2. USP~
IT IS BELIEVED THAT FOLDING 1000 PAPER
ORIGAMI CRANES WILL MAKE YOUR WISH
COME TRUE. HOW FAR DOES THIS
SUPERSTITION GO?
3. Characters
Name : Hannah
Gender: female
Age: 18
Ethnicity: white American
Physicality: petite, slim,
pale, brown hair
Character exposition:
curious, intelligent,
organised, intuitive, weak
Name: Bridget
Age:18
Ethnicity: White British
Physicality: Tall, slim, pale,
blond hair
Character exposition:
Confident, intellectual, social,
curious, enthusiastic
Name: Jane
Gender: Female
Age:
Ethnicity: White
American
Physicality: slim, blue
eyes,
Character exposition:
mysterious, enigma,
lonely
4. Protagonist Hannah will be played by Hannah Rayner!
Jane the supernatural girl will be played by Eloise Martin!
5.
6.
7.
8. -colour gradient
-continuity editing
-montage editing
-Jump cuts
-Fast pace editing- create tension
-Supernatural girl appearing
- Layering
- Slow-motion
- Whilst she is walking towards the garage we will use a
mirror image effect that will make the screen look
symmetrical.
9.
10. The title of our horror film is
‘Possessed’
http://www.youtube.com/watc
h?v=grTeYJRyw0U
Letters appearing by
themselves
Red flickering
writing
11. She finds paper cranes throughout
her house
Inspired by Donnie Darko
Used to trap spirits inside
12. The whispering coming from the
television set in ‘Poltergeist’
The evil smile Jack does in time to
the music, in ‘The Shining’
13. Make sure it’s not too dark to film,
so there is continuity
Make sure the weather is suitable
for filming
14. 90% of people said that ‘Possessed’ was the preferred
title
The majority said that sound was the most scariest
aspect of a horror film
Everyone that we asked said they wanted to continue
after reading the treatment
Majority of people said that our location was relevant
to the genre
15. HOW WILL WE MAKE SURE OUR
SEQUENCE IS NOT LIKE A
TRAILER?
• The sequence is a prologue
• No information given about protagonist.
• Credits
16. By using a varied range of techniques and shots.
17. IDEOLOGIES
• Gender, age and ethnicity.
• Avoided the residual ideologies between
genders that create the binary opposition
of the hero and the victim.
