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REDEFINING UNIT AND DOLLAR SALES
          PARAMETERS
BUDGETING FOR E-BOOK SALES
 Incorporating e-book sales in title budgets
 Incorporating e-book sales in overall Press budget
 Adapting to new sales paths
 Adapting to budgeting by dollars vs. units
 Redefining sales timelines
Incorporating e-book sales in title
budgets
 We add a line to the sales projection including e-book
  sales units and dollars
 We include that projection in the margin calculation
  with print book sales
 We assume no additional costs for e-book creation
 We are considering adapting this model to incorporate
  projected e-book sales from non-unit sales sources
  (collections, chapters, etc)
Incorporating e-book sales in
overall Press budget
 More art than science
 Issues incorporating unit sales of e-books
 Impact of e-book sales on print sales, especially cloth
  sales
 Issues budgeting backlist e-book sales vs. frontlist
Adapting to new sales paths
 Sales thru vendors (Kindle, B&N, etc)
 Direct sales
 Sales thru collection partners (UPCC, JSTOR)
 Course packs
Adapting to budgeting by dollars
vs. units
 Conventional thinking about book sales is tied to units
    and standard pricing
   Hard to define what is a unit in terms of e-book sales
   Standard pricing, outside of the shopping cart, is
    almost non-existent
   No clear evidence of repetitive annual trends in e-book
    sales as there is for print books
   Planning issues regarding cloth unit sales as e-book
    sales ramp up
Redefining sales timelines
 When to recognize sales from collection sales vendors
  (UPCC, JSTOR)
 How to classify rental/course pack sales
 How to classify chapter sales
 Planning for classification of less than chapter length
  e-sales

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FO 2012: Budgeting for E-books (B. Adams)

  • 1. REDEFINING UNIT AND DOLLAR SALES PARAMETERS
  • 2. BUDGETING FOR E-BOOK SALES  Incorporating e-book sales in title budgets  Incorporating e-book sales in overall Press budget  Adapting to new sales paths  Adapting to budgeting by dollars vs. units  Redefining sales timelines
  • 3. Incorporating e-book sales in title budgets  We add a line to the sales projection including e-book sales units and dollars  We include that projection in the margin calculation with print book sales  We assume no additional costs for e-book creation  We are considering adapting this model to incorporate projected e-book sales from non-unit sales sources (collections, chapters, etc)
  • 4. Incorporating e-book sales in overall Press budget  More art than science  Issues incorporating unit sales of e-books  Impact of e-book sales on print sales, especially cloth sales  Issues budgeting backlist e-book sales vs. frontlist
  • 5. Adapting to new sales paths  Sales thru vendors (Kindle, B&N, etc)  Direct sales  Sales thru collection partners (UPCC, JSTOR)  Course packs
  • 6. Adapting to budgeting by dollars vs. units  Conventional thinking about book sales is tied to units and standard pricing  Hard to define what is a unit in terms of e-book sales  Standard pricing, outside of the shopping cart, is almost non-existent  No clear evidence of repetitive annual trends in e-book sales as there is for print books  Planning issues regarding cloth unit sales as e-book sales ramp up
  • 7. Redefining sales timelines  When to recognize sales from collection sales vendors (UPCC, JSTOR)  How to classify rental/course pack sales  How to classify chapter sales  Planning for classification of less than chapter length e-sales