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Homo Sapiens Representational  Images Upper Paleolithic
Evidence of the beginning of abstract thought
Communication (Language)
Prehistoric Media
Prehistoric Sculpture:  Woman (Venus) of Willendorf  (Austria: c.25000 BC)
RELIEF SCULTPURE
ENGRAVING
IN SITU   In its original site
Prehistoric Media: Cave Painting  Oldest cave paintings yet discovered:  Chauvet Caves, France, between 30,000 and 40,000 years old. The  tradition continues largely unchanged until after 10,000 BC.
Subject matter: (mostly) animals CAVE PAINTING: CHARACTERISTICS
Deep inside the caves  CAVE PAINTING: CHARACTERISTICS
Hard to reach places   CAVE PAINTING: CHARACTERISTICS
Continually paint in the  same areas, even over  long periods of time;  paint over pre-existing  images  CAVE PAINTING: CHARACTERISTICS
Humans depicted more crudely  CAVE PAINTING: CHARACTERISTICS
[object Object],[object Object]
“ Composite figures” CAVE PAINTING: CHARACTERISTICS
Abstract marks   CAVE PAINTING: CHARACTERISTICS
Damaged (intentionally)  CAVE PAINTING: CHARACTERISTICS
Marcelino Sanz de  Sautola (1880): publishes Some Brief Notes on  Prehistoric Objects from  the Province of Santander. “ It has been proved that Prehistoric men depicted pictures of animals on hard surfaces and tools,  and it is beyond doubt that the paintings in Altamira are just as old.” Published drawing by Sautola of the Altamira paintings
Painting from Altamira Prehistoric art: SYMPATHETIC MAGIC?
Ethnographic Projection
Prehistoric art: SHAMANISM?
The Abbe (Henri) Breuil:  HUNTING MAGIC
The Abbe (Henri) Breuil: --Relates Prehistoric Art to hunting. --Believes art began with a desire for disguise,  and the first medium was masks, which were  a necessity for hunting since they enabled  men to approach nearer to animals. Also  claims prehistoric men would believe  disguises would give them a supernatural  power over the animals. --Cave and rock art initially developed from  people noticing resemblances between  lines and cave walls and the anatomy of  animals. Art was begun and developed by  hunters, who again believed it would give  them a supernatural power over animals. --The reason Art is a pronounced  phenomenon only in some areas it that it could develop only where big game hunting actually occurred.
The Abbe (Henri) Breuil: HUNTING MAGIC SYMPATHETIC MAGIC DESIGNED TO AID IN HUNTING
The Abbe (Henri) Breuil: HUNTING MAGIC ANIMALS AS SUBJECTS: FOOD SUPPLY, MATERIALS (skins, bones for tools)
ABSTRACT MARKS: TRAPS The Abbe (Henri) Breuil: HUNTING MAGIC Cage  
DAMAGED: SYMBOLICALY  DESTROY ANIMALTO GAIN CONTROL The Abbe (Henri) Breuil: HUNTING MAGIC
HARD TO REACH PLACES: PLACES OF POWER (MAGIC) The Abbe (Henri) Breuil: HUNTING MAGIC
PAINT OVER IMAGES:  ONCE USED, THEIR  FUNCTION IS COMPLETE The Abbe (Henri) Breuil: HUNTING MAGIC
Criticisms of Hunting Magic: THE ANIMALS THEY HUNTED  WERE NOT  THE SAME AS THE ANIMALS THEY PAINTED
Prehistoric art: FERTILITY MAGIC (Fertility totems?) SEXUAL SYMBOLISM
No face     Little attention paid     to limbs  Emphasis: Gender-specific  and sexual  attributes    Enlarged breasts  ,[object Object],[object Object],   Pronounced genitalia  Also: traces of  red paint
MAX RAPHAEL: CLAN TOTEMS Underlying composition  of Altamira,  by Max Raphael  --Believed the paintings were not  isolated images, but parts of  large, planned compositions;  they should be interpreted by the relationship of the parts to  the whole rather than as  individual motifs. --In terms of interpretation, he  believed the animals represented  totems of clans—social groups  represented by a horse, bison,  mammoth, or some other animal.  This is why certain animals were dominant in certain caves.  Illustrations told stories  of struggles and interactions between clans.
ALEXANDER MARSHAK: LUNAR CALENDAR THEORY
JEAN CLOTTES (with DAVID LEWIS- WILLIAMS): --A return to theories involving  shamanism and magic --The caves represented a kind of  liminal space --Abstract markings may represent entoptic phenomenon.
NEOLITHIC: Catal Huyuk (Turkey) --The best preserved Neolithic city; near Konya, Turkey --Inhabited from c.7500 BC to c.5700 BC --Had a population of perhaps 10,000 people in mudbrick houses --The primary deity seems to to have been a female  fertility figure --The site was discovered in 1961
--DOLMEN --CAIRN --MEGALITHIC --MONOLITH --MENHIR/ALIGNMENT --POST --LINTEL (POST AND LINTEL) --TRILITH --MORTICE AND TENON --CROMLECH/HENGE  MONUMENT NEOLITHIC STONE ARCHITECTURE (NORTHERN EUROPE)
Stonehenge

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Review 1 prehistoric

  • 1. Homo Sapiens Representational Images Upper Paleolithic
  • 2. Evidence of the beginning of abstract thought
  • 5. Prehistoric Sculpture: Woman (Venus) of Willendorf (Austria: c.25000 BC)
  • 8. IN SITU In its original site
  • 9. Prehistoric Media: Cave Painting Oldest cave paintings yet discovered: Chauvet Caves, France, between 30,000 and 40,000 years old. The tradition continues largely unchanged until after 10,000 BC.
  • 10. Subject matter: (mostly) animals CAVE PAINTING: CHARACTERISTICS
  • 11. Deep inside the caves CAVE PAINTING: CHARACTERISTICS
  • 12. Hard to reach places CAVE PAINTING: CHARACTERISTICS
  • 13. Continually paint in the same areas, even over long periods of time; paint over pre-existing images CAVE PAINTING: CHARACTERISTICS
  • 14. Humans depicted more crudely CAVE PAINTING: CHARACTERISTICS
  • 15.
  • 16. “ Composite figures” CAVE PAINTING: CHARACTERISTICS
  • 17. Abstract marks  CAVE PAINTING: CHARACTERISTICS
  • 18. Damaged (intentionally) CAVE PAINTING: CHARACTERISTICS
  • 19. Marcelino Sanz de Sautola (1880): publishes Some Brief Notes on Prehistoric Objects from the Province of Santander. “ It has been proved that Prehistoric men depicted pictures of animals on hard surfaces and tools, and it is beyond doubt that the paintings in Altamira are just as old.” Published drawing by Sautola of the Altamira paintings
  • 20. Painting from Altamira Prehistoric art: SYMPATHETIC MAGIC?
  • 23. The Abbe (Henri) Breuil: HUNTING MAGIC
  • 24. The Abbe (Henri) Breuil: --Relates Prehistoric Art to hunting. --Believes art began with a desire for disguise, and the first medium was masks, which were a necessity for hunting since they enabled men to approach nearer to animals. Also claims prehistoric men would believe disguises would give them a supernatural power over the animals. --Cave and rock art initially developed from people noticing resemblances between lines and cave walls and the anatomy of animals. Art was begun and developed by hunters, who again believed it would give them a supernatural power over animals. --The reason Art is a pronounced phenomenon only in some areas it that it could develop only where big game hunting actually occurred.
  • 25. The Abbe (Henri) Breuil: HUNTING MAGIC SYMPATHETIC MAGIC DESIGNED TO AID IN HUNTING
  • 26. The Abbe (Henri) Breuil: HUNTING MAGIC ANIMALS AS SUBJECTS: FOOD SUPPLY, MATERIALS (skins, bones for tools)
  • 27. ABSTRACT MARKS: TRAPS The Abbe (Henri) Breuil: HUNTING MAGIC Cage 
  • 28. DAMAGED: SYMBOLICALY DESTROY ANIMALTO GAIN CONTROL The Abbe (Henri) Breuil: HUNTING MAGIC
  • 29. HARD TO REACH PLACES: PLACES OF POWER (MAGIC) The Abbe (Henri) Breuil: HUNTING MAGIC
  • 30. PAINT OVER IMAGES: ONCE USED, THEIR FUNCTION IS COMPLETE The Abbe (Henri) Breuil: HUNTING MAGIC
  • 31. Criticisms of Hunting Magic: THE ANIMALS THEY HUNTED WERE NOT THE SAME AS THE ANIMALS THEY PAINTED
  • 32. Prehistoric art: FERTILITY MAGIC (Fertility totems?) SEXUAL SYMBOLISM
  • 33.
  • 34. MAX RAPHAEL: CLAN TOTEMS Underlying composition of Altamira, by Max Raphael --Believed the paintings were not isolated images, but parts of large, planned compositions; they should be interpreted by the relationship of the parts to the whole rather than as individual motifs. --In terms of interpretation, he believed the animals represented totems of clans—social groups represented by a horse, bison, mammoth, or some other animal. This is why certain animals were dominant in certain caves. Illustrations told stories of struggles and interactions between clans.
  • 35. ALEXANDER MARSHAK: LUNAR CALENDAR THEORY
  • 36. JEAN CLOTTES (with DAVID LEWIS- WILLIAMS): --A return to theories involving shamanism and magic --The caves represented a kind of liminal space --Abstract markings may represent entoptic phenomenon.
  • 37. NEOLITHIC: Catal Huyuk (Turkey) --The best preserved Neolithic city; near Konya, Turkey --Inhabited from c.7500 BC to c.5700 BC --Had a population of perhaps 10,000 people in mudbrick houses --The primary deity seems to to have been a female fertility figure --The site was discovered in 1961
  • 38. --DOLMEN --CAIRN --MEGALITHIC --MONOLITH --MENHIR/ALIGNMENT --POST --LINTEL (POST AND LINTEL) --TRILITH --MORTICE AND TENON --CROMLECH/HENGE MONUMENT NEOLITHIC STONE ARCHITECTURE (NORTHERN EUROPE)