Sabbath • Integrate religious and technical creativity •Eruv history closely tied to Jewish history • Gaining academic interest • Artists working around the concept of eruv
  • 3. Get Your A-Team Assembled an Advisory Board of Scholars • Confounds the most knowledgeable • Controversial, especially in New York • Hundreds of thousands of Jews rely on community eruvs The Panel’s Conclusions: • Growing interest popularly
  • 4. At the Center These issues are especially important to Orthodox Jews in particular • Nobody else uses an eruv (no kidding!) • NOT A LOOPHOLE! Illiteracy around Eruv in Jewish legal tradition • Recent data on composition of Orthodox Jewish community • Gender dynamics • Field of Analysis: NYC
  • 5. On a (Kashered) Silver Platter • Defined the focus: Eruv and Jewish Community in New York In other Words … here’s your audience: • Defined the Audience: Several Hundred Thousand Orthodox Jews
  • 6. Primary Targeted Communities: • Eruv Enthusiasts (and builders) • Jewish Schools • Synagogue Communities Target: Big Apple Orthodox Jews
  • 7. Primary Targeted Communities: • Eruv Enthusiasts (and builders) • Jewish Schools • Synagogue Communities • Cultivate awareness about the exhibition • Enhance the museum’s profile • Acquire a working database of community contacts Early Outreach Goals Target: Big Apple Orthodox Jews
  • 8. Museum Educators • Know who to call in the schools • Align exhibition with school needs • Generate buzz about the exhibition among educators Putting Out the Call
  • 9. Education’s Role Contact Influential Educators and Rabbis • Consultations • Program Design and Planning • Networking
  • 10. Contact Influential Educators and Rabbis • Consultations • Program Design and Planning • Networking Interpret Communal Needs • Identify objects • Highlight objects • Identify Essential Lessons Education’s Role
  • 11. Putting Out the Call • Knows people who make eruvs • Understand the historical and practical dimensions • Make Connections Eruv Scholars (Rabbis, Enthusiasts, Others)
  • 12. • What do people know and not know? • Life before eruvs • Impact on women, children, and the infirm Gathering Information Getting Communal Voices - Survey • Stories
  • 13. • Interviews with eruv creators • Stories about controversies • Maintaining eruvs Leaders – Films • Finding objects • What do people know and not know? • Life before eruvs • Impact on women, children, and the infirm Gathering Information Getting Communal Voices - Survey • Stories
  • 14. • Discovered stories about eruv history in NYC • Uncovered objects (eruv gates on telephone poles) • Made connections with leaders and their communities Gathering Information Effects
  • 15. • On the eruv in general (using lasers!) • Eruv history in NYC (Thousands of strings) • Eruv present in NYC The Artists Art Pieces on the Eruv
  • 16. Meeting Expectations? • Greater relevance for schools • Better alignment with programs (youth and adult) • Education brought into interpretative planning Education Department’s Role – Success • Initially, attracted students • Art pieces enhanced didactic quality
  • 17. Meeting Expectations? • Added community voices into the exhibition • Tightened the narrative’s argument from the beginning • Placed the narrative in the NYC area (artifacts and interactive content) Community Awareness – Success
  • 18. Meeting Expectations? • Community buzz – Did not appear to last • Community ambassadors (synagogues, experts) – Did not advocate • Limited press attention Unfulfilled Expectations – Limited Press and Few Visitors • External factors
  • 19. Meeting Expectations? • Hurricane Sandy • Bus Strike • Maybe too Jewish? Caveat – External Factors
  • 20. And Beyond… • Benefits of cooperation between curatorial and education departments • Value of applying community input to interpretative planning Lessons Learned • Challenging to expect participants to act as ambassadors

Notes de l'éditeur

  1. Introduction: We decided to do an exhibition about the topic of the eruv….
  2. Introduction: We decided to do an exhibition about the topic of the eruv….
  3. We assembled a panel of scholars and eruv experts to discuss how to approach the topic.The discussion yielded several conclusions / directions
  4. The conclusions brought the idea of the community to the center of how we thought about this topic.
  5. The conclusions brought the idea of the community to the center of how we thought about this topic.
  6. Schools: fit the the interpretative framework, narrative, and programs to schools’ interests Synagogue communities: Spread word about the exhibition and the museum; learn about people involved in eruvs in the areaEruv Builders: Understand the technical and administrative issues around eruvs, and acquire artifacts
  7. Schools: fit the the interpretative framework, narrative, and programs to schools’ interests Synagogue communities: Spread word about the exhibition and the museum; learn about people involved in eruvs in the areaEruv Builders: Understand the technical and administrative issues around eruvs, and acquire artifacts