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PRINCIPLE OF DESIGN USED
IN THE GRAPHIC ARTS
Balance
A feeling of visual equality in shape, form, value,
color, etc. Balance can be symmetrical or evenly
balanced or asymmetrical and un-evenly
balanced. Objects, values, colors, textures,
shapes, forms, etc., can be used in creating a
balance in a composition.
Balance
Emphasis
 Is a “center of interest”. An area that first attracts the attention in a
compostion. This area is more important when compared to the
other objects or elements in a composition. Emphasis can be
created through the use of contrasting colors, placement and size of
elements.
Emphasis
Pattern/ Repitition
 Repeating visual elements such as line, color,
shape, texture, value or image tends to unify
the total effect of a work of art as well as
create rhythm.
Pattern
Pattern
Proportion
 Refers to the relative size and scale of the
various elements in a design. The issue is the
relationship between objects, or parts, of a
whole.
Proportion
Movement
 The path the viewer’s eye takes through the
artwork, often to a focal area. It can be
directed along lines, edges, shapes, and color.
Movement is closely tied to rhythm.
Movement
Movement
Movement
Rhythm
 Rhythm is described as timed movement in
space. The presence of rhythm creates
predictability and order in a composition.
Rhythm relies heavily on pattern and
movement.
Rhythm
Contrast
 Refers to the arrangement of opposite
elements (light vs. dark colors, rough vs.
smooth textures, large vs. small shapes, etc.)
in a piece so as to create visual
interest, excitement and drama.
Contrast
Contrast
Unity
 Occurs when all the elements of a piece combine
to make a balanced, harmonious, complete whole.
Unity is another of those hard-to-describe art
terms but, when it is present, you eye and brain
are pleased to see it.

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Principle of design used in the graphic arts

  • 1. PRINCIPLE OF DESIGN USED IN THE GRAPHIC ARTS
  • 2. Balance A feeling of visual equality in shape, form, value, color, etc. Balance can be symmetrical or evenly balanced or asymmetrical and un-evenly balanced. Objects, values, colors, textures, shapes, forms, etc., can be used in creating a balance in a composition.
  • 4. Emphasis  Is a “center of interest”. An area that first attracts the attention in a compostion. This area is more important when compared to the other objects or elements in a composition. Emphasis can be created through the use of contrasting colors, placement and size of elements.
  • 6. Pattern/ Repitition  Repeating visual elements such as line, color, shape, texture, value or image tends to unify the total effect of a work of art as well as create rhythm.
  • 9. Proportion  Refers to the relative size and scale of the various elements in a design. The issue is the relationship between objects, or parts, of a whole.
  • 11. Movement  The path the viewer’s eye takes through the artwork, often to a focal area. It can be directed along lines, edges, shapes, and color. Movement is closely tied to rhythm.
  • 15. Rhythm  Rhythm is described as timed movement in space. The presence of rhythm creates predictability and order in a composition. Rhythm relies heavily on pattern and movement.
  • 17. Contrast  Refers to the arrangement of opposite elements (light vs. dark colors, rough vs. smooth textures, large vs. small shapes, etc.) in a piece so as to create visual interest, excitement and drama.
  • 20. Unity  Occurs when all the elements of a piece combine to make a balanced, harmonious, complete whole. Unity is another of those hard-to-describe art terms but, when it is present, you eye and brain are pleased to see it.