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The Culture Paradox
(or, why Shakespeare is Spanish)

24th March 2012
The Cultural Imperative…

•   To select, collect, interpret and present

•   In highly controlled contexts

•   Over a long period

•   Creating ‘high-end’ knowledge

•   Based on authority & credibility

•   To create public trust
National Museum’s Mission Statement (Google it)
The Museum's responsibilities are to safeguard and enhance the value of its
   pre-eminent assets:

•   Its collections
•   Its expertise
•   Its buildings

Objectives

The Museum's objectives are to spread the benefits of these assets by:

•   Maximizing access and inspiration for all users
•   Satisfying stakeholders, locally, nationally and internationally
•   Effective organization and sound financial management
The barriers to openness

•   The barrier is not a question of cost

•   The barrier is a question of mission & value

•   Success in ‘open content’ world is maximising re-use

•   Success in ‘culture’ world is maximising engagement on our terms

•   The problem is that we share the same mission in word, but not in
    meaning

•   Economics, copyright & technology are all surmountable issues, but only if
    we want them to be
A difference of opinion
Cultural organisation     Open Content Lobby

Controlled context        Open

Authority                 Open

Recouping investment      Taxpayers money

Expertise                 Open

Quality control           Crowdsource

Long-term                 Open
Where next?

•   More and more cultural organisations are exploring open as a form of
    engagement

•   An emerging model based on 80%, 15%, 5%

•   BUT it is precisely the high-value cultural items that people want to be
    able to repurpose

•   £250m of public investment has digitised maybe 7% of collections

•   Metadata in the culture sector is not just metadata

•   Declining subsidy will only make it worse
Thank you!

Professional network & expertise – www.collectionslink.org.uk

Follow Collections Trust - @collectiontrust

Or follow me - @NickPoole1

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The Culture Paradox (or why Shakespeare is Spanish)

  • 1. The Culture Paradox (or, why Shakespeare is Spanish) 24th March 2012
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  • 7. The Cultural Imperative… • To select, collect, interpret and present • In highly controlled contexts • Over a long period • Creating ‘high-end’ knowledge • Based on authority & credibility • To create public trust
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  • 9. National Museum’s Mission Statement (Google it) The Museum's responsibilities are to safeguard and enhance the value of its pre-eminent assets: • Its collections • Its expertise • Its buildings Objectives The Museum's objectives are to spread the benefits of these assets by: • Maximizing access and inspiration for all users • Satisfying stakeholders, locally, nationally and internationally • Effective organization and sound financial management
  • 10. The barriers to openness • The barrier is not a question of cost • The barrier is a question of mission & value • Success in ‘open content’ world is maximising re-use • Success in ‘culture’ world is maximising engagement on our terms • The problem is that we share the same mission in word, but not in meaning • Economics, copyright & technology are all surmountable issues, but only if we want them to be
  • 11. A difference of opinion Cultural organisation Open Content Lobby Controlled context Open Authority Open Recouping investment Taxpayers money Expertise Open Quality control Crowdsource Long-term Open
  • 12. Where next? • More and more cultural organisations are exploring open as a form of engagement • An emerging model based on 80%, 15%, 5% • BUT it is precisely the high-value cultural items that people want to be able to repurpose • £250m of public investment has digitised maybe 7% of collections • Metadata in the culture sector is not just metadata • Declining subsidy will only make it worse
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  • 14. Thank you! Professional network & expertise – www.collectionslink.org.uk Follow Collections Trust - @collectiontrust Or follow me - @NickPoole1