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Pygmalion, George Bernard Shaw and Satire An Overview of the History, Literature and Styles
GEORGE BERNARD SHAW ,[object Object],[object Object],[object Object]
GEORGE BERNARD SHAW ,[object Object],[object Object],[object Object]
SHAW INFLUENCES ,[object Object],[object Object],[object Object]
SHAW INFLUENCES ,[object Object],[object Object]
PYGMALION – THE MYTH ,[object Object],[object Object],[object Object]
PYGMALION – THE MYTH ,[object Object],[object Object],[object Object]
HISTORICAL BACKGROUND OF THE PLAY ,[object Object],[object Object],[object Object],[object Object],[object Object]
HISTORICAL BACKGROUND OF THE PLAY ,[object Object],[object Object],[object Object],[object Object]
PYGMALION – THEMES ,[object Object],[object Object],[object Object],[object Object]
PYGMALION – THEMES ,[object Object],[object Object],[object Object],[object Object]
PYGMALION –  BASIC PLOT ,[object Object],[object Object]
PYGMALION – CHARACTERS ,[object Object],[object Object],[object Object],[object Object]
PYGMALION – CHARACTERS ,[object Object],[object Object],[object Object]
PYGMALION – CHARACTERS ,[object Object],[object Object],[object Object]
SATIRE ,[object Object]
[object Object],[object Object],ELEMENTS OF SATIRE
ELEMENTS OF SATIRE ,[object Object],[object Object],[object Object],[object Object]
SATIRICAL TECHNIQUES : ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SATIRICAL TECHNIQUES : 3. IRONY – Satirists use four types: a. VERBAL IRONY – Sarcasm b. SITUATIONAL IRONY – A contrast between what is expected and what actually happens. c. DRAMATIC IRONY – Contrast between what a character and what the reader knows. D. Cosmic irony  - it seems that God or fate is manipulating events so as to inspire false hopes, which are inevitably dashed.
SATIRICAL TECHNIQUES : 4. INVECTIVE: describes very abusive, usually non­ironical language aimed at a particular target (e.g., a string of curses or name calling). Invective can often be quite funny, but it is the least inventive of the satirist's tools. A lengthy invective is sometimes called a diatribe. The danger of pure invective is that one can quickly get tired of it, since it offers limited opportunity for inventive wit.
SATIRICAL TECHNIQUES : 5. Caricature: Exaggerating for comic and satiric effect one particular feature of the target, to achieve a grotesque or ridiculous effect. Refers more to drawing than it does to writing (e.g., the political cartoon).  6. Burlesque: Ridiculous exaggeration in language which makes the discrepancy between the words and the situation or the character silly. For example, to have a king speak like an idiot or a workman speak like a king.
SATIRICAL TECHNIQUES : ,[object Object]
SATIRICAL TECHNIQUES : 8. Reductio ad absurdum: A popular satiric technique (especially in Swift), whereby the author agrees enthusiastically with the basic attitudes or assumptions he wishes to satirize and, by pushing them to a logically ridiculous extreme, exposes the foolishness of the original attitudes and assumptions.

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George Bernard Shaw

  • 1. Pygmalion, George Bernard Shaw and Satire An Overview of the History, Literature and Styles
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  • 20. SATIRICAL TECHNIQUES : 3. IRONY – Satirists use four types: a. VERBAL IRONY – Sarcasm b. SITUATIONAL IRONY – A contrast between what is expected and what actually happens. c. DRAMATIC IRONY – Contrast between what a character and what the reader knows. D. Cosmic irony - it seems that God or fate is manipulating events so as to inspire false hopes, which are inevitably dashed.
  • 21. SATIRICAL TECHNIQUES : 4. INVECTIVE: describes very abusive, usually non­ironical language aimed at a particular target (e.g., a string of curses or name calling). Invective can often be quite funny, but it is the least inventive of the satirist's tools. A lengthy invective is sometimes called a diatribe. The danger of pure invective is that one can quickly get tired of it, since it offers limited opportunity for inventive wit.
  • 22. SATIRICAL TECHNIQUES : 5. Caricature: Exaggerating for comic and satiric effect one particular feature of the target, to achieve a grotesque or ridiculous effect. Refers more to drawing than it does to writing (e.g., the political cartoon). 6. Burlesque: Ridiculous exaggeration in language which makes the discrepancy between the words and the situation or the character silly. For example, to have a king speak like an idiot or a workman speak like a king.
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  • 24. SATIRICAL TECHNIQUES : 8. Reductio ad absurdum: A popular satiric technique (especially in Swift), whereby the author agrees enthusiastically with the basic attitudes or assumptions he wishes to satirize and, by pushing them to a logically ridiculous extreme, exposes the foolishness of the original attitudes and assumptions.