The Elements of Fiction: Character
•
6 j'aime•2,214 vues
Lecture on character for an undergraduate general education course in fiction.
Recommandé
Contenu connexe
Plus de Bruce Clary
Plus de Bruce Clary (20)
Dernier
Dernier (20)
The Elements of Fiction: Character
- 1. G-EN270 INTRO TO FICTION The Elements of Fiction Character Bruce Clary, McPherson College, McPherson, Kansas
- 2. G-EN270 INTRO TO FICTION “Character is plot, plot is character.” —F. Scott Fitzgerald
- 3. G-EN270 INTRO TO FICTION Conflict We will not remain long interested in impersonal forces; we demand character.
- 4. G-EN270 INTRO TO FICTION Significance We’re most interested in people. The meaning we take from stories concerns human nature, human conduct.
- 5. G-EN270 INTRO TO FICTION Character Types • Flat • Stock • Static
- 6. G-EN270 INTRO TO FICTION Types • Round/Complex • Wide range of emotions • Contradictions, self-doubts, indecision • Characteristics that mark them as unique individuals • Dynamic
- 7. G-EN270 INTRO TO FICTION Methods :: Author’s toolbox • Direct characterization—telling • What the narrative voice tells readers about the character “Wing Biddlebaum, forever frightened and beset by a ghostly band of doubts, did not think of himself as in any way a part of the life of the town where he had lived for twenty years” (27).
- 8. G-EN270 INTRO TO FICTION Methods :: Author’s toolbox • Indirect characterization—showing • What the dramatized scenes show us about character “With a convulsive movement of his body, Wing Biddlebaum sprang to his feet and thrust his hands deep into his trousers pockets. Tears came to his eyes. ‘I must be getting home. I can talk no more with you,’ he said nervously” (29).
- 9. G-EN270 INTRO TO FICTION Methods of indirect characterization • Names • Dialogue/voice • Physical features/ • Habits characteristics • What others say • Clothing, dress • How other characters • Possessions treat, respond to • Actions, choices, • Self-portrait, thoughts decisions
- 10. G-EN270 INTRO TO FICTION Unity Need for unity is greatest in presentation of character. Characters must be plausible, command reader’s belief.
- 11. G-EN270 INTRO TO FICTION Motivation The whys and hows strong enough to effect the alleged change in character