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Codes and Conventions of the
   documentary drama.
• Narrative Structure:
  - Open or closed or circular depending on
  subject matter
  - Linear or non linear
  - Nearly all documentaries are single strand
• Camerawork:
  - Interviews framed to left or right, CU or
  MCU, following rule of thirds.
  - Handheld cameras used for actuality footage
  to react to action
  - A variety of shot types are used to entertain
  and sustain the audience’s interest
  - Pan and zooms used on still images
• Mise En Scene:
  - Background of interviews – reflects subject
  or person
  - Chromakey
  - Location
  - Back drop
  - Mise en Scene is used to anchor person to
  subject or relevance
  - Lighting can be used creatively on interviews
• Sound:
  - Voiceover – narrator: Standard English, ‘glue that
  holds narrative together’. Age and Gender usually
  reflects target audience.
  - Sets scene
  - Introduce topic
  - Links items
  - Concludes narrative
  - Music is used as a bed. (usually relevant to topic or to
  heighten emotion)
  - All questions edited out
  - Background sound or noise kept to minimum
  - SFX can be used in re-constructions
• Editing:
  - Cut (most common edit)
  - To not distract from subject matter
  - Dissolve can be used, but effects are kept to a
  minimum, e.g fast motion, slow motion
  - Effects can be used as elliptical editing, such as
  fade to black
  - Montage
  - Can be used to give audience flavour for show
  - Can be used to show multiple examples of
  archive material
• Archive Material:
  - Examples:
  film/video, TV, newspapers, magazines, photo
  s, websites
  - Always relevant to subject matter or what is
  being said.
• Graphics:
  - Titles are unique to programme (logos)
  - Name of interviewee and relevance
  - Anchors who they are??
  - Usually opposite side to interviewee
  - Top line bigger than bottom
  - Simple typography
  - Credits scroll and include tribute to archive
  material
  - Can anchor period of time
  - Subtitles where necessary

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Codes and conventions of the documentary drama

  • 1. Codes and Conventions of the documentary drama.
  • 2. • Narrative Structure: - Open or closed or circular depending on subject matter - Linear or non linear - Nearly all documentaries are single strand
  • 3. • Camerawork: - Interviews framed to left or right, CU or MCU, following rule of thirds. - Handheld cameras used for actuality footage to react to action - A variety of shot types are used to entertain and sustain the audience’s interest - Pan and zooms used on still images
  • 4. • Mise En Scene: - Background of interviews – reflects subject or person - Chromakey - Location - Back drop - Mise en Scene is used to anchor person to subject or relevance - Lighting can be used creatively on interviews
  • 5. • Sound: - Voiceover – narrator: Standard English, ‘glue that holds narrative together’. Age and Gender usually reflects target audience. - Sets scene - Introduce topic - Links items - Concludes narrative - Music is used as a bed. (usually relevant to topic or to heighten emotion) - All questions edited out - Background sound or noise kept to minimum - SFX can be used in re-constructions
  • 6. • Editing: - Cut (most common edit) - To not distract from subject matter - Dissolve can be used, but effects are kept to a minimum, e.g fast motion, slow motion - Effects can be used as elliptical editing, such as fade to black - Montage - Can be used to give audience flavour for show - Can be used to show multiple examples of archive material
  • 7. • Archive Material: - Examples: film/video, TV, newspapers, magazines, photo s, websites - Always relevant to subject matter or what is being said.
  • 8. • Graphics: - Titles are unique to programme (logos) - Name of interviewee and relevance - Anchors who they are?? - Usually opposite side to interviewee - Top line bigger than bottom - Simple typography - Credits scroll and include tribute to archive material - Can anchor period of time - Subtitles where necessary