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Sounding: Experiencing Music  From Around the World If you can speak you can sing;  if you can walk you can dance. (Zimbabwean Shona proverb )
Activity 1 ,[object Object],[object Object],[object Object]
The Warrior Song http://www.youtube.com/watch?v=lTs6a0ORdQU
I Wish It Would Rain http://www.youtube.com/watch?v=Z-es4Q8AJaU
Activity 2 ,[object Object],[object Object],[object Object],[object Object],[object Object]
Activity 3 What kinds of music do you listen to when you’re: (a) sad (b) angry (c) happy?
What is Music?
Identify the  sound s  in the following pieces… Are these forms of expression  music ? Explain… http://www.youtube.com/watch?v=rL4Z9d9oObY http://www.youtube.com/watch?v=2-BKjnAgNgY http://www.youtube.com/watch?v=kQEBFCvVHMo http://www.youtube.com/watch?v=DY1pcEtHI_w
“ Music is organized sound.”
The Musical Brain
Seven Elements of Music* ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Seven Elements of Music: TEMPO* WHAT IS THE  TEMPO  OF THE FOLLOWING SONGS?
Seven Elements of Music* ,[object Object]
Seven Elements of Music* 2. Rhythm : the duration of a series of notes, the way they group together into units
Seven Elements of Music* 3. Tempo : the overall speed or pace of the piece
Seven Elements of Music* 4. Contour : the overall shape of a melody, taking into account only the pattern of “up” and “down”
Seven Elements of Music* 5. Timbre : the way a single instrument can change sound as it moves across its range; the “tonal color” produced in part by overtones from the instrument’s vibrations
Seven Elements of Music* 6. Loudness : how much energy an instrument creates, or how much air it displaces; the amplitude of a tone
Seven Elements of Music* 7. Reverberation : perception of how distant the source is from us in combination with how large a room or hall the music is in; sometimes called “echo” by laypeople
Higher-Order Concepts of Music* 1. Melody : the main theme of a musical piece, the succession of tones that are most prominent in the mind (“sticks out” the most).
Higher-Order Concepts of Music* 2. Harmony : the relationship between pitches of different tones; e.g., chord progressions, or clusters of notes that form a context and background on which the melody can rest
Higher-Order Concepts of Music* 3. Meter : the ways in which tones are grouped with one another across time (e.g., waltz: groups of three, march: groups of four)
Higher-Order Concepts of Music* 4. Key : the hierarchy of importance that exists between tones in a musical piece
Pitches: Instrumentation
Six Functions of Music* ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Friendship ,[object Object],[object Object],[object Object],[object Object],[object Object]
Friendship ,[object Object],[object Object],[object Object],[object Object],[object Object]
Joy ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Comfort ,[object Object],[object Object]
Knowledge ,[object Object],[object Object]
Religion ,[object Object],[object Object]
Love ,[object Object],[object Object]
More Case Studies  in Musical Expression
Vedic Chanting ,[object Object],[object Object],[object Object],http://www.youtube.com/watch?v=0tZv9utp-oc&feature=results_video&playnext=1&list=PLB9958930EDB9E20A
Barbetuques http://www.youtube.com/watch?v=0Q4aj_te-dw
Questions: Barbetuques ,[object Object],[object Object],[object Object]
Jazz  http://www.youtube.com/watch?v=SEIGiIvLurs  (Parts 1-6)
Questions: Jazz ,[object Object],[object Object],[object Object]
The “Hard” History of Hip-Hop http://www.youtube.com/watch?v=Rk3U1iR3vfU
Gathering Evidence While listening to or watching the following the clips, describe as accurately as possible  the characteristics of hip-hop as a musical form.
More Gathering of Evidence For 2-minutes, write down two arguments, one agreeing and the other disagreeing with the following proposition.
GATHER IN  GROUPS OF FIVE BASED ON YOUR NUMBER.
Proposition Hip-hop  is little more “than an updated face on the old-hat, crude, anti-humanistic values of hedonism (pleasure-seeking) and materialism (wealth-display).” “ There's nothing whatsoever that's seriously radical or progressive about hip-hop ideas and values.”  Martin Kilson
Debate ASSIGN ROLES In your group, count out loud up to the number 5.
Debate ,[object Object],[object Object],[object Object],[object Object]
Debate ,[object Object],[object Object],[object Object],[object Object]
Debate: Rules ,[object Object],[object Object],[object Object]
The Emergence of Electronic Music
The Emergence of Electronic Music
The Emergence of Electronic Music
Film:  Modulations ,[object Object],[object Object],[object Object],http://www.youtube.com/watch?v=dPh6ppN0KLM

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Hum1 podcast-f11-week7-music-online

  • 1. Sounding: Experiencing Music From Around the World If you can speak you can sing; if you can walk you can dance. (Zimbabwean Shona proverb )
  • 2.
  • 3. The Warrior Song http://www.youtube.com/watch?v=lTs6a0ORdQU
  • 4. I Wish It Would Rain http://www.youtube.com/watch?v=Z-es4Q8AJaU
  • 5.
  • 6. Activity 3 What kinds of music do you listen to when you’re: (a) sad (b) angry (c) happy?
  • 8. Identify the sound s in the following pieces… Are these forms of expression music ? Explain… http://www.youtube.com/watch?v=rL4Z9d9oObY http://www.youtube.com/watch?v=2-BKjnAgNgY http://www.youtube.com/watch?v=kQEBFCvVHMo http://www.youtube.com/watch?v=DY1pcEtHI_w
  • 9. “ Music is organized sound.”
  • 11.
  • 12. Seven Elements of Music: TEMPO* WHAT IS THE TEMPO OF THE FOLLOWING SONGS?
  • 13.
  • 14. Seven Elements of Music* 2. Rhythm : the duration of a series of notes, the way they group together into units
  • 15. Seven Elements of Music* 3. Tempo : the overall speed or pace of the piece
  • 16. Seven Elements of Music* 4. Contour : the overall shape of a melody, taking into account only the pattern of “up” and “down”
  • 17. Seven Elements of Music* 5. Timbre : the way a single instrument can change sound as it moves across its range; the “tonal color” produced in part by overtones from the instrument’s vibrations
  • 18. Seven Elements of Music* 6. Loudness : how much energy an instrument creates, or how much air it displaces; the amplitude of a tone
  • 19. Seven Elements of Music* 7. Reverberation : perception of how distant the source is from us in combination with how large a room or hall the music is in; sometimes called “echo” by laypeople
  • 20. Higher-Order Concepts of Music* 1. Melody : the main theme of a musical piece, the succession of tones that are most prominent in the mind (“sticks out” the most).
  • 21. Higher-Order Concepts of Music* 2. Harmony : the relationship between pitches of different tones; e.g., chord progressions, or clusters of notes that form a context and background on which the melody can rest
  • 22. Higher-Order Concepts of Music* 3. Meter : the ways in which tones are grouped with one another across time (e.g., waltz: groups of three, march: groups of four)
  • 23. Higher-Order Concepts of Music* 4. Key : the hierarchy of importance that exists between tones in a musical piece
  • 25.
  • 26.
  • 27.
  • 28.
  • 29.
  • 30.
  • 31.
  • 32.
  • 33. More Case Studies in Musical Expression
  • 34.
  • 36.
  • 38.
  • 39. The “Hard” History of Hip-Hop http://www.youtube.com/watch?v=Rk3U1iR3vfU
  • 40. Gathering Evidence While listening to or watching the following the clips, describe as accurately as possible the characteristics of hip-hop as a musical form.
  • 41. More Gathering of Evidence For 2-minutes, write down two arguments, one agreeing and the other disagreeing with the following proposition.
  • 42. GATHER IN GROUPS OF FIVE BASED ON YOUR NUMBER.
  • 43. Proposition Hip-hop is little more “than an updated face on the old-hat, crude, anti-humanistic values of hedonism (pleasure-seeking) and materialism (wealth-display).” “ There's nothing whatsoever that's seriously radical or progressive about hip-hop ideas and values.” Martin Kilson
  • 44. Debate ASSIGN ROLES In your group, count out loud up to the number 5.
  • 45.
  • 46.
  • 47.
  • 48. The Emergence of Electronic Music
  • 49. The Emergence of Electronic Music
  • 50. The Emergence of Electronic Music
  • 51.

Notes de l'éditeur

  1. Island Thrush (Birds) Duet Monkeys Humpback Whales Humpback Whales
  2. Island Thrush (Birds) Duet Monkeys Humpback Whales Humpback Whales
  3. Concert hall, shower
  4. Concert hall, shower
  5. Concert hall, shower
  6. Concert hall, shower
  7. Concert hall, shower
  8. Concert hall, shower
  9. Concert hall, shower
  10. Concert hall, shower
  11. 1. Can’t Get Enough of Your Love.
  12. Auditory and motor synchronization lead to beliefs in forces that transcend the individual, such as societies (2008: 57). War: What is it good for? Navajo Corn Grinding Song Native American tribes danced and sang in preparation for attack. Emotional/neurochemical excitement Singing, dancing, marching advantageous on battlefield “ war cry” Synchronous precise movement of Nazi armies Singing in harmony = impression of large numbers Sound over vision = travels in dark, around corners, can reach people visually obscured by trees Establishment of bonds of trust Collective tasks much easier to accompllish Chain gangs SOUND OFF (CADENCE COUNT) (DUCKWORTH CHANT)I don't know but I been toldKorean pussy's mighty coldSound off!One, two,Sound off!Three, four,Cadence count*One, two, three, fourOne, two, three,four.I don't know but I been toldAss is worth its weight in goldI got a gal in Kansas cityShe's got freckles on her tittyGot a gal in BaltimoreShe's got a red light on her door.Got a girl, lives on a hillSays she won't, but I know she will.If I die on the Russian front,Box me up with a Russian cunt.Got a gal all dressed in blackMakes her living on her back.Got a gal all dressed in redMakes a living in her bed.Got a gal, she's long and tall,Sleeps in the kitchen with her ass in the hall.I don't know, but it's been saidWest Point boys are good in bed.Every time you stamp yo' feetJody gets a piece of meat.Ain't no use in goin' homeJody's got yo' gal an' gone.
  13. Auditory and motor synchronization lead to beliefs in forces that transcend the individual, such as societies (2008: 57). War: What is it good for? Navajo Corn Grinding Song Native American tribes danced and sang in preparation for attack. Emotional/neurochemical excitement Singing, dancing, marching advantageous on battlefield “ war cry” Synchronous precise movement of Nazi armies Singing in harmony = impression of large numbers Sound over vision = travels in dark, around corners, can reach people visually obscured by trees Establishment of bonds of trust Collective tasks much easier to accompllish Chain gangs SOUND OFF (CADENCE COUNT) (DUCKWORTH CHANT)I don't know but I been toldKorean pussy's mighty coldSound off!One, two,Sound off!Three, four,Cadence count*One, two, three, fourOne, two, three,four.I don't know but I been toldAss is worth its weight in goldI got a gal in Kansas cityShe's got freckles on her tittyGot a gal in BaltimoreShe's got a red light on her door.Got a girl, lives on a hillSays she won't, but I know she will.If I die on the Russian front,Box me up with a Russian cunt.Got a gal all dressed in blackMakes her living on her back.Got a gal all dressed in redMakes a living in her bed.Got a gal, she's long and tall,Sleeps in the kitchen with her ass in the hall.I don't know, but it's been saidWest Point boys are good in bed.Every time you stamp yo' feetJody gets a piece of meat.Ain't no use in goin' homeJody's got yo' gal an' gone.
  14. Sounds joins the inner world to the outer world (2008: 84). – Sting Adaptations to enhance survival. Music is essentially psychedelic. Oxytocin: orgasm, bonding, mating, trust Serotonin: regulation of mood Dispelling Cortisol (stress hormone) Techno music: increased NE, GH, ACTH, b-EP) concentrations, improvements in immune function Music as a “coiled spring.” I Feel Good: James Brown Vikrit Recitation: Mantra, Trance States, Meditation
  15. Sounds joins the inner world to the outer world (2008: 84). – Sting Adaptations to enhance survival. Music is essentially psychedelic. Oxytocin: orgasm, bonding, mating, trust Serotonin: regulation of mood Dispelling Cortisol (stress hormone) Techno music: increased NE, GH, ACTH, b-EP) concentrations, improvements in immune function Music as a “coiled spring.”
  16. Sounds joins the inner world to the outer world (2008: 84). – Sting Adaptations to enhance survival. Music is essentially psychedelic. Oxytocin: orgasm, bonding, mating, trust Serotonin: regulation of mood Dispelling Cortisol (stress hormone) Techno music: increased NE, GH, ACTH, b-EP) concentrations, improvements in immune function Music as a “coiled spring.”
  17. Sounds joins the inner world to the outer world (2008: 84). – Sting Adaptations to enhance survival. Music is essentially psychedelic. Oxytocin: orgasm, bonding, mating, trust Serotonin: regulation of mood Dispelling Cortisol (stress hormone) Techno music: increased NE, GH, ACTH, b-EP) concentrations, improvements in immune function Music as a “coiled spring.”
  18. Sounds joins the inner world to the outer world (2008: 84). – Sting Adaptations to enhance survival. Music is essentially psychedelic. Oxytocin: orgasm, bonding, mating, trust Serotonin: regulation of mood Dispelling Cortisol (stress hormone) Techno music: increased NE, GH, ACTH, b-EP) concentrations, improvements in immune function Music as a “coiled spring.”
  19. Sounds joins the inner world to the outer world (2008: 84). – Sting Adaptations to enhance survival. Music is essentially psychedelic. Oxytocin: orgasm, bonding, mating, trust Serotonin: regulation of mood Dispelling Cortisol (stress hormone) Techno music: increased NE, GH, ACTH, b-EP) concentrations, improvements in immune function Music as a “coiled spring.”
  20. “ Imaginary Landscapes, No. 1,” written and performed by John Cage from Early Modulations, Vintage Volts. Electronic music written in 1939. Composer and music become fused; compare this with song 6. How much knowledge does the audience need to appreciate this? Discuss Milton Babbit’s Philomel in which he synthesizes the human voice to illustrate the story of Philomel (Ovid’s story of the woman who became a nightingale after being raped and having her tongue cut out.) Music less about emotions and more about meaning.
  21. “ Imaginary Landscapes, No. 1,” written and performed by John Cage from Early Modulations, Vintage Volts. Electronic music written in 1939. Composer and music become fused; compare this with song 6. How much knowledge does the audience need to appreciate this? Discuss Milton Babbit’s Philomel in which he synthesizes the human voice to illustrate the story of Philomel (Ovid’s story of the woman who became a nightingale after being raped and having her tongue cut out.) Music less about emotions and more about meaning.
  22. “ Imaginary Landscapes, No. 1,” written and performed by John Cage from Early Modulations, Vintage Volts. Electronic music written in 1939. Composer and music become fused; compare this with song 6. How much knowledge does the audience need to appreciate this? Discuss Milton Babbit’s Philomel in which he synthesizes the human voice to illustrate the story of Philomel (Ovid’s story of the woman who became a nightingale after being raped and having her tongue cut out.) Music less about emotions and more about meaning.
  23. “ Imaginary Landscapes, No. 1,” written and performed by John Cage from Early Modulations, Vintage Volts. Electronic music written in 1939. Composer and music become fused; compare this with song 6. How much knowledge does the audience need to appreciate this? Discuss Milton Babbit’s Philomel in which he synthesizes the human voice to illustrate the story of Philomel (Ovid’s story of the woman who became a nightingale after being raped and having her tongue cut out.) Music less about emotions and more about meaning.
  24. “ Imaginary Landscapes, No. 1,” written and performed by John Cage from Early Modulations, Vintage Volts. Electronic music written in 1939. Composer and music become fused; compare this with song 6. How much knowledge does the audience need to appreciate this? Discuss Milton Babbit’s Philomel in which he synthesizes the human voice to illustrate the story of Philomel (Ovid’s story of the woman who became a nightingale after being raped and having her tongue cut out.) Music less about emotions and more about meaning.
  25. “ Imaginary Landscapes, No. 1,” written and performed by John Cage from Early Modulations, Vintage Volts. Electronic music written in 1939. Composer and music become fused; compare this with song 6. How much knowledge does the audience need to appreciate this? Discuss Milton Babbit’s Philomel in which he synthesizes the human voice to illustrate the story of Philomel (Ovid’s story of the woman who became a nightingale after being raped and having her tongue cut out.) Music less about emotions and more about meaning.
  26. “ Imaginary Landscapes, No. 1,” written and performed by John Cage from Early Modulations, Vintage Volts. Electronic music written in 1939. Composer and music become fused; compare this with song 6. How much knowledge does the audience need to appreciate this? Discuss Milton Babbit’s Philomel in which he synthesizes the human voice to illustrate the story of Philomel (Ovid’s story of the woman who became a nightingale after being raped and having her tongue cut out.) Music less about emotions and more about meaning.
  27. “ Imaginary Landscapes, No. 1,” written and performed by John Cage from Early Modulations, Vintage Volts. Electronic music written in 1939. Composer and music become fused; compare this with song 6. How much knowledge does the audience need to appreciate this? Discuss Milton Babbit’s Philomel in which he synthesizes the human voice to illustrate the story of Philomel (Ovid’s story of the woman who became a nightingale after being raped and having her tongue cut out.) Music less about emotions and more about meaning.
  28. “ Imaginary Landscapes, No. 1,” written and performed by John Cage from Early Modulations, Vintage Volts. Electronic music written in 1939. Composer and music become fused; compare this with song 6. How much knowledge does the audience need to appreciate this? Discuss Milton Babbit’s Philomel in which he synthesizes the human voice to illustrate the story of Philomel (Ovid’s story of the woman who became a nightingale after being raped and having her tongue cut out.) Music less about emotions and more about meaning.
  29. “ Imaginary Landscapes, No. 1,” written and performed by John Cage from Early Modulations, Vintage Volts. Electronic music written in 1939. Composer and music become fused; compare this with song 6. How much knowledge does the audience need to appreciate this? Discuss Milton Babbit’s Philomel in which he synthesizes the human voice to illustrate the story of Philomel (Ovid’s story of the woman who became a nightingale after being raped and having her tongue cut out.) Music less about emotions and more about meaning.
  30. “ Imaginary Landscapes, No. 1,” written and performed by John Cage from Early Modulations, Vintage Volts. Electronic music written in 1939. Composer and music become fused; compare this with song 6. How much knowledge does the audience need to appreciate this? Discuss Milton Babbit’s Philomel in which he synthesizes the human voice to illustrate the story of Philomel (Ovid’s story of the woman who became a nightingale after being raped and having her tongue cut out.) Music less about emotions and more about meaning.
  31. “ Imaginary Landscapes, No. 1,” written and performed by John Cage from Early Modulations, Vintage Volts. Electronic music written in 1939. Composer and music become fused; compare this with song 6. How much knowledge does the audience need to appreciate this? Discuss Milton Babbit’s Philomel in which he synthesizes the human voice to illustrate the story of Philomel (Ovid’s story of the woman who became a nightingale after being raped and having her tongue cut out.) Music less about emotions and more about meaning.
  32. “ Imaginary Landscapes, No. 1,” written and performed by John Cage from Early Modulations, Vintage Volts. Electronic music written in 1939. Composer and music become fused; compare this with song 6. How much knowledge does the audience need to appreciate this? Discuss Milton Babbit’s Philomel in which he synthesizes the human voice to illustrate the story of Philomel (Ovid’s story of the woman who became a nightingale after being raped and having her tongue cut out.) Music less about emotions and more about meaning.