SlideShare une entreprise Scribd logo
1  sur  7
This front cover follows many general and layout
 conventions of Mixmag; it has a main image dominating
the page, a main sell line and many other sell lines set out
   amongst the left and right hand side of the pages. This
particular cover looks similar to other Mixmagfront covers
 through its bold colour scheme and positioning of items
  such as the masthead and the main sell-line (Mixmag is
     known for putting their main sell-line on the top left
hand/middle side of the page). It therefore reinforces the
    brand identity of Mixmag for the audience who will
  instantly recognise and identify with the magazine. The
  colour pink is also commonly featured on Mixmag front
    covers and so this too helps maintain brand identity.
 However, this front cover, which features Swedish House
 Mafia, is unique in the sense that the majority of Mixmag
front covers feature an individual artist/DJ (as is common
   in the dance music genre) – instead it features 3 artists
      who are collectively a group; this therefore breaks
 conventions. Also, the background setting sets this cover
aside from others – instead of a plain but brightly coloured
 background, Mixmag has decided to use a villa/holiday
home setting as the background, linking with their „Stars of
    Ibiza 2010‟ sell-line (however, it is common within their
  Ibiza/Summer issues, and so in a way Mixmag are again
                reinforcing their brand identity).

    The masthead is the Mixmag logo; this is a common
     convention of magazines. It helps to reinforce and
maintain a link between all their platforms of media, be it
   their website, different issues of magazines, apps on a
phone or even a TV Channel if they choose to create one
in the future. The masthead is pink, which helps to create
the colour scheme, and helps the masthead to stand out
 against the white and cream shades of the main image.
  The name of the magazine „Mixmag‟ suggests that the
magazine is a dance music magazine which is aimed at a
 youthful audience; „mix‟ is a word commonly associated
  with dance music as DJ‟s mix tracks on their turntables;
 „mag‟, which is short, colloquial language for magazine.
    The audience will interpret and understand the two
    words, and the two „M‟s at the beginning of the two
  words will help „Mixmag‟ stay in the readers mind as it is
  short and sounds catchy. The main headline „SWEDISH
    HOUSE MAFIA‟ is written in block capitals, suggesting
   again that their audience is predominantly male as it
 exaggerates the masculine feel of the font. The font is a
display font, which has an athletic feel to it (i.e. it may
remind the audience of the writing on a letterman jacket,
   which is commonly worn by „jocks‟ in America) and this
   also adds to the masculine feel of the magazine, whilst
   suggesting that Swedish House Mafia are the „jocks‟ of
  the dance music industry – they‟re established and they
are popular amongst their audience. The main headline is
   also a pink colour; this challenges the masculine feel of
       the magazine as pink is usually a feminine colour,
  however, the pink helps to create a laidback feel to the
 front cover, linking with the main image in which Swedish
  House Mafia look relaxed. The sell-lines are also in block
 capitals and a sans serif font – the block capitals link with
 the main headline and it‟s masculine feel, whilst the sans
   serif font helps to make the front cover seem less tacky
  whilst helping it appear more clearer and easier to read
    (this will appeal to the audience of young males who
won‟t be drawn in by fancy gimmicks; they will want easy
  to read information which is clear and understandable).

   The main image is of Swedish House Mafia in a holiday
   home type setting – they are wearing sunglasses, shirts
and linen trousers, and look relaxed. One of the members
 is smoking a cigar, whilst another has a drink in his hand.
 They are given a very luxurious representation; firstly, the
  fact that behind them there is a villa (and that they are
 wearing sunglasses) makes them appear rich – they are
 obviously in Ibiza (as before the headline it says „Stars of
 Ibiza 2010‟) and so they must have money to be able to
  afford a house/holiday out there. The clothing they are
  wearing and the cigar and drink make them seem as if
they live a privileged and lavish lifestyle; they look slick but
 at the same time as if they know how to have fun and let
     loose. The images Ibiza setting also helps to reflect the
    genre of music that Mixmag promotes - Ibiza is seen as
   the home of dance music, and so Swedish House Mafia
          must be established artists who are regular Ibiza
         headliners if they own a holiday home there. This
         therefore may influence the readerships musical
   preferences, as Ibiza is known for having the best of the
 best, so they will more than likely check out their music to
     see if they live up to this expectation. The use of props
 (such as the cigar and drink) also reflect the genre, which
  is usually heard in a club environment – cigars and drinks
   are commonly seen in a club, therefore the readers will
identify with these items as they too will often go clubbing.
    The image will draw in the target audience as they too
 will either have been or want to go to Ibiza, and may also
      aspire to be as successful or as slick as Swedish House
  Mafia – by buying Mixmag, they could feel as if they are
       one step closer to achieving this. As is common with
    Mixmag, there is no feature article photographs which
        maintains Mixmag‟s brand identity and keeps the
        trendy/cool feel to the magazine, going with their
                          simplistic layout.

The sell-lines on the cover are also significant in pulling the
 audience in; they give the audience a sneak preview as
 to what will feature in the magazine. The sell-lines on this
 specific front cover will entice the audience through the
 use of mode-of-address, for example, “how to make it as
a DJ” – the audience will know what „make it‟ means and
so will feel clever. They will also feel as if the magazine is
  on their wavelength and understands them, giving them
     an affinity with the magazine which makes them more
likely to purchase the magazine. The ambiguity of the sell-
   lines is also a key part of the front cover as they need to
      reveal what is in the magazine but can‟t completely
reveal the story as the audience wouldn‟t want to find out
  for themselves, so wouldn‟t buy the magazine! However,
       this is demonstrated effectively through “promoting
yourself online” – the audience, who may be aspiring DJ‟s
  will see this and so will be enticed by it; they will feel as if
they need the magazine. The sell-lines are either written in
  black, pink or white, with certain ones standing out more
than others; some are highlighted, and so “how to make it
       as a DJ” stands out due to it being highlighted pink
(although some other sell-lines are highlighted, this sell-line
 is the only one which has been highlighted pink) and also
    as it is placed directly opposite the main headline it will
       grab more attention as it is more likely to catch the
                            readers eye.

    This front cover is also similar to Mixmag‟s other front
    covers in terms of its layout; it features the headline
 placed in the left hand/middle part of the page, and is
 also accompanied by sell-lines in a column on the right
   and (underneath the cover mount) on the left. It is a
simplistic yet clear layout, which is featured in most issues
          therefore creating a symbiotic link between
 Mixmag‟sfront covers. The fact that the layout is always
   simple helps to attract the audience of young males;
firstly, the layout won‟t look tacky in a few years, as it is a
classic layout; secondly, it is easy to read because it is
    clearly set out – they can access and interpret the
 information quickly and easily rather than trying to find
           certain sell-lines or look past gimmicks.

The colour scheme, of pink, black and white, are used for
    effect; the cream shades which feature in the main
   image aren‟t very representative of the dance music
     genre, which is known for having bright colours in
  magazines which promote it. However, the black and
white give Mixmag a mature feel as this is a classic colour
   combination, which appeals to mature males in their
  twenties rather than younger teenage audiences. The
pink however breaks the colours up, and takes the serious
   edge off of the mature colour scheme, reflecting the
              readership‟s serious and fun sides.

   The headline is written in a funky display font, which is
  common in Mixmag; they tend to have sell-lines and all
  other text which isn‟t the masthead or the headline as
 sans serif, whilst the headline is a really vibrant and funky
display font. Therefore through this, the cover creates and
  maintains brand identity. The commonly featured fonts
  could also be reflective of the fact that the readership
   are passionate about dance music, but know how to
       have fun and like to party whilst listening to it.

     In conclusion, this front cover of Mixmaghas many
different elements to it which attracts the target audience
   and will make them want to purchase the magazine,
such as the bold headline, creative use of colour scheme,
layout conventions and mode-of-address as well as many
other elements. It will be successful as not only does it
entice the audience but it also has elements which relate
    to the audience, creating an affinity between the
                magazine and its reader.

Contenu connexe

Tendances

Magazine research really official [recovered]
Magazine research really official [recovered]Magazine research really official [recovered]
Magazine research really official [recovered]eleanorwaring1
 
Deconstruction of magazines
Deconstruction of magazinesDeconstruction of magazines
Deconstruction of magazinesLauren Holyoak
 
Deconstruction of magazines 2
Deconstruction of magazines 2Deconstruction of magazines 2
Deconstruction of magazines 2Lauren Holyoak
 
Music magazine analysis covers
Music magazine analysis coversMusic magazine analysis covers
Music magazine analysis coversbethnoble
 
All analysis
All analysisAll analysis
All analysisAmber_
 
Music Magazine Analysis Research
Music Magazine Analysis ResearchMusic Magazine Analysis Research
Music Magazine Analysis Researchsianmartin94
 
Neck deep kerrang analysis
Neck deep kerrang analysisNeck deep kerrang analysis
Neck deep kerrang analysisemilyduggan182
 
All analysis
All analysisAll analysis
All analysisAmber_
 
Music magazine analysis
Music magazine analysisMusic magazine analysis
Music magazine analysisBailey Shooter
 
Presentation1
Presentation1Presentation1
Presentation1Amy Moss
 
Unit 14 digital magazine production.
Unit 14 digital magazine production.Unit 14 digital magazine production.
Unit 14 digital magazine production.holliejoice
 
Double page spread analysis 1
Double page spread analysis 1Double page spread analysis 1
Double page spread analysis 1betsimegan
 
Neck deep kerrang analysis
Neck deep kerrang analysisNeck deep kerrang analysis
Neck deep kerrang analysisemilyduggan182
 
Front cover essay
Front cover essayFront cover essay
Front cover essayHeidi94
 
Double page spread analysis 1
Double page spread analysis 1Double page spread analysis 1
Double page spread analysis 1betsimegan
 
Magazine front cover analysis
Magazine front cover analysisMagazine front cover analysis
Magazine front cover analysisshaniajay
 
Music magazine cover_analysis
Music magazine cover_analysisMusic magazine cover_analysis
Music magazine cover_analysisNamibiaM
 
Magazine Front Cover Analysis
Magazine Front Cover AnalysisMagazine Front Cover Analysis
Magazine Front Cover Analysisrebeccadahl98
 

Tendances (20)

555 media ting
555 media ting555 media ting
555 media ting
 
Textual Analysis
Textual AnalysisTextual Analysis
Textual Analysis
 
Magazine research really official [recovered]
Magazine research really official [recovered]Magazine research really official [recovered]
Magazine research really official [recovered]
 
Deconstruction of magazines
Deconstruction of magazinesDeconstruction of magazines
Deconstruction of magazines
 
Deconstruction of magazines 2
Deconstruction of magazines 2Deconstruction of magazines 2
Deconstruction of magazines 2
 
Music magazine analysis covers
Music magazine analysis coversMusic magazine analysis covers
Music magazine analysis covers
 
All analysis
All analysisAll analysis
All analysis
 
Music Magazine Analysis Research
Music Magazine Analysis ResearchMusic Magazine Analysis Research
Music Magazine Analysis Research
 
Neck deep kerrang analysis
Neck deep kerrang analysisNeck deep kerrang analysis
Neck deep kerrang analysis
 
All analysis
All analysisAll analysis
All analysis
 
Music magazine analysis
Music magazine analysisMusic magazine analysis
Music magazine analysis
 
Presentation1
Presentation1Presentation1
Presentation1
 
Unit 14 digital magazine production.
Unit 14 digital magazine production.Unit 14 digital magazine production.
Unit 14 digital magazine production.
 
Double page spread analysis 1
Double page spread analysis 1Double page spread analysis 1
Double page spread analysis 1
 
Neck deep kerrang analysis
Neck deep kerrang analysisNeck deep kerrang analysis
Neck deep kerrang analysis
 
Front cover essay
Front cover essayFront cover essay
Front cover essay
 
Double page spread analysis 1
Double page spread analysis 1Double page spread analysis 1
Double page spread analysis 1
 
Magazine front cover analysis
Magazine front cover analysisMagazine front cover analysis
Magazine front cover analysis
 
Music magazine cover_analysis
Music magazine cover_analysisMusic magazine cover_analysis
Music magazine cover_analysis
 
Magazine Front Cover Analysis
Magazine Front Cover AnalysisMagazine Front Cover Analysis
Magazine Front Cover Analysis
 

En vedette

Tecnologías de la información y la comunicación
Tecnologías de la información y la comunicaciónTecnologías de la información y la comunicación
Tecnologías de la información y la comunicaciónLP Gaby
 
Rotary 7070 District Conference PR Presentation
Rotary 7070 District Conference PR PresentationRotary 7070 District Conference PR Presentation
Rotary 7070 District Conference PR PresentationRotary Club of East York
 
Convention Over Configuration - Maven 3, Polyglot Maven, Gradle and Ant
Convention Over Configuration - Maven 3, Polyglot Maven, Gradle and AntConvention Over Configuration - Maven 3, Polyglot Maven, Gradle and Ant
Convention Over Configuration - Maven 3, Polyglot Maven, Gradle and AntTomek Kaczanowski
 
Entrum creative industries guideline for CENTRES
Entrum creative industries guideline for CENTRESEntrum creative industries guideline for CENTRES
Entrum creative industries guideline for CENTRESCentres-EU
 

En vedette (7)

Tecnologías de la información y la comunicación
Tecnologías de la información y la comunicaciónTecnologías de la información y la comunicación
Tecnologías de la información y la comunicación
 
La guerra fría
La guerra fríaLa guerra fría
La guerra fría
 
Ganaderia
GanaderiaGanaderia
Ganaderia
 
Internet
InternetInternet
Internet
 
Rotary 7070 District Conference PR Presentation
Rotary 7070 District Conference PR PresentationRotary 7070 District Conference PR Presentation
Rotary 7070 District Conference PR Presentation
 
Convention Over Configuration - Maven 3, Polyglot Maven, Gradle and Ant
Convention Over Configuration - Maven 3, Polyglot Maven, Gradle and AntConvention Over Configuration - Maven 3, Polyglot Maven, Gradle and Ant
Convention Over Configuration - Maven 3, Polyglot Maven, Gradle and Ant
 
Entrum creative industries guideline for CENTRES
Entrum creative industries guideline for CENTRESEntrum creative industries guideline for CENTRES
Entrum creative industries guideline for CENTRES
 

Similaire à Front cover analysis

Double page spread analysis 2
Double page spread analysis 2Double page spread analysis 2
Double page spread analysis 2betsimegan
 
Nme Magazine Analysis
Nme Magazine AnalysisNme Magazine Analysis
Nme Magazine Analysisreyganrudgley
 
Front Cover Overview
Front Cover OverviewFront Cover Overview
Front Cover OverviewJosh Naughton
 
Dizzee rascal cover page
Dizzee rascal cover page Dizzee rascal cover page
Dizzee rascal cover page ALarsen14
 
Task 3 research bmth
Task 3 research bmthTask 3 research bmth
Task 3 research bmthasmediae15
 
Contents page analysis 1
Contents page analysis 1Contents page analysis 1
Contents page analysis 1betsimegan
 
Contents page analysis 2
Contents page analysis 2Contents page analysis 2
Contents page analysis 2betsimegan
 
Magazine cover analysis1
Magazine cover analysis1Magazine cover analysis1
Magazine cover analysis1heatherjanew
 
Magazine Analysis
Magazine AnalysisMagazine Analysis
Magazine Analysissarahbonita
 
Front Cover Overview
Front Cover OverviewFront Cover Overview
Front Cover OverviewJosh Naughton
 
Contents page analysis 2
Contents page analysis 2Contents page analysis 2
Contents page analysis 2betsimegan
 
Magazine analysis
Magazine analysisMagazine analysis
Magazine analysismillerjess
 
Magazine analysis
Magazine analysisMagazine analysis
Magazine analysismillerjess
 
Task 1, Cover Analysis
Task 1, Cover AnalysisTask 1, Cover Analysis
Task 1, Cover Analysis06whidon
 
Contents Page Analysis
Contents Page AnalysisContents Page Analysis
Contents Page AnalysisJosh Naughton
 
Magazine Cover Analysis
Magazine Cover AnalysisMagazine Cover Analysis
Magazine Cover AnalysisMegan98
 
Double page spread analysis 2 betsi
Double page spread analysis 2 betsiDouble page spread analysis 2 betsi
Double page spread analysis 2 betsibetsimegan
 

Similaire à Front cover analysis (20)

Double page spread analysis 2
Double page spread analysis 2Double page spread analysis 2
Double page spread analysis 2
 
Nme Magazine Analysis
Nme Magazine AnalysisNme Magazine Analysis
Nme Magazine Analysis
 
Front Cover Overview
Front Cover OverviewFront Cover Overview
Front Cover Overview
 
Dizzee rascal cover page
Dizzee rascal cover page Dizzee rascal cover page
Dizzee rascal cover page
 
Task 3 research bmth
Task 3 research bmthTask 3 research bmth
Task 3 research bmth
 
Contents page analysis 1
Contents page analysis 1Contents page analysis 1
Contents page analysis 1
 
Contents page analysis 2
Contents page analysis 2Contents page analysis 2
Contents page analysis 2
 
Magazine cover analysis1
Magazine cover analysis1Magazine cover analysis1
Magazine cover analysis1
 
Magazine Analysis
Magazine AnalysisMagazine Analysis
Magazine Analysis
 
Front Cover Overview
Front Cover OverviewFront Cover Overview
Front Cover Overview
 
Contents page analysis 2
Contents page analysis 2Contents page analysis 2
Contents page analysis 2
 
Magazine analysis
Magazine analysisMagazine analysis
Magazine analysis
 
Magazine analysis
Magazine analysisMagazine analysis
Magazine analysis
 
Music magazine
Music magazineMusic magazine
Music magazine
 
Research
ResearchResearch
Research
 
Music magazine
Music magazineMusic magazine
Music magazine
 
Task 1, Cover Analysis
Task 1, Cover AnalysisTask 1, Cover Analysis
Task 1, Cover Analysis
 
Contents Page Analysis
Contents Page AnalysisContents Page Analysis
Contents Page Analysis
 
Magazine Cover Analysis
Magazine Cover AnalysisMagazine Cover Analysis
Magazine Cover Analysis
 
Double page spread analysis 2 betsi
Double page spread analysis 2 betsiDouble page spread analysis 2 betsi
Double page spread analysis 2 betsi
 

Plus de betsimegan

Sub genres betsi final
Sub genres betsi finalSub genres betsi final
Sub genres betsi finalbetsimegan
 
Evaluation babyyy
Evaluation babyyyEvaluation babyyy
Evaluation babyyybetsimegan
 
Font analysis for slideshare
Font analysis for slideshareFont analysis for slideshare
Font analysis for slidesharebetsimegan
 
Practice shots
Practice shotsPractice shots
Practice shotsbetsimegan
 
Artist profile
Artist profileArtist profile
Artist profilebetsimegan
 
Location ideas
Location ideasLocation ideas
Location ideasbetsimegan
 
Double page spread overview final redraft feedback on blog
Double page spread overview final redraft feedback on blogDouble page spread overview final redraft feedback on blog
Double page spread overview final redraft feedback on blogbetsimegan
 
Exploring mise en scene final
Exploring mise en scene finalExploring mise en scene final
Exploring mise en scene finalbetsimegan
 
Contents page overview
Contents page overviewContents page overview
Contents page overviewbetsimegan
 
Final case study
Final case studyFinal case study
Final case studybetsimegan
 
Final questionnaire
Final questionnaireFinal questionnaire
Final questionnairebetsimegan
 
Questionnaire analysis
Questionnaire analysisQuestionnaire analysis
Questionnaire analysisbetsimegan
 
Location ideas
Location ideasLocation ideas
Location ideasbetsimegan
 
Double page spread overview
Double page spread overviewDouble page spread overview
Double page spread overviewbetsimegan
 
Contents page overview
Contents page overviewContents page overview
Contents page overviewbetsimegan
 
Artist profile
Artist profileArtist profile
Artist profilebetsimegan
 

Plus de betsimegan (20)

Pitch images
Pitch imagesPitch images
Pitch images
 
Sub genres betsi final
Sub genres betsi finalSub genres betsi final
Sub genres betsi final
 
Evaluation babyyy
Evaluation babyyyEvaluation babyyy
Evaluation babyyy
 
Font analysis for slideshare
Font analysis for slideshareFont analysis for slideshare
Font analysis for slideshare
 
Font analysis
Font analysisFont analysis
Font analysis
 
Focus group
Focus groupFocus group
Focus group
 
Practice shots
Practice shotsPractice shots
Practice shots
 
Artist profile
Artist profileArtist profile
Artist profile
 
Location ideas
Location ideasLocation ideas
Location ideas
 
Double page spread overview final redraft feedback on blog
Double page spread overview final redraft feedback on blogDouble page spread overview final redraft feedback on blog
Double page spread overview final redraft feedback on blog
 
Costume ideas
Costume ideasCostume ideas
Costume ideas
 
Exploring mise en scene final
Exploring mise en scene finalExploring mise en scene final
Exploring mise en scene final
 
Contents page overview
Contents page overviewContents page overview
Contents page overview
 
Final case study
Final case studyFinal case study
Final case study
 
Final questionnaire
Final questionnaireFinal questionnaire
Final questionnaire
 
Questionnaire analysis
Questionnaire analysisQuestionnaire analysis
Questionnaire analysis
 
Location ideas
Location ideasLocation ideas
Location ideas
 
Double page spread overview
Double page spread overviewDouble page spread overview
Double page spread overview
 
Contents page overview
Contents page overviewContents page overview
Contents page overview
 
Artist profile
Artist profileArtist profile
Artist profile
 

Front cover analysis

  • 1. This front cover follows many general and layout conventions of Mixmag; it has a main image dominating the page, a main sell line and many other sell lines set out amongst the left and right hand side of the pages. This particular cover looks similar to other Mixmagfront covers through its bold colour scheme and positioning of items such as the masthead and the main sell-line (Mixmag is known for putting their main sell-line on the top left hand/middle side of the page). It therefore reinforces the brand identity of Mixmag for the audience who will instantly recognise and identify with the magazine. The colour pink is also commonly featured on Mixmag front covers and so this too helps maintain brand identity. However, this front cover, which features Swedish House Mafia, is unique in the sense that the majority of Mixmag
  • 2. front covers feature an individual artist/DJ (as is common in the dance music genre) – instead it features 3 artists who are collectively a group; this therefore breaks conventions. Also, the background setting sets this cover aside from others – instead of a plain but brightly coloured background, Mixmag has decided to use a villa/holiday home setting as the background, linking with their „Stars of Ibiza 2010‟ sell-line (however, it is common within their Ibiza/Summer issues, and so in a way Mixmag are again reinforcing their brand identity). The masthead is the Mixmag logo; this is a common convention of magazines. It helps to reinforce and maintain a link between all their platforms of media, be it their website, different issues of magazines, apps on a phone or even a TV Channel if they choose to create one in the future. The masthead is pink, which helps to create the colour scheme, and helps the masthead to stand out against the white and cream shades of the main image. The name of the magazine „Mixmag‟ suggests that the magazine is a dance music magazine which is aimed at a youthful audience; „mix‟ is a word commonly associated with dance music as DJ‟s mix tracks on their turntables; „mag‟, which is short, colloquial language for magazine. The audience will interpret and understand the two words, and the two „M‟s at the beginning of the two words will help „Mixmag‟ stay in the readers mind as it is short and sounds catchy. The main headline „SWEDISH HOUSE MAFIA‟ is written in block capitals, suggesting again that their audience is predominantly male as it exaggerates the masculine feel of the font. The font is a
  • 3. display font, which has an athletic feel to it (i.e. it may remind the audience of the writing on a letterman jacket, which is commonly worn by „jocks‟ in America) and this also adds to the masculine feel of the magazine, whilst suggesting that Swedish House Mafia are the „jocks‟ of the dance music industry – they‟re established and they are popular amongst their audience. The main headline is also a pink colour; this challenges the masculine feel of the magazine as pink is usually a feminine colour, however, the pink helps to create a laidback feel to the front cover, linking with the main image in which Swedish House Mafia look relaxed. The sell-lines are also in block capitals and a sans serif font – the block capitals link with the main headline and it‟s masculine feel, whilst the sans serif font helps to make the front cover seem less tacky whilst helping it appear more clearer and easier to read (this will appeal to the audience of young males who won‟t be drawn in by fancy gimmicks; they will want easy to read information which is clear and understandable). The main image is of Swedish House Mafia in a holiday home type setting – they are wearing sunglasses, shirts and linen trousers, and look relaxed. One of the members is smoking a cigar, whilst another has a drink in his hand. They are given a very luxurious representation; firstly, the fact that behind them there is a villa (and that they are wearing sunglasses) makes them appear rich – they are obviously in Ibiza (as before the headline it says „Stars of Ibiza 2010‟) and so they must have money to be able to afford a house/holiday out there. The clothing they are wearing and the cigar and drink make them seem as if
  • 4. they live a privileged and lavish lifestyle; they look slick but at the same time as if they know how to have fun and let loose. The images Ibiza setting also helps to reflect the genre of music that Mixmag promotes - Ibiza is seen as the home of dance music, and so Swedish House Mafia must be established artists who are regular Ibiza headliners if they own a holiday home there. This therefore may influence the readerships musical preferences, as Ibiza is known for having the best of the best, so they will more than likely check out their music to see if they live up to this expectation. The use of props (such as the cigar and drink) also reflect the genre, which is usually heard in a club environment – cigars and drinks are commonly seen in a club, therefore the readers will identify with these items as they too will often go clubbing. The image will draw in the target audience as they too will either have been or want to go to Ibiza, and may also aspire to be as successful or as slick as Swedish House Mafia – by buying Mixmag, they could feel as if they are one step closer to achieving this. As is common with Mixmag, there is no feature article photographs which maintains Mixmag‟s brand identity and keeps the trendy/cool feel to the magazine, going with their simplistic layout. The sell-lines on the cover are also significant in pulling the audience in; they give the audience a sneak preview as to what will feature in the magazine. The sell-lines on this specific front cover will entice the audience through the use of mode-of-address, for example, “how to make it as a DJ” – the audience will know what „make it‟ means and
  • 5. so will feel clever. They will also feel as if the magazine is on their wavelength and understands them, giving them an affinity with the magazine which makes them more likely to purchase the magazine. The ambiguity of the sell- lines is also a key part of the front cover as they need to reveal what is in the magazine but can‟t completely reveal the story as the audience wouldn‟t want to find out for themselves, so wouldn‟t buy the magazine! However, this is demonstrated effectively through “promoting yourself online” – the audience, who may be aspiring DJ‟s will see this and so will be enticed by it; they will feel as if they need the magazine. The sell-lines are either written in black, pink or white, with certain ones standing out more than others; some are highlighted, and so “how to make it as a DJ” stands out due to it being highlighted pink (although some other sell-lines are highlighted, this sell-line is the only one which has been highlighted pink) and also as it is placed directly opposite the main headline it will grab more attention as it is more likely to catch the readers eye. This front cover is also similar to Mixmag‟s other front covers in terms of its layout; it features the headline placed in the left hand/middle part of the page, and is also accompanied by sell-lines in a column on the right and (underneath the cover mount) on the left. It is a simplistic yet clear layout, which is featured in most issues therefore creating a symbiotic link between Mixmag‟sfront covers. The fact that the layout is always simple helps to attract the audience of young males; firstly, the layout won‟t look tacky in a few years, as it is a
  • 6. classic layout; secondly, it is easy to read because it is clearly set out – they can access and interpret the information quickly and easily rather than trying to find certain sell-lines or look past gimmicks. The colour scheme, of pink, black and white, are used for effect; the cream shades which feature in the main image aren‟t very representative of the dance music genre, which is known for having bright colours in magazines which promote it. However, the black and white give Mixmag a mature feel as this is a classic colour combination, which appeals to mature males in their twenties rather than younger teenage audiences. The pink however breaks the colours up, and takes the serious edge off of the mature colour scheme, reflecting the readership‟s serious and fun sides. The headline is written in a funky display font, which is common in Mixmag; they tend to have sell-lines and all other text which isn‟t the masthead or the headline as sans serif, whilst the headline is a really vibrant and funky display font. Therefore through this, the cover creates and maintains brand identity. The commonly featured fonts could also be reflective of the fact that the readership are passionate about dance music, but know how to have fun and like to party whilst listening to it. In conclusion, this front cover of Mixmaghas many different elements to it which attracts the target audience and will make them want to purchase the magazine, such as the bold headline, creative use of colour scheme, layout conventions and mode-of-address as well as many
  • 7. other elements. It will be successful as not only does it entice the audience but it also has elements which relate to the audience, creating an affinity between the magazine and its reader.