Managing color in design

Managing Color to Create Better Art

[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Lights

Pigments ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

The Color Wheel ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Working with Complements from the Color Wheel ,[object Object]

Pointillism: Painting Light with Complementary Colors ,[object Object],[object Object],[object Object],[object Object],[object Object]

Describing Colors ,[object Object]

Every Pigment Has a Color Index Value That corresponds to a spot on the color wheel ,[object Object],[object Object],[object Object],[object Object],[object Object]

 Temperature Bias - Warm vs. Cool: ,[object Object],[object Object],[object Object],[object Object]

 Saturation, Purity, or “Brightness” ,[object Object],[object Object],[object Object],[object Object]

 Value ,[object Object],[object Object],[object Object],[object Object]

Describing Paints Physical Characteristics of Pigments

Ingredients: ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Watercolor Characteristics: ,[object Object]

Transparency ,[object Object],[object Object],[object Object],[object Object]

Permanent/Light fast vs. Fugitive: How long does the color last on the paper? ,[object Object],[object Object],[object Object],[object Object]

Staining vs. Nonstaining: ,[object Object],[object Object],[object Object],[object Object]

Flocculating or “Clumping” ,[object Object],[object Object],[object Object]

Toxicity: ,[object Object],[object Object]

Other Characteristics ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Brand and Grade of Paint ,[object Object],[object Object],[object Object],[object Object]

Your Personal Palette: There Are No “Pure” Colors and how all this information applies to you: The 6-color Palette ,[object Object],[object Object]

The Wilcox Color Method ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],There are no “pure” colors; all colors contain more than one hue Michael Wilcox, “Blue and Yellow Don’t Make Green,” ISBN-10: 0967962870 ISBN-13: 978-0967962870; see the wheel at http://zehnkatzen.blogspot.com/2009/03/wilcox-color-bias-wheel-yellow-and-blue.html

Jan Hart’s 6-Color Palette ,[object Object],[object Object]

Hands-on Session ,[object Object],[object Object],[object Object],[object Object]

Color Schemes to Unite the Colors In Your Painting ,[object Object],[object Object],[object Object],[object Object]

Complementary: Vibrant ,[object Object]

[object Object],Analogous: Harmonious

Split Complementary: Vibrant but Less Tense ,[object Object]

Triadic: Vibrant, Primitive ,[object Object],[object Object]

Tetradic: Rich, Full ,[object Object]

Monotone or duotone: ,[object Object]

Determine the Key ,[object Object],[object Object],[object Object]

Decide on the Temperature ,[object Object]

As a rule, don’t use gray or black for shadows. Painting Shadows:

Shading Objects ,[object Object]

[object Object],Painting Cast Shadows

[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Painting distances

Painting morning light vs. afternoon light ,[object Object],[object Object],[object Object],[object Object]

Tips ,[object Object],[object Object]

Managing color in design

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