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1st semester reivew part 3
- 2. Good Shepherd Catacomb of Pietro and Marcellino, Rome, Italy early 4th century fresco
- 3. Sarcophagus of Junius Bassus from Rome, Italy ca. 359 marble 3 ft. 10 1/2 in. x 8 ft.
- 4. Old Saint Peter’s Basilica (plan) Rome, Italy ca. 320 1. Nave 2. Aisles 3. Apse 4. Transept 5. Narthex 6. Atrium
- 5. Santa Costanza Rome, Italy ca. 337-351
- 6. Mausoleum of Galla Placidia Ravenna, Italy ca. 425
- 7. Christ as the Good Shepherd from the entrance wall of the Mausoleum of Galla Placidia Ravenna, Italy ca. 425 tessera mosaic
- 8. Rossano Gospels early 6th century tempera on purple vellum 11 x 10 1/4 in.
- 9. Suicide of Judas and Crucifixion from a casket ca. 420 ivory 3 x 3 7/8 in.
- 10. BYZANTINE ART The four F’s • FLAT • FORMAL • FRONTAL • FLOATING
- 11. Anthemius of Tralles & Isidorus of Miletus Hagia Sophia Constantinpole, (Istanbul), Turkey 532-537
- 12. Anthemius of Tralles & Isidorus of Miletus Hagia Sophia Constantinpole, (Istanbul), Turkey 532-537 pendentive
- 15. Justinian, Bishop Maximianus and attendants north wall apse mosaic, San Vitale Ravenna, Italy ca. 547 mosaic
- 16. Theodora and attendants south wall apse mosaic, San Vitale Ravenna, Italy ca. 547 mosaic
- 17. Saint Apollinaris amid sheep Sant’Apollinare in Classe Ravenna, Italy 533-549 mosaic
- 18. Transfiguration of Jesus apse mosaic, Church of the Virgin Monastery of Saint Catherine Mount Sinai, Egypt ca. 565 mosaic mandorla
- 19. Virgin (Theotokos) and Child between Saints Theodore and George, icon From Monastery of Saint Catherine Mount Sinai, Egypt 6th or early 7th century encaustic on wood 2 ft. 3 in. x 1 ft. 7 3/8 in.
- 20. Justinian as world conqueror (Barberini Ivory) mid-6th century ivory 1 ft. 1 1/2 in. x 10 1/2 in. -narrative -classical influence
- 21. Saint Michael the Archangel early-6th century ivory 1 ft. 5 in. x 5 1/2 in. -space -classical influence -patron saint of Hagia Sophia
- 22. Pantocrator dome mosaic in the Church of the Dormition Daphni, Greece ca. 1090-1100 mosaic
- 23. Pantocrator Cathedral at Monreale Monreale, Sicily, Italy ca. 1180-1190 mosaic
- 24. Virgin (Theotokos) and Child, icon Late 11th to early 12th century tempera on wood 2 ft. 6 1/2 in. x 1 ft. 9 in.
- 25. Andrei Rublyev Three Angels, icon ca. 1410 tempera on wood 4 ft. 8 in. x 3 ft. 9 in.
- 27. Purse cover from the Sutton Hoo ship burial Suffolk, England ca. 625 gold, glass and enamel cloisonné with garnets and emeralds 7 1/2 in. long Compare to Islamic interlace patterns
- 28. Animal-Head Post Oseberg, Norway ca. 825 wood approximately 5 in. high VIKING
- 29. Cross and Carpet page Lindisfarne Gospels Northumbria, England ca. 698 - 721 tempera on vellum 13 1/2 x 9 1/4 in. Hiberno-Saxon (Celtic)
- 30. Chi-rho-iota page Book of Kells from Iona, Scotland 8th - 9th centuries tempera on vellum 13 x 9 1/2 in. *Horror Vacui – latin for “fear of empty spaces”
- 31. Equestrian portrait of Charlemagne(?) from Metz, France early 9th century bronze, originally gilt 9 1/2 in. high CAROLINGIAN
- 32. St. Matthew Coronation Gospels Aachen, Germany ca. 800-810 ink and tempera on vellum 12 3/4 x 10 in.
- 33. Saint Matthew Ebbo Gospels Hautvillers, France ca. 816 - 835 ink and tempera on vellum 10 1/4 x 8 3/4 in.
- 34. Odo of Metz Interior of the Palatine Chapel of Charlemagne Aachen, Germany ca. 792-805
- 35. Abbey Church of St. Michael’s Hildesheim, Germany ca. 1001-1031 OTTONIAN
- 36. Doors with relief panels Genesis, left door - Christ, right door Hildesheim, Germany ca. 1001-1031
- 37. Crucifix commissioned by Archbishop Gero Cologne Cathedral, Germany ca. 970 painted wood 6 ft. 2 in. high
- 38. Otto III enthroned Gospel Book of Otto III from Trier, Germany ca. 997-1000 tempera on vellum 13 x 9 3/8 in.
- 39. Romanesque • Build it (block by block) and they will come Church building Stone masonry, new vaulting techniques, “blocky” appearance pilgrimages
- 40. plan of Saint Etienne Vignory, France ca. 1050-1057 Radiating chapels
- 42. Interior of Saint-Sernin Toulouse, France ca. 1070-1120 Interior of Santa Sabina, 422, Rome *compartments of space replaced long flat walls
- 43. Cloister of Saint-Pierre Moissac, France ca. 1100-1115 marble piers approximately 6 ft. high Historiated capitals
- 44. Christ in Majesty with angels and the Twenty-Four Elders Tympanum of the south portal of Saint-Pierre Moissac, France marble ca. 1115-1135 approximately 16 ft. 6 in. wide at base
- 45. Gislebertus Last Judgment (plaster cast) West tympanum of Saint-Lazare Autun, France ca. 1120-1135 marble approximately 21’ wide at base
- 46. Initial R with knight fighting dragon from the Moralia in Job from Cîteaux, France ca. 1115-1125 ink and tempera on vellum 13 3/4 x 9 1/4 in.
- 47. Virgin and Child ( Morgan Madonna) from Auvergne, France second half of twelfth century painted wood 2 ft. 7 in. high
- 48. Interior of Speyer Cathedral Speyer,Germany begun 1030 nave vaults ca.1082-1106 Groin vaults 1st Romanesque church in Germany • Stone roof • Typical arches and bays • 1st building constructed entirely of stone in Europe
- 49. The Vision of Hildegard of Bingen Detail of facsimile of a lost folio in the Scivias by Hildegard of Bingen from Trier or Bingen, Germany ca. 1050-1079 *Role of women in Romanesque Europe
- 50. Pisa Cathedral complex Pisa, Italy cathedral begun 1063 baptistery begun 1153 campanile begun 1174 baptistery cathedral campanile
- 51. Baptistery of San Giovanni Florence, Italy Ca. 1059
- 52. Wiligelmo Creation of Adam and Eve, frieze on the west façade, Modena Cathedral Modena, Italy ca. 1110 marble approximately 3 ft. high
- 53. West façade of Saint-Etienne Caen, France begun 1067, ca. 1115-1120 * William the Conqueror buried here in 1087
- 54. Interior of Saint-Etienne (elevation) Caen, France ca. 1115-1120 The THREE TIERS OF CHURCH BAYS Clerestory Gallery Nave/Arcade
- 55. Exterior of Durham Cathedral Durham, England begun ca. 1093 Legacy of William the Conqueror (Norman Conquest of England in 1066)
- 56. Interior of Durham Cathedral Durham, England begun ca. 1093 ENGLISH INNOVATION: Rib vaults • Long narrow nave • Huge composite piers alternate with carved columns • Stone ribs strengthened groin vaults carry more weight • Strong VERTICAL emphasis Gothic predecessor
- 57. Funeral of Edward the Confessor procession to Westminster Abbey detail of the Bayeux Tapestry From Bayeux Cathedral, Bayeux, France ca. 1070-1080 embroidered wool on linen 229 ft. 8 in. overall Misnomer – actually an embroidery
- 58. Eadwine the Scribe(?) Eadwine the Scribe at work folio 283 verso of the Eadwine Psalter ca. 1160-1170 ink and tempera on vellum Signing work vs. anonymity: The role of the individual artist