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Economics 911: The economics of digitizing cultural collections Simon Tanner Director King’s Digital Consultancy Services King’s College London [email_address]
King’s College London: www.digitalconsultancy.net
Centre for Computing in the Humanities (CCH) www.cch.kcl.ac.uk/research/projects/
The nature of projects/programmes now  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Introduction ,[object Object],[object Object],[object Object],[object Object]
Cost Factors ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Human cost factors – central thesis ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Cost Reduction in Digitisation http://www.minervaeurope.org/publications/costreduction.htm
Cost matrix of potential factors
Reducing human cost factors ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Reducing human cost factors ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The continuing importance of humans! ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object]
1 st  Top Tip for Success ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
2 nd  Top Tip for Success ,[object Object],[object Object],[object Object],[object Object]
3 rd  Top Tip for Success ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
4 th  Top Tip for Success ,[object Object],[object Object],[object Object],[object Object],[object Object]
5 th  Top Tip for Success ,[object Object],[object Object],[object Object]

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Simon Tanner - MCN 2009 presentation

Notes de l'éditeur

  1. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  2. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  3. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  4. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  5. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  6. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  7. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  8. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  9. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  10. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  11. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  12. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.
  13. Besides copyright, are there other risks in using existing materials without permission? A copyrighted work may embody other property or personal rights or interest of third parties. Such rights include trademarks, patent, moral rights, rights of publicity and privacy. Other risks may flow from materials raising claims of: libel, defamation or slander; misrepresentation or negligent misstatements; pornography, obscenity or indecency; or breach of contract.