1. Art of India & Southeast Asia Interconnected architecture, painting, sculpture, culture, and philosophies of Hinduism and Buddhism
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5. MAURYA PERIOD Ashokan Pillar (note capital) 265 BCE Ashokan legend: Expanding dynasty, WAR conquered much of India. Looked at battlefield horror; 1000s of dead and dying, … saw Buddhist monk slowly walking through praying & comforting dying. Vowed to spread the teachings of Buddhism.. Built many shrines, sculptures, etc as major patron of the arts.
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7. Lion Capital, from Sarmath C 250 BCE, sandstone See Lion Capital from Persepolis below…. This was on top of a column like the one below from Ashoka.
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9. Stupas were built with a dome or shikhara/vimana tower with a central axis, axis mundi Mound shaped shrine, often no interior; holds a relic… idea is worshippers get close to what’s inside. Original stupas (8 by Emperor Ashoka) held Buddha’s remains Umbrellas represent the 3 jewels of Buddhism - Buddha, Law, Community of Monks Four toranas at compass pts. Gateway to structure--walk around in a circle
10. Close up of a torana at Sanchi Richly carved scenes High relief sculptures known as horror vacui Originally painted white. Buddha not shown in this early temple, empty chair/throne. Yakshi personified water…
15. Mudras = hand gestures (student presentation here) Have a meaning in religious practices, prayers, etc. as well as seen in Buddhist artwork Used in yoga poses outside Buddhism as well Dhyana mudra = meditation and balance
16. Bodhisattva from Ajanta Caves 475 CE Gupta period. Bodhisattvas are spiritual beings who help others reach nirvana. Princely garments, not monk’s robes like Buddha Outline drawing, softly graded tones in painting give some 3-dimensionality Synthesis of divine and human.
17. Standing Buddha from Gupta period 474 CE Gupta period - flourishing arts & literature Buddhism at peak in India (later surpassed by Hinduism) Halo/nimbus (broken) shows spirtual purity fused with simplified physical purity Introspective face
21. Eternal Shiva from Cave Temple of Shiva at Elephanta 3 faces show 3 different sides Feminine protector Spiritual, strong leader Fierce fighter with snakes around neck 11 feet high, set in recessed niche Shiva often shown with multiple heads, arms, etc to show multiple sides of a deity
22. Example of Hindu temple in south India, Chola dynasty, 1000 CE Rajarajeshvara Temple to Shiva Each niche holds a statue of Shiva Vimana is 4 sided hollow pyramid rising 13 stories
23. Angkor Wat, Cambodia, 12th century CE flashcard Hindu temple dedicated to Vishnu; Sculptural reliefs, sculpture in rhythmic dance poses Built by Suryavaran II, capital of medieval Cambodia, Corbelled gallery roofs; beehive
27. Rangoli and Alapana Painting - traditions carried on by women Entire houses, doorways, or verandahs painted in geometric designs in paint, rice powder, or even flowers (mandalas)
30. Hamza’s Spies Scale the Fortress , Mughal Period (16th century) Gouache on cotton (opaque w.c.) 3- d setting, yet undercut by flat geometric patterns Robust naturalistic style (not so linear) Rocks, monkeys, birds, and more FLASHCARD Fusion of Indian and Persia styles Also painting on paper… burnished on stones to make it gleam, details added last with thick white paint
31. Krishna and the Gopis, from the Gita Govinda (epic poem about Krishna and Radha) Mughal Period, Rajput India. 16th century, gouche on paper (flashcard) Radha is jealous of Krishna and the Gopis (cowherds) .. Emotional tension.. Plump faces in profile with oversized frontal eyes…line & pattern in the dramatic scene.
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Notes de l'éditeur
Artist: n/a Title: The Indian Subcontinent Medium : n/a Size: n/a Date: n/a Source/Museum: n/a
Artist: n/a Title: Lion Capital Medium: Polished sandstone Size: height 7' (2.13 m) Date: Maurya period, c. 250 BCE Source/Museum: Ashokan pillar at Sarnath, Uttar Pradesh, India. / Archaeological Museum, Sarnath
Artist: n/a Title: Lion Capital Medium: Polished sandstone Size: height 7' (2.13 m) Date: Maurya period, c. 250 BCE Source/Museum: Ashokan pillar at Sarnath, Uttar Pradesh, India. / Archaeological Museum, Sarnath
Artist: n/a Title: Lion Capital Medium: Polished sandstone Size: height 7' (2.13 m) Date: Maurya period, c. 250 BCE Source/Museum: Ashokan pillar at Sarnath, Uttar Pradesh, India. / Archaeological Museum, Sarnath
Artist: n/a Title: Elements of Architecture: Stupa and Temples Medium: n/a Size: n/a Date: n/a Source/Museum: Stupa, northern-style temple, southern-style temple
Artist: n/a Title: East torana of the Great Stupa at Sanchi Medium: Stone Size: height 35' (10.66 m) Date: Early Andhra period, mid-1st century BCE Source/Museum: n/a
Artist: n/a Title: Standing Buddha Medium: Schist Size: height 7'6" (2.28 m) Date: c. 2nd–3rd century CE Source/Museum: Gandhara, Pakistan. / Lahore Museum, Lahore
Artist: n/a Title: Bodhisattva Medium: Detail of a wall painting Size: n/a Date: Gupta period, c. 475 CE Source/Museum: In Cave I, Ajanta, Maharashtra, India
Artist: n/a Title: Standing Buddha Medium: Chunar sandstone Size: height 6' 4" (1.93 m) Date: Gupta period, 474 CE Source/Museum: Sarnath, Uttar Pradesh, India. / Archaeological Museum, Sarnath
Artist: n/a Title: Shiva Nataraja Medium: Bronze Size: 32" (81.25 cm) Date: Chola dynasty, 12th century CE Source/Museum: Thanjavur, Tamil Nadu. / National Museum of India, New Delhi
Artist: n/a Title: Eternal Shiva Medium: Rock-cut relief Size: height approx. 11' (3.4 m) Date: Mid-6th century CE Source/Museum: In the Cave-Temple of Shiva at Elephanta
Artist: n/a Title: Rajarajeshvara Temple to Shiva, Thanjavur Medium: n/a Size: n/a Date: Chola dynasty, 1003–10 CE Source/Museum: Tamil Nadu, India