DDoS In Oceania and the Pacific, presented by Dave Phelan at NZNOG 2024
Diogen no 61 gordan cosic
1. www.diogenpro.com Year VII - Issue Broj 61 December 2015
DIOGEN pro
culture magazine
...
a month for
DIOGEN artist ...
and you ...
Featuring artist:
Gordan Ćosić
Serbia
ISSN 2296-0937 (print)
ISSN 2296-0929 (online)
2. PAGE 2 DIOGENPAGE 2 - NO 61 DIOGEN
http://www.diogenpro.com/all-issues_svi-brojevi.html
3. PAGE 3 DIOGENPAGE 3 - NO 61 DIOGEN
ONLINE AND PRINT EDITION....ONLINE i PRINT EDICIJA –On the cover page art—Gordan Ćosić
5. NO.61 PAGE 5NO.61 PAGE 5
Abstraktnost jednostavnosti
Igra svjetlosti uz otisak osjetilnih
spoznaja usmjerenih prirodnom
okruženju civilizacije čovjeka danas i
ovdje, ali i reflektivnost umijeća ka
razumijevanju popratnih odsjaja. Da,
predmeti, flora i fauna su objedinjujući
mozaik traženja odgovora unutar
mikrokosmosa okruženja autora Gordana
Ćosića. Ono što njegovu fotografiju čini
drugačijom je abstraktnost jednostavnosti,
iako očekivana, naizgled pretpostavljena,
poslije „iščitavanja“ se predstavlja kao
ogoljeni bljesak realiteta u kojem živimo.
Iako ovakve fotografije mogu nastati u bilo
kojem dijelu ex-Yu, ove nastale u okruženju
njegovog Užica su odgovarajući simboli
neprestanog traženja alternative i
razumijevanja prostora i vremena u kojem
živimo.
Ponekad i sa satiričnim otklonom, fokusom
na banalne objekte i pojavnosti, Gordan
nam dočarava senzibilitet svakodnevnice,
unutar sva četiri godišnja doba na prostoru
unutar kojeg djeluje njegov foto-aparat.
Zaustavljajući vrijeme on stvara buduće
filmove kreacije i svaka od fotografije nije
samo kratka priča, oblik pokreta ili
stvaranja. Ne, bilo koju fotografiju da
pogledate, pred vama se otvaraju
mogućnosti novih kreacija, promišljanja i
činjenja.
Zar to i nije cilj svakog umjetnika? Probuditi
buduće kreacije u nama,
(p)osmatračima. Jer i ljepota
umjetničke fotografije i jeste u
očima (p)osmatrača. Ovdje i sada.
Riječ urednika
Gl. i odg. urednik
Mr.sc. Sabahudin Hadžialić
Decembar / Prosinac 2015
Abstract of simplicity
The game of lights along with the
footprint of sensory knowledge-
oriented towards natural environment
of human civilization today and here,
but also the reflectivity of the artistry
to understand the concurrent glare. Yes,
objects, flora and fauna are combining
mosaic fot the seeking of answers within the
microcosmos of Gordan Ćosić, the author’s
environment. What the photo makes different
is the abstract of simplicity, though expected,
apparently assumed, after "reading through"
is presented as a bare flash of reality within
which we are living. While these photos may
occur in any part of ex-Yu, those cretaed
within the nevironment of his city of Užice are
the adequate symbols of the constant search
for alternatives and understandings of space
and time in which we live.
Sometimes with satirical variance, focusing
on trivial objects and appearances, Gordan
paints a sensibility of everyday life, within all
four seasons in the territory in which his
camera operates. Through stopping of time
he creates a future movie creations and each
of the photograph is not only a short story, a
form of movement or creation. No, any photo
that you look at, in front of you open up the
possibility of new creation, thinking and
doing.
Is that not the goal of every artist? To awake
future creations in us, spotters (observers)
Because the beauty of art
photography and is in the eyes of
spotters (observers). Here and now.
Editor’s word
Editor in chief
Sabahudin Hadžialić, MSc
December 2015