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PRACTICING SPACE Prem Chandavarkar Space Collab 2 4 November 2009
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PLACE  PATH  DOMAIN
PLACE: A “boundary”, a “centre” and a “spirit”
 
 
 
 
 
PATH: A “way” and a “goal”
 
 
 
DOMAIN: A conglomeration of paths and goals that forms a “whole” with its own “identity”
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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Art as luxury object
 
The question ‘What is your book about?’ has always puzzled me.  It is about itself and if I could condense it into other words I should not have taken such care to choose the words I did   Jeanette Winterson: “Art Objects – Essays in Ecstacy and Effrontery”
The role of the artist is to see life clearly, and see it whole, and give to these airy nothings a local habitation and a name   Faiz Ahmed Faiz
 
 
 
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[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
 
 
 
 
 
 
 
 
 
 
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Non-Local Geographies: Timeless Time in Spaceless Space – The Space of Flows
Spaces Emptied of Time
Spaces Differentiated by Time
Spaces Fixed in Time
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[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
The schizo (he who possesses).....too great a proximity of everything, the unclean promiscuity of everything which touches, invests and penetrates without resistance, with no halo of private protection, not even his own body, to protect him anymore.  The schizo is berefit of every scene, open to everything in spite of himself, living in the greatest confusion. He is himself obscene, the obscene prey of the world's obscenity.  What characterises him is less the loss of the real, the light years of estrangement from the real, the pathos of distance and radical separation, as is commonly said, but very much to the contrary, the absolute proximity, the total instantaneity of things, the feeling of no defence, no retreat.  It is the end of interiority and intimacy, the overexposure and transparency of the world which traverses him without obstacle.  He can no longer produce the limits of his own being, can no longer play or stage himself, can no longer produce himself as mirror.  He is now only pure screen, a switching centre for the networks of influence.  Jean Baudrillard
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Practicing Space

  • 1. PRACTICING SPACE Prem Chandavarkar Space Collab 2 4 November 2009
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  • 21. PATH: A “way” and a “goal”
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  • 90. Art as luxury object
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  • 92. The question ‘What is your book about?’ has always puzzled me. It is about itself and if I could condense it into other words I should not have taken such care to choose the words I did Jeanette Winterson: “Art Objects – Essays in Ecstacy and Effrontery”
  • 93. The role of the artist is to see life clearly, and see it whole, and give to these airy nothings a local habitation and a name Faiz Ahmed Faiz
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  • 111. Non-Local Geographies: Timeless Time in Spaceless Space – The Space of Flows
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  • 120. The schizo (he who possesses).....too great a proximity of everything, the unclean promiscuity of everything which touches, invests and penetrates without resistance, with no halo of private protection, not even his own body, to protect him anymore. The schizo is berefit of every scene, open to everything in spite of himself, living in the greatest confusion. He is himself obscene, the obscene prey of the world's obscenity. What characterises him is less the loss of the real, the light years of estrangement from the real, the pathos of distance and radical separation, as is commonly said, but very much to the contrary, the absolute proximity, the total instantaneity of things, the feeling of no defence, no retreat. It is the end of interiority and intimacy, the overexposure and transparency of the world which traverses him without obstacle. He can no longer produce the limits of his own being, can no longer play or stage himself, can no longer produce himself as mirror. He is now only pure screen, a switching centre for the networks of influence. Jean Baudrillard
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