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JAMES STIRLING Leader of the great transition from the Modern Movement to the architecture of the New— an architecture that once more has recognized historical roots, once more has close  connections with the buildings surrounding it, once more can be called a new tradition. 
Sir James Frazer Stirling (1926-1992) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Design Philosophies ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
In an article written in 1979 for  Contemporary Architects,  Stirling said, "I believe that the shapes of a building should indicate—perhaps display—the usage and way of life of its occupants, and it is therefore likely to be rich and varied in appearance, and its expression is unlikely to be simple...in a building we did at Oxford some years ago, it was intended that you could recognize the historic elements of courtyard, entrance gate towers, cloisters; also a central object replacing the traditional fountain or statue of the college founder. In this way we hoped that students and public would not be disassociated from their cultural past. The particular way in which functional-symbolic elements are put together may be the "art" in the architecture." 
..."If the expression of functional-symbolic forms and familiar elements is foremost, the expression of structure will be secondary, and if structure shows, it is not in my opinion, the engineering which counts, but the way in which the building is put together that is important."  "Stirling's concept of contemporary architecture is concerned with the humanization of the environment. Humanistic considerations dominate all technological, economic and aesthetic preconceived ideas and ideologies. Architecture has to re-establish its own criteria for evaluation; for Stirling this obviously means creating in harmony with common sense, tradition, the existing environment, and a concern for people." 
Engineering Building, Leicester University(1959)
History Faculty Library, Cambridge University (1964)
Leicester and Cambridge ,[object Object],[object Object],[object Object],[object Object]
Contextualism ,[object Object],[object Object],[object Object],[object Object],[object Object]
Later works ,[object Object],[object Object],[object Object],[object Object]
Staatsgalerie, Stuttgart (1977)
Cornell University, NY
CONSTRUCTIVISM
Soviet Constructivism ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Tatlin Tower ,[object Object],[object Object]
 
ASANOVA AND OSA ,[object Object],[object Object],[object Object]
REM KOOLHASS
BIOGRAPHY AND CONCEPTS ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
BIOGRAPHY AND CONCEPTS ,[object Object],[object Object],[object Object],[object Object],[object Object]
BIOGRAPHY AND CONCEPTS ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SEATTLE CENTRAL LIBRARY
A southbound Green Line train passing through the stainless steel tube shielding the McCormick Tribune Campus Center. Nicknamed the BUTT for "Building Under The Tracks"
CASA DA MUSICA
ZAHA HADID

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Constructivism,Stirling,Zaha,Koolhass

  • 1. JAMES STIRLING Leader of the great transition from the Modern Movement to the architecture of the New— an architecture that once more has recognized historical roots, once more has close connections with the buildings surrounding it, once more can be called a new tradition. 
  • 2.
  • 3.
  • 4. In an article written in 1979 for Contemporary Architects, Stirling said, "I believe that the shapes of a building should indicate—perhaps display—the usage and way of life of its occupants, and it is therefore likely to be rich and varied in appearance, and its expression is unlikely to be simple...in a building we did at Oxford some years ago, it was intended that you could recognize the historic elements of courtyard, entrance gate towers, cloisters; also a central object replacing the traditional fountain or statue of the college founder. In this way we hoped that students and public would not be disassociated from their cultural past. The particular way in which functional-symbolic elements are put together may be the "art" in the architecture." 
  • 5. ..."If the expression of functional-symbolic forms and familiar elements is foremost, the expression of structure will be secondary, and if structure shows, it is not in my opinion, the engineering which counts, but the way in which the building is put together that is important."  "Stirling's concept of contemporary architecture is concerned with the humanization of the environment. Humanistic considerations dominate all technological, economic and aesthetic preconceived ideas and ideologies. Architecture has to re-establish its own criteria for evaluation; for Stirling this obviously means creating in harmony with common sense, tradition, the existing environment, and a concern for people." 
  • 7. History Faculty Library, Cambridge University (1964)
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  • 23. A southbound Green Line train passing through the stainless steel tube shielding the McCormick Tribune Campus Center. Nicknamed the BUTT for "Building Under The Tracks"