2. Introduction
• This style appeared during the Middle Ages
• It is the first style that can be found all over
Europe,
• The expansion of the style was linked to the
pilgrimages, mainly to Santiago di Compastela.
3. Introduction
• Romanesque art developed because of…
– The end of Barbarian invasions
– The decomposition of Cordoba’s government
– The establishment of peace in
the Christian world, with the
development of the cities,
commerce and industry.
4. Expansion
• The factors of the expansion of
Romanesque art were:
– Development of a feudal system,
that demanded works (castles)
– The expansion of religious orders
(Benedictines), developed the monasteries
– The pilgrimage routes
– The crusades
10. Monastery
• It was designed as the “City of God”
• They had several functional areas:
– Church
– Cloister
– Chapter room
– Abbot’s house
– Monks/ nuns rooms
– Refectory
– Hospital
11. Church
• It was the main building
• It symbolized God’s kingdom
• The holiest part was the apse
• It had cross shape
• Symbolism was important:
– Circular parts reflect perfection so they were
linked to God
– Squared parts are related to the human.
12. Church
• Characteristics:
– Monumental, trying to imitate the Roman models in
the Pilgrimage churches
– Small in country churches
– They were designed for advertising Catholic church
– They were lasting, made of stone
– Plans could be:
• Latin cross
• Polygonal
• Basilical
Latin cross Polygonal Basilical
15. Church
• Elevation:
• The church is covered by
stoned vaults
• Wall are thick
• They need strong
buttresses
• Foundations are strong
• Few windows
16. Church
Clerestory • Interior elevation: it
consists of three levels:
• First floor with columns or
cross-shaped pillars
Tribune • Second floor with the
tribune (corridor over
looking the nave, over the
aisles)
• Clerestory: area of
Pillar
windows opening to the
Column outside.
18. Church
• Type of covers:
Barrel vault: it was
used mainly to cover
the central nave
Groin vault was
common in aisles and
ambulatory
Dome: spherical were used
in apses. The central could
stand on pendentives or
squinches
19. Romanesque in France
• It was the original
region of
Romanesque art
• It appeared in Cluny’s
abbey
• From there it
expanded thanks to
the pilgrimage routes,
specially to Santiago
in Spain.
20. Romanesque in France
• Burgundy: barrel-
Cluny
vaulted, three-aisled
basilica
• Normandy: Lombard
influences with
groined vaults
supported by flying
buttresses and
façades with two
flanking towers.
Sainte Magdalene, Vezelay
21. Romanesque in France
• It is characterized by
various vaulted styles
• Provence: pointed domes Saint
and façades decorated Trophime
, Arles
with arches
• Auvergne with long choir,
side aisles around the
semicircular sanctuary
forming the ambulatory in
which radiating chapels
Saint Sernin
open
Toulouse
27. Romanesque in Italy
• Italian provinces
developed a great
diversity of architectural
styles
– Lombardy with groined
vaults of heavy proportions Saint Ambroggio, Milan
– Central Italy classical
decorative elements:
Corinthian capitals,
coloured marble, open
arches, colonnades and
galleries and façades with
sculptures
Saint Miniato, Florence
28. Romanesque in Italy
– South with Byzantine
and Arabic influence
using mosaics,
interlaced pointed-
Cefalu, Sicily
arches.
29. Romanesque in Italy
– South with Byzantine
and Arabic influences,
using mosaics,
interlaced pointed-
Cefalu, Sicily
arches.
• Three separate
buildings: church,
baptistery and bell
tower.
Pisa Cathedral, in Tuscany,
presents three separate buildings.
31. Romanesque in Germany
• Churches were planned on a large scale
• They used to be very high
• They had an apse or sanctuary at each end.
• Numerous round or octagonal towers that
conferred them a picturesque silhouette.
Worms
36. Romanesque in England
• Long, narrow buildings
were constructed with
heavy walls and piers,
rectangular apses, double
transepts and deeply
recessed portals
• Naves were covered with
flat roofs, later replaces
by vaults, and side aisles
were covered with
groined vaults.
37. Romanesque in England
• Before the 10th century
were made of wood
• Stone buildings were
small and roughly
constructed
• The Norman
Romanesque style
replace the Saxon in 11th
century
49. Romanesque in Spain
• First Romanesque:
Catalonia
• In the 11th century
the region was almost
assimilated to France
• Due to this they
receive the art early
• The rest of the Spain
would receive it with
the pilgrimage
50. Romanesque in Spain
• Catalan churches
present, in the outside,
ordered volumes
• Wall are decorated with
Lombard bands, and
blind arches and galleries
• The plan has three
naves, with a small
narthex
• The head has triple apse
52. Romanesque in Spain
• There are polygonal
buildings too
• They are related to the
Temple
• They are inspired in
Jerusalem’s Holy
Sepulchre
• Examples are Eunate,
Torres del Rio (both in
Navarre) and Veracruz
(Segovia).
53. Romanesque in Spain
• Castile and Leon:
• It is deeply influenced
by the pilgrimage
routes
• The churches are
identified with the
spirit of the
Reconquist
54. Romanesque in Spain
• Buildings are simple
and small
• It created a contrast
in relation to the
refined Hispano
Muslin architecture.
• They frequently have
a covered area in the
outside for the
meetings of the
councils.
55. Romanesque in Spain
• The best examples are:
– Santiago’s cathedral
– Fromista
– Sant Climent de Tahull
– San Pere de Roda
– San Juan de la Peña
• There are other buildings
such as castles (Loarre,
in Huesca) or bridges,
essential for pilgrims
(Puentelarreina, Navarre)
57. Castle
• Castles were defensive
constructions
• They were fortified for
providing shelter
• The wall was one of the
essential elements
• They tend to be build in
stepped areas, easier to
defend.