The document discusses equipment, techniques, and composition ideas for landscape photography of sunrises and sunsets. It recommends shooting during golden hour for beautiful light and dynamic color changes. Scouting involves finding east or west facing locations near water. Safety is the top priority. Composition techniques include rule of thirds, leading lines, symmetry, and creating depth. HDR and blending exposures are suggested for high dynamic range scenes. Exposing to the right of the histogram maximizes captured details. Specific Singapore locations are also listed.
2. Equipment
Camera + Lenses
DSLR
Prosumer superzooms
Compact point and shoot cameras
Tripod
Stable and strong enough for weight of setup.
Do not ignore specs of the head.
Only as strong as the weakest link.
Weight vs Stability vs Cost.
Filters
ND filters (neutral density)
GND filters (graduated neutral density)
Cir-Polarizers
Others
Remote shutter release
L plates
Panoramic heads and nodal setup
3. Why Sunrise or Sunset?
Golden light
Colors in the sky
Able to shoot into the sun
Just plain beautiful
Dynamic color changes in minutes
4. Scouting for Sites
East facing for sunrise
West facing for sunset
Water element desired
Google maps (Satellite view)
Sun Seeker iphone app
NEA website (timings and tide)
5. Remember: Safety First !
Always bring a torchlight.
Arrive early and scout the place out.
When going into water/mud make sure you have
secure footing.
Wear proper footwear.
Make sure rocks are stable where you step and
setup your camera.
Spread your tripod legs wider for more stability.
Be mindful of the CG of your body and setup.
Go slow and steady.
If unsure, do not do it.
If going into thick forest, go in a group.
11. Dynamic Lighting
Camera sensors do not have the dynamic
range to capture sunrise/sunset properly
Techniques:
Physically
GND
Black card technique
Digitally
HDR (single or multiple exposures)
Blending (multiple exposures)
Exposing to the right
12. Exposing to the right
A technique to maximize exposure without
blowing the highlights in a single exposure.
Why?
More details are captured in mid-tones and highlights
than in shadows.
It is better to push highlights down in PP, than
boosting shadows up.
How?
Look at the histogram constantly.
Attempt to expose so that the curve is as close to the
right edge as possible but not actually merging into
the right.
In PP, pull parts of the image back down.