Elements Of Fiction

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The document defines key elements of fiction, including author's purpose, characters, setting, point of view, plot, theme, and symbolism. It explains that characters can be protagonists, antagonists, static or dynamic. Plot involves exposition, rising action, climax, falling action, and resolution. The purpose is to inform the reader about techniques authors use to develop stories.

Technologie Divertissement et humour

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Characters, continued ,[object Object],[object Object],Flat – very few personality traits, do not change throughout the story, sometimes can be symbols or stereotypes Round – convincing and true to life, many different personality traits, usually undergo a change during the story

Point of View ,[object Object],[object Object],[object Object]

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Symbolism -An image/object in a story that is used repeatedly and carries a deeper meaning. Universal Symbols: water = purity black clouds = evil approaching

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Elements of Fiction Analysis Character The purpose of literature is not to simply reveal information, but to reveal something about the characters and their lives – to reveal the human condition. The protagonist is the central character, or hero, and is considered dynamic. In other words, the character grows as a person, learns a vital lesson, or becomes something else. A static character, despite credibility, does not change in the story. Point of View (POV) Stories are told from the point of view of a narrator. When the narrator is a character it is referred to as first-person narration. If we have reason to doubt the information we are getting, we call the narrator unreliable. In third person narration, the narrator can have omniscience (all-knowing) or limited omniscience (narrator tells us the feelings/thoughts of only one character). Stream of consciousness narration shows us the continuous stream of inner feelings and thoughts of one character. Plot & Conflict Plot is a linked chain of events. A narrator may present these events out of chronological order through a flashback. A complication in the character’s lives introduces the story’s conflict, which occurs when the protagonist struggles against an antagonist or opposing force. There are four different kinds of conflict: Person-against-self - an internal conflict of feelings. Person-against-person - the typical protagonist vs. antagonist scenario. Person-against-society - the protagonist battles against the larger organizations of society (or a system of beliefs held by society). Person-against-nature - the protagonist is threatened by a component of nature. The chain of events, known as the rising action, builds to a climax, the point in a story where the conflict is decided. Sometimes a writer will use the technique of foreshadowing by planting clues about the outcome or about conflict that will occur later in the story. Following the climax is a resolution, or denouement. In a closed ending, loose ends are tied up – the fate and perhaps the future of the characters is revealed. An open ending does not offer a complete resolution – the reader is left to imagine the fate of the characters. Theme Theme in literature is the idea that holds the story together, such as a comment about society, human nature, or the human condition. It is the main idea or central meaning of a piece of writing. Symbol/Motif The writer may use a symbol, a person, object, situation, or action that operates on two levels of meaning. A motif is an image, object, character, situation, theme, or word that the writer uses repeatedly throughout a story – many times it carries a symbolic meaning. Setting Setting is the locale in which you find the characters. Description of setting can establish the atmosphere, mood, or tone of the story, the emotional state the writer wants you to be in while you read the story. ...

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This home work is for the story by Flannery O"Connor, A Good Man Is Hard To Find. As we study and discuss the story in class we learn about the power of a narrator, the carefully created traits of supporting characters, the power of setting and how the author uses these tools to describe the chosen theme. This two page paper asks you to focus on making a connection between a (one) literary term and the primary text. This paper is short, hence ONE very specific aspect of the text must be chosen to discuss. The term you choose must be explained in detail. The necessity, presence, and relevance of this aspect throughout the story must be shown clearly. These are the terms Plot – The structure of the action; the meaningful manipulation of the action; one aspect of the total design of the story. Action – NOT a single event (boring!), but rather a series of events having unity and significance . Narration – To narrate is to tell a story, to tell what happened. Always be mindful of who the narrator is, where we are getting the story from. Is our narrator reliable? Trustworthy? Damaged? Be mindful when reading texts chosen for this course to pay attention to when narration shifts . Theme – Not to be thought of as merely the topic of the story. It is what is made of the topic. It is the idea, the significance, the interpretation of persons and events in the total narrative. It is what we (as the reader) are to make of the human experience rendered in the story – always involving, (directly or indirectly) some comment on values in human nature and conduct. Symbol – An object, character, or incident that stands for something else, or suggests something else. The crown, the cross, or the flag are conventional symbols, but the symbols we are concerned with in these texts are not conventional. In fiction an author must make use of symbols at some level, not everything can be spelled out for us! Foreshadowing – (my favorite ‘f’ word) – The process of giving the reader a hint or clue of some event which is to follow late in the action. We (the reader) cannot make a blind leap, there must be some reasonable connection between the events – it may not be revealed as soon as we’d like, but it must be a logical connection. Characters – Characters are not real people! Be careful not to get too caught up with asking yourself whether or not you like this person, whether you’d hang out with them, or shouting at them to make better decisions. Pay attention to character traits and what they reveal about them; how they interact with other characters (and what that reveals), and what action or symbols are expressed through either characters alone of their involvement with others. Setting – The setting of a text is very relevant to all of the above; the traits of characters and how they interact with others; what kind of action can take place and when; they type of symbols that are present, and the theme, what message the author .

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