SlideShare une entreprise Scribd logo
1  sur  47
http://videos.howstuffworks
.com/discovery/7164-images-from-pompeii-video.
How do we know so much about Roman art, especially
the wall paintings? Why did they survive when Greek
paintings did not?
I
N
T
R
O
D
U
C
T
I
O
N
Ancient Rome I:
Etruscan Kingdom
Same time as Greek heroic age
Most important culture in Western
Mediterranean.. 750-510 BCE
http://www.artic.edu/cleo/index.html
APOLLO or APOLLO OF VEII
Artist: Master sculptor Vulca (?)
Medium: Painted terra cotta
Size: height 5'10"
Date: c. 510–500 BCE
•Etruscan Period
•Part of a group of 4 statues located on top of
a temple.
•Technically difficult to create a life size terra
cotta (fired clay) statue
•Best surviving rooftop statue
•Energy, excitement, etc,..
•But influence of Greek archaic statuary there
in hair, smile
FLASHCARD IMAGE
How are they same? How are they different?
•Typical Etruscan Temple at Veii; ground plan similar to the Greeks
•Apollo appeared on the roof, not the pediment (Who had sculpture friezes in pediment?)
•SITING: Faced south, ENTRANCE: only enter from that way, and built on a podium
•Tuscan order - columns spaced wide, looks heavier due to shorter columns than classical Greek temples
•Eaves projected out to protect the clay - terra cotta walls
•Statues appeared on roofline
•Close to ground, not like Acropolis on hills above Athens
Etruscan Sarcophagus,
520 BCE
Terracotta
Life sized
Latest hair styles, lively
hand gestures
How does this compare
to Egyptian funerary
art?
Inner Coffin of Tutankhamun’s
Sarcophagus,
1332 BCE
Etruscan Tomb Art movie
Fowling Scene, Tomb of Nebamum, 1400 BCE
(New King.), fragment of wall painting, British
Museum
•How does this
compare to the tomb
paintings of the
Etruscans?
Remember Nebamum?
She-Wolf, Artist n/a, Bronze, 500 BCE (Twins added during Renaissance),
FLASHCARD
Mix of
naturalism &
stylized details
May represent
the she-wolf
that raised
Romulus &
Remus of
Greek
mythology
(founded Rome)
Ferocious yet
object of
sympathy at the
same time.
Roman
Republic
People saw
themselves as
heroic,
attributed to
descendants of
gods
How did Romans view artists in their society?
Romans used both bronze
casting & marble for
sculpture.
Here is an example of the
lost wax casting method.
Lost Wax Casting Method
Weary Hercules, bronze statuette, Roman Empire
http://www.artic.
edu/cleo/herc/hercMovie
.html
Can anyone give an example of an adopted Greek
God or Goddess from your readings?
http://www.artic.edu/cleo/index.html
Etruscans preceded Roman kingdom, republic and empire in the Tuscany area.
Traders with the Greeks. Bronze Age through about 510 BCE (overthrow)
Rome lasted for 2200 years … 753 BCE to 1453 AD
1. I. Kingdom: 753-510 BCE. Greek heroic age; Rome eventually threw out
Etruscan Kings. Paralleled/influenced by Greece.
2. II. Republic - 509-27 BCE, until assassination of Julius Caesar- Pont du Gard
bridge & building campaigns
3. III. Empire - 27 BCE - 1453 AD.
 First emperor was Augustus Caesar (fka Octavius, J. Caesar’s nephew
Brought in Pax Romana, years of peace & prosperity.
 Julio-Claudian era with Nero (crazy emperor)-overthrown by Vespasian
(built Colosseum). (14-69 CD)
 High Empire - included Trajan & Hadrian (Hadrians wall, Trajan’s
column) 96-192 CE
 Late Empire - Septimus Severus, Caracalla, Diocletian, Constantine.
Constantine built the Basilica, and made Christianity the offical religion.
Etruscan and Roman Timeline of Key Rulers
Ancient Rome II
The Roman Republic
509-27 BCE
Threw out the Etruscans
Continued until Julius Caesar
assassinated
Title: Head of a man
(known as Brutus)
Medium: Bronze,
eyes of painted ivory
Size: height 12½"
(31.8 cm)
Date: c. mid-3rd
century BCE
Republic period
Appears world-
weary, he reminds
you of????
Head of Senusret III
Yellow quartzite
17¾ X 13½ X 17"
Middle Kingdom
Twelfth Dynasty, c. c.
1836–1818 BCE
More realistic
Looks tired,
older
Dynamic King
who led 4
expeditions into
Nubia;
overhauled
administration
Orator (Aulus Metellus)
80 BCE (Republican period)
Bronze, 5’11” high
Careful observation & rendering
Completed by an Etruscan artist
Toga worn by Roman officials
According to Pliny the Elder,
statues like these were often on
top of columns as memorials.
flashcard
Initiation Rites of Cult of Bacchus or Dionysus Mystery Painting,
60 BCE Wall Painting from Pompeii, “Villa of Mysteries”
Cult of Bacchus/Dionysus (god of wine).. Rites on his behalf in private homes… deep red
(Pompeiian re) background, scene around walls…flashcard… one of best known wall paintings
Still Life, detail
from wall
painting in 4th
style
Beautifully
rendered glass
Shadows make
objects appear
real and
actually in
space rather
than flat
shapes
Reconstructed bedroom
from Pompeii
Late 1st century BCE
Floor mosaic-priest
offers a basket w/ a
snake to a cult image of
Isis…
Again initiation rites
Wall paintings city
scapes like stage
backdrops in intuitive
perspective
What are some initiation rites you might see today in our
society? In common religions today? On a college
campus?
Detail from
reconstructed
bedroom
Intuitive perspective:
objects smaller, less
detailed,diagonal
lines suggest parallel
lines receding in the
distance
No single point of
view though.
This wall painting from Livia’s villa shows atmospheric perspective…Trompe l’oeil, trick
the eye.
Idealized view of the world, distant objects are WHAT????
Wow what a
bloodthirsty bunch
those emperors
were…
Young Woman
WRITING
Wall painting from
Pompeii
Pointed stylus to
write on wax
coated tablet,
easy to “erase”
and start over
before using $$
papyrus
Used by kids of
homework too.
Why were these
paintings so well
preserved?
Temple of Fortunus, Republic Period, Rome
(flashcard)
Front columns are Greek, side columns are engaged
Closed in block and podium is Etruscan in influence
Vetruvius admired this temple; wrote 10 books on it.. Also influenced state capitol in Virginia
Romans found
common ground
with conquered
peoples’ religions
Did require
sacrifices to town
gods, part of
community
activities that they
promoted
This temple
illustrates that
common ground
Plan of Temple Forum
Boarium (Cattle Market),
Rome
Note
engaged
columns
and
podiums
How was
this similar
to classical
Greek
temples?
Highly sophisticated architecture/engineering
Pont Du Gard (flashcard), Nimes, France. 100 BCE
REPUBLIC PERIOD
Provided 100 gallons of water a day per family, from Uzes spring 30 miles away.
•Rhythmic
harmony &
balance
•3 stacked arcades
•Concrete
•Originally
aqueduct
•Still used as
bridge today
•Fits surroundings
with natural
unadorned blocks
•ROMAN ARCH
INVENTED!!!
Why was the invention of concrete so important?
Denarius with
portrait of
Julius Caesar
Republican period
Silver coin, widely
used
Propaganda value
First time living ruler
shown!!
Venus on reverse
Realistic portrait,
shows receding hair
line
Flashcard Image
II. Early Roman Empire….
//videos.howstuffworks.com/hsw/9798-living-in-the-roman-
http:
Massive empire
More cohesive than Greece
Physical-military superiority, built garrisons &
roads
Organizational - system of laws and
administration
Psychological - fear of harsh punishment,
entertainment for the masses
What are some of Rome’s contributions to the
West?
Art - copied from Greece!!!!
Used art/architecture as propaganda
(instrumentalism)
Maison Carree, Nimes France, 20 BCE (or 10 AD) Early
Imperial Period…(flashcard)
Front columns are Greek, side columns are engaged
Closed in block and podium is Etruscan in influence
Vetruvius admired this temple; wrote 10 books on it.. Also influenced state capitol in Virginia
Romans found
common ground
with conquered
peoples’ religions
Did require
sacrifices to town
gods, part of
community
activities that they
promoted
This temple
illustrates that
common ground
Octavius became Caesar
Augustus, 1st emperor.-EARLY
EMPIRE--Nephew of Julius Caesar
What happened to J. Caesar? (Et
tu, Brute?)
Also given title Maximus - High
Priest as well as emperor.
Ruled for 60 years w/wife Livia, laid
foundation for the Pax Romana
(peace, stability, prosperity).
Skilled administrator. During Pax
Romana, lots of building programs
to improve quality of life for the
Empire. “I found Rome a city of
brick, and left it a city of Marble.”
Augustus of Primaporta, 20 BCE
Marble, 6’11” (maybe copy of a
bronze) flashcard
•Ushered in Roman Empire (1st
emperor-Pax Romana)
•Not veristic portraits like Republic..
More like classical Greek style
•Addressing troops like the Orator
•Cloak in folds (Hellenistic)..ties to
Cupid (Venus’ son)
•Breastplate shows peaceful
negotiation w/Parthians, Sun God, etc
•Now at Vatican in Rome
Augustus, color restored
Political messages
Divinity of Emperor
(became a God)
Cult of the Emperor
Mother nature, sky God
shown on Breastplate,
Apollo & Diana
Augustus ruled for 60
years, but is always
shown as young and
promoting peaceful
negotiation.
Who was the patron here?
Altar of
Augustan
Peace, 13
BCE (Ari
Pacis)
Early Imperial
flashcard
Celebrates
Augustus as both
warrior &
peacemaker
Triumphal return to
Rome after victory
in Gaul and
Hispania
Marble
10 m x 11 m
Where are Gaul and Hispania today?
Relief sculptures showing procession and allegory of peace.
Shows Greek influence on figures
Restored by Mussolini 2000 yrs later
Similar to Parthenon frieze from 5th century BCE
Read about these characters in the book.. South side relief
1st- showing children to promote family life & potential heirs
Allegory of Peace, from Ara Pacis, 5’2” high
Goddess of Peace (Pax) nurtures cherubs representing Roman
people, goddesses of sea and land winds look on representing
Roman sea and land bounties
Earth and Sea Personified
Greek columns frame scene; pattern border of Greek key motif
How are the
forms
(figures)
similar to
Greek relief
sculptures?
Minute details
of leaves,
natural
elements
typical of
Roman
sculpture
Flavian Amphitheatre, 80 CE, Rome, Flashcard
KNOW SIGNIFICANCE/RECOGNIZE/DISCUSS
Flavian Ampitheatre
•Built by Emperor Vespasian -shrewd political move.
During the Julio Claudian period, where there were
abuses by Nero and Claudius…
•Drained a lake to build; grand place for public displays
& entertainment (gladiators, exotic animals imported
from their huge empire)
•Give public land back to public.
•Still represents Italy & Rome.

Contenu connexe

Tendances

Greek and roman art history
Greek and roman art historyGreek and roman art history
Greek and roman art historydbk87
 
KCC Art 211Ch 15 The Classical And Medieval West
KCC Art 211Ch 15 The Classical And Medieval WestKCC Art 211Ch 15 The Classical And Medieval West
KCC Art 211Ch 15 The Classical And Medieval WestKelly Parker
 
CLASSICAL CIVILASATION OF GREECE AND ROME.pptx
CLASSICAL CIVILASATION OF GREECE AND ROME.pptxCLASSICAL CIVILASATION OF GREECE AND ROME.pptx
CLASSICAL CIVILASATION OF GREECE AND ROME.pptxBrishmrita Boruah
 
Greek and Roman Art
Greek and Roman ArtGreek and Roman Art
Greek and Roman ArtRodriguezArt
 
Arh2050 perfection to pathos classical greek & hellenistic sculpture
Arh2050 perfection to pathos   classical greek & hellenistic sculptureArh2050 perfection to pathos   classical greek & hellenistic sculpture
Arh2050 perfection to pathos classical greek & hellenistic sculptureProfWillAdams
 
Arh1000 roman time capsule pompeii & herculaneum
Arh1000 roman time capsule pompeii & herculaneumArh1000 roman time capsule pompeii & herculaneum
Arh1000 roman time capsule pompeii & herculaneumProfWillAdams
 
Art1100 LVA 15
Art1100 LVA 15Art1100 LVA 15
Art1100 LVA 15Dan Gunn
 
Ancient Rome Part 2
Ancient Rome Part 2Ancient Rome Part 2
Ancient Rome Part 2smolinskiel
 
Art1204 the art & culture of ancient etruria
Art1204 the art & culture of ancient etruriaArt1204 the art & culture of ancient etruria
Art1204 the art & culture of ancient etruriaProfWillAdams
 
Artreview Part1b
Artreview Part1bArtreview Part1b
Artreview Part1bbernsteinam
 
Art 9 Art of the Classical Period
Art 9 Art of the Classical PeriodArt 9 Art of the Classical Period
Art 9 Art of the Classical PeriodCholzki Maturan
 
Ancient Rome Part 3
Ancient Rome Part 3Ancient Rome Part 3
Ancient Rome Part 3smolinskiel
 
The Burden of Glory: The Art of the High & Late Roman Empire
The Burden of Glory: The Art of the High & Late Roman EmpireThe Burden of Glory: The Art of the High & Late Roman Empire
The Burden of Glory: The Art of the High & Late Roman EmpireProfWillAdams
 

Tendances (20)

Greek and roman art history
Greek and roman art historyGreek and roman art history
Greek and roman art history
 
The Roman House
The Roman HouseThe Roman House
The Roman House
 
KCC Art 211Ch 15 The Classical And Medieval West
KCC Art 211Ch 15 The Classical And Medieval WestKCC Art 211Ch 15 The Classical And Medieval West
KCC Art 211Ch 15 The Classical And Medieval West
 
CLASSICAL CIVILASATION OF GREECE AND ROME.pptx
CLASSICAL CIVILASATION OF GREECE AND ROME.pptxCLASSICAL CIVILASATION OF GREECE AND ROME.pptx
CLASSICAL CIVILASATION OF GREECE AND ROME.pptx
 
Roman art
Roman artRoman art
Roman art
 
Greek and Roman Art
Greek and Roman ArtGreek and Roman Art
Greek and Roman Art
 
The roman art
The roman artThe roman art
The roman art
 
Arh2050 perfection to pathos classical greek & hellenistic sculpture
Arh2050 perfection to pathos   classical greek & hellenistic sculptureArh2050 perfection to pathos   classical greek & hellenistic sculpture
Arh2050 perfection to pathos classical greek & hellenistic sculpture
 
Art History Chap 10 A
Art History Chap 10 AArt History Chap 10 A
Art History Chap 10 A
 
Arh1000 roman time capsule pompeii & herculaneum
Arh1000 roman time capsule pompeii & herculaneumArh1000 roman time capsule pompeii & herculaneum
Arh1000 roman time capsule pompeii & herculaneum
 
New Kingdom Egypt
New Kingdom EgyptNew Kingdom Egypt
New Kingdom Egypt
 
Art1100 LVA 15
Art1100 LVA 15Art1100 LVA 15
Art1100 LVA 15
 
Ancient Rome Part 2
Ancient Rome Part 2Ancient Rome Part 2
Ancient Rome Part 2
 
Art1204 the art & culture of ancient etruria
Art1204 the art & culture of ancient etruriaArt1204 the art & culture of ancient etruria
Art1204 the art & culture of ancient etruria
 
Artreview Part1b
Artreview Part1bArtreview Part1b
Artreview Part1b
 
Art 9 Art of the Classical Period
Art 9 Art of the Classical PeriodArt 9 Art of the Classical Period
Art 9 Art of the Classical Period
 
AP Art History, Ancient Roman mural paintings
AP Art History, Ancient Roman mural paintingsAP Art History, Ancient Roman mural paintings
AP Art History, Ancient Roman mural paintings
 
Roman Empire: The Age of Augustus
Roman Empire:  The Age of AugustusRoman Empire:  The Age of Augustus
Roman Empire: The Age of Augustus
 
Ancient Rome Part 3
Ancient Rome Part 3Ancient Rome Part 3
Ancient Rome Part 3
 
The Burden of Glory: The Art of the High & Late Roman Empire
The Burden of Glory: The Art of the High & Late Roman EmpireThe Burden of Glory: The Art of the High & Late Roman Empire
The Burden of Glory: The Art of the High & Late Roman Empire
 

En vedette

Chapter 5 art of ancient greece
Chapter 5 art of ancient greeceChapter 5 art of ancient greece
Chapter 5 art of ancient greeceFrank Bush
 
Art Appreciation-Chapter8
Art Appreciation-Chapter8Art Appreciation-Chapter8
Art Appreciation-Chapter8alorino
 
Chapter 8: The Art of Directing
Chapter 8: The Art of DirectingChapter 8: The Art of Directing
Chapter 8: The Art of Directinggarrets
 
Chapter 8: Front Office Accounting
Chapter 8: Front Office AccountingChapter 8: Front Office Accounting
Chapter 8: Front Office AccountingNicole Hay-Walters
 

En vedette (7)

6. etruscan
6. etruscan6. etruscan
6. etruscan
 
Chapter six
Chapter sixChapter six
Chapter six
 
Chapter 5 art of ancient greece
Chapter 5 art of ancient greeceChapter 5 art of ancient greece
Chapter 5 art of ancient greece
 
Art Appreciation-Chapter8
Art Appreciation-Chapter8Art Appreciation-Chapter8
Art Appreciation-Chapter8
 
Chapter 8: The Art of Directing
Chapter 8: The Art of DirectingChapter 8: The Art of Directing
Chapter 8: The Art of Directing
 
Chapter 8: Front Office Accounting
Chapter 8: Front Office AccountingChapter 8: Front Office Accounting
Chapter 8: Front Office Accounting
 
Chapter 5 - Ancient Greece
Chapter 5 - Ancient GreeceChapter 5 - Ancient Greece
Chapter 5 - Ancient Greece
 

Similaire à Romanartpart i

Ancient rome
Ancient romeAncient rome
Ancient romewtidwell
 
Section6(Intro-Republic).ppt
Section6(Intro-Republic).pptSection6(Intro-Republic).ppt
Section6(Intro-Republic).pptSeema Srivastava
 
Ap art history test 4
Ap art history test 4Ap art history test 4
Ap art history test 4mary294254374
 
Section6(intro republic)
Section6(intro republic)Section6(intro republic)
Section6(intro republic)tikoka
 
Chapter 10: The Art of Ancient Rome
Chapter 10: The Art of Ancient RomeChapter 10: The Art of Ancient Rome
Chapter 10: The Art of Ancient Romerenee7806
 
Chapter 2 - 3 Greek and Romans
Chapter 2 - 3 Greek and RomansChapter 2 - 3 Greek and Romans
Chapter 2 - 3 Greek and RomansKaren Owens
 
powerpoint.18
powerpoint.18powerpoint.18
powerpoint.18rebwball
 
Chapter 2 3 greekart
Chapter 2 3 greekartChapter 2 3 greekart
Chapter 2 3 greekartKaren Owens
 
Chapter 2 3 greekart
Chapter 2 3 greekartChapter 2 3 greekart
Chapter 2 3 greekartKaren Owens
 
Ancient Roman Art powerpoint presentation
Ancient Roman Art powerpoint presentationAncient Roman Art powerpoint presentation
Ancient Roman Art powerpoint presentationDanielTamiru4
 
Lecture, Ancient Rome
Lecture, Ancient RomeLecture, Ancient Rome
Lecture, Ancient RomeLaura Smith
 
AP Art History Ancient Greece & Rome
AP Art History Ancient Greece & Rome AP Art History Ancient Greece & Rome
AP Art History Ancient Greece & Rome amityapah
 
lesson 2 classial arts.pptx
lesson 2 classial arts.pptxlesson 2 classial arts.pptx
lesson 2 classial arts.pptxRamHSaraus
 

Similaire à Romanartpart i (20)

Ancient rome
Ancient romeAncient rome
Ancient rome
 
Section6(Intro-Republic).ppt
Section6(Intro-Republic).pptSection6(Intro-Republic).ppt
Section6(Intro-Republic).ppt
 
Roman Art
Roman ArtRoman Art
Roman Art
 
Ap art history test 4
Ap art history test 4Ap art history test 4
Ap art history test 4
 
Rome5
Rome5Rome5
Rome5
 
Section6(intro republic)
Section6(intro republic)Section6(intro republic)
Section6(intro republic)
 
Chapter 10: The Art of Ancient Rome
Chapter 10: The Art of Ancient RomeChapter 10: The Art of Ancient Rome
Chapter 10: The Art of Ancient Rome
 
Chapter 2 - 3 Greek and Romans
Chapter 2 - 3 Greek and RomansChapter 2 - 3 Greek and Romans
Chapter 2 - 3 Greek and Romans
 
powerpoint.18
powerpoint.18powerpoint.18
powerpoint.18
 
Chapter 2 3 greekart
Chapter 2 3 greekartChapter 2 3 greekart
Chapter 2 3 greekart
 
ROME
ROMEROME
ROME
 
Roman Portraiture
Roman PortraitureRoman Portraiture
Roman Portraiture
 
Chapter 2 3 greekart
Chapter 2 3 greekartChapter 2 3 greekart
Chapter 2 3 greekart
 
The Later Roman Empire
The Later Roman EmpireThe Later Roman Empire
The Later Roman Empire
 
Ancient Roman Art powerpoint presentation
Ancient Roman Art powerpoint presentationAncient Roman Art powerpoint presentation
Ancient Roman Art powerpoint presentation
 
Lecture, Ancient Rome
Lecture, Ancient RomeLecture, Ancient Rome
Lecture, Ancient Rome
 
AP Art History Ancient Greece & Rome
AP Art History Ancient Greece & Rome AP Art History Ancient Greece & Rome
AP Art History Ancient Greece & Rome
 
Art History-Ancient Roman art.pdf
Art History-Ancient Roman art.pdfArt History-Ancient Roman art.pdf
Art History-Ancient Roman art.pdf
 
ARTID111 Ancient Roman Art
ARTID111 Ancient Roman ArtARTID111 Ancient Roman Art
ARTID111 Ancient Roman Art
 
lesson 2 classial arts.pptx
lesson 2 classial arts.pptxlesson 2 classial arts.pptx
lesson 2 classial arts.pptx
 

Plus de Andrea Fuentes

Ppt #4 ancient near east_art
Ppt #4 ancient near east_artPpt #4 ancient near east_art
Ppt #4 ancient near east_artAndrea Fuentes
 
Early greek thru early classical
Early greek thru early classicalEarly greek thru early classical
Early greek thru early classicalAndrea Fuentes
 
Analyzing Art: Cornflakes
Analyzing Art:  CornflakesAnalyzing Art:  Cornflakes
Analyzing Art: CornflakesAndrea Fuentes
 
14thcenteuropresentation
14thcenteuropresentation14thcenteuropresentation
14thcenteuropresentationAndrea Fuentes
 
Jewishearlychristianandbyzantineartppt 101126120709-phpapp01
Jewishearlychristianandbyzantineartppt 101126120709-phpapp01Jewishearlychristianandbyzantineartppt 101126120709-phpapp01
Jewishearlychristianandbyzantineartppt 101126120709-phpapp01Andrea Fuentes
 
Impressionism&beyond copy
Impressionism&beyond copyImpressionism&beyond copy
Impressionism&beyond copyAndrea Fuentes
 
Realism in 19th century photography
Realism in 19th century photographyRealism in 19th century photography
Realism in 19th century photographyAndrea Fuentes
 
Rococoandreasonoverview
RococoandreasonoverviewRococoandreasonoverview
RococoandreasonoverviewAndrea Fuentes
 
Landscape painting rule of thirds
Landscape painting rule of thirdsLandscape painting rule of thirds
Landscape painting rule of thirdsAndrea Fuentes
 
Early chinesea buddhistart
Early chinesea buddhistartEarly chinesea buddhistart
Early chinesea buddhistartAndrea Fuentes
 
History of Calligraphy
History of CalligraphyHistory of Calligraphy
History of CalligraphyAndrea Fuentes
 
Art between wars...surrealism
Art between wars...surrealismArt between wars...surrealism
Art between wars...surrealismAndrea Fuentes
 
Amate bark painting presentation
Amate bark painting presentationAmate bark painting presentation
Amate bark painting presentationAndrea Fuentes
 
Mivestabelenpresentation
MivestabelenpresentationMivestabelenpresentation
MivestabelenpresentationAndrea Fuentes
 

Plus de Andrea Fuentes (20)

Ppt #4 ancient near east_art
Ppt #4 ancient near east_artPpt #4 ancient near east_art
Ppt #4 ancient near east_art
 
Early greek thru early classical
Early greek thru early classicalEarly greek thru early classical
Early greek thru early classical
 
Analyzing Art: Cornflakes
Analyzing Art:  CornflakesAnalyzing Art:  Cornflakes
Analyzing Art: Cornflakes
 
Style recognition new
Style recognition newStyle recognition new
Style recognition new
 
14thcenteuropresentation
14thcenteuropresentation14thcenteuropresentation
14thcenteuropresentation
 
Jewishearlychristianandbyzantineartppt 101126120709-phpapp01
Jewishearlychristianandbyzantineartppt 101126120709-phpapp01Jewishearlychristianandbyzantineartppt 101126120709-phpapp01
Jewishearlychristianandbyzantineartppt 101126120709-phpapp01
 
Impressionism&beyond copy
Impressionism&beyond copyImpressionism&beyond copy
Impressionism&beyond copy
 
Realism overview
Realism overviewRealism overview
Realism overview
 
Serendipity Art Unit
Serendipity Art UnitSerendipity Art Unit
Serendipity Art Unit
 
Realism in 19th century photography
Realism in 19th century photographyRealism in 19th century photography
Realism in 19th century photography
 
Romanticismoverview
RomanticismoverviewRomanticismoverview
Romanticismoverview
 
Rococoandreasonoverview
RococoandreasonoverviewRococoandreasonoverview
Rococoandreasonoverview
 
Landscape painting rule of thirds
Landscape painting rule of thirdsLandscape painting rule of thirds
Landscape painting rule of thirds
 
Romanartpart2
Romanartpart2Romanartpart2
Romanartpart2
 
Early chinesea buddhistart
Early chinesea buddhistartEarly chinesea buddhistart
Early chinesea buddhistart
 
Ancientegypt
AncientegyptAncientegypt
Ancientegypt
 
History of Calligraphy
History of CalligraphyHistory of Calligraphy
History of Calligraphy
 
Art between wars...surrealism
Art between wars...surrealismArt between wars...surrealism
Art between wars...surrealism
 
Amate bark painting presentation
Amate bark painting presentationAmate bark painting presentation
Amate bark painting presentation
 
Mivestabelenpresentation
MivestabelenpresentationMivestabelenpresentation
Mivestabelenpresentation
 

Romanartpart i

  • 1. http://videos.howstuffworks .com/discovery/7164-images-from-pompeii-video. How do we know so much about Roman art, especially the wall paintings? Why did they survive when Greek paintings did not? I N T R O D U C T I O N
  • 2. Ancient Rome I: Etruscan Kingdom Same time as Greek heroic age Most important culture in Western Mediterranean.. 750-510 BCE http://www.artic.edu/cleo/index.html
  • 3.
  • 4. APOLLO or APOLLO OF VEII Artist: Master sculptor Vulca (?) Medium: Painted terra cotta Size: height 5'10" Date: c. 510–500 BCE •Etruscan Period •Part of a group of 4 statues located on top of a temple. •Technically difficult to create a life size terra cotta (fired clay) statue •Best surviving rooftop statue •Energy, excitement, etc,.. •But influence of Greek archaic statuary there in hair, smile FLASHCARD IMAGE
  • 5. How are they same? How are they different?
  • 6. •Typical Etruscan Temple at Veii; ground plan similar to the Greeks •Apollo appeared on the roof, not the pediment (Who had sculpture friezes in pediment?) •SITING: Faced south, ENTRANCE: only enter from that way, and built on a podium •Tuscan order - columns spaced wide, looks heavier due to shorter columns than classical Greek temples •Eaves projected out to protect the clay - terra cotta walls •Statues appeared on roofline •Close to ground, not like Acropolis on hills above Athens
  • 7. Etruscan Sarcophagus, 520 BCE Terracotta Life sized Latest hair styles, lively hand gestures How does this compare to Egyptian funerary art? Inner Coffin of Tutankhamun’s Sarcophagus, 1332 BCE
  • 9. Fowling Scene, Tomb of Nebamum, 1400 BCE (New King.), fragment of wall painting, British Museum •How does this compare to the tomb paintings of the Etruscans? Remember Nebamum?
  • 10. She-Wolf, Artist n/a, Bronze, 500 BCE (Twins added during Renaissance), FLASHCARD Mix of naturalism & stylized details May represent the she-wolf that raised Romulus & Remus of Greek mythology (founded Rome) Ferocious yet object of sympathy at the same time. Roman Republic People saw themselves as heroic, attributed to descendants of gods
  • 11. How did Romans view artists in their society?
  • 12. Romans used both bronze casting & marble for sculpture. Here is an example of the lost wax casting method. Lost Wax Casting Method Weary Hercules, bronze statuette, Roman Empire http://www.artic. edu/cleo/herc/hercMovie .html
  • 13. Can anyone give an example of an adopted Greek God or Goddess from your readings?
  • 14. http://www.artic.edu/cleo/index.html Etruscans preceded Roman kingdom, republic and empire in the Tuscany area. Traders with the Greeks. Bronze Age through about 510 BCE (overthrow) Rome lasted for 2200 years … 753 BCE to 1453 AD 1. I. Kingdom: 753-510 BCE. Greek heroic age; Rome eventually threw out Etruscan Kings. Paralleled/influenced by Greece. 2. II. Republic - 509-27 BCE, until assassination of Julius Caesar- Pont du Gard bridge & building campaigns 3. III. Empire - 27 BCE - 1453 AD.  First emperor was Augustus Caesar (fka Octavius, J. Caesar’s nephew Brought in Pax Romana, years of peace & prosperity.  Julio-Claudian era with Nero (crazy emperor)-overthrown by Vespasian (built Colosseum). (14-69 CD)  High Empire - included Trajan & Hadrian (Hadrians wall, Trajan’s column) 96-192 CE  Late Empire - Septimus Severus, Caracalla, Diocletian, Constantine. Constantine built the Basilica, and made Christianity the offical religion. Etruscan and Roman Timeline of Key Rulers
  • 15. Ancient Rome II The Roman Republic 509-27 BCE Threw out the Etruscans Continued until Julius Caesar assassinated
  • 16. Title: Head of a man (known as Brutus) Medium: Bronze, eyes of painted ivory Size: height 12½" (31.8 cm) Date: c. mid-3rd century BCE Republic period Appears world- weary, he reminds you of????
  • 17. Head of Senusret III Yellow quartzite 17¾ X 13½ X 17" Middle Kingdom Twelfth Dynasty, c. c. 1836–1818 BCE More realistic Looks tired, older Dynamic King who led 4 expeditions into Nubia; overhauled administration
  • 18. Orator (Aulus Metellus) 80 BCE (Republican period) Bronze, 5’11” high Careful observation & rendering Completed by an Etruscan artist Toga worn by Roman officials According to Pliny the Elder, statues like these were often on top of columns as memorials. flashcard
  • 19. Initiation Rites of Cult of Bacchus or Dionysus Mystery Painting, 60 BCE Wall Painting from Pompeii, “Villa of Mysteries” Cult of Bacchus/Dionysus (god of wine).. Rites on his behalf in private homes… deep red (Pompeiian re) background, scene around walls…flashcard… one of best known wall paintings
  • 20. Still Life, detail from wall painting in 4th style Beautifully rendered glass Shadows make objects appear real and actually in space rather than flat shapes
  • 21. Reconstructed bedroom from Pompeii Late 1st century BCE Floor mosaic-priest offers a basket w/ a snake to a cult image of Isis… Again initiation rites Wall paintings city scapes like stage backdrops in intuitive perspective What are some initiation rites you might see today in our society? In common religions today? On a college campus?
  • 22. Detail from reconstructed bedroom Intuitive perspective: objects smaller, less detailed,diagonal lines suggest parallel lines receding in the distance No single point of view though.
  • 23. This wall painting from Livia’s villa shows atmospheric perspective…Trompe l’oeil, trick the eye. Idealized view of the world, distant objects are WHAT????
  • 24. Wow what a bloodthirsty bunch those emperors were… Young Woman WRITING Wall painting from Pompeii Pointed stylus to write on wax coated tablet, easy to “erase” and start over before using $$ papyrus Used by kids of homework too. Why were these paintings so well preserved?
  • 25. Temple of Fortunus, Republic Period, Rome (flashcard) Front columns are Greek, side columns are engaged Closed in block and podium is Etruscan in influence Vetruvius admired this temple; wrote 10 books on it.. Also influenced state capitol in Virginia Romans found common ground with conquered peoples’ religions Did require sacrifices to town gods, part of community activities that they promoted This temple illustrates that common ground
  • 26. Plan of Temple Forum Boarium (Cattle Market), Rome Note engaged columns and podiums How was this similar to classical Greek temples?
  • 28. Pont Du Gard (flashcard), Nimes, France. 100 BCE REPUBLIC PERIOD Provided 100 gallons of water a day per family, from Uzes spring 30 miles away. •Rhythmic harmony & balance •3 stacked arcades •Concrete •Originally aqueduct •Still used as bridge today •Fits surroundings with natural unadorned blocks •ROMAN ARCH INVENTED!!!
  • 29. Why was the invention of concrete so important?
  • 30.
  • 31. Denarius with portrait of Julius Caesar Republican period Silver coin, widely used Propaganda value First time living ruler shown!! Venus on reverse Realistic portrait, shows receding hair line Flashcard Image
  • 32. II. Early Roman Empire…. //videos.howstuffworks.com/hsw/9798-living-in-the-roman- http: Massive empire More cohesive than Greece Physical-military superiority, built garrisons & roads Organizational - system of laws and administration Psychological - fear of harsh punishment, entertainment for the masses What are some of Rome’s contributions to the West? Art - copied from Greece!!!! Used art/architecture as propaganda (instrumentalism)
  • 33.
  • 34. Maison Carree, Nimes France, 20 BCE (or 10 AD) Early Imperial Period…(flashcard) Front columns are Greek, side columns are engaged Closed in block and podium is Etruscan in influence Vetruvius admired this temple; wrote 10 books on it.. Also influenced state capitol in Virginia Romans found common ground with conquered peoples’ religions Did require sacrifices to town gods, part of community activities that they promoted This temple illustrates that common ground
  • 35. Octavius became Caesar Augustus, 1st emperor.-EARLY EMPIRE--Nephew of Julius Caesar What happened to J. Caesar? (Et tu, Brute?) Also given title Maximus - High Priest as well as emperor. Ruled for 60 years w/wife Livia, laid foundation for the Pax Romana (peace, stability, prosperity). Skilled administrator. During Pax Romana, lots of building programs to improve quality of life for the Empire. “I found Rome a city of brick, and left it a city of Marble.”
  • 36. Augustus of Primaporta, 20 BCE Marble, 6’11” (maybe copy of a bronze) flashcard •Ushered in Roman Empire (1st emperor-Pax Romana) •Not veristic portraits like Republic.. More like classical Greek style •Addressing troops like the Orator •Cloak in folds (Hellenistic)..ties to Cupid (Venus’ son) •Breastplate shows peaceful negotiation w/Parthians, Sun God, etc •Now at Vatican in Rome
  • 37. Augustus, color restored Political messages Divinity of Emperor (became a God) Cult of the Emperor Mother nature, sky God shown on Breastplate, Apollo & Diana Augustus ruled for 60 years, but is always shown as young and promoting peaceful negotiation. Who was the patron here?
  • 38. Altar of Augustan Peace, 13 BCE (Ari Pacis) Early Imperial flashcard Celebrates Augustus as both warrior & peacemaker Triumphal return to Rome after victory in Gaul and Hispania Marble 10 m x 11 m Where are Gaul and Hispania today? Relief sculptures showing procession and allegory of peace. Shows Greek influence on figures Restored by Mussolini 2000 yrs later Similar to Parthenon frieze from 5th century BCE
  • 39. Read about these characters in the book.. South side relief 1st- showing children to promote family life & potential heirs
  • 40. Allegory of Peace, from Ara Pacis, 5’2” high Goddess of Peace (Pax) nurtures cherubs representing Roman people, goddesses of sea and land winds look on representing Roman sea and land bounties Earth and Sea Personified Greek columns frame scene; pattern border of Greek key motif How are the forms (figures) similar to Greek relief sculptures? Minute details of leaves, natural elements typical of Roman sculpture
  • 41.
  • 42.
  • 43.
  • 44.
  • 45. Flavian Amphitheatre, 80 CE, Rome, Flashcard KNOW SIGNIFICANCE/RECOGNIZE/DISCUSS
  • 47. •Built by Emperor Vespasian -shrewd political move. During the Julio Claudian period, where there were abuses by Nero and Claudius… •Drained a lake to build; grand place for public displays & entertainment (gladiators, exotic animals imported from their huge empire) •Give public land back to public. •Still represents Italy & Rome.

Notes de l'éditeur

  1. Artist: Master sculptor Vulca (?) Title: Apollo Medium: Painted terra cotta Size: height 5'10" (1.8 m) Date: c. 510–500 BCE Source/Museum: Temple of Minerva, Portenaccio, Veii. / Museo Nazionale di Villa Giulia, Rome
  2. Artist: n/a Title: Reconstruction of an Etruscan Temple Medium: n/a Size: n/a Date: n/a Source/Museum: Based on archaeological evidence and descriptions by Vitruvius. University of Rome, Istituto di Etruscologia e Antichità Italiche
  3. Artist: n/a Title: Sarcophagus Medium: Terra cotta Size: length 6"7" (2.06 m) Date: c. 520 BCE Source/Museum: Fom Cerveteri. /Museo Nazionale di Villa Giulia, Rome
  4. Artist: n/a Title: Inner Coffin of Tutankhamun’s Sarcophagus Medium: Gold inlaid with glass and semiprecious stones Size: height 6'⅞" (1.85 m), weight nearly 243 pounds (110.4 kg) Date: Eighteenth Dynasty, 1332–1322 BCE Source/Museum: Tomb of Tutankhamun, Valley of the Kings, near Deir el-Bahri / Egyptian Museum, Cairo
  5. Artist: n/a Title: She-Wolf Medium: Bronze, glass-paste eyes Size: height 33½" (85 cm) Date: c. 500 BCE, or 450–430 BCE with 15th or 16th century additions (the twins) Source/Museum: Museo Capitolino, Rome
  6. Artist: n/a Title: Head of a man (known as Brutus) Medium: Bronze, eyes of painted ivory Size: height 12½" (31.8 cm) Date: c. mid-3rd century BCE Source/Museum: Palazzo dei Conservatori, Rome
  7. Artist: n/a Title: Head of Senusret III Medium: Yellow quartzite Size: height 17¾ X 13½ X 17" (45.1 X 34.3 X 43.2 cm) Date: Twelfth Dynasty, c. 1938–1755 BCE (ruled c. 1836–1818 BCE) Source/Museum: The Nelson-Atkins Museum of Art, Kansas City, Missouri. Purchase: Nelson Trust (62-11)
  8. Artist: n/a Title: Aulus Metellus Medium: Bronze Size: height 5'11" (1.8 m) Date: c. 80 BCE Source/Museum: Found near Perugia. / Museo Archeologico Nazionale, Florence
  9. Artist: n/a Title: Initiation Rites of the Cult of Bacchus (?) Medium: Wall painting Size: n/a Date: c. 60–50 BCE Source/Museum: In the Villa of the Mysteries, Pompeii
  10. Artist: n/a Title: Still Life Medium: Detail of a wall painting Size: approx. 1'2" X 1 ½" (35.5 X 31.7 cm) Date: Before 79 CE Source/Museum: From House of the Stags (Cervi), Herculaneum. / Museo Nazionale, Naples.
  11. Artist: n/a Title: Reconstructed bedroom Medium: n/a Size: n/a Date: Late 1st century BCE, with later furnishings. Source/Museum: House of Publius Fannius Synistor, Boscoreale, near Pompeii. / The Metropolitan Museum of Art, New York. Rogers Fund, 1903 (03.14.13)
  12. Artist: n/a Title: Cityscape Medium: Detail of a wall painting Size: n/a Date: Late 1st century CE Source/Museum: From a bedroom in the House of Publius Fannius Synistor, Boscoreale. / The Metropolitan Museum of Art, New York. Rogers Fund, 1903 (03.14.13
  13. Artist: n/a Title: Garden Scene Medium: Detail of a wall painting Size: n/a Date: Late 1st century BCE Source/Museum: From the dining room of the Villa of Livia at Primaporta, near Rome. / Museo Nazionale Romano, Rome
  14. Artist: n/a Title: Young Woman Writing Medium: Detail of a wall painting Size: diameter 14 ⅝" (37 cm) Date: Before 79 CE Source/Museum: From Pompeii. / Museo Archeològico Nazionale, Naples
  15. Artist: n/a Title: Maison Carrée Medium: n/a Size: n/a Date: c. 20 BCE Source/Museum: Nîmes, France
  16. Artist: n/a Title: Plan of Temple Forum Boarium (Cattle Market), Rome Medium: n/a Size: n/a Date: n/a Source/Museum: n/a
  17. Artist: n/a Title: Pont Du Gard Medium: n/a Size: n/a Date: Late 1st century BCE Source/Museum: Nîmes, France
  18. Artist: n/a Title: Denarius with Portrait of Julius Caesar Medium: Silver Size: diameter approximately ¾" (1.9 cm) Date: 44 BCE Source/Museum: American Numismatic Society, New York
  19. Artist: n/a Title: Maison Carrée Medium: n/a Size: n/a Date: c. 20 BCE Source/Museum: Nîmes, France
  20. Artist: n/a Title: Augustus of Primaporta Medium: Marble (originally colored) Size: height 6'8" (2.03 m) Date: Early 1st century CE. Perhaps a copy of a bronze statue of c. 20 BCE Source/Museum: Musei Vaticani, Braccio Nuovo, Rome
  21. Artist: n/a Title: Augustus of Primaporta Medium: Marble (originally colored) Size: height 6'8" (2.03 m) Date: Early 1st century CE. Perhaps a copy of a bronze statue of c. 20 BCE Source/Museum: Musei Vaticani, Braccio Nuovo, Rome
  22. Artist: n/a Title: Augustus of Primaporta Medium: A copy with color restored Size: n/a Date: n/a Source/Museum: Vatican Museum, Rome
  23. Artist: n/a Title: Ara Pacis Augustae (altar of Augustan Peace), view of west side Medium: Marble Size: approx. 34'5" (10.5 m) X 38' (11.6 m) Date: 13–9 BCE Source/Museum: Rome
  24. Artist: n/a Title: Imperial Procession Medium: n/a Size: height 5'2" (1.6 m) Date: n/a Source/Museum: Detail of a relief on the south side of the Ara Pacis
  25. Artist: n/a Title: Allegory of Peace Medium: n/a Size: height 5'2" (1.6 m) Date: n/a Source/Museum: Relief on the east side of the Ara Pacis